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Color name
HEX #F05729

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F05729 it is the complementary color #0FA8D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F05729. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F05729 shade: #F55724, #FF6937, #FF7B4A, #FF8D5D and #FF9F70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F05729. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F05729 shade: #F05729, #DF4516, #CE3303, #BD2100 and #AC0F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F05729 shade: #F05628 and #F02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F05729 shade: #F05628, #F08C28, #F0C228, #E8F028 and #B2F028

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F05729 shade matches the following richer shades: #F05628

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F05729 shade: #F05628, #DD603A, #CA6A4D, #B87460 and #A57E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F05729 shade: #F02867, #F02832, #F05328, #F08828 and #F0BE28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F05729 shade: #B9340C, #DF3F0F, #F05628, #F2744E and #F59375

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F05729 shade: #F05729, #9CF028 and #284DF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F05729 shade: #F05729, #28F053 and #5328F0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F05729 shade: #F05729, #9CF028, #28C4F0 and #7B28F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F05729 shade: #F05729, #60F028, #28C4F0 and #B728F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 83 / 6

HEX #F05729

RGB 240 87 41

HSL 13.87, 0.87%, 0.55%

LAB 57.56, 56.82, 55.57

 

Complementary color

CMYK 93 / 21 / 0 / 16

HEX #0FA8D6

RGB 15 168 214

HSL 193.87, 0.87%, 0.45%

LAB 64.13, -19.42, -33.29

 

CMYK 0 / 64 / 85 / 4

HEX #F55724

RGB 245 87 36

HSL 14.64, 0.91%, 0.55%

LAB 58.37, 58.39, 58.7

 

CMYK 0 / 59 / 78 / 0

HEX #FF6937

RGB 255 105 55

HSL 15, 1%, 0.61%

LAB 63.04, 54.63, 55.24

 

CMYK 0 / 52 / 71 / 0

HEX #FF7B4A

RGB 255 123 74

HSL 16.24, 1%, 0.65%

LAB 66.46, 47.01, 49.59

 

CMYK 0 / 45 / 64 / 0

HEX #FF8D5D

RGB 255 141 93

HSL 17.78, 1%, 0.68%

LAB 70.25, 39.12, 44.25

 

CMYK 0 / 38 / 56 / 0

HEX #FF9F70

RGB 255 159 112

HSL 19.72, 1%, 0.72%

LAB 74.33, 31.19, 39.35

 

CMYK 0 / 64 / 83 / 6

HEX #F05729

RGB 240 87 41

HSL 13.87, 0.87%, 0.55%

LAB 57.56, 56.82, 55.57

 

CMYK 0 / 69 / 90 / 13

HEX #DF4516

RGB 223 69 22

HSL 14.03, 0.82%, 0.48%

LAB 51.84, 57.96, 57.26

 

CMYK 0 / 75 / 99 / 19

HEX #CE3303

RGB 206 51 3

HSL 14.19, 0.97%, 0.41%

LAB 46.31, 58.71, 57.71

 

CMYK 0 / 83 / 100 / 26

HEX #BD2100

RGB 189 33 0

HSL 10.48, 1%, 0.37%

LAB 41.07, 58.81, 54.34

 

CMYK 0 / 91 / 100 / 33

HEX #AC0F00

RGB 172 15 0

HSL 5.23, 1%, 0.34%

LAB 36.2, 57.73, 50.21

 

CMYK 0 / 64 / 83 / 6

HEX #F05628

RGB 240 86 40

HSL 13.8, 0.87%, 0.55%

LAB 57.4, 57.21, 55.86

 

CMYK 0 / 83 / 83 / 6

HEX #F02828

RGB 240 40 40

HSL 0, 0.87%, 0.55%

LAB 52.06, 71.98, 51.13

 

CMYK 0 / 64 / 83 / 6

HEX #F05628

RGB 240 86 40

HSL 13.8, 0.87%, 0.55%

LAB 57.4, 57.21, 55.86

 

CMYK 0 / 42 / 83 / 6

HEX #F08C28

RGB 240 140 40

HSL 30, 0.87%, 0.55%

LAB 67.6, 31.34, 64.7

 

CMYK 0 / 19 / 83 / 6

HEX #F0C228

RGB 240 194 40

HSL 46.2, 0.87%, 0.55%

LAB 80.33, 2.99, 75.46

 

CMYK 3 / 0 / 83 / 6

HEX #E8F028

RGB 232 240 40

HSL 62.4, 0.87%, 0.55%

LAB 91.52, -23.33, 84.52

 

CMYK 26 / 0 / 83 / 6

HEX #B2F028

RGB 178 240 40

HSL 78.6, 0.87%, 0.55%

LAB 87.94, -44.65, 80.06

 

CMYK 0 / 64 / 83 / 6

HEX #F05628

RGB 240 86 40

HSL 13.8, 0.87%, 0.55%

LAB 57.4, 57.21, 55.86

 

CMYK 0 / 64 / 83 / 6

HEX #F05628

RGB 240 86 40

HSL 13.8, 0.87%, 0.55%

LAB 57.4, 57.21, 55.86

 

CMYK 0 / 57 / 74 / 13

HEX #DD603A

RGB 221 96 58

HSL 13.99, 0.71%, 0.55%

LAB 56.13, 46.67, 44.97

 

CMYK 0 / 48 / 62 / 21

HEX #CA6A4D

RGB 202 106 77

HSL 13.92, 0.54%, 0.55%

LAB 55.48, 35.51, 33.28

 

CMYK 0 / 37 / 48 / 28

HEX #B87460

RGB 184 116 96

HSL 13.64, 0.38%, 0.55%

LAB 55.61, 24.52, 22.22

 

CMYK 0 / 24 / 31 / 35

HEX #A57E72

RGB 165 126 114

HSL 14.12, 0.22%, 0.55%

LAB 56.22, 13.33, 12.36

 

CMYK 0 / 83 / 57 / 6

HEX #F02867

RGB 240 40 103

HSL 341.1, 0.87%, 0.55%

LAB 52.97, 74.7, 16.03

 

CMYK 0 / 83 / 79 / 6

HEX #F02832

RGB 240 40 50

HSL 357, 0.87%, 0.55%

LAB 52.14, 72.24, 46.03

 

CMYK 0 / 65 / 83 / 6

HEX #F05328

RGB 240 83 40

HSL 12.9, 0.87%, 0.55%

LAB 56.94, 58.44, 55.46

 

CMYK 0 / 43 / 83 / 6

HEX #F08828

RGB 240 136 40

HSL 28.8, 0.87%, 0.55%

LAB 66.74, 33.42, 63.96

 

CMYK 0 / 21 / 83 / 6

HEX #F0BE28

RGB 240 190 40

HSL 45, 0.87%, 0.55%

LAB 79.33, 5.07, 74.62

 

CMYK 0 / 72 / 94 / 27

HEX #B9340C

RGB 185 52 12

HSL 13.87, 0.88%, 0.39%

LAB 42.46, 51.75, 50.85

 

CMYK 0 / 72 / 93 / 13

HEX #DF3F0F

RGB 223 63 15

HSL 13.85, 0.87%, 0.47%

LAB 51.01, 60.06, 58.91

 

CMYK 0 / 64 / 83 / 6

HEX #F05628

RGB 240 86 40

HSL 13.8, 0.87%, 0.55%

LAB 57.4, 57.21, 55.86

 

CMYK 0 / 52 / 68 / 5

HEX #F2744E

RGB 242 116 78

HSL 13.9, 0.86%, 0.63%

LAB 63.28, 45.78, 43.43

 

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

CMYK 0 / 64 / 83 / 6

HEX #F05729

RGB 240 87 41

HSL 13.87, 0.87%, 0.55%

LAB 57.56, 56.82, 55.57

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 68 / 0 / 6

HEX #284DF0

RGB 40 77 240

HSL 228.9, 0.87%, 0.55%

LAB 41.3, 46.7, -84.46

 

CMYK 0 / 64 / 83 / 6

HEX #F05729

RGB 240 87 41

HSL 13.87, 0.87%, 0.55%

LAB 57.56, 56.82, 55.57

 

CMYK 83 / 0 / 65 / 6

HEX #28F053

RGB 40 240 83

HSL 132.9, 0.87%, 0.55%

LAB 83.65, -76, 60.74

 

CMYK 65 / 83 / 0 / 6

HEX #5328F0

RGB 83 40 240

HSL 252.9, 0.87%, 0.55%

LAB 37.2, 68.34, -91.15

 

CMYK 0 / 64 / 83 / 6

HEX #F05729

RGB 240 87 41

HSL 13.87, 0.87%, 0.55%

LAB 57.56, 56.82, 55.57

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 18 / 0 / 6

HEX #28C4F0

RGB 40 196 240

HSL 193.2, 0.87%, 0.55%

LAB 73.69, -23.68, -32.67

 

CMYK 49 / 83 / 0 / 6

HEX #7B28F0

RGB 123 40 240

HSL 264.9, 0.87%, 0.55%

LAB 41.25, 72.12, -84.33

 

CMYK 0 / 64 / 83 / 6

HEX #F05729

RGB 240 87 41

HSL 13.87, 0.87%, 0.55%

LAB 57.56, 56.82, 55.57

 

CMYK 60 / 0 / 83 / 6

HEX #60F028

RGB 96 240 40

HSL 103.2, 0.87%, 0.55%

LAB 84.46, -70.04, 75.68

 

CMYK 83 / 18 / 0 / 6

HEX #28C4F0

RGB 40 196 240

HSL 193.2, 0.87%, 0.55%

LAB 73.69, -23.68, -32.67

 

CMYK 24 / 83 / 0 / 6

HEX #B728F0

RGB 183 40 240

HSL 282.9, 0.87%, 0.55%

LAB 49.35, 80.15, -70.76

 

Description

Color code: HEX #F05729 | qconv.com Color code: HEX #F05729 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 87 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 87 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 83% 6% C M Y K

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Provide designers and agencies with accurate color values.

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