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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 83 243 it is the complementary color RGB 143 172 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 83 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 83 243 shade: RGB 117 83 238, RGB 134 101 255, RGB 151 119 255, RGB 168 137 255 and RGB 185 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 83 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 95 65 224, RGB 78 47 205, RGB 61 29 186 and RGB 44 11 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 155 83 243, RGB 198 83 243, RGB 241 83 243 and RGB 243 83 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 83 243 shade: RGB 112 83 243 and RGB 83 83 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 83 243 shade matches the following richer shades: RGB 112 83 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 121 98 228, RGB 131 113 213, RGB 140 127 198 and RGB 150 142 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 83 243 shade: RGB 83 141 243, RGB 83 99 243, RGB 109 83 243, RGB 152 83 243 and RGB 195 83 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 83 243 shade: RGB 54 15 228, RGB 80 44 240, RGB 112 83 243, RGB 144 121 245 and RGB 176 160 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 243 83 184 and RGB 120 243 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 243 109 83 and RGB 83 243 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 243 83 184, RGB 216 243 83 and RGB 83 243 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 83 243 shade: RGB 112 83 243, RGB 243 83 136, RGB 216 243 83 and RGB 83 243 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

Complementary color

CMYK 17 / 0 / 93 / 33

HEX #8FAC0C

RGB 143 172 12

HSL 70.88, 0.87%, 0.36%

LAB 66.04, -28.42, 66.2

 

CMYK 51 / 65 / 0 / 7

HEX #7553EE

RGB 117 83 238

HSL 253.16, 0.82%, 0.63%

LAB 47.16, 51.76, -73.54

 

CMYK 47 / 60 / 0 / 0

HEX #8665FF

RGB 134 101 255

HSL 252.86, 1%, 0.7%

LAB 53.6, 49.78, -72.49

 

CMYK 41 / 53 / 0 / 0

HEX #9777FF

RGB 151 119 255

HSL 254.12, 1%, 0.73%

LAB 58.97, 43.29, -63.75

 

CMYK 34 / 46 / 0 / 0

HEX #A889FF

RGB 168 137 255

HSL 255.76, 1%, 0.77%

LAB 64.51, 37.23, -54.8

 

CMYK 27 / 39 / 0 / 0

HEX #B99BFF

RGB 185 155 255

HSL 258, 1%, 0.8%

LAB 70.16, 31.65, -45.79

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 58 / 71 / 0 / 12

HEX #5F41E0

RGB 95 65 224

HSL 251.32, 0.72%, 0.57%

LAB 40.57, 53.9, -76.47

 

CMYK 62 / 77 / 0 / 20

HEX #4E2FCD

RGB 78 47 205

HSL 251.77, 0.63%, 0.49%

LAB 34.11, 55.28, -76.21

 

CMYK 67 / 84 / 0 / 27

HEX #3D1DBA

RGB 61 29 186

HSL 252.23, 0.73%, 0.42%

LAB 27.89, 56.15, -75.38

 

CMYK 74 / 93 / 0 / 35

HEX #2C0BA7

RGB 44 11 167

HSL 252.69, 0.88%, 0.35%

LAB 22.18, 55.78, -73.51

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 36 / 66 / 0 / 5

HEX #9B53F3

RGB 155 83 243

HSL 267, 0.87%, 0.64%

LAB 51.41, 60.1, -69.26

 

CMYK 19 / 66 / 0 / 5

HEX #C653F3

RGB 198 83 243

HSL 283.13, 0.87%, 0.64%

LAB 56.75, 68.96, -60.39

 

CMYK 1 / 66 / 0 / 5

HEX #F153F3

RGB 241 83 243

HSL 299.25, 0.87%, 0.64%

LAB 62.81, 78.34, -50.36

 

CMYK 0 / 66 / 17 / 5

HEX #F353C9

RGB 243 83 201

HSL 315.75, 0.87%, 0.64%

LAB 61.18, 72.54, -29.31

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 47 / 57 / 0 / 11

HEX #7962E4

RGB 121 98 228

HSL 250.62, 0.71%, 0.64%

LAB 49.98, 41.24, -63.32

 

CMYK 38 / 47 / 0 / 16

HEX #8371D5

RGB 131 113 213

HSL 250.8, 0.54%, 0.64%

LAB 53.43, 30.54, -49.26

 

CMYK 29 / 36 / 0 / 22

HEX #8C7FC6

RGB 140 127 198

HSL 250.99, 0.38%, 0.64%

LAB 56.91, 20.77, -35.21

 

CMYK 18 / 22 / 0 / 28

HEX #968EB7

RGB 150 142 183

HSL 251.71, 0.22%, 0.64%

LAB 61, 11.52, -20.32

 

CMYK 66 / 42 / 0 / 5

HEX #538DF3

RGB 83 141 243

HSL 218.25, 0.87%, 0.64%

LAB 59.31, 13.05, -56.83

 

CMYK 66 / 59 / 0 / 5

HEX #5363F3

RGB 83 99 243

HSL 234, 0.87%, 0.64%

LAB 48.55, 38.69, -74.18

 

CMYK 55 / 66 / 0 / 5

HEX #6D53F3

RGB 109 83 243

HSL 249.75, 0.87%, 0.64%

LAB 46.85, 51.88, -76.87

 

CMYK 37 / 66 / 0 / 5

HEX #9853F3

RGB 152 83 243

HSL 265.88, 0.87%, 0.64%

LAB 51.07, 59.52, -69.82

 

CMYK 20 / 66 / 0 / 5

HEX #C353F3

RGB 195 83 243

HSL 282, 0.87%, 0.64%

LAB 56.35, 68.32, -61.05

 

CMYK 76 / 93 / 0 / 11

HEX #360FE4

RGB 54 15 228

HSL 250.99, 0.88%, 0.48%

LAB 31.18, 70.96, -94.4

 

CMYK 67 / 82 / 0 / 6

HEX #502CF0

RGB 80 44 240

HSL 251.02, 0.87%, 0.56%

LAB 37.48, 66.58, -90.7

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 41 / 51 / 0 / 4

HEX #9079F5

RGB 144 121 245

HSL 251.13, 0.86%, 0.72%

LAB 58.22, 37.84, -59.45

 

CMYK 29 / 35 / 0 / 3

HEX #B0A0F8

RGB 176 160 248

HSL 250.91, 0.86%, 0.8%

LAB 70.28, 24.66, -41.85

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 0 / 66 / 24 / 5

HEX #F353B8

RGB 243 83 184

HSL 322.13, 0.87%, 0.64%

LAB 60.52, 70.3, -20.63

 

CMYK 51 / 0 / 66 / 5

HEX #78F353

RGB 120 243 83

HSL 106.13, 0.87%, 0.64%

LAB 86.36, -62.34, 64.21

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 0 / 55 / 66 / 5

HEX #F36D53

RGB 243 109 83

HSL 9.75, 0.87%, 0.64%

LAB 62.18, 49.77, 39.51

 

CMYK 66 / 0 / 55 / 5

HEX #53F36D

RGB 83 243 109

HSL 129.75, 0.87%, 0.64%

LAB 85.53, -68.05, 51.95

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 0 / 66 / 24 / 5

HEX #F353B8

RGB 243 83 184

HSL 322.13, 0.87%, 0.64%

LAB 60.52, 70.3, -20.63

 

CMYK 11 / 0 / 66 / 5

HEX #D8F353

RGB 216 243 83

HSL 70.13, 0.87%, 0.64%

LAB 91.38, -29.38, 71.01

 

CMYK 66 / 0 / 42 / 5

HEX #53F38D

RGB 83 243 141

HSL 141.75, 0.87%, 0.64%

LAB 85.94, -63.37, 37.24

 

CMYK 54 / 66 / 0 / 5

HEX #7053F3

RGB 112 83 243

HSL 250.88, 0.87%, 0.64%

LAB 47.11, 52.36, -76.45

 

CMYK 0 / 66 / 44 / 5

HEX #F35388

RGB 243 83 136

HSL 340.13, 0.87%, 0.64%

LAB 58.99, 65.01, 4.96

 

CMYK 11 / 0 / 66 / 5

HEX #D8F353

RGB 216 243 83

HSL 70.13, 0.87%, 0.64%

LAB 91.38, -29.38, 71.01

 

CMYK 66 / 0 / 22 / 5

HEX #53F3BD

RGB 83 243 189

HSL 159.75, 0.87%, 0.64%

LAB 86.81, -54.01, 14

 

Description

Color code: RGB 112 83 243 | qconv.com Color code: RGB 112 83 243 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 83 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 83 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 66 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 66% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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