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Color name
RGB 248 212 118

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 248 212 118 it is the complementary color RGB 7 43 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 248 212 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 248 212 118 shade: RGB 253 212 113, RGB 255 230 132, RGB 255 248 151, RGB 255 255 170 and RGB 255 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 248 212 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 248 212 118 shade: RGB 248 212 118, RGB 231 194 99, RGB 214 176 80, RGB 197 158 61 and RGB 180 140 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 248 212 118 shade: RGB 247 212 119, RGB 247 177 119, RGB 247 142 119 and RGB 247 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 248 212 118 shade: RGB 247 212 119, RGB 247 246 119, RGB 214 247 119, RGB 179 247 119 and RGB 144 247 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 248 212 118 shade matches the following richer shades: RGB 247 212 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 248 212 118 shade: RGB 247 212 119, RGB 236 207 130, RGB 224 201 142, RGB 213 196 153 and RGB 201 191 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 248 212 118 shade: RGB 247 142 119, RGB 247 177 119, RGB 247 211 119, RGB 247 245 119 and RGB 215 247 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 248 212 118 shade: RGB 243 187 40, RGB 245 199 80, RGB 247 212 119, RGB 249 224 158 and RGB 251 236 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 248 212 118 shade: RGB 248 212 118, RGB 130 247 119 and RGB 160 119 247

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 248 212 118 shade: RGB 248 212 118, RGB 119 247 211 and RGB 211 119 247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 248 212 118 shade: RGB 248 212 118, RGB 130 247 119, RGB 119 155 247 and RGB 237 119 247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 248 212 118 shade: RGB 248 212 118, RGB 119 247 147, RGB 119 155 247 and RGB 247 119 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

Complementary color

CMYK 95 / 69 / 0 / 46

HEX #072B89

RGB 7 43 137

HSL 223.38, 0.9%, 0.28%

LAB 22.23, 28.23, -55.02

 

CMYK 0 / 16 / 55 / 1

HEX #FDD471

RGB 253 212 113

HSL 42.43, 0.97%, 0.72%

LAB 86.58, 2.89, 53.69

 

CMYK 0 / 10 / 48 / 0

HEX #FFE684

RGB 255 230 132

HSL 47.8, 1%, 0.76%

LAB 91.47, -3.87, 50.55

 

CMYK 0 / 3 / 41 / 0

HEX #FFF897

RGB 255 248 151

HSL 55.96, 1%, 0.8%

LAB 96.26, -11.01, 47.34

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAA

RGB 255 255 170

HSL 60, 1%, 0.83%

LAB 98.31, -12.39, 40.69

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

CMYK 0 / 16 / 57 / 9

HEX #E7C263

RGB 231 194 99

HSL 43.18, 0.73%, 0.65%

LAB 79.88, 2.1, 51.94

 

CMYK 0 / 18 / 63 / 16

HEX #D6B050

RGB 214 176 80

HSL 42.99, 0.62%, 0.58%

LAB 73.5, 3.08, 53.13

 

CMYK 0 / 20 / 69 / 23

HEX #C59E3D

RGB 197 158 61

HSL 42.79, 0.54%, 0.51%

LAB 67.02, 4.23, 54.16

 

CMYK 0 / 22 / 77 / 29

HEX #B48C2A

RGB 180 140 42

HSL 42.61, 0.62%, 0.44%

LAB 60.45, 5.6, 54.84

 

CMYK 0 / 14 / 52 / 3

HEX #F7D477

RGB 247 212 119

HSL 43.59, 0.89%, 0.72%

LAB 86.1, 0.94, 50.11

 

CMYK 0 / 28 / 52 / 3

HEX #F7B177

RGB 247 177 119

HSL 27.19, 0.89%, 0.72%

LAB 77.61, 19.17, 39.63

 

CMYK 0 / 43 / 52 / 3

HEX #F78E77

RGB 247 142 119

HSL 10.78, 0.89%, 0.72%

LAB 69.79, 37.47, 29.58

 

CMYK 0 / 52 / 52 / 3

HEX #F77777

RGB 247 119 119

HSL 0, 0.89%, 0.72%

LAB 65.2, 48.96, 23.48

 

CMYK 0 / 14 / 52 / 3

HEX #F7D477

RGB 247 212 119

HSL 43.59, 0.89%, 0.72%

LAB 86.1, 0.94, 50.11

 

CMYK 0 / 0 / 52 / 3

HEX #F7F677

RGB 247 246 119

HSL 59.53, 0.89%, 0.72%

LAB 94.75, -16.05, 60.35

 

CMYK 13 / 0 / 52 / 3

HEX #D6F777

RGB 214 247 119

HSL 75.47, 0.89%, 0.72%

LAB 92.64, -29.3, 57.29

 

CMYK 28 / 0 / 52 / 3

HEX #B3F777

RGB 179 247 119

HSL 91.88, 0.89%, 0.72%

LAB 90.52, -42.04, 54.26

 

CMYK 42 / 0 / 52 / 3

HEX #90F777

RGB 144 247 119

HSL 108.28, 0.89%, 0.72%

LAB 88.82, -53.38, 51.81

 

CMYK 0 / 14 / 52 / 3

HEX #F7D477

RGB 247 212 119

HSL 43.59, 0.89%, 0.72%

LAB 86.1, 0.94, 50.11

 

CMYK 0 / 14 / 52 / 3

HEX #F7D477

RGB 247 212 119

HSL 43.59, 0.89%, 0.72%

LAB 86.1, 0.94, 50.11

 

CMYK 0 / 12 / 45 / 7

HEX #ECCF82

RGB 236 207 130

HSL 43.58, 0.74%, 0.72%

LAB 84, 0.09, 41.88

 

CMYK 0 / 10 / 37 / 12

HEX #E0C98E

RGB 224 201 142

HSL 43.17, 0.57%, 0.72%

LAB 81.61, -0.28, 32.45

 

CMYK 0 / 8 / 28 / 16

HEX #D5C499

RGB 213 196 153

HSL 43, 0.42%, 0.72%

LAB 79.57, -0.58, 23.79

 

CMYK 0 / 5 / 18 / 21

HEX #C9BFA5

RGB 201 191 165

HSL 43.33, 0.25%, 0.72%

LAB 77.52, -0.79, 14.39

 

CMYK 0 / 43 / 52 / 3

HEX #F78E77

RGB 247 142 119

HSL 10.78, 0.89%, 0.72%

LAB 69.79, 37.47, 29.58

 

CMYK 0 / 28 / 52 / 3

HEX #F7B177

RGB 247 177 119

HSL 27.19, 0.89%, 0.72%

LAB 77.61, 19.17, 39.63

 

CMYK 0 / 15 / 52 / 3

HEX #F7D377

RGB 247 211 119

HSL 43.13, 0.89%, 0.72%

LAB 85.85, 1.45, 49.81

 

CMYK 0 / 1 / 52 / 3

HEX #F7F577

RGB 247 245 119

HSL 59.06, 0.89%, 0.72%

LAB 94.49, -15.56, 60.05

 

CMYK 13 / 0 / 52 / 3

HEX #D7F777

RGB 215 247 119

HSL 75, 0.89%, 0.72%

LAB 92.71, -28.92, 57.38

 

CMYK 0 / 23 / 84 / 5

HEX #F3BB28

RGB 243 187 40

HSL 43.45, 0.89%, 0.55%

LAB 78.9, 7.91, 74.38

 

CMYK 0 / 19 / 67 / 4

HEX #F5C750

RGB 245 199 80

HSL 43.27, 0.89%, 0.64%

LAB 82.29, 4.12, 63.5

 

CMYK 0 / 14 / 52 / 3

HEX #F7D477

RGB 247 212 119

HSL 43.59, 0.89%, 0.72%

LAB 86.1, 0.94, 50.11

 

CMYK 0 / 10 / 37 / 2

HEX #F9E09E

RGB 249 224 158

HSL 43.52, 0.88%, 0.8%

LAB 89.82, -0.56, 35.48

 

CMYK 0 / 6 / 22 / 2

HEX #FBECC5

RGB 251 236 197

HSL 43.33, 0.87%, 0.88%

LAB 93.68, -0.96, 20.76

 

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

CMYK 47 / 0 / 52 / 3

HEX #82F777

RGB 130 247 119

HSL 114.84, 0.89%, 0.72%

LAB 88.26, -57.4, 51

 

CMYK 35 / 52 / 0 / 3

HEX #A077F7

RGB 160 119 247

HSL 259.22, 0.89%, 0.72%

LAB 59.33, 43.28, -58.71

 

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

CMYK 52 / 0 / 15 / 3

HEX #77F7D3

RGB 119 247 211

HSL 163.13, 0.89%, 0.72%

LAB 89.46, -44, 6.5

 

CMYK 15 / 52 / 0 / 3

HEX #D377F7

RGB 211 119 247

HSL 283.13, 0.89%, 0.72%

LAB 64.77, 56.15, -49.72

 

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

CMYK 47 / 0 / 52 / 3

HEX #82F777

RGB 130 247 119

HSL 114.84, 0.89%, 0.72%

LAB 88.26, -57.4, 51

 

CMYK 52 / 37 / 0 / 3

HEX #779BF7

RGB 119 155 247

HSL 223.13, 0.89%, 0.72%

LAB 65.03, 12.91, -49.84

 

CMYK 4 / 52 / 0 / 3

HEX #ED77F7

RGB 237 119 247

HSL 295.31, 0.89%, 0.72%

LAB 67.96, 62.97, -44.49

 

CMYK 0 / 15 / 52 / 3

HEX #F8D476

RGB 248 212 118

HSL 43.38, 0.9%, 0.72%

LAB 86.18, 1.26, 50.71

 

CMYK 52 / 0 / 40 / 3

HEX #77F793

RGB 119 247 147

HSL 133.13, 0.89%, 0.72%

LAB 88.23, -56.33, 37.46

 

CMYK 52 / 37 / 0 / 3

HEX #779BF7

RGB 119 155 247

HSL 223.13, 0.89%, 0.72%

LAB 65.03, 12.91, -49.84

 

CMYK 0 / 52 / 11 / 3

HEX #F777DC

RGB 247 119 220

HSL 312.66, 0.89%, 0.72%

LAB 68.12, 61.2, -29.22

 

Description

Color code: RGB 248 212 118 | qconv.com Color code: RGB 248 212 118 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 212 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 212 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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