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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9E538 it is the complementary color #561AC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9E538. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9E538 shade: #AEE533, #BFF746, #D0FF59, #E1FF6C and #F2FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9E538. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9E538 shade: #A9E538, #98D325, #87C112, #76AF00 and #659D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9E538 shade: #A9E538, #D7E538, #E5C338, #E59538 and #E56638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9E538 shade: #A9E538, #7AE538, #4CE538, #38E553 and #38E581

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9E538 shade matches the following richer shades: #A9E538 and #AEF726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9E538 shade: #A9E538, #A3D34A, #9EC05C, #98AE6E and #939C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9E538 shade: #E5C238, #D9E538, #ABE538, #7DE538 and #4FE538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9E538 shade: #7DB317, #96D81C, #A9E538, #B9E95C and #C8EE81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9E538 shade: #A9E538, #38E594 and #D938E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9E538 shade: #A9E538, #38ABE5 and #E538AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9E538 shade: #A9E538, #38E594, #7238E5 and #E53889

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9E538 shade: #A9E538, #38E5C8, #7238E5 and #E53855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

Complementary color

CMYK 57 / 87 / 0 / 22

HEX #561AC7

RGB 86 26 199

HSL 260.81, 0.77%, 0.44%

LAB 31.44, 62.77, -77.09

 

CMYK 24 / 0 / 78 / 10

HEX #AEE533

RGB 174 229 51

HSL 78.54, 0.77%, 0.55%

LAB 84.63, -40.96, 74.25

 

CMYK 23 / 0 / 72 / 3

HEX #BFF746

RGB 191 247 70

HSL 78.98, 0.92%, 0.62%

LAB 90.8, -41.54, 74.54

 

CMYK 18 / 0 / 65 / 0

HEX #D0FF59

RGB 208 255 89

HSL 76.99, 1%, 0.67%

LAB 94.16, -37.57, 71.46

 

CMYK 12 / 0 / 58 / 0

HEX #E1FF6C

RGB 225 255 108

HSL 72.24, 1%, 0.71%

LAB 95.42, -29.75, 65.48

 

CMYK 5 / 0 / 50 / 0

HEX #F2FF7F

RGB 242 255 127

HSL 66.09, 1%, 0.75%

LAB 96.79, -21.66, 59.04

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 28 / 0 / 82 / 17

HEX #98D325

RGB 152 211 37

HSL 80.34, 0.7%, 0.49%

LAB 78.11, -41.96, 71.63

 

CMYK 30 / 0 / 91 / 24

HEX #87C112

RGB 135 193 18

HSL 79.89, 0.83%, 0.41%

LAB 71.78, -41.1, 69.73

 

CMYK 33 / 0 / 100 / 31

HEX #76AF00

RGB 118 175 0

HSL 79.54, 1%, 0.34%

LAB 65.37, -40.04, 66.54

 

CMYK 36 / 0 / 100 / 38

HEX #659D00

RGB 101 157 0

HSL 81.4, 1%, 0.31%

LAB 58.86, -38.65, 61.13

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 6 / 0 / 76 / 10

HEX #D7E538

RGB 215 229 56

HSL 64.86, 0.77%, 0.56%

LAB 87.37, -24.53, 76.31

 

CMYK 0 / 15 / 76 / 10

HEX #E5C338

RGB 229 195 56

HSL 48.21, 0.77%, 0.56%

LAB 79.6, -1.71, 69.54

 

CMYK 0 / 35 / 76 / 10

HEX #E59538

RGB 229 149 56

HSL 32.25, 0.77%, 0.56%

LAB 68.34, 22.58, 58.77

 

CMYK 0 / 55 / 76 / 10

HEX #E56638

RGB 229 102 56

HSL 15.95, 0.77%, 0.56%

LAB 58.46, 46.68, 48.81

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 47 / 0 / 76 / 10

HEX #7AE538

RGB 122 229 56

HSL 97.11, 0.77%, 0.56%

LAB 82.09, -58.51, 69.45

 

CMYK 67 / 0 / 76 / 10

HEX #4CE538

RGB 76 229 56

HSL 113.06, 0.77%, 0.56%

LAB 80.66, -69.85, 67.58

 

CMYK 76 / 0 / 64 / 10

HEX #38E553

RGB 56 229 83

HSL 129.36, 0.77%, 0.56%

LAB 80.46, -70.83, 57.29

 

CMYK 76 / 0 / 44 / 10

HEX #38E581

RGB 56 229 129

HSL 145.32, 0.77%, 0.56%

LAB 81, -64.5, 36.69

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 30 / 0 / 85 / 3

HEX #AEF726

RGB 174 247 38

HSL 80.96, 0.93%, 0.56%

LAB 89.7, -49.13, 81.91

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 23 / 0 / 65 / 17

HEX #A3D34A

RGB 163 211 74

HSL 81.02, 0.61%, 0.56%

LAB 78.97, -35.79, 60.49

 

CMYK 18 / 0 / 52 / 25

HEX #9EC05C

RGB 158 192 92

HSL 80.4, 0.44%, 0.56%

LAB 73.38, -27.27, 46.16

 

CMYK 13 / 0 / 37 / 32

HEX #98AE6E

RGB 152 174 110

HSL 80.63, 0.28%, 0.56%

LAB 68.07, -18.59, 30.38

 

CMYK 6 / 0 / 17 / 39

HEX #939C81

RGB 147 156 129

HSL 80, 0.12%, 0.56%

LAB 62.98, -8.21, 13.07

 

CMYK 0 / 15 / 76 / 10

HEX #E5C238

RGB 229 194 56

HSL 47.86, 0.77%, 0.56%

LAB 79.34, -1.19, 69.3

 

CMYK 5 / 0 / 76 / 10

HEX #D9E538

RGB 217 229 56

HSL 64.16, 0.77%, 0.56%

LAB 87.52, -23.71, 76.5

 

CMYK 25 / 0 / 76 / 10

HEX #ABE538

RGB 171 229 56

HSL 80.12, 0.77%, 0.56%

LAB 84.47, -41.86, 72.56

 

CMYK 45 / 0 / 76 / 10

HEX #7DE538

RGB 125 229 56

HSL 96.07, 0.77%, 0.56%

LAB 82.21, -57.6, 69.61

 

CMYK 66 / 0 / 76 / 10

HEX #4FE538

RGB 79 229 56

HSL 112.02, 0.77%, 0.56%

LAB 80.73, -69.26, 67.67

 

CMYK 30 / 0 / 87 / 30

HEX #7DB317

RGB 125 179 23

HSL 80.77, 0.77%, 0.4%

LAB 67.02, -38.65, 64.64

 

CMYK 31 / 0 / 87 / 15

HEX #96D81C

RGB 150 216 28

HSL 81.06, 0.77%, 0.48%

LAB 79.43, -45.13, 74.67

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 21 / 0 / 61 / 9

HEX #B9E95C

RGB 185 233 92

HSL 80.43, 0.76%, 0.64%

LAB 86.68, -36.1, 61.82

 

CMYK 16 / 0 / 46 / 7

HEX #C8EE81

RGB 200 238 129

HSL 80.92, 0.76%, 0.72%

LAB 89.4, -29.34, 48.51

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 76 / 0 / 35 / 10

HEX #38E594

RGB 56 229 148

HSL 151.91, 0.77%, 0.56%

LAB 81.3, -61.03, 27.49

 

CMYK 5 / 76 / 0 / 10

HEX #D938E5

RGB 217 56 229

HSL 295.84, 0.77%, 0.56%

LAB 55.32, 79.9, -54.68

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 76 / 25 / 0 / 10

HEX #38ABE5

RGB 56 171 229

HSL 200.12, 0.77%, 0.56%

LAB 66.23, -12.74, -38.24

 

CMYK 0 / 76 / 25 / 10

HEX #E538AB

RGB 229 56 171

HSL 320.12, 0.77%, 0.56%

LAB 54.48, 74.25, -22.55

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 76 / 0 / 35 / 10

HEX #38E594

RGB 56 229 148

HSL 151.91, 0.77%, 0.56%

LAB 81.3, -61.03, 27.49

 

CMYK 50 / 76 / 0 / 10

HEX #7238E5

RGB 114 56 229

HSL 260.12, 0.77%, 0.56%

LAB 41.32, 62.24, -78.02

 

CMYK 0 / 76 / 40 / 10

HEX #E53889

RGB 229 56 137

HSL 331.91, 0.77%, 0.56%

LAB 53.27, 70.56, -4.27

 

CMYK 26 / 0 / 76 / 10

HEX #A9E538

RGB 169 229 56

HSL 80.81, 0.77%, 0.56%

LAB 84.36, -42.61, 72.42

 

CMYK 76 / 0 / 13 / 10

HEX #38E5C8

RGB 56 229 200

HSL 169.94, 0.77%, 0.56%

LAB 82.41, -49.23, 1.86

 

CMYK 50 / 76 / 0 / 10

HEX #7238E5

RGB 114 56 229

HSL 260.12, 0.77%, 0.56%

LAB 41.32, 62.24, -78.02

 

CMYK 0 / 76 / 63 / 10

HEX #E53855

RGB 229 56 85

HSL 349.94, 0.77%, 0.56%

LAB 52, 66.54, 25.18

 

Description

Color code: HEX #A9E538 | qconv.com Color code: HEX #A9E538 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 229 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 229 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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