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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB19A6 it is the complementary color #14E659. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB19A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB19A6 shade: #F019A1, #FF2BB4, #FF3DC7, #FF4FDA and #FF61ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB19A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB19A6 shade: #EB19A6, #DA0793, #C90080, #B8006D and #A7005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB19A6 shade: #EB19A6, #EB196D, #EB1934 and #EB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB19A6 shade: #EB19A6, #EB19DE, #BE19EB, #8619EB and #4D19EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB19A6 shade matches the following richer shades: #EB19A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB19A6 shade: #EB19A6, #D62D9F, #C24198, #AE5591 and #9A698A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB19A6 shade: #BD19EB, #EB19E0, #EB19A8, #EB1970 and #EB1938

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB19A6 shade: #A30E72, #C9118C, #EB19A6, #EE3FB4 and #F165C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB19A6 shade: #EB19A6, #EB8519 and #19EBD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB19A6 shade: #EB19A6, #A8EB19 and #19A8EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB19A6 shade: #EB19A6, #EB8519, #19EB5B and #197EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB19A6 shade: #EB19A6, #EBC419, #19EB5B and #193FEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

Complementary color

CMYK 91 / 0 / 61 / 10

HEX #14E659

RGB 20 230 89

HSL 139.71, 0.84%, 0.49%

LAB 80.44, -73.79, 54.63

 

CMYK 0 / 90 / 33 / 6

HEX #F019A1

RGB 240 25 161

HSL 322.05, 0.88%, 0.52%

LAB 53.81, 82.1, -17.52

 

CMYK 0 / 83 / 29 / 0

HEX #FF2BB4

RGB 255 43 180

HSL 321.23, 1%, 0.58%

LAB 58.3, 84.27, -21.52

 

CMYK 0 / 76 / 22 / 0

HEX #FF3DC7

RGB 255 61 199

HSL 317.32, 1%, 0.62%

LAB 60.53, 82.22, -29.02

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

CMYK 0 / 62 / 7 / 0

HEX #FF61ED

RGB 255 97 237

HSL 306.84, 1%, 0.69%

LAB 66.46, 75.38, -41.15

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 97 / 33 / 15

HEX #DA0793

RGB 218 7 147

HSL 320.19, 0.94%, 0.44%

LAB 48.47, 77.95, -17.7

 

CMYK 0 / 100 / 36 / 21

HEX #C90080

RGB 201 0 128

HSL 321.79, 1%, 0.39%

LAB 44.2, 73.15, -12.93

 

CMYK 0 / 100 / 41 / 28

HEX #B8006D

RGB 184 0 109

HSL 324.46, 1%, 0.36%

LAB 40.07, 67.74, -7.66

 

CMYK 0 / 100 / 46 / 35

HEX #A7005A

RGB 167 0 90

HSL 327.66, 1%, 0.33%

LAB 35.89, 62.28, -2.14

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 89 / 54 / 8

HEX #EB196D

RGB 235 25 109

HSL 336, 0.84%, 0.51%

LAB 51.22, 76.54, 9.8

 

CMYK 0 / 89 / 78 / 8

HEX #EB1934

RGB 235 25 52

HSL 352.29, 0.84%, 0.51%

LAB 50.22, 73.72, 42.64

 

CMYK 0 / 89 / 89 / 8

HEX #EB1919

RGB 235 25 25

HSL 0, 0.84%, 0.51%

LAB 50.01, 73.11, 55.9

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 89 / 6 / 8

HEX #EB19DE

RGB 235 25 222

HSL 303.71, 0.84%, 0.51%

LAB 55.72, 88.48, -49.9

 

CMYK 19 / 89 / 0 / 8

HEX #BE19EB

RGB 190 25 235

HSL 287.14, 0.84%, 0.51%

LAB 49.06, 83.27, -68.36

 

CMYK 43 / 89 / 0 / 8

HEX #8619EB

RGB 134 25 235

HSL 271.14, 0.84%, 0.51%

LAB 40.83, 76.12, -82.13

 

CMYK 67 / 89 / 0 / 8

HEX #4D19EB

RGB 77 25 235

HSL 254.86, 0.84%, 0.51%

LAB 34.54, 71.41, -92.74

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 79 / 26 / 16

HEX #D62D9F

RGB 214 45 159

HSL 319.53, 0.67%, 0.51%

LAB 50.31, 72.33, -22.11

 

CMYK 0 / 66 / 22 / 24

HEX #C24198

RGB 194 65 152

HSL 319.53, 0.51%, 0.51%

LAB 48.9, 59.93, -20.39

 

CMYK 0 / 51 / 17 / 32

HEX #AE5591

RGB 174 85 145

HSL 319.55, 0.35%, 0.51%

LAB 48.93, 43.92, -16.45

 

CMYK 0 / 32 / 10 / 40

HEX #9A698A

RGB 154 105 138

HSL 319.59, 0.2%, 0.51%

LAB 50.46, 24.95, -10.22

 

CMYK 20 / 89 / 0 / 8

HEX #BD19EB

RGB 189 25 235

HSL 286.86, 0.84%, 0.51%

LAB 48.9, 83.13, -68.62

 

CMYK 0 / 89 / 5 / 8

HEX #EB19E0

RGB 235 25 224

HSL 303.14, 0.84%, 0.51%

LAB 55.83, 88.75, -50.86

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A8

RGB 235 25 168

HSL 319.14, 0.84%, 0.51%

LAB 53.15, 81.79, -22.74

 

CMYK 0 / 89 / 52 / 8

HEX #EB1970

RGB 235 25 112

HSL 335.14, 0.84%, 0.51%

LAB 51.3, 76.75, 8.08

 

CMYK 0 / 89 / 76 / 8

HEX #EB1938

RGB 235 25 56

HSL 351.14, 0.84%, 0.51%

LAB 50.27, 73.85, 40.42

 

CMYK 0 / 91 / 30 / 36

HEX #A30E72

RGB 163 14 114

HSL 319.73, 0.84%, 0.35%

LAB 36.58, 62.05, -16.51

 

CMYK 0 / 92 / 30 / 21

HEX #C9118C

RGB 201 17 140

HSL 319.89, 0.84%, 0.43%

LAB 45.24, 72.74, -18.69

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 74 / 24 / 7

HEX #EE3FB4

RGB 238 63 180

HSL 319.89, 0.84%, 0.59%

LAB 57.1, 75.4, -23.62

 

CMYK 0 / 58 / 19 / 5

HEX #F165C3

RGB 241 101 195

HSL 319.71, 0.83%, 0.67%

LAB 63.3, 63.9, -22.67

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 43 / 89 / 8

HEX #EB8519

RGB 235 133 25

HSL 30.86, 0.84%, 0.51%

LAB 65.36, 32.61, 67.15

 

CMYK 89 / 0 / 8 / 8

HEX #19EBD9

RGB 25 235 217

HSL 174.86, 0.84%, 0.51%

LAB 84.29, -49.56, -4.39

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 29 / 0 / 89 / 8

HEX #A8EB19

RGB 168 235 25

HSL 79.14, 0.84%, 0.51%

LAB 85.91, -46.62, 80.95

 

CMYK 89 / 29 / 0 / 8

HEX #19A8EB

RGB 25 168 235

HSL 199.14, 0.84%, 0.51%

LAB 65.13, -11.55, -43.3

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 43 / 89 / 8

HEX #EB8519

RGB 235 133 25

HSL 30.86, 0.84%, 0.51%

LAB 65.36, 32.61, 67.15

 

CMYK 89 / 0 / 61 / 8

HEX #19EB5B

RGB 25 235 91

HSL 138.86, 0.84%, 0.51%

LAB 82.04, -74.78, 55.61

 

CMYK 89 / 46 / 0 / 8

HEX #197EEB

RGB 25 126 235

HSL 211.14, 0.84%, 0.51%

LAB 53.09, 13.14, -62.45

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A6

RGB 235 25 166

HSL 319.71, 0.84%, 0.51%

LAB 53.07, 81.58, -21.68

 

CMYK 0 / 17 / 89 / 8

HEX #EBC419

RGB 235 196 25

HSL 48.86, 0.84%, 0.51%

LAB 80.3, -0.51, 78.57

 

CMYK 89 / 0 / 61 / 8

HEX #19EB5B

RGB 25 235 91

HSL 138.86, 0.84%, 0.51%

LAB 82.04, -74.78, 55.61

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

Description

Color code: HEX #EB19A6 | qconv.com Color code: HEX #EB19A6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 25 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 25 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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