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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9D5B it is the complementary color #1462A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9D5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9D5B shade: #F09D56, #FFAF69, #FFC17C, #FFD38F and #FFE5A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9D5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9D5B shade: #EB9D5B, #DA8B48, #C97935, #B86722 and #A7550F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9D5B shade: #EA9D5B, #EA765B and #EA5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9D5B shade: #EA9D5B, #EAC35B, #EAEA5B, #C4EA5B and #9DEA5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9D5B shade matches the following richer shades: #EA9D5B and #F99B4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9D5B shade: #EA9D5B, #DB9E6A, #CD9F79, #BEA088 and #AFA297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9D5B shade: #EA5B67, #EA755B, #EA9C5B, #EAC25B and #EAE85B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9D5B shade: #D9721A, #E68736, #EA9D5B, #EFB380 and #F3C9A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9D5B shade: #EB9D5B, #8DEA5B and #625BEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9D5B shade: #EB9D5B, #5BEA9C and #9C5BEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9D5B shade: #EB9D5B, #8DEA5B, #5BAAEA and #B85BEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9D5B shade: #EB9D5B, #62EA5B, #5BAAEA and #E35BEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

Complementary color

CMYK 88 / 40 / 0 / 36

HEX #1462A4

RGB 20 98 164

HSL 207.5, 0.78%, 0.36%

LAB 40.52, 2.67, -41.82

 

CMYK 0 / 35 / 64 / 6

HEX #F09D56

RGB 240 157 86

HSL 27.66, 0.84%, 0.64%

LAB 71.77, 24.44, 49.08

 

CMYK 0 / 31 / 59 / 0

HEX #FFAF69

RGB 255 175 105

HSL 28, 1%, 0.71%

LAB 77.84, 22.33, 47.22

 

CMYK 0 / 24 / 51 / 0

HEX #FFC17C

RGB 255 193 124

HSL 31.6, 1%, 0.74%

LAB 82.3, 14.42, 43.15

 

CMYK 0 / 17 / 44 / 0

HEX #FFD38F

RGB 255 211 143

HSL 36.43, 1%, 0.78%

LAB 86.91, 6.84, 39.39

 

CMYK 0 / 10 / 36 / 0

HEX #FFE5A2

RGB 255 229 162

HSL 43.23, 1%, 0.82%

LAB 91.64, -0.34, 35.94

 

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

CMYK 0 / 36 / 67 / 15

HEX #DA8B48

RGB 218 139 72

HSL 27.53, 0.66%, 0.57%

LAB 64.83, 24.12, 47.39

 

CMYK 0 / 40 / 74 / 21

HEX #C97935

RGB 201 121 53

HSL 27.57, 0.58%, 0.5%

LAB 58.37, 25.71, 48.91

 

CMYK 0 / 44 / 82 / 28

HEX #B86722

RGB 184 103 34

HSL 27.6, 0.69%, 0.43%

LAB 51.84, 27.53, 50.14

 

CMYK 0 / 49 / 91 / 35

HEX #A7550F

RGB 167 85 15

HSL 27.63, 0.84%, 0.36%

LAB 45.29, 29.57, 50.52

 

CMYK 0 / 33 / 61 / 8

HEX #EA9D5B

RGB 234 157 91

HSL 27.69, 0.77%, 0.64%

LAB 71.12, 22.32, 45.66

 

CMYK 0 / 50 / 61 / 8

HEX #EA765B

RGB 234 118 91

HSL 11.33, 0.77%, 0.64%

LAB 62.68, 42.6, 35.46

 

CMYK 0 / 61 / 61 / 8

HEX #EA5B5B

RGB 234 91 91

HSL 0, 0.77%, 0.64%

LAB 57.78, 55.3, 29.29

 

CMYK 0 / 33 / 61 / 8

HEX #EA9D5B

RGB 234 157 91

HSL 27.69, 0.77%, 0.64%

LAB 71.12, 22.32, 45.66

 

CMYK 0 / 17 / 61 / 8

HEX #EAC35B

RGB 234 195 91

HSL 43.64, 0.77%, 0.64%

LAB 80.34, 2.26, 56.26

 

CMYK 0 / 0 / 61 / 8

HEX #EAEA5B

RGB 234 234 91

HSL 60, 0.77%, 0.64%

LAB 90.36, -17.4, 67.21

 

CMYK 16 / 0 / 61 / 8

HEX #C4EA5B

RGB 196 234 91

HSL 75.94, 0.77%, 0.64%

LAB 87.65, -32.45, 63.49

 

CMYK 33 / 0 / 61 / 8

HEX #9DEA5B

RGB 157 234 91

HSL 92.31, 0.77%, 0.64%

LAB 85.39, -46.69, 60.36

 

CMYK 0 / 33 / 61 / 8

HEX #EA9D5B

RGB 234 157 91

HSL 27.69, 0.77%, 0.64%

LAB 71.12, 22.32, 45.66

 

CMYK 0 / 38 / 69 / 2

HEX #F99B4C

RGB 249 155 76

HSL 27.4, 0.94%, 0.64%

LAB 72.3, 28.59, 54.76

 

CMYK 0 / 33 / 61 / 8

HEX #EA9D5B

RGB 234 157 91

HSL 27.69, 0.77%, 0.64%

LAB 71.12, 22.32, 45.66

 

CMYK 0 / 28 / 52 / 14

HEX #DB9E6A

RGB 219 158 106

HSL 27.61, 0.61%, 0.64%

LAB 69.86, 16.81, 36

 

CMYK 0 / 22 / 41 / 20

HEX #CD9F79

RGB 205 159 121

HSL 27.14, 0.46%, 0.64%

LAB 68.86, 12.08, 26.38

 

CMYK 0 / 16 / 28 / 25

HEX #BEA088

RGB 190 160 136

HSL 26.67, 0.29%, 0.64%

LAB 67.92, 7.42, 16.63

 

CMYK 0 / 7 / 14 / 31

HEX #AFA297

RGB 175 162 151

HSL 27.5, 0.13%, 0.64%

LAB 67.42, 2.82, 7.41

 

CMYK 0 / 61 / 56 / 8

HEX #EA5B67

RGB 234 91 103

HSL 354.97, 0.77%, 0.64%

LAB 57.99, 56.14, 22.64

 

CMYK 0 / 50 / 61 / 8

HEX #EA755B

RGB 234 117 91

HSL 10.91, 0.77%, 0.64%

LAB 62.48, 43.1, 35.21

 

CMYK 0 / 33 / 61 / 8

HEX #EA9C5B

RGB 234 156 91

HSL 27.27, 0.77%, 0.64%

LAB 70.89, 22.85, 45.39

 

CMYK 0 / 17 / 61 / 8

HEX #EAC25B

RGB 234 194 91

HSL 43.22, 0.77%, 0.64%

LAB 80.08, 2.78, 55.97

 

CMYK 0 / 1 / 61 / 8

HEX #EAE85B

RGB 234 232 91

HSL 59.16, 0.77%, 0.64%

LAB 89.84, -16.43, 66.66

 

CMYK 0 / 47 / 88 / 15

HEX #D9721A

RGB 217 114 26

HSL 27.64, 0.79%, 0.48%

LAB 58.85, 35.15, 60.79

 

CMYK 0 / 41 / 77 / 10

HEX #E68736

RGB 230 135 54

HSL 27.61, 0.78%, 0.56%

LAB 65.29, 30.33, 56.67

 

CMYK 0 / 33 / 61 / 8

HEX #EA9D5B

RGB 234 157 91

HSL 27.69, 0.77%, 0.64%

LAB 71.12, 22.32, 45.66

 

CMYK 0 / 25 / 46 / 6

HEX #EFB380

RGB 239 179 128

HSL 27.57, 0.78%, 0.72%

LAB 77.37, 15.74, 34.47

 

CMYK 0 / 17 / 32 / 5

HEX #F3C9A5

RGB 243 201 165

HSL 27.69, 0.76%, 0.8%

LAB 83.73, 9.84, 23.57

 

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

CMYK 40 / 0 / 61 / 8

HEX #8DEA5B

RGB 141 234 91

HSL 99.02, 0.77%, 0.64%

LAB 84.62, -51.97, 59.29

 

CMYK 58 / 61 / 0 / 8

HEX #625BEA

RGB 98 91 234

HSL 242.94, 0.77%, 0.64%

LAB 47, 42.84, -71.62

 

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

CMYK 61 / 0 / 33 / 8

HEX #5BEA9C

RGB 91 234 156

HSL 147.27, 0.77%, 0.64%

LAB 83.69, -55.82, 26.74

 

CMYK 33 / 61 / 0 / 8

HEX #9C5BEA

RGB 156 91 234

HSL 267.27, 0.77%, 0.64%

LAB 52.39, 54.16, -62.63

 

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

CMYK 40 / 0 / 61 / 8

HEX #8DEA5B

RGB 141 234 91

HSL 99.02, 0.77%, 0.64%

LAB 84.62, -51.97, 59.29

 

CMYK 61 / 27 / 0 / 8

HEX #5BAAEA

RGB 91 170 234

HSL 206.85, 0.77%, 0.64%

LAB 67.21, -5.35, -39.38

 

CMYK 21 / 61 / 0 / 8

HEX #B85BEA

RGB 184 91 234

HSL 279.02, 0.77%, 0.64%

LAB 55.7, 60.46, -57.14

 

CMYK 0 / 33 / 61 / 8

HEX #EB9D5B

RGB 235 157 91

HSL 27.5, 0.78%, 0.64%

LAB 71.24, 22.73, 45.83

 

CMYK 58 / 0 / 61 / 8

HEX #62EA5B

RGB 98 234 91

HSL 117.06, 0.77%, 0.64%

LAB 83.02, -63.88, 57.06

 

CMYK 61 / 27 / 0 / 8

HEX #5BAAEA

RGB 91 170 234

HSL 206.85, 0.77%, 0.64%

LAB 67.21, -5.35, -39.38

 

CMYK 3 / 61 / 0 / 8

HEX #E35BEA

RGB 227 91 234

HSL 297.06, 0.77%, 0.64%

LAB 61.44, 70.56, -47.65

 

Description

Color code: HEX #EB9D5B | qconv.com Color code: HEX #EB9D5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 157 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 157 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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