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Color name
RGB 156 240 40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 240 40 it is the complementary color RGB 99 15 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 240 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 240 40 shade: RGB 161 240 35, RGB 178 255 54, RGB 195 255 73, RGB 212 255 92 and RGB 229 255 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 240 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 139 222 21, RGB 122 204 2, RGB 105 186 0 and RGB 88 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 210 240 40, RGB 240 216 40, RGB 240 162 40 and RGB 240 108 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 102 240 40, RGB 48 240 40, RGB 40 240 86 and RGB 40 240 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 240 40 shade matches the following richer shades: RGB 156 240 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 153 221 58, RGB 150 202 77, RGB 147 184 96 and RGB 144 165 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 240 40 shade: RGB 240 216 40, RGB 210 240 40, RGB 156 240 40, RGB 103 240 40 and RGB 50 240 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 240 40 shade: RGB 112 185 12, RGB 136 223 15, RGB 156 240 40, RGB 173 242 78 and RGB 191 245 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 40 240 163 and RGB 240 40 236

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 40 156 240 and RGB 240 40 156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 40 240 163, RGB 123 40 240 and RGB 240 40 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 240 40 shade: RGB 156 240 40, RGB 40 240 223, RGB 123 40 240 and RGB 240 40 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

Complementary color

CMYK 54 / 93 / 0 / 16

HEX #630FD7

RGB 99 15 215

HSL 265.2, 0.87%, 0.45%

LAB 33.77, 70.35, -82.49

 

CMYK 33 / 0 / 85 / 6

HEX #A1F023

RGB 161 240 35

HSL 83.12, 0.87%, 0.54%

LAB 87.01, -50.97, 79.95

 

CMYK 30 / 0 / 79 / 0

HEX #B2FF36

RGB 178 255 54

HSL 82.99, 1%, 0.61%

LAB 92.24, -50.45, 80.46

 

CMYK 24 / 0 / 71 / 0

HEX #C3FF49

RGB 195 255 73

HSL 79.78, 1%, 0.64%

LAB 93.28, -43.38, 76.05

 

CMYK 17 / 0 / 64 / 0

HEX #D4FF5C

RGB 212 255 92

HSL 75.83, 1%, 0.68%

LAB 94.44, -35.86, 70.67

 

CMYK 10 / 0 / 56 / 0

HEX #E5FF6F

RGB 229 255 111

HSL 70.83, 1%, 0.72%

LAB 95.72, -27.99, 64.62

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 37 / 0 / 91 / 13

HEX #8BDE15

RGB 139 222 21

HSL 84.78, 0.83%, 0.48%

LAB 80.62, -51.7, 76.6

 

CMYK 40 / 0 / 99 / 20

HEX #7ACC02

RGB 122 204 2

HSL 84.36, 0.98%, 0.4%

LAB 74.4, -50.62, 73.4

 

CMYK 44 / 0 / 100 / 27

HEX #69BA00

RGB 105 186 0

HSL 86.13, 1%, 0.36%

LAB 68.11, -49.24, 68.38

 

CMYK 48 / 0 / 100 / 34

HEX #58A800

RGB 88 168 0

HSL 88.57, 1%, 0.33%

LAB 61.72, -47.74, 63.08

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 13 / 0 / 83 / 6

HEX #D2F028

RGB 210 240 40

HSL 69, 0.87%, 0.55%

LAB 89.94, -32.25, 82.57

 

CMYK 0 / 10 / 83 / 6

HEX #F0D828

RGB 240 216 40

HSL 52.8, 0.87%, 0.55%

LAB 85.9, -8.24, 80.11

 

CMYK 0 / 33 / 83 / 6

HEX #F0A228

RGB 240 162 40

HSL 36.6, 0.87%, 0.55%

LAB 72.57, 19.78, 68.93

 

CMYK 0 / 55 / 83 / 6

HEX #F06C28

RGB 240 108 40

HSL 20.4, 0.87%, 0.55%

LAB 61.14, 47.39, 59.12

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 58 / 0 / 83 / 6

HEX #66F028

RGB 102 240 40

HSL 101.4, 0.87%, 0.55%

LAB 84.64, -68.62, 75.9

 

CMYK 80 / 0 / 83 / 6

HEX #30F028

RGB 48 240 40

HSL 117.6, 0.87%, 0.55%

LAB 83.5, -78.29, 74.44

 

CMYK 83 / 0 / 64 / 6

HEX #28F056

RGB 40 240 86

HSL 133.8, 0.87%, 0.55%

LAB 83.68, -75.69, 59.56

 

CMYK 83 / 0 / 42 / 6

HEX #28F08B

RGB 40 240 139

HSL 149.7, 0.87%, 0.55%

LAB 84.3, -68.23, 35.96

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 31 / 0 / 74 / 13

HEX #99DD3A

RGB 153 221 58

HSL 85.03, 0.71%, 0.55%

LAB 81.18, -44.93, 68.42

 

CMYK 26 / 0 / 62 / 21

HEX #96CA4D

RGB 150 202 77

HSL 84.96, 0.54%, 0.55%

LAB 75.61, -36.37, 55.39

 

CMYK 20 / 0 / 48 / 28

HEX #93B860

RGB 147 184 96

HSL 85.23, 0.38%, 0.55%

LAB 70.41, -27.21, 40.45

 

CMYK 13 / 0 / 31 / 35

HEX #90A572

RGB 144 165 114

HSL 84.71, 0.22%, 0.55%

LAB 65.01, -16.49, 24.08

 

CMYK 0 / 10 / 83 / 6

HEX #F0D828

RGB 240 216 40

HSL 52.8, 0.87%, 0.55%

LAB 85.9, -8.24, 80.11

 

CMYK 13 / 0 / 83 / 6

HEX #D2F028

RGB 210 240 40

HSL 69, 0.87%, 0.55%

LAB 89.94, -32.25, 82.57

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 57 / 0 / 83 / 6

HEX #67F028

RGB 103 240 40

HSL 101.1, 0.87%, 0.55%

LAB 84.67, -68.38, 75.93

 

CMYK 79 / 0 / 83 / 6

HEX #32F028

RGB 50 240 40

HSL 117, 0.87%, 0.55%

LAB 83.52, -78.06, 74.48

 

CMYK 39 / 0 / 94 / 27

HEX #70B90C

RGB 112 185 12

HSL 85.32, 0.88%, 0.39%

LAB 68.15, -46.24, 67.13

 

CMYK 39 / 0 / 93 / 13

HEX #88DF0F

RGB 136 223 15

HSL 85.1, 0.87%, 0.47%

LAB 80.76, -53.23, 77.43

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 29 / 0 / 68 / 5

HEX #ADF24E

RGB 173 242 78

HSL 85.24, 0.86%, 0.63%

LAB 88.42, -45.48, 69

 

CMYK 22 / 0 / 52 / 4

HEX #BFF575

RGB 191 245 117

HSL 85.31, 0.86%, 0.71%

LAB 90.63, -37.09, 55.46

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 0 / 32 / 6

HEX #28F0A3

RGB 40 240 163

HSL 156.9, 0.87%, 0.55%

LAB 84.7, -63.62, 24.38

 

CMYK 0 / 83 / 2 / 6

HEX #F028EC

RGB 240 40 236

HSL 301.2, 0.87%, 0.55%

LAB 58.13, 88.97, -53.9

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 35 / 0 / 6

HEX #289CF0

RGB 40 156 240

HSL 205.2, 0.87%, 0.55%

LAB 62.1, -2.01, -50.81

 

CMYK 0 / 83 / 35 / 6

HEX #F0289C

RGB 240 40 156

HSL 325.2, 0.87%, 0.55%

LAB 54.49, 79.07, -13.52

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 0 / 32 / 6

HEX #28F0A3

RGB 40 240 163

HSL 156.9, 0.87%, 0.55%

LAB 84.7, -63.62, 24.38

 

CMYK 49 / 83 / 0 / 6

HEX #7B28F0

RGB 123 40 240

HSL 264.9, 0.87%, 0.55%

LAB 41.25, 72.12, -84.33

 

CMYK 0 / 83 / 52 / 6

HEX #F02874

RGB 240 40 116

HSL 337.2, 0.87%, 0.55%

LAB 53.28, 75.59, 8.61

 

CMYK 35 / 0 / 83 / 6

HEX #9CF028

RGB 156 240 40

HSL 85.2, 0.87%, 0.55%

LAB 86.77, -52.55, 78.6

 

CMYK 83 / 0 / 7 / 6

HEX #28F0DF

RGB 40 240 223

HSL 174.9, 0.87%, 0.55%

LAB 86.06, -49.18, -4.94

 

CMYK 49 / 83 / 0 / 6

HEX #7B28F0

RGB 123 40 240

HSL 264.9, 0.87%, 0.55%

LAB 41.25, 72.12, -84.33

 

CMYK 0 / 83 / 76 / 6

HEX #F02839

RGB 240 40 57

HSL 354.9, 0.87%, 0.55%

LAB 52.22, 72.46, 42.26

 

Description

Color code: RGB 156 240 40 | qconv.com Color code: RGB 156 240 40 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 240 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 240 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 83 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 83% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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