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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 165 25 it is the complementary color RGB 36 90 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 165 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 165 25 shade: RGB 224 165 20, RGB 241 183 39, RGB 255 201 58, RGB 255 219 77 and RGB 255 237 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 165 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 165 25 shade: RGB 219 165 25, RGB 202 147 6, RGB 185 129 0, RGB 168 111 0 and RGB 151 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 165 25 shade: RGB 220 165 24, RGB 220 112 24, RGB 220 60 24 and RGB 220 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 165 25 shade: RGB 220 165 24, RGB 220 218 24, RGB 169 220 24, RGB 116 220 24 and RGB 63 220 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 165 25 shade matches the following richer shades: RGB 220 165 24 and RGB 240 174 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 165 25 shade: RGB 220 165 24, RGB 200 157 44, RGB 180 148 64, RGB 160 139 83 and RGB 141 130 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 165 25 shade: RGB 220 60 24, RGB 220 112 24, RGB 220 164 24, RGB 220 217 24 and RGB 171 220 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 165 25 shade: RGB 146 109 16, RGB 183 137 20, RGB 220 165 24, RGB 232 182 53 and RGB 236 196 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 165 25 shade: RGB 219 165 25, RGB 40 220 24 and RGB 86 24 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 165 25 shade: RGB 219 165 25, RGB 24 220 164 and RGB 164 24 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 165 25 shade: RGB 219 165 25, RGB 40 220 24, RGB 24 79 220 and RGB 204 24 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 165 25 shade: RGB 219 165 25, RGB 24 220 66, RGB 24 79 220 and RGB 220 24 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

Complementary color

CMYK 84 / 61 / 0 / 10

HEX #245AE6

RGB 36 90 230

HSL 223.3, 0.8%, 0.52%

LAB 43.36, 34.77, -75.43

 

CMYK 0 / 26 / 91 / 12

HEX #E0A514

RGB 224 165 20

HSL 42.65, 0.84%, 0.48%

LAB 71.42, 10.9, 72.21

 

CMYK 0 / 24 / 84 / 5

HEX #F1B727

RGB 241 183 39

HSL 42.77, 0.88%, 0.55%

LAB 77.71, 9.12, 73.58

 

CMYK 0 / 21 / 77 / 0

HEX #FFC93A

RGB 255 201 58

HSL 43.55, 1%, 0.61%

LAB 83.62, 6.3, 73.49

 

CMYK 0 / 14 / 70 / 0

HEX #FFDB4D

RGB 255 219 77

HSL 47.87, 1%, 0.65%

LAB 88.19, -2.09, 71.05

 

CMYK 0 / 7 / 62 / 0

HEX #FFED60

RGB 255 237 96

HSL 53.21, 1%, 0.69%

LAB 92.87, -10.05, 68.35

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 0 / 27 / 97 / 21

HEX #CA9306

RGB 202 147 6

HSL 43.16, 0.94%, 0.41%

LAB 64.51, 10.74, 68.21

 

CMYK 0 / 30 / 100 / 27

HEX #B98100

RGB 185 129 0

HSL 41.84, 1%, 0.36%

LAB 58.05, 12.94, 63.76

 

CMYK 0 / 34 / 100 / 34

HEX #A86F00

RGB 168 111 0

HSL 39.64, 1%, 0.33%

LAB 51.49, 15.31, 58.4

 

CMYK 0 / 38 / 100 / 41

HEX #975D00

RGB 151 93 0

HSL 36.95, 1%, 0.3%

LAB 44.81, 17.79, 52.95

 

CMYK 0 / 25 / 89 / 14

HEX #DCA518

RGB 220 165 24

HSL 43.16, 0.8%, 0.48%

LAB 71, 9.23, 70.91

 

CMYK 0 / 49 / 89 / 14

HEX #DC7018

RGB 220 112 24

HSL 26.94, 0.8%, 0.48%

LAB 58.85, 37.35, 61.58

 

CMYK 0 / 73 / 89 / 14

HEX #DC3C18

RGB 220 60 24

HSL 11.02, 0.8%, 0.48%

LAB 50.11, 60.3, 55.04

 

CMYK 0 / 89 / 89 / 14

HEX #DC1818

RGB 220 24 24

HSL 0, 0.8%, 0.48%

LAB 46.89, 69.38, 52.68

 

CMYK 0 / 25 / 89 / 14

HEX #DCA518

RGB 220 165 24

HSL 43.16, 0.8%, 0.48%

LAB 71, 9.23, 70.91

 

CMYK 0 / 1 / 89 / 14

HEX #DCDA18

RGB 220 218 24

HSL 59.39, 0.8%, 0.48%

LAB 84.7, -18.03, 81.6

 

CMYK 23 / 0 / 89 / 14

HEX #A9DC18

RGB 169 220 24

HSL 75.61, 0.8%, 0.48%

LAB 81.67, -39.78, 77.66

 

CMYK 47 / 0 / 89 / 14

HEX #74DC18

RGB 116 220 24

HSL 91.84, 0.8%, 0.48%

LAB 79.02, -58.29, 74.39

 

CMYK 71 / 0 / 89 / 14

HEX #3FDC18

RGB 63 220 24

HSL 108.06, 0.8%, 0.48%

LAB 77.47, -70.94, 72.46

 

CMYK 0 / 25 / 89 / 14

HEX #DCA518

RGB 220 165 24

HSL 43.16, 0.8%, 0.48%

LAB 71, 9.23, 70.91

 

CMYK 0 / 28 / 98 / 6

HEX #F0AE04

RGB 240 174 4

HSL 43.22, 0.97%, 0.48%

LAB 75.33, 12.88, 77.95

 

CMYK 0 / 25 / 89 / 14

HEX #DCA518

RGB 220 165 24

HSL 43.16, 0.8%, 0.48%

LAB 71, 9.23, 70.91

 

CMYK 0 / 22 / 78 / 22

HEX #C89D2C

RGB 200 157 44

HSL 43.46, 0.64%, 0.48%

LAB 66.96, 5.3, 60.94

 

CMYK 0 / 18 / 64 / 29

HEX #B49440

RGB 180 148 64

HSL 43.45, 0.48%, 0.48%

LAB 62.72, 2.39, 47.7

 

CMYK 0 / 13 / 48 / 37

HEX #A08B53

RGB 160 139 83

HSL 43.64, 0.32%, 0.48%

LAB 58.57, 0.18, 32.74

 

CMYK 0 / 8 / 27 / 45

HEX #8D8267

RGB 141 130 103

HSL 42.63, 0.16%, 0.48%

LAB 54.67, -0.34, 16.15

 

CMYK 0 / 73 / 89 / 14

HEX #DC3C18

RGB 220 60 24

HSL 11.02, 0.8%, 0.48%

LAB 50.11, 60.3, 55.04

 

CMYK 0 / 49 / 89 / 14

HEX #DC7018

RGB 220 112 24

HSL 26.94, 0.8%, 0.48%

LAB 58.85, 37.35, 61.58

 

CMYK 0 / 25 / 89 / 14

HEX #DCA418

RGB 220 164 24

HSL 42.86, 0.8%, 0.48%

LAB 70.76, 9.76, 70.72

 

CMYK 0 / 1 / 89 / 14

HEX #DCD918

RGB 220 217 24

HSL 59.08, 0.8%, 0.48%

LAB 84.44, -17.54, 81.39

 

CMYK 22 / 0 / 89 / 14

HEX #ABDC18

RGB 171 220 24

HSL 75, 0.8%, 0.48%

LAB 81.79, -39, 77.81

 

CMYK 0 / 25 / 89 / 43

HEX #926D10

RGB 146 109 16

HSL 42.92, 0.8%, 0.32%

LAB 48.37, 6.55, 51.46

 

CMYK 0 / 25 / 89 / 28

HEX #B78914

RGB 183 137 20

HSL 43.07, 0.8%, 0.4%

LAB 59.9, 7.91, 61.4

 

CMYK 0 / 25 / 89 / 14

HEX #DCA518

RGB 220 165 24

HSL 43.16, 0.8%, 0.48%

LAB 71, 9.23, 70.91

 

CMYK 0 / 22 / 77 / 9

HEX #E8B635

RGB 232 182 53

HSL 43.24, 0.8%, 0.56%

LAB 76.6, 6.23, 67.89

 

CMYK 0 / 17 / 62 / 7

HEX #ECC45A

RGB 236 196 90

HSL 43.56, 0.79%, 0.64%

LAB 80.77, 2.51, 57.24

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 82 / 0 / 89 / 14

HEX #28DC18

RGB 40 220 24

HSL 115.1, 0.8%, 0.48%

LAB 77.1, -74.12, 72

 

CMYK 61 / 89 / 0 / 14

HEX #5618DC

RGB 86 24 220

HSL 258.98, 0.8%, 0.48%

LAB 33.56, 68.54, -85.77

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 89 / 0 / 25 / 14

HEX #18DCA4

RGB 24 220 164

HSL 162.86, 0.8%, 0.48%

LAB 78.5, -57.07, 15.25

 

CMYK 25 / 89 / 0 / 14

HEX #A418DC

RGB 164 24 220

HSL 282.86, 0.8%, 0.48%

LAB 43.82, 77.04, -68.53

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 82 / 0 / 89 / 14

HEX #28DC18

RGB 40 220 24

HSL 115.1, 0.8%, 0.48%

LAB 77.1, -74.12, 72

 

CMYK 89 / 64 / 0 / 14

HEX #184FDC

RGB 24 79 220

HSL 223.16, 0.8%, 0.48%

LAB 39.5, 37.37, -76.08

 

CMYK 7 / 89 / 0 / 14

HEX #CC18DC

RGB 204 24 220

HSL 295.1, 0.8%, 0.48%

LAB 50.28, 83.11, -57.75

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 89 / 0 / 70 / 14

HEX #18DC42

RGB 24 220 66

HSL 132.86, 0.8%, 0.48%

LAB 77.15, -72.99, 60.31

 

CMYK 89 / 64 / 0 / 14

HEX #184FDC

RGB 24 79 220

HSL 223.16, 0.8%, 0.48%

LAB 39.5, 37.37, -76.08

 

CMYK 0 / 89 / 20 / 14

HEX #DC18B1

RGB 220 24 177

HSL 313.16, 0.8%, 0.48%

LAB 50.74, 79.96, -31.99

 

Description

Color code: RGB 219 165 25 | qconv.com Color code: RGB 219 165 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 165 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 165 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 89% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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