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Color name
HEX #F59375

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F59375 it is the complementary color #0A6C8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F59375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F59375 shade: #FA9370, #FFA583, #FFB796, #FFC9A9 and #FFDBBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F59375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F59375 shade: #F59375, #E48162, #D36F4F, #C25D3C and #B14B29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F59375 shade: #F49375 and #F47575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F59375 shade: #F49375, #F4B575, #F4D775, #EFF475 and #CCF475

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F59375 shade matches the following richer shades: #F49375

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F59375 shade: #F49375, #E89981, #DC9F8D, #D0A699 and #C4ACA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F59375 shade: #F4759B, #F47579, #F49375, #F4B575 and #F4D675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F59375 shade: #EE5728, #F1754F, #F49375, #F7B19B and #FACFC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F59375 shade: #F59375, #BDF475 and #758AF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F59375 shade: #F59375, #75F493 and #9375F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F59375 shade: #F59375, #BDF475, #75D6F4 and #AC75F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F59375 shade: #F59375, #97F475, #75D6F4 and #D275F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

Complementary color

CMYK 93 / 22 / 0 / 46

HEX #0A6C8A

RGB 10 108 138

HSL 194.06, 0.86%, 0.29%

LAB 42.19, -14.2, -23.67

 

CMYK 0 / 41 / 55 / 2

HEX #FA9370

RGB 250 147 112

HSL 15.22, 0.93%, 0.71%

LAB 71.12, 35.47, 35.16

 

CMYK 0 / 35 / 49 / 0

HEX #FFA583

RGB 255 165 131

HSL 16.45, 1%, 0.76%

LAB 75.95, 29.68, 31.37

 

CMYK 0 / 28 / 41 / 0

HEX #FFB796

RGB 255 183 150

HSL 18.86, 1%, 0.79%

LAB 80.36, 22.15, 27.13

 

CMYK 0 / 21 / 34 / 0

HEX #FFC9A9

RGB 255 201 169

HSL 22.33, 1%, 0.83%

LAB 84.94, 14.89, 23.32

 

CMYK 0 / 14 / 26 / 0

HEX #FFDBBC

RGB 255 219 188

HSL 27.76, 1%, 0.87%

LAB 89.65, 7.97, 19.87

 

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

CMYK 0 / 43 / 57 / 11

HEX #E48162

RGB 228 129 98

HSL 14.31, 0.71%, 0.64%

LAB 64.22, 35.2, 33.39

 

CMYK 0 / 47 / 63 / 17

HEX #D36F4F

RGB 211 111 79

HSL 14.55, 0.6%, 0.57%

LAB 57.83, 36.56, 35.33

 

CMYK 0 / 52 / 69 / 24

HEX #C25D3C

RGB 194 93 60

HSL 14.78, 0.53%, 0.5%

LAB 51.41, 38.04, 37.5

 

CMYK 0 / 58 / 77 / 31

HEX #B14B29

RGB 177 75 41

HSL 15, 0.62%, 0.43%

LAB 45, 39.58, 39.84

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 0 / 52 / 52 / 4

HEX #F47575

RGB 244 117 117

HSL 0, 0.85%, 0.71%

LAB 64.35, 48.7, 23.4

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 0 / 26 / 52 / 4

HEX #F4B575

RGB 244 181 117

HSL 30.24, 0.85%, 0.71%

LAB 78.21, 15.69, 41.34

 

CMYK 0 / 12 / 52 / 4

HEX #F4D775

RGB 244 215 117

HSL 46.3, 0.85%, 0.71%

LAB 86.56, -1.97, 51.56

 

CMYK 2 / 0 / 52 / 4

HEX #EFF475

RGB 239 244 117

HSL 62.36, 0.85%, 0.71%

LAB 93.6, -18.39, 59.75

 

CMYK 16 / 0 / 52 / 4

HEX #CCF475

RGB 204 244 117

HSL 78.9, 0.85%, 0.71%

LAB 91.15, -31.85, 56.28

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 0 / 34 / 44 / 9

HEX #E89981

RGB 232 153 129

HSL 13.98, 0.69%, 0.71%

LAB 70.54, 26.89, 24.78

 

CMYK 0 / 28 / 36 / 14

HEX #DC9F8D

RGB 220 159 141

HSL 13.67, 0.53%, 0.71%

LAB 70.83, 20.35, 18.37

 

CMYK 0 / 20 / 26 / 18

HEX #D0A699

RGB 208 166 153

HSL 14.18, 0.37%, 0.71%

LAB 71.54, 13.5, 12.59

 

CMYK 0 / 12 / 16 / 23

HEX #C4ACA5

RGB 196 172 165

HSL 13.55, 0.21%, 0.71%

LAB 72.2, 7.52, 6.77

 

CMYK 0 / 52 / 36 / 4

HEX #F4759B

RGB 244 117 155

HSL 342.05, 0.85%, 0.71%

LAB 65.22, 52.43, 3

 

CMYK 0 / 52 / 50 / 4

HEX #F47579

RGB 244 117 121

HSL 358.11, 0.85%, 0.71%

LAB 64.43, 49.04, 21.25

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 0 / 26 / 52 / 4

HEX #F4B575

RGB 244 181 117

HSL 30.24, 0.85%, 0.71%

LAB 78.21, 15.69, 41.34

 

CMYK 0 / 12 / 52 / 4

HEX #F4D675

RGB 244 214 117

HSL 45.83, 0.85%, 0.71%

LAB 86.31, -1.46, 51.26

 

CMYK 0 / 63 / 83 / 7

HEX #EE5728

RGB 238 87 40

HSL 14.24, 0.85%, 0.55%

LAB 57.22, 56.11, 55.57

 

CMYK 0 / 51 / 67 / 5

HEX #F1754F

RGB 241 117 79

HSL 14.07, 0.85%, 0.63%

LAB 63.33, 44.98, 42.93

 

CMYK 0 / 40 / 52 / 4

HEX #F49375

RGB 244 147 117

HSL 14.17, 0.85%, 0.71%

LAB 70.44, 33.57, 31.45

 

CMYK 0 / 28 / 37 / 3

HEX #F7B19B

RGB 247 177 155

HSL 14.35, 0.85%, 0.79%

LAB 78.22, 22.79, 21.4

 

CMYK 0 / 17 / 22 / 2

HEX #FACFC2

RGB 250 207 194

HSL 13.93, 0.85%, 0.87%

LAB 86.43, 13.19, 12.12

 

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

CMYK 23 / 0 / 52 / 4

HEX #BDF475

RGB 189 244 117

HSL 85.98, 0.85%, 0.71%

LAB 90.23, -37.37, 54.96

 

CMYK 52 / 43 / 0 / 4

HEX #758AF4

RGB 117 138 244

HSL 230.08, 0.85%, 0.71%

LAB 60.33, 21.54, -55.65

 

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

CMYK 52 / 0 / 40 / 4

HEX #75F493

RGB 117 244 147

HSL 134.17, 0.85%, 0.71%

LAB 87.29, -55.63, 36.21

 

CMYK 40 / 52 / 0 / 4

HEX #9375F4

RGB 147 117 244

HSL 254.17, 0.85%, 0.71%

LAB 57.52, 40.55, -60.01

 

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

CMYK 23 / 0 / 52 / 4

HEX #BDF475

RGB 189 244 117

HSL 85.98, 0.85%, 0.71%

LAB 90.23, -37.37, 54.96

 

CMYK 52 / 12 / 0 / 4

HEX #75D6F4

RGB 117 214 244

HSL 194.17, 0.85%, 0.71%

LAB 80.96, -20.58, -23.49

 

CMYK 30 / 52 / 0 / 4

HEX #AC75F4

RGB 172 117 244

HSL 265.98, 0.85%, 0.71%

LAB 59.91, 46.56, -56.05

 

CMYK 0 / 40 / 52 / 4

HEX #F59375

RGB 245 147 117

HSL 14.06, 0.86%, 0.71%

LAB 70.57, 33.95, 31.63

 

CMYK 38 / 0 / 52 / 4

HEX #97F475

RGB 151 244 117

HSL 103.94, 0.85%, 0.71%

LAB 88.24, -50.24, 52.1

 

CMYK 52 / 12 / 0 / 4

HEX #75D6F4

RGB 117 214 244

HSL 194.17, 0.85%, 0.71%

LAB 80.96, -20.58, -23.49

 

CMYK 14 / 52 / 0 / 4

HEX #D275F4

RGB 210 117 244

HSL 283.94, 0.85%, 0.71%

LAB 64.13, 56.28, -49.1

 

Description

Color code: HEX #F59375 | qconv.com Color code: HEX #F59375 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 147 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 147 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 52 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 52% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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