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Color name
HEX #D9711A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9711A it is the complementary color #268EE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9711A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D9711A shade: #DE7115, #EF8328, #FF953B, #FFA74E and #FFB961

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9711A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D9711A shade: #D9711A, #C85F07, #B74D00, #A63B00 and #952900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D9711A shade: #DB7119, #DB3D19 and #DB1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D9711A shade: #DB7119, #DBA519, #DBDA19, #A7DB19 and #73DB19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D9711A shade matches the following richer shades: #DB7119 and #EE7005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D9711A shade: #DB7119, #C7732D, #B37541, #9F7755 and #8B7868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D9711A shade: #DB1929, #DB3D19, #DB7019, #DBA419 and #DBD719

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D9711A shade: #914B11, #B65E15, #DB7119, #E78736 and #EB9D5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D9711A shade: #D9711A, #5DDB19 and #2319DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D9711A shade: #D9711A, #19DB70 and #7019DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D9711A shade: #D9711A, #5DDB19, #1984DB and #9719DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D9711A shade: #D9711A, #23DB19, #1984DB and #D119DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 88 / 15

HEX #D9711A

RGB 217 113 26

HSL 27.33, 0.79%, 0.48%

LAB 58.64, 35.67, 60.63

 

Complementary color

CMYK 83 / 38 / 0 / 10

HEX #268EE5

RGB 38 142 229

HSL 207.33, 0.79%, 0.52%

LAB 57.48, 1.99, -52.07

 

CMYK 0 / 49 / 91 / 13

HEX #DE7115

RGB 222 113 21

HSL 27.46, 0.83%, 0.48%

LAB 59.34, 37.58, 62.91

 

CMYK 0 / 45 / 83 / 6

HEX #EF8328

RGB 239 131 40

HSL 27.44, 0.86%, 0.55%

LAB 65.54, 35.59, 62.88

 

CMYK 0 / 42 / 77 / 0

HEX #FF953B

RGB 255 149 59

HSL 27.55, 1%, 0.62%

LAB 71.6, 33.37, 61.81

 

CMYK 0 / 35 / 69 / 0

HEX #FFA74E

RGB 255 167 78

HSL 30.17, 1%, 0.65%

LAB 75.73, 24.86, 57.75

 

CMYK 0 / 27 / 62 / 0

HEX #FFB961

RGB 255 185 97

HSL 33.42, 1%, 0.69%

LAB 80.08, 16.56, 53.74

 

CMYK 0 / 48 / 88 / 15

HEX #D9711A

RGB 217 113 26

HSL 27.33, 0.79%, 0.48%

LAB 58.64, 35.67, 60.63

 

CMYK 0 / 53 / 97 / 22

HEX #C85F07

RGB 200 95 7

HSL 27.36, 0.93%, 0.41%

LAB 52.37, 37.78, 59.7

 

CMYK 0 / 58 / 100 / 28

HEX #B74D00

RGB 183 77 0

HSL 25.25, 1%, 0.36%

LAB 46.14, 39.98, 56.21

 

CMYK 0 / 64 / 100 / 35

HEX #A63B00

RGB 166 59 0

HSL 21.33, 1%, 0.33%

LAB 39.97, 42.04, 51.3

 

CMYK 0 / 72 / 100 / 42

HEX #952900

RGB 149 41 0

HSL 16.51, 1%, 0.29%

LAB 33.93, 43.62, 46.43

 

CMYK 0 / 48 / 89 / 14

HEX #DB7119

RGB 219 113 25

HSL 27.22, 0.8%, 0.48%

LAB 58.92, 36.46, 61.28

 

CMYK 0 / 72 / 89 / 14

HEX #DB3D19

RGB 219 61 25

HSL 11.13, 0.8%, 0.48%

LAB 50.06, 59.65, 54.53

 

CMYK 0 / 89 / 89 / 14

HEX #DB1919

RGB 219 25 25

HSL 0, 0.8%, 0.48%

LAB 46.74, 68.98, 52.05

 

CMYK 0 / 48 / 89 / 14

HEX #DB7119

RGB 219 113 25

HSL 27.22, 0.8%, 0.48%

LAB 58.92, 36.46, 61.28

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 0 / 0 / 89 / 14

HEX #DBDA19

RGB 219 218 25

HSL 59.69, 0.8%, 0.48%

LAB 84.62, -18.44, 81.35

 

CMYK 24 / 0 / 89 / 14

HEX #A7DB19

RGB 167 219 25

HSL 76.08, 0.8%, 0.48%

LAB 81.26, -40.09, 77.12

 

CMYK 47 / 0 / 89 / 14

HEX #73DB19

RGB 115 219 25

HSL 92.16, 0.8%, 0.48%

LAB 78.68, -58.2, 73.92

 

CMYK 0 / 48 / 89 / 14

HEX #DB7119

RGB 219 113 25

HSL 27.22, 0.8%, 0.48%

LAB 58.92, 36.46, 61.28

 

CMYK 0 / 53 / 98 / 7

HEX #EE7005

RGB 238 112 5

HSL 27.55, 0.96%, 0.48%

LAB 61.46, 44.16, 68.62

 

CMYK 0 / 48 / 89 / 14

HEX #DB7119

RGB 219 113 25

HSL 27.22, 0.8%, 0.48%

LAB 58.92, 36.46, 61.28

 

CMYK 0 / 42 / 77 / 22

HEX #C7732D

RGB 199 115 45

HSL 27.27, 0.63%, 0.48%

LAB 56.68, 27.77, 50.75

 

CMYK 0 / 35 / 64 / 30

HEX #B37541

RGB 179 117 65

HSL 27.37, 0.47%, 0.48%

LAB 54.75, 19.23, 38.16

 

CMYK 0 / 25 / 47 / 38

HEX #9F7755

RGB 159 119 85

HSL 27.57, 0.3%, 0.48%

LAB 53.19, 11.23, 24.75

 

CMYK 0 / 14 / 25 / 45

HEX #8B7868

RGB 139 120 104

HSL 27.43, 0.14%, 0.48%

LAB 51.75, 4.69, 11.5

 

CMYK 0 / 89 / 81 / 14

HEX #DB1929

RGB 219 25 41

HSL 355.05, 0.8%, 0.48%

LAB 46.86, 69.32, 44.25

 

CMYK 0 / 72 / 89 / 14

HEX #DB3D19

RGB 219 61 25

HSL 11.13, 0.8%, 0.48%

LAB 50.06, 59.65, 54.53

 

CMYK 0 / 49 / 89 / 14

HEX #DB7019

RGB 219 112 25

HSL 26.91, 0.8%, 0.48%

LAB 58.71, 36.97, 61.12

 

CMYK 0 / 25 / 89 / 14

HEX #DBA419

RGB 219 164 25

HSL 42.99, 0.8%, 0.48%

LAB 70.65, 9.34, 70.37

 

CMYK 0 / 2 / 89 / 14

HEX #DBD719

RGB 219 215 25

HSL 58.76, 0.8%, 0.48%

LAB 83.83, -16.96, 80.72

 

CMYK 0 / 48 / 88 / 43

HEX #914B11

RGB 145 75 17

HSL 27.19, 0.79%, 0.32%

LAB 39.74, 25.66, 44.06

 

CMYK 0 / 48 / 88 / 29

HEX #B65E15

RGB 182 94 21

HSL 27.2, 0.79%, 0.4%

LAB 49.5, 31.17, 52.87

 

CMYK 0 / 48 / 89 / 14

HEX #DB7119

RGB 219 113 25

HSL 27.22, 0.8%, 0.48%

LAB 58.92, 36.46, 61.28

 

CMYK 0 / 42 / 77 / 9

HEX #E78736

RGB 231 135 54

HSL 27.46, 0.79%, 0.56%

LAB 65.42, 30.74, 56.84

 

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

CMYK 0 / 48 / 88 / 15

HEX #D9711A

RGB 217 113 26

HSL 27.33, 0.79%, 0.48%

LAB 58.64, 35.67, 60.63

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 84 / 89 / 0 / 14

HEX #2319DB

RGB 35 25 219

HSL 243.09, 0.8%, 0.48%

LAB 29.83, 65.42, -91.5

 

CMYK 0 / 48 / 88 / 15

HEX #D9711A

RGB 217 113 26

HSL 27.33, 0.79%, 0.48%

LAB 58.64, 35.67, 60.63

 

CMYK 89 / 0 / 49 / 14

HEX #19DB70

RGB 25 219 112

HSL 146.91, 0.8%, 0.48%

LAB 77.3, -66.9, 40.29

 

CMYK 49 / 89 / 0 / 14

HEX #7019DB

RGB 112 25 219

HSL 266.91, 0.8%, 0.48%

LAB 36.47, 70.32, -80.29

 

CMYK 0 / 48 / 88 / 15

HEX #D9711A

RGB 217 113 26

HSL 27.33, 0.79%, 0.48%

LAB 58.64, 35.67, 60.63

 

CMYK 58 / 0 / 89 / 14

HEX #5DDB19

RGB 93 219 25

HSL 98.97, 0.8%, 0.48%

LAB 77.91, -64.27, 72.96

 

CMYK 89 / 40 / 0 / 14

HEX #1984DB

RGB 25 132 219

HSL 206.91, 0.8%, 0.48%

LAB 53.84, 3.33, -52.28

 

CMYK 31 / 89 / 0 / 14

HEX #9719DB

RGB 151 25 219

HSL 278.97, 0.8%, 0.48%

LAB 41.83, 74.88, -71.29

 

CMYK 0 / 48 / 88 / 15

HEX #D9711A

RGB 217 113 26

HSL 27.33, 0.79%, 0.48%

LAB 58.64, 35.67, 60.63

 

CMYK 84 / 0 / 89 / 14

HEX #23DB19

RGB 35 219 25

HSL 116.91, 0.8%, 0.48%

LAB 76.73, -74.31, 71.49

 

CMYK 89 / 40 / 0 / 14

HEX #1984DB

RGB 25 132 219

HSL 206.91, 0.8%, 0.48%

LAB 53.84, 3.33, -52.28

 

CMYK 5 / 89 / 0 / 14

HEX #D119DB

RGB 209 25 219

HSL 296.91, 0.8%, 0.48%

LAB 51.11, 83.63, -55.81

 

Description

Color code: HEX #D9711A | qconv.com Color code: HEX #D9711A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 113 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 113 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 88 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 88% 15% C M Y K

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