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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 229 148 56 it is the complementary color RGB 26 107 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 229 148 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 229 148 56 shade: RGB 234 148 51, RGB 251 166 70, RGB 255 184 89, RGB 255 202 108 and RGB 255 220 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 229 148 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 212 130 37, RGB 195 112 18, RGB 178 94 0 and RGB 161 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 229 101 56 and RGB 229 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 229 194 56, RGB 216 229 56, RGB 170 229 56 and RGB 123 229 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 229 148 56 shade matches the following richer shades: RGB 229 148 56 and RGB 247 149 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 211 147 74, RGB 192 145 92, RGB 174 144 110 and RGB 156 143 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 229 148 56 shade: RGB 229 56 59, RGB 229 99 56, RGB 229 145 56, RGB 229 191 56 and RGB 220 229 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 229 148 56 shade: RGB 179 106 23, RGB 216 128 28, RGB 229 148 56, RGB 233 167 92 and RGB 238 187 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 105 229 56 and RGB 76 56 229

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 56 229 145 and RGB 145 56 229

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 105 229 56, RGB 56 139 229 and RGB 180 56 229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 229 148 56 shade: RGB 229 148 56, RGB 56 229 59, RGB 56 139 229 and RGB 229 56 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

Complementary color

CMYK 87 / 46 / 0 / 22

HEX #1A6BC7

RGB 26 107 199

HSL 211.91, 0.77%, 0.44%

LAB 45.44, 11.21, -54.37

 

CMYK 0 / 37 / 78 / 8

HEX #EA9433

RGB 234 148 51

HSL 31.8, 0.81%, 0.56%

LAB 68.69, 25.01, 61.33

 

CMYK 0 / 34 / 72 / 2

HEX #FBA646

RGB 251 166 70

HSL 31.82, 0.96%, 0.63%

LAB 74.97, 23.36, 60.34

 

CMYK 0 / 28 / 65 / 0

HEX #FFB859

RGB 255 184 89

HSL 34.34, 1%, 0.67%

LAB 79.76, 16.58, 57.12

 

CMYK 0 / 21 / 58 / 0

HEX #FFCA6C

RGB 255 202 108

HSL 38.37, 1%, 0.71%

LAB 84.27, 8.47, 53.38

 

CMYK 0 / 14 / 50 / 0

HEX #FFDC7F

RGB 255 220 127

HSL 43.59, 1%, 0.75%

LAB 88.91, 0.75, 49.83

RGB 255 220 127

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 39 / 83 / 17

HEX #D48225

RGB 212 130 37

HSL 31.89, 0.7%, 0.49%

LAB 61.74, 24.9, 59.26

 

CMYK 0 / 43 / 91 / 24

HEX #C37012

RGB 195 112 18

HSL 31.86, 0.83%, 0.42%

LAB 55.31, 26.92, 59

 

CMYK 0 / 47 / 100 / 30

HEX #B25E00

RGB 178 94 0

HSL 31.69, 1%, 0.35%

LAB 48.85, 29.16, 57.39

 

CMYK 0 / 53 / 100 / 37

HEX #A14C00

RGB 161 76 0

HSL 28.32, 1%, 0.32%

LAB 42.38, 31.64, 52.19

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 56 / 76 / 10

HEX #E56538

RGB 229 101 56

HSL 15.61, 0.77%, 0.56%

LAB 58.27, 47.16, 48.62

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 15 / 76 / 10

HEX #E5C238

RGB 229 194 56

HSL 47.86, 0.77%, 0.56%

LAB 79.34, -1.19, 69.3

 

CMYK 6 / 0 / 76 / 10

HEX #D8E538

RGB 216 229 56

HSL 64.51, 0.77%, 0.56%

LAB 87.45, -24.12, 76.4

 

CMYK 26 / 0 / 76 / 10

HEX #AAE538

RGB 170 229 56

HSL 80.46, 0.77%, 0.56%

LAB 84.42, -42.24, 72.49

 

CMYK 46 / 0 / 76 / 10

HEX #7BE538

RGB 123 229 56

HSL 96.76, 0.77%, 0.56%

LAB 82.13, -58.21, 69.5

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 40 / 85 / 3

HEX #F79526

RGB 247 149 38

HSL 31.87, 0.93%, 0.56%

LAB 70.46, 29.48, 68.12

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 30 / 65 / 17

HEX #D3934A

RGB 211 147 74

HSL 31.97, 0.61%, 0.56%

LAB 65.91, 16.99, 47.4

 

CMYK 0 / 24 / 52 / 25

HEX #C0915C

RGB 192 145 92

HSL 31.8, 0.44%, 0.56%

LAB 63.53, 11.41, 34.84

 

CMYK 0 / 17 / 37 / 32

HEX #AE906E

RGB 174 144 110

HSL 31.88, 0.28%, 0.56%

LAB 61.72, 6.37, 22.3

 

CMYK 0 / 8 / 17 / 39

HEX #9C8F81

RGB 156 143 129

HSL 31.11, 0.12%, 0.56%

LAB 60.16, 2.42, 9.19

 

CMYK 0 / 76 / 74 / 10

HEX #E5383B

RGB 229 56 59

HSL 358.96, 0.77%, 0.56%

LAB 51.61, 65.29, 39.88

 

CMYK 0 / 57 / 76 / 10

HEX #E56338

RGB 229 99 56

HSL 14.91, 0.77%, 0.56%

LAB 57.91, 48.1, 48.24

 

CMYK 0 / 37 / 76 / 10

HEX #E59138

RGB 229 145 56

HSL 30.87, 0.77%, 0.56%

LAB 67.42, 24.71, 57.87

 

CMYK 0 / 17 / 76 / 10

HEX #E5BF38

RGB 229 191 56

HSL 46.82, 0.77%, 0.56%

LAB 78.58, 0.36, 68.58

 

CMYK 4 / 0 / 76 / 10

HEX #DCE538

RGB 220 229 56

HSL 63.12, 0.77%, 0.56%

LAB 87.75, -22.48, 76.79

 

CMYK 0 / 41 / 87 / 30

HEX #B36A17

RGB 179 106 23

HSL 31.92, 0.77%, 0.4%

LAB 51.78, 23.41, 53.88

 

CMYK 0 / 41 / 87 / 15

HEX #D8801C

RGB 216 128 28

HSL 31.91, 0.77%, 0.48%

LAB 61.76, 27.42, 62.44

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 0 / 28 / 61 / 9

HEX #E9A75C

RGB 233 167 92

HSL 31.91, 0.76%, 0.64%

LAB 73.37, 16.66, 47.78

 

CMYK 0 / 21 / 46 / 7

HEX #EEBB81

RGB 238 187 129

HSL 31.93, 0.76%, 0.72%

LAB 79.22, 11.22, 36.32

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 54 / 0 / 76 / 10

HEX #69E538

RGB 105 229 56

HSL 103.01, 0.77%, 0.56%

LAB 81.47, -63.26, 68.64

 

CMYK 67 / 76 / 0 / 10

HEX #4C38E5

RGB 76 56 229

HSL 246.94, 0.77%, 0.56%

LAB 37.88, 57.71, -83.8

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 76 / 0 / 37 / 10

HEX #38E591

RGB 56 229 145

HSL 150.87, 0.77%, 0.56%

LAB 81.25, -61.61, 28.95

 

CMYK 37 / 76 / 0 / 10

HEX #9138E5

RGB 145 56 229

HSL 270.87, 0.77%, 0.56%

LAB 44.95, 66.92, -71.93

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 54 / 0 / 76 / 10

HEX #69E538

RGB 105 229 56

HSL 103.01, 0.77%, 0.56%

LAB 81.47, -63.26, 68.64

 

CMYK 76 / 39 / 0 / 10

HEX #388BE5

RGB 56 139 229

HSL 211.21, 0.77%, 0.56%

LAB 57.04, 5.56, -52.74

 

CMYK 21 / 76 / 0 / 10

HEX #B438E5

RGB 180 56 229

HSL 283.01, 0.77%, 0.56%

LAB 49.72, 72.96, -63.96

 

CMYK 0 / 35 / 76 / 10

HEX #E59438

RGB 229 148 56

HSL 31.91, 0.77%, 0.56%

LAB 68.11, 23.11, 58.55

 

CMYK 76 / 0 / 74 / 10

HEX #38E53B

RGB 56 229 59

HSL 121.04, 0.77%, 0.56%

LAB 80.29, -72.95, 66.11

 

CMYK 76 / 39 / 0 / 10

HEX #388BE5

RGB 56 139 229

HSL 211.21, 0.77%, 0.56%

LAB 57.04, 5.56, -52.74

 

CMYK 0 / 76 / 1 / 10

HEX #E538E2

RGB 229 56 226

HSL 301.04, 0.77%, 0.56%

LAB 57.05, 81.77, -50.1

 

Description

Color code: RGB 229 148 56 | qconv.com Color code: RGB 229 148 56 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 148 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 148 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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