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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #193FEB it is the complementary color #E6C014. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #193FEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #193FEB shade: #1E3FE6, #2F51F9, #4063FF, #5175FF and #6287FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #193FEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #193FEB shade: #193FEB, #082DD8, #001BC5, #0009B2 and #00009F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #193FEB shade: #193FEB, #2B19EB, #6419EB, #9C19EB and #D519EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #193FEB shade: #193FEB and #1919EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #193FEB shade matches the following richer shades: #193FEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #193FEB shade: #193FEB, #2D4BD6, #4158C2, #5565AE and #69729A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #193FEB shade: #19AFEB, #1977EB, #193FEB, #2A19EB and #6219EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #193FEB shade: #0E29A3, #1132C9, #193FEB, #3F5EEE and #657EF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #193FEB shade: #193FEB, #EB19E7 and #93EB19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #193FEB shade: #193FEB, #EB193F and #3FEB19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #193FEB shade: #193FEB, #EB19E7, #EBC419 and #19EB1C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #193FEB shade: #193FEB, #EB19A8, #EBC419 and #19EB5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

Complementary color

CMYK 0 / 17 / 91 / 10

HEX #E6C014

RGB 230 192 20

HSL 49.14, 0.84%, 0.49%

LAB 78.79, -0.69, 78.04

 

CMYK 87 / 73 / 0 / 10

HEX #1E3FE6

RGB 30 63 230

HSL 230.1, 0.8%, 0.51%

LAB 37.01, 50.96, -85.88

 

CMYK 81 / 67 / 0 / 2

HEX #2F51F9

RGB 47 81 249

HSL 229.9, 0.94%, 0.58%

LAB 43.25, 47.89, -86.28

 

CMYK 75 / 61 / 0 / 0

HEX #4063FF

RGB 64 99 255

HSL 229.01, 1%, 0.63%

LAB 48.55, 40.51, -80.9

 

CMYK 68 / 54 / 0 / 0

HEX #5175FF

RGB 81 117 255

HSL 227.59, 1%, 0.66%

LAB 53.7, 31.49, -72.49

 

CMYK 62 / 47 / 0 / 0

HEX #6287FF

RGB 98 135 255

HSL 225.86, 1%, 0.69%

LAB 59.11, 23.19, -63.72

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 96 / 79 / 0 / 15

HEX #082DD8

RGB 8 45 216

HSL 229.33, 0.93%, 0.44%

LAB 31.55, 55.5, -86.93

 

CMYK 100 / 86 / 0 / 23

HEX #001BC5

RGB 0 27 197

HSL 231.78, 1%, 0.39%

LAB 26.2, 57.78, -84.76

 

CMYK 100 / 95 / 0 / 30

HEX #0009B2

RGB 0 9 178

HSL 236.97, 1%, 0.35%

LAB 21.62, 58.2, -81.14

 

CMYK 100 / 100 / 0 / 38

HEX #00009F

RGB 0 0 159

HSL 240, 1%, 0.31%

LAB 17.93, 55.64, -75.78

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 82 / 89 / 0 / 8

HEX #2B19EB

RGB 43 25 235

HSL 245.14, 0.84%, 0.51%

LAB 32.27, 69.94, -96.58

 

CMYK 57 / 89 / 0 / 8

HEX #6419EB

RGB 100 25 235

HSL 261.43, 0.84%, 0.51%

LAB 36.75, 72.97, -89.02

 

CMYK 34 / 89 / 0 / 8

HEX #9C19EB

RGB 156 25 235

HSL 277.43, 0.84%, 0.51%

LAB 43.89, 78.67, -77.01

 

CMYK 9 / 89 / 0 / 8

HEX #D519EB

RGB 213 25 235

HSL 293.71, 0.84%, 0.51%

LAB 52.77, 86.75, -62.17

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 89 / 89 / 0 / 8

HEX #1919EB

RGB 25 25 235

HSL 240, 0.84%, 0.51%

LAB 31.58, 69.52, -97.76

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 79 / 65 / 0 / 16

HEX #2D4BD6

RGB 45 75 214

HSL 229.35, 0.67%, 0.51%

LAB 38.63, 39.08, -74.04

 

CMYK 66 / 55 / 0 / 24

HEX #4158C2

RGB 65 88 194

HSL 229.3, 0.51%, 0.51%

LAB 41.21, 26.02, -58.23

 

CMYK 51 / 42 / 0 / 32

HEX #5565AE

RGB 85 101 174

HSL 229.21, 0.35%, 0.51%

LAB 44.65, 14.87, -40.97

 

CMYK 32 / 26 / 0 / 40

HEX #69729A

RGB 105 114 154

HSL 228.98, 0.2%, 0.51%

LAB 48.72, 6.41, -22.74

 

CMYK 89 / 26 / 0 / 8

HEX #19AFEB

RGB 25 175 235

HSL 197.14, 0.84%, 0.51%

LAB 67.18, -15.36, -40.09

 

CMYK 89 / 49 / 0 / 8

HEX #1977EB

RGB 25 119 235

HSL 213.14, 0.84%, 0.51%

LAB 51.15, 17.52, -65.58

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 82 / 89 / 0 / 8

HEX #2A19EB

RGB 42 25 235

HSL 244.86, 0.84%, 0.51%

LAB 32.23, 69.91, -96.66

 

CMYK 58 / 89 / 0 / 8

HEX #6219EB

RGB 98 25 235

HSL 260.86, 0.84%, 0.51%

LAB 36.54, 72.81, -89.37

 

CMYK 91 / 75 / 0 / 36

HEX #0E29A3

RGB 14 41 163

HSL 229.13, 0.84%, 0.35%

LAB 24.71, 39.78, -66.92

 

CMYK 92 / 75 / 0 / 21

HEX #1132C9

RGB 17 50 201

HSL 229.24, 0.84%, 0.43%

LAB 30.92, 48, -79.26

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 74 / 61 / 0 / 7

HEX #3F5EEE

RGB 63 94 238

HSL 229.37, 0.84%, 0.59%

LAB 45.95, 37.54, -75.66

 

CMYK 58 / 48 / 0 / 5

HEX #657EF1

RGB 101 126 241

HSL 229.29, 0.83%, 0.67%

LAB 56.13, 24.57, -60.76

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 0 / 89 / 2 / 8

HEX #EB19E7

RGB 235 25 231

HSL 301.14, 0.84%, 0.51%

LAB 56.21, 89.74, -54.2

 

CMYK 37 / 0 / 89 / 8

HEX #93EB19

RGB 147 235 25

HSL 85.14, 0.84%, 0.51%

LAB 84.84, -54.06, 79.62

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 0 / 89 / 73 / 8

HEX #EB193F

RGB 235 25 63

HSL 349.14, 0.84%, 0.51%

LAB 50.35, 74.09, 36.46

 

CMYK 73 / 0 / 89 / 8

HEX #3FEB19

RGB 63 235 25

HSL 109.14, 0.84%, 0.51%

LAB 82.13, -75.39, 76.26

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 0 / 89 / 2 / 8

HEX #EB19E7

RGB 235 25 231

HSL 301.14, 0.84%, 0.51%

LAB 56.21, 89.74, -54.2

 

CMYK 0 / 17 / 89 / 8

HEX #EBC419

RGB 235 196 25

HSL 48.86, 0.84%, 0.51%

LAB 80.3, -0.51, 78.57

 

CMYK 89 / 0 / 88 / 8

HEX #19EB1C

RGB 25 235 28

HSL 120.86, 0.84%, 0.51%

LAB 81.68, -79.39, 75.19

 

CMYK 89 / 73 / 0 / 8

HEX #193FEB

RGB 25 63 235

HSL 229.14, 0.84%, 0.51%

LAB 37.41, 52.46, -88.07

 

CMYK 0 / 89 / 29 / 8

HEX #EB19A8

RGB 235 25 168

HSL 319.14, 0.84%, 0.51%

LAB 53.15, 81.79, -22.74

 

CMYK 0 / 17 / 89 / 8

HEX #EBC419

RGB 235 196 25

HSL 48.86, 0.84%, 0.51%

LAB 80.3, -0.51, 78.57

 

CMYK 89 / 0 / 61 / 8

HEX #19EB5B

RGB 25 235 91

HSL 138.86, 0.84%, 0.51%

LAB 82.04, -74.78, 55.61

 

Description

Color code: HEX #193FEB | qconv.com Color code: HEX #193FEB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 63 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 63 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 73 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 73% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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