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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D8E539 it is the complementary color #271AC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D8E539. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D8E539 shade: #DDE534, #EEF747, #FFFF5A, #FFFF6D and #FFFF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D8E539. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D8E539 shade: #D8E539, #C7D326, #B6C113, #A5AF00 and #949D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D8E539 shade: #D8E538, #E5C338, #E59538, #E56638 and #E53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D8E539 shade: #D8E538, #A9E538, #7AE538, #4CE538 and #38E553

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D8E539 shade matches the following richer shades: #D8E538 and #E7F726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D8E539 shade: #D8E538, #C8D34A, #B9C05C, #A9AE6E and #9A9C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D8E539 shade: #E59438, #E5C238, #D9E538, #ABE538 and #7DE538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D8E539 shade: #A7B317, #CAD81C, #D8E538, #DFE95C and #E6EE81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D8E539 shade: #D8E539, #38E566 and #AB38E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D8E539 shade: #D8E539, #38D9E5 and #E538D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D8E539 shade: #D8E539, #38E566, #4338E5 and #E538B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D8E539 shade: #D8E539, #38E59A, #4338E5 and #E53883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 75 / 10

HEX #D8E539

RGB 216 229 57

HSL 64.53, 0.77%, 0.56%

LAB 87.45, -24.08, 76.11

 

Complementary color

CMYK 80 / 87 / 0 / 22

HEX #271AC6

RGB 39 26 198

HSL 244.53, 0.77%, 0.44%

LAB 27.43, 59.38, -83.28

 

CMYK 3 / 0 / 77 / 10

HEX #DDE534

RGB 221 229 52

HSL 62.71, 0.77%, 0.55%

LAB 87.8, -22.22, 78.03

 

CMYK 4 / 0 / 71 / 3

HEX #EEF747

RGB 238 247 71

HSL 63.07, 0.92%, 0.62%

LAB 93.95, -23.12, 78.35

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 6 / 0 / 75 / 10

HEX #D8E539

RGB 216 229 57

HSL 64.53, 0.77%, 0.56%

LAB 87.45, -24.08, 76.11

 

CMYK 6 / 0 / 82 / 17

HEX #C7D326

RGB 199 211 38

HSL 64.16, 0.69%, 0.49%

LAB 81.22, -23.11, 75.3

 

CMYK 6 / 0 / 90 / 24

HEX #B6C113

RGB 182 193 19

HSL 63.79, 0.82%, 0.42%

LAB 74.91, -21.96, 73.4

 

CMYK 6 / 0 / 100 / 31

HEX #A5AF00

RGB 165 175 0

HSL 63.43, 1%, 0.34%

LAB 68.5, -20.63, 70.29

 

CMYK 6 / 0 / 100 / 38

HEX #949D00

RGB 148 157 0

HSL 63.44, 1%, 0.31%

LAB 62.01, -19.02, 64.88

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 0 / 15 / 76 / 10

HEX #E5C338

RGB 229 195 56

HSL 48.21, 0.77%, 0.56%

LAB 79.6, -1.71, 69.54

 

CMYK 0 / 35 / 76 / 10

HEX #E59538

RGB 229 149 56

HSL 32.25, 0.77%, 0.56%

LAB 68.34, 22.58, 58.77

 

CMYK 0 / 55 / 76 / 10

HEX #E56638

RGB 229 102 56

HSL 15.95, 0.77%, 0.56%

LAB 58.46, 46.68, 48.81

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 47 / 0 / 76 / 10

HEX #7AE538

RGB 122 229 56

HSL 97.11, 0.77%, 0.56%

LAB 82.09, -58.51, 69.45

 

CMYK 67 / 0 / 76 / 10

HEX #4CE538

RGB 76 229 56

HSL 113.06, 0.77%, 0.56%

LAB 80.66, -69.85, 67.58

 

CMYK 76 / 0 / 64 / 10

HEX #38E553

RGB 56 229 83

HSL 129.36, 0.77%, 0.56%

LAB 80.46, -70.83, 57.29

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 6 / 0 / 85 / 3

HEX #E7F726

RGB 231 247 38

HSL 64.59, 0.93%, 0.56%

LAB 93.3, -27.09, 86.38

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 5 / 0 / 65 / 17

HEX #C8D34A

RGB 200 211 74

HSL 64.82, 0.61%, 0.56%

LAB 81.49, -21.08, 63.91

 

CMYK 4 / 0 / 52 / 25

HEX #B9C05C

RGB 185 192 92

HSL 64.2, 0.44%, 0.56%

LAB 75.32, -16.47, 48.93

 

CMYK 3 / 0 / 37 / 32

HEX #A9AE6E

RGB 169 174 110

HSL 64.69, 0.28%, 0.56%

LAB 69.35, -11.87, 32.28

 

CMYK 1 / 0 / 17 / 39

HEX #9A9C81

RGB 154 156 129

HSL 64.44, 0.12%, 0.56%

LAB 63.53, -5.53, 13.93

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 15 / 76 / 10

HEX #E5C238

RGB 229 194 56

HSL 47.86, 0.77%, 0.56%

LAB 79.34, -1.19, 69.3

 

CMYK 5 / 0 / 76 / 10

HEX #D9E538

RGB 217 229 56

HSL 64.16, 0.77%, 0.56%

LAB 87.52, -23.71, 76.5

 

CMYK 25 / 0 / 76 / 10

HEX #ABE538

RGB 171 229 56

HSL 80.12, 0.77%, 0.56%

LAB 84.47, -41.86, 72.56

 

CMYK 45 / 0 / 76 / 10

HEX #7DE538

RGB 125 229 56

HSL 96.07, 0.77%, 0.56%

LAB 82.21, -57.6, 69.61

 

CMYK 7 / 0 / 87 / 30

HEX #A7B317

RGB 167 179 23

HSL 64.62, 0.77%, 0.4%

LAB 69.84, -21.39, 68.13

 

CMYK 6 / 0 / 87 / 15

HEX #CAD81C

RGB 202 216 28

HSL 64.47, 0.77%, 0.48%

LAB 82.78, -24.53, 78.81

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 4 / 0 / 61 / 9

HEX #DFE95C

RGB 223 233 92

HSL 64.26, 0.76%, 0.64%

LAB 89.27, -21.28, 65.38

 

CMYK 3 / 0 / 46 / 7

HEX #E6EE81

RGB 230 238 129

HSL 64.4, 0.76%, 0.72%

LAB 91.49, -17.94, 51.54

 

CMYK 6 / 0 / 75 / 10

HEX #D8E539

RGB 216 229 57

HSL 64.53, 0.77%, 0.56%

LAB 87.45, -24.08, 76.11

 

CMYK 76 / 0 / 55 / 10

HEX #38E566

RGB 56 229 102

HSL 135.95, 0.77%, 0.56%

LAB 80.65, -68.58, 49.2

 

CMYK 25 / 76 / 0 / 10

HEX #AB38E5

RGB 171 56 229

HSL 279.88, 0.77%, 0.56%

LAB 48.44, 71.35, -66.1

 

CMYK 6 / 0 / 75 / 10

HEX #D8E539

RGB 216 229 57

HSL 64.53, 0.77%, 0.56%

LAB 87.45, -24.08, 76.11

 

CMYK 76 / 5 / 0 / 10

HEX #38D9E5

RGB 56 217 229

HSL 184.16, 0.77%, 0.56%

LAB 79.68, -35.91, -17.6

 

CMYK 0 / 76 / 5 / 10

HEX #E538D9

RGB 229 56 217

HSL 304.16, 0.77%, 0.56%

LAB 56.58, 80.43, -45.76

 

CMYK 6 / 0 / 75 / 10

HEX #D8E539

RGB 216 229 57

HSL 64.53, 0.77%, 0.56%

LAB 87.45, -24.08, 76.11

 

CMYK 76 / 0 / 55 / 10

HEX #38E566

RGB 56 229 102

HSL 135.95, 0.77%, 0.56%

LAB 80.65, -68.58, 49.2

 

CMYK 71 / 76 / 0 / 10

HEX #4338E5

RGB 67 56 229

HSL 243.82, 0.77%, 0.56%

LAB 37.26, 56.88, -84.85

 

CMYK 0 / 76 / 20 / 10

HEX #E538B7

RGB 229 56 183

HSL 315.95, 0.77%, 0.56%

LAB 54.97, 75.74, -28.77

 

CMYK 6 / 0 / 75 / 10

HEX #D8E539

RGB 216 229 57

HSL 64.53, 0.77%, 0.56%

LAB 87.45, -24.08, 76.11

 

CMYK 76 / 0 / 33 / 10

HEX #38E59A

RGB 56 229 154

HSL 153.99, 0.77%, 0.56%

LAB 81.41, -59.84, 24.55

 

CMYK 71 / 76 / 0 / 10

HEX #4338E5

RGB 67 56 229

HSL 243.82, 0.77%, 0.56%

LAB 37.26, 56.88, -84.85

 

CMYK 0 / 76 / 43 / 10

HEX #E53883

RGB 229 56 131

HSL 333.99, 0.77%, 0.56%

LAB 53.09, 69.99, -0.95

 

Description

Color code: HEX #D8E539 | qconv.com Color code: HEX #D8E539 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 229 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 229 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 75 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 75% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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