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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 255 79 218 it is the complementary color RGB 0 176 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 255 79 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 255 79 218 shade: RGB 255 79 213, RGB 255 97 232, RGB 255 115 251, RGB 255 133 255 and RGB 255 151 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 255 79 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 255 79 218 shade: RGB 255 79 218, RGB 238 61 199, RGB 221 43 180, RGB 204 25 161 and RGB 187 7 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 255 79 218 shade: RGB 255 76 217, RGB 255 76 169, RGB 255 76 121 and RGB 255 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 255 79 218 shade: RGB 255 76 217, RGB 244 76 255, RGB 196 76 255, RGB 148 76 255 and RGB 99 76 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 255 79 218 shade matches the following richer shades: RGB 255 76 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 255 79 218 shade: RGB 255 76 217, RGB 240 90 209, RGB 226 105 200, RGB 211 119 192 and RGB 197 134 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 255 79 218 shade: RGB 195 76 255, RGB 243 76 255, RGB 255 76 219, RGB 255 76 171 and RGB 255 76 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 255 79 218 shade: RGB 248 0 196, RGB 255 35 208, RGB 255 76 217, RGB 255 117 226 and RGB 255 159 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 255 79 218 shade: RGB 255 79 218, RGB 255 147 76 and RGB 76 255 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 255 79 218 shade: RGB 255 79 218, RGB 219 255 76 and RGB 76 219 255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 255 79 218 shade: RGB 255 79 218, RGB 255 147 76, RGB 76 255 112 and RGB 76 183 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 255 79 218 shade: RGB 255 79 218, RGB 255 201 76, RGB 76 255 112 and RGB 76 130 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

Complementary color

CMYK 100 / 0 / 79 / 31

HEX #00B025

RGB 0 176 37

HSL 132.61, 1%, 0.35%

LAB 62.66, -63.8, 55.76

 

CMYK 0 / 69 / 16 / 0

HEX #FF4FD5

RGB 255 79 213

HSL 314.32, 1%, 0.65%

LAB 63.06, 78.52, -33.05

 

CMYK 0 / 62 / 9 / 0

HEX #FF61E8

RGB 255 97 232

HSL 308.73, 1%, 0.69%

LAB 66.24, 74.62, -38.72

 

CMYK 0 / 55 / 2 / 0

HEX #FF73FB

RGB 255 115 251

HSL 301.71, 1%, 0.73%

LAB 69.81, 70.14, -43.6

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

CMYK 0 / 74 / 16 / 7

HEX #EE3DC7

RGB 238 61 199

HSL 313.22, 0.84%, 0.59%

LAB 57.69, 78.41, -33.65

 

CMYK 0 / 81 / 19 / 13

HEX #DD2BB4

RGB 221 43 180

HSL 313.82, 0.72%, 0.52%

LAB 52.28, 76.98, -31.32

 

CMYK 0 / 88 / 21 / 20

HEX #CC19A1

RGB 204 25 161

HSL 314.41, 0.78%, 0.45%

LAB 47.11, 74.64, -28.39

 

CMYK 0 / 96 / 24 / 27

HEX #BB078E

RGB 187 7 142

HSL 315, 0.93%, 0.38%

LAB 42.26, 71.15, -24.73

 

CMYK 0 / 70 / 15 / 0

HEX #FF4CD9

RGB 255 76 217

HSL 312.74, 1%, 0.65%

LAB 62.88, 80.05, -35.58

 

CMYK 0 / 70 / 34 / 0

HEX #FF4CA9

RGB 255 76 169

HSL 328.83, 1%, 0.65%

LAB 61.04, 74.2, -11.01

 

CMYK 0 / 70 / 53 / 0

HEX #FF4C79

RGB 255 76 121

HSL 344.92, 1%, 0.65%

LAB 59.72, 69.8, 15.06

 

CMYK 0 / 70 / 70 / 0

HEX #FF4C4C

RGB 255 76 76

HSL 0, 1%, 0.65%

LAB 58.93, 67.1, 39.98

 

CMYK 0 / 70 / 15 / 0

HEX #FF4CD9

RGB 255 76 217

HSL 312.74, 1%, 0.65%

LAB 62.88, 80.05, -35.58

 

CMYK 4 / 70 / 0 / 0

HEX #F44CFF

RGB 244 76 255

HSL 296.31, 1%, 0.65%

LAB 63.03, 83.32, -56.62

 

CMYK 23 / 70 / 0 / 0

HEX #C44CFF

RGB 196 76 255

HSL 280.22, 1%, 0.65%

LAB 56.21, 73.76, -67.92

 

CMYK 42 / 70 / 0 / 0

HEX #944CFF

RGB 148 76 255

HSL 264.13, 1%, 0.65%

LAB 50.32, 65.03, -77.76

 

CMYK 61 / 70 / 0 / 0

HEX #634CFF

RGB 99 76 255

HSL 247.71, 1%, 0.65%

LAB 45.69, 57.75, -85.52

 

CMYK 0 / 70 / 15 / 0

HEX #FF4CD9

RGB 255 76 217

HSL 312.74, 1%, 0.65%

LAB 62.88, 80.05, -35.58

 

CMYK 0 / 70 / 15 / 0

HEX #FF4CD9

RGB 255 76 217

HSL 312.74, 1%, 0.65%

LAB 62.88, 80.05, -35.58

 

CMYK 0 / 63 / 13 / 6

HEX #F05AD1

RGB 240 90 209

HSL 312.4, 0.83%, 0.65%

LAB 62.03, 70.22, -32.56

 

CMYK 0 / 54 / 12 / 11

HEX #E269C8

RGB 226 105 200

HSL 312.89, 0.68%, 0.65%

LAB 62.03, 58.59, -27.63

 

CMYK 0 / 44 / 9 / 17

HEX #D377C0

RGB 211 119 192

HSL 312.39, 0.51%, 0.65%

LAB 62.38, 45.92, -22.74

 

CMYK 0 / 32 / 7 / 23

HEX #C586B8

RGB 197 134 184

HSL 312.38, 0.35%, 0.65%

LAB 63.66, 31.98, -16.42

 

CMYK 24 / 70 / 0 / 0

HEX #C34CFF

RGB 195 76 255

HSL 279.89, 1%, 0.65%

LAB 56.08, 73.57, -68.15

 

CMYK 5 / 70 / 0 / 0

HEX #F34CFF

RGB 243 76 255

HSL 295.98, 1%, 0.65%

LAB 62.88, 83.11, -56.86

 

CMYK 0 / 70 / 14 / 0

HEX #FF4CDB

RGB 255 76 219

HSL 312.07, 1%, 0.65%

LAB 62.96, 80.32, -36.57

 

CMYK 0 / 70 / 33 / 0

HEX #FF4CAB

RGB 255 76 171

HSL 328.16, 1%, 0.65%

LAB 61.11, 74.41, -12.07

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7C

RGB 255 76 124

HSL 343.91, 1%, 0.65%

LAB 59.78, 70.03, 13.39

 

CMYK 0 / 100 / 21 / 3

HEX #F800C4

RGB 248 0 196

HSL 312.58, 1%, 0.49%

LAB 56.03, 89.56, -34.39

 

CMYK 0 / 86 / 18 / 0

HEX #FF23D0

RGB 255 35 208

HSL 312.82, 1%, 0.57%

LAB 58.99, 88.9, -36.55

 

CMYK 0 / 70 / 15 / 0

HEX #FF4CD9

RGB 255 76 217

HSL 312.74, 1%, 0.65%

LAB 62.88, 80.05, -35.58

 

CMYK 0 / 54 / 11 / 0

HEX #FF75E2

RGB 255 117 226

HSL 312.61, 1%, 0.73%

LAB 69.09, 65.28, -30.96

 

CMYK 0 / 38 / 8 / 0

HEX #FF9FEA

RGB 255 159 234

HSL 313.13, 1%, 0.81%

LAB 77.28, 46.2, -22.8

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

CMYK 0 / 42 / 70 / 0

HEX #FF934C

RGB 255 147 76

HSL 23.8, 1%, 0.65%

LAB 71.32, 35.12, 53.92

 

CMYK 70 / 0 / 14 / 0

HEX #4CFFDB

RGB 76 255 219

HSL 167.93, 1%, 0.65%

LAB 90.86, -52.9, 4.23

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

CMYK 14 / 0 / 70 / 0

HEX #DBFF4C

RGB 219 255 76

HSL 72.07, 1%, 0.65%

LAB 94.78, -34.12, 77.02

 

CMYK 70 / 14 / 0 / 0

HEX #4CDBFF

RGB 76 219 255

HSL 192.07, 1%, 0.65%

LAB 81.52, -26.76, -28.59

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

CMYK 0 / 42 / 70 / 0

HEX #FF934C

RGB 255 147 76

HSL 23.8, 1%, 0.65%

LAB 71.32, 35.12, 53.92

 

CMYK 70 / 0 / 56 / 0

HEX #4CFF70

RGB 76 255 112

HSL 132.07, 1%, 0.65%

LAB 89.03, -72.89, 54.72

 

CMYK 70 / 28 / 0 / 0

HEX #4CB7FF

RGB 76 183 255

HSL 204.13, 1%, 0.65%

LAB 71.3, -8.06, -44.43

 

CMYK 0 / 69 / 15 / 0

HEX #FF4FDA

RGB 255 79 218

HSL 312.61, 1%, 0.65%

LAB 63.27, 79.19, -35.53

 

CMYK 0 / 21 / 70 / 0

HEX #FFC94C

RGB 255 201 76

HSL 41.9, 1%, 0.65%

LAB 83.73, 7.06, 66.94

 

CMYK 70 / 0 / 56 / 0

HEX #4CFF70

RGB 76 255 112

HSL 132.07, 1%, 0.65%

LAB 89.03, -72.89, 54.72

 

CMYK 70 / 49 / 0 / 0

HEX #4C82FF

RGB 76 130 255

HSL 221.9, 1%, 0.65%

LAB 56.8, 22.85, -67.48

 

Description

Color code: RGB 255 79 218 | qconv.com Color code: RGB 255 79 218 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 79 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 79 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 15 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 15% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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