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Color name
HEX #D6C599

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D6C599 it is the complementary color #293A66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D6C599. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D6C599 shade: #DBC594, #ECD7A7, #FDE9BA, #FFFBCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D6C599. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D6C599 shade: #D6C599, #C5B386, #B4A173, #A38F60 and #927D4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D6C599 shade: #D6C598, #D6B498, #D6A498 and #D69898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D6C599 shade: #D6C598, #D6D598, #C6D698, #B5D698 and #A5D698

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D6C599 shade matches the following richer shades: #D6C598, #E1CA8D, #EDCF81 and #F8D476

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D6C599 shade: #D6C598, #CAC0A4, #BFBAB0, #B3B5BB and #A8B0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D6C599 shade: #D6A498, #D6B498, #D6C498, #D6D598 and #C6D698

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D6C599 shade: #BEA35D, #CAB47B, #D6C598, #E2D5B6 and #EDE6D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D6C599 shade: #D6C599, #9ED698 and #AC98D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D6C599 shade: #D6C599, #98D6C4 and #C498D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D6C599 shade: #D6C599, #9ED698, #98AAD6 and #D198D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D6C599 shade: #D6C599, #98D6A6, #98AAD6 and #D698C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 29 / 16

HEX #D6C599

RGB 214 197 153

HSL 43.28, 0.43%, 0.72%

LAB 79.91, -0.72, 24.27

 

Complementary color

CMYK 60 / 43 / 0 / 60

HEX #293A66

RGB 41 58 102

HSL 223.28, 0.43%, 0.28%

LAB 25.13, 7.87, -28.02

 

CMYK 0 / 10 / 32 / 14

HEX #DBC594

RGB 219 197 148

HSL 41.41, 0.5%, 0.72%

LAB 80.25, 0.57, 27.44

 

CMYK 0 / 9 / 29 / 7

HEX #ECD7A7

RGB 236 215 167

HSL 41.74, 0.64%, 0.79%

LAB 86.61, 0.16, 26.36

 

CMYK 0 / 8 / 26 / 1

HEX #FDE9BA

RGB 253 233 186

HSL 42.09, 0.94%, 0.86%

LAB 92.89, -0.2, 25.35

 

CMYK 0 / 2 / 20 / 0

HEX #FFFBCD

RGB 255 251 205

HSL 55.2, 1%, 0.9%

LAB 97.9, -5.92, 22.57

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 8 / 29 / 16

HEX #D6C599

RGB 214 197 153

HSL 43.28, 0.43%, 0.72%

LAB 79.91, -0.72, 24.27

 

CMYK 0 / 9 / 32 / 23

HEX #C5B386

RGB 197 179 134

HSL 42.86, 0.35%, 0.65%

LAB 73.44, -0.33, 25.36

 

CMYK 0 / 11 / 36 / 29

HEX #B4A173

RGB 180 161 115

HSL 42.46, 0.3%, 0.58%

LAB 66.85, 0.12, 26.51

 

CMYK 0 / 12 / 41 / 36

HEX #A38F60

RGB 163 143 96

HSL 42.09, 0.27%, 0.51%

LAB 60.14, 0.66, 27.75

 

CMYK 0 / 14 / 47 / 43

HEX #927D4D

RGB 146 125 77

HSL 41.74, 0.31%, 0.44%

LAB 53.29, 1.32, 29.07

 

CMYK 0 / 8 / 29 / 16

HEX #D6C598

RGB 214 197 152

HSL 43.55, 0.43%, 0.72%

LAB 79.9, -0.85, 24.78

 

CMYK 0 / 16 / 29 / 16

HEX #D6B498

RGB 214 180 152

HSL 27.1, 0.43%, 0.72%

LAB 75.58, 8.14, 18.86

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 29 / 29 / 16

HEX #D69898

RGB 214 152 152

HSL 0, 0.43%, 0.72%

LAB 68.77, 23.25, 9.29

 

CMYK 0 / 8 / 29 / 16

HEX #D6C598

RGB 214 197 152

HSL 43.55, 0.43%, 0.72%

LAB 79.9, -0.85, 24.78

 

CMYK 0 / 0 / 29 / 16

HEX #D6D598

RGB 214 213 152

HSL 59.03, 0.43%, 0.72%

LAB 84.04, -9.1, 30.37

 

CMYK 7 / 0 / 29 / 16

HEX #C6D698

RGB 198 214 152

HSL 75.48, 0.43%, 0.72%

LAB 83.11, -15.64, 28.9

 

CMYK 15 / 0 / 29 / 16

HEX #B5D698

RGB 181 214 152

HSL 91.94, 0.43%, 0.72%

LAB 81.94, -21.86, 27.12

 

CMYK 23 / 0 / 29 / 16

HEX #A5D698

RGB 165 214 152

HSL 107.42, 0.43%, 0.72%

LAB 80.94, -27.47, 25.6

 

CMYK 0 / 8 / 29 / 16

HEX #D6C598

RGB 214 197 152

HSL 43.55, 0.43%, 0.72%

LAB 79.9, -0.85, 24.78

 

CMYK 0 / 10 / 37 / 12

HEX #E1CA8D

RGB 225 202 141

HSL 43.57, 0.58%, 0.72%

LAB 81.93, -0.52, 33.41

 

CMYK 0 / 13 / 46 / 7

HEX #EDCF81

RGB 237 207 129

HSL 43.33, 0.75%, 0.72%

LAB 84.08, 0.39, 42.5

 

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

CMYK 0 / 8 / 29 / 16

HEX #D6C598

RGB 214 197 152

HSL 43.55, 0.43%, 0.72%

LAB 79.9, -0.85, 24.78

 

CMYK 0 / 5 / 19 / 21

HEX #CAC0A4

RGB 202 192 164

HSL 44.21, 0.26%, 0.72%

LAB 77.84, -1.09, 15.39

 

CMYK 0 / 3 / 8 / 25

HEX #BFBAB0

RGB 191 186 176

HSL 40, 0.1%, 0.72%

LAB 75.66, -0.01, 5.68

 

CMYK 4 / 3 / 0 / 27

HEX #B3B5BB

RGB 179 181 187

HSL 225, 0.06%, 0.72%

LAB 73.69, 0.45, -3.3

 

CMYK 16 / 12 / 0 / 22

HEX #A8B0C7

RGB 168 176 199

HSL 224.52, 0.22%, 0.72%

LAB 71.89, 1.94, -12.63

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 16 / 29 / 16

HEX #D6B498

RGB 214 180 152

HSL 27.1, 0.43%, 0.72%

LAB 75.58, 8.14, 18.86

 

CMYK 0 / 8 / 29 / 16

HEX #D6C498

RGB 214 196 152

HSL 42.58, 0.43%, 0.72%

LAB 79.64, -0.33, 24.43

 

CMYK 0 / 0 / 29 / 16

HEX #D6D598

RGB 214 213 152

HSL 59.03, 0.43%, 0.72%

LAB 84.04, -9.1, 30.37

 

CMYK 7 / 0 / 29 / 16

HEX #C6D698

RGB 198 214 152

HSL 75.48, 0.43%, 0.72%

LAB 83.11, -15.64, 28.9

 

CMYK 0 / 14 / 51 / 25

HEX #BEA35D

RGB 190 163 93

HSL 43.3, 0.43%, 0.55%

LAB 67.97, 0.85, 39.76

 

CMYK 0 / 11 / 39 / 21

HEX #CAB47B

RGB 202 180 123

HSL 43.29, 0.43%, 0.64%

LAB 73.95, -0.19, 31.96

 

CMYK 0 / 8 / 29 / 16

HEX #D6C598

RGB 214 197 152

HSL 43.55, 0.43%, 0.72%

LAB 79.9, -0.85, 24.78

 

CMYK 0 / 6 / 19 / 11

HEX #E2D5B6

RGB 226 213 182

HSL 42.27, 0.43%, 0.8%

LAB 85.57, -0.48, 16.95

 

CMYK 0 / 3 / 11 / 7

HEX #EDE6D3

RGB 237 230 211

HSL 43.85, 0.42%, 0.88%

LAB 91.37, -0.81, 10.09

 

CMYK 0 / 8 / 29 / 16

HEX #D6C599

RGB 214 197 153

HSL 43.28, 0.43%, 0.72%

LAB 79.91, -0.72, 24.27

 

CMYK 26 / 0 / 29 / 16

HEX #9ED698

RGB 158 214 152

HSL 114.19, 0.43%, 0.72%

LAB 80.53, -29.84, 24.98

 

CMYK 20 / 29 / 0 / 16

HEX #AC98D6

RGB 172 152 214

HSL 259.35, 0.43%, 0.72%

LAB 66.58, 19.91, -28.95

 

CMYK 0 / 8 / 29 / 16

HEX #D6C599

RGB 214 197 153

HSL 43.28, 0.43%, 0.72%

LAB 79.91, -0.72, 24.27

 

CMYK 29 / 0 / 8 / 16

HEX #98D6C4

RGB 152 214 196

HSL 162.58, 0.43%, 0.72%

LAB 81.16, -23.5, 2.56

 

CMYK 8 / 29 / 0 / 16

HEX #C498D6

RGB 196 152 214

HSL 282.58, 0.43%, 0.72%

LAB 68.79, 27.48, -25.38

 

CMYK 0 / 8 / 29 / 16

HEX #D6C599

RGB 214 197 153

HSL 43.28, 0.43%, 0.72%

LAB 79.91, -0.72, 24.27

 

CMYK 26 / 0 / 29 / 16

HEX #9ED698

RGB 158 214 152

HSL 114.19, 0.43%, 0.72%

LAB 80.53, -29.84, 24.98

 

CMYK 29 / 21 / 0 / 16

HEX #98AAD6

RGB 152 170 214

HSL 222.58, 0.43%, 0.72%

LAB 69.67, 3.74, -24.34

 

CMYK 2 / 29 / 0 / 16

HEX #D198D6

RGB 209 152 214

HSL 295.16, 0.43%, 0.72%

LAB 70.08, 31.67, -23.28

 

CMYK 0 / 8 / 29 / 16

HEX #D6C599

RGB 214 197 153

HSL 43.28, 0.43%, 0.72%

LAB 79.91, -0.72, 24.27

 

CMYK 29 / 0 / 22 / 16

HEX #98D6A6

RGB 152 214 166

HSL 133.55, 0.43%, 0.72%

LAB 80.47, -29.4, 17.5

 

CMYK 29 / 21 / 0 / 16

HEX #98AAD6

RGB 152 170 214

HSL 222.58, 0.43%, 0.72%

LAB 69.67, 3.74, -24.34

 

CMYK 0 / 29 / 7 / 16

HEX #D698C8

RGB 214 152 200

HSL 313.55, 0.43%, 0.72%

LAB 70.12, 30.75, -15.43

 

Description

Color code: HEX #D6C599 | qconv.com Color code: HEX #D6C599 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 197 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 197 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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