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Color name
RGB 214 164 152

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 164 152 it is the complementary color RGB 41 91 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 164 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 164 152 shade: RGB 219 164 147, RGB 236 182 166, RGB 253 200 185, RGB 255 218 204 and RGB 255 236 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 164 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 197 146 133, RGB 180 128 114, RGB 163 110 95 and RGB 146 92 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 164 152 shade: RGB 214 164 152 and RGB 214 152 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 214 181 152, RGB 214 197 152, RGB 214 214 152 and RGB 197 214 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 164 152 shade matches the following richer shades: RGB 214 164 152, RGB 225 157 141, RGB 237 150 129 and RGB 248 143 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 202 171 164, RGB 191 178 176, RGB 179 186 187 and RGB 168 193 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 164 152 shade: RGB 214 152 174, RGB 214 152 158, RGB 214 164 152, RGB 214 180 152 and RGB 214 196 152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 164 152 shade: RGB 190 112 93, RGB 202 138 123, RGB 214 164 152, RGB 226 190 182 and RGB 237 216 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 190 214 152 and RGB 152 166 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 152 214 164 and RGB 164 152 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 190 214 152, RGB 152 203 214 and RGB 176 152 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 164 152 shade: RGB 214 164 152, RGB 172 214 152, RGB 152 203 214 and RGB 194 152 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

Complementary color

CMYK 60 / 12 / 0 / 60

HEX #295B67

RGB 41 91 103

HSL 191.61, 0.43%, 0.28%

LAB 35.85, -12.9, -11.98

 

CMYK 0 / 25 / 33 / 14

HEX #DBA493

RGB 219 164 147

HSL 14.17, 0.5%, 0.72%

LAB 72.04, 18.01, 16.74

 

CMYK 0 / 23 / 30 / 7

HEX #ECB6A6

RGB 236 182 166

HSL 13.71, 0.65%, 0.79%

LAB 78.49, 17.32, 15.67

 

CMYK 0 / 21 / 27 / 1

HEX #FDC8B9

RGB 253 200 185

HSL 13.24, 0.94%, 0.86%

LAB 84.84, 16.7, 14.68

 

CMYK 0 / 15 / 20 / 0

HEX #FFDACC

RGB 255 218 204

HSL 16.47, 1%, 0.9%

LAB 89.75, 10.72, 11.64

 

CMYK 0 / 7 / 13 / 0

HEX #FFECDF

RGB 255 236 223

HSL 24.38, 1%, 0.94%

LAB 94.56, 4.33, 8.61

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 26 / 32 / 23

HEX #C59285

RGB 197 146 133

HSL 12.19, 0.36%, 0.65%

LAB 65.06, 17.45, 14.42

 

CMYK 0 / 29 / 37 / 29

HEX #B48072

RGB 180 128 114

HSL 12.73, 0.31%, 0.58%

LAB 58.37, 18.25, 15.6

 

CMYK 0 / 33 / 42 / 36

HEX #A36E5F

RGB 163 110 95

HSL 13.24, 0.27%, 0.51%

LAB 51.57, 19.18, 16.91

 

CMYK 0 / 37 / 48 / 43

HEX #925C4C

RGB 146 92 76

HSL 13.71, 0.32%, 0.44%

LAB 44.64, 20.25, 18.41

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 29 / 29 / 16

HEX #D69898

RGB 214 152 152

HSL 0, 0.43%, 0.72%

LAB 68.77, 23.25, 9.29

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 15 / 29 / 16

HEX #D6B598

RGB 214 181 152

HSL 28.06, 0.43%, 0.72%

LAB 75.83, 7.6, 19.2

 

CMYK 0 / 8 / 29 / 16

HEX #D6C598

RGB 214 197 152

HSL 43.55, 0.43%, 0.72%

LAB 79.9, -0.85, 24.78

 

CMYK 0 / 0 / 29 / 16

HEX #D6D698

RGB 214 214 152

HSL 60, 0.43%, 0.72%

LAB 84.31, -9.61, 30.71

 

CMYK 8 / 0 / 29 / 16

HEX #C5D698

RGB 197 214 152

HSL 76.45, 0.43%, 0.72%

LAB 83.04, -16.01, 28.79

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 30 / 37 / 12

HEX #E19D8D

RGB 225 157 141

HSL 11.43, 0.58%, 0.72%

LAB 70.9, 23.36, 18.56

 

CMYK 0 / 37 / 46 / 7

HEX #ED9681

RGB 237 150 129

HSL 11.67, 0.75%, 0.72%

LAB 70.46, 30.41, 24.77

 

CMYK 0 / 42 / 52 / 3

HEX #F88F76

RGB 248 143 118

HSL 11.54, 0.9%, 0.72%

LAB 70.11, 37.25, 30.57

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 15 / 19 / 21

HEX #CAABA4

RGB 202 171 164

HSL 11.05, 0.26%, 0.72%

LAB 72.47, 10.14, 7.78

 

CMYK 0 / 7 / 8 / 25

HEX #BFB2B0

RGB 191 178 176

HSL 8, 0.1%, 0.72%

LAB 73.58, 4.28, 2.68

 

CMYK 4 / 1 / 0 / 27

HEX #B3BABB

RGB 179 186 187

HSL 187.5, 0.06%, 0.72%

LAB 75.01, -2.23, -1.36

 

CMYK 16 / 3 / 0 / 22

HEX #A8C1C7

RGB 168 193 199

HSL 191.61, 0.22%, 0.72%

LAB 76.43, -7.19, -5.87

 

CMYK 0 / 29 / 19 / 16

HEX #D698AE

RGB 214 152 174

HSL 338.71, 0.43%, 0.72%

LAB 69.33, 26.45, -2.15

 

CMYK 0 / 29 / 26 / 16

HEX #D6989E

RGB 214 152 158

HSL 354.19, 0.43%, 0.72%

LAB 68.91, 24.08, 6.16

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 16 / 29 / 16

HEX #D6B498

RGB 214 180 152

HSL 27.1, 0.43%, 0.72%

LAB 75.58, 8.14, 18.86

 

CMYK 0 / 8 / 29 / 16

HEX #D6C498

RGB 214 196 152

HSL 42.58, 0.43%, 0.72%

LAB 79.64, -0.33, 24.43

 

CMYK 0 / 41 / 51 / 25

HEX #BE705D

RGB 190 112 93

HSL 11.75, 0.43%, 0.55%

LAB 55.41, 28.84, 23.81

 

CMYK 0 / 32 / 39 / 21

HEX #CA8A7B

RGB 202 138 123

HSL 11.39, 0.43%, 0.64%

LAB 63.48, 22.57, 17.93

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 0 / 16 / 19 / 11

HEX #E2BEB6

RGB 226 190 182

HSL 10.91, 0.43%, 0.8%

LAB 79.83, 11.59, 8.82

 

CMYK 0 / 9 / 11 / 7

HEX #EDD8D3

RGB 237 216 211

HSL 11.54, 0.42%, 0.88%

LAB 87.88, 6.42, 5.08

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 11 / 0 / 29 / 16

HEX #BED698

RGB 190 214 152

HSL 83.23, 0.43%, 0.72%

LAB 82.54, -18.59, 28.04

 

CMYK 29 / 22 / 0 / 16

HEX #98A6D6

RGB 152 166 214

HSL 226.45, 0.43%, 0.72%

LAB 68.61, 5.97, -25.97

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 29 / 0 / 23 / 16

HEX #98D6A4

RGB 152 214 164

HSL 131.61, 0.43%, 0.72%

LAB 80.43, -29.75, 18.5

 

CMYK 23 / 29 / 0 / 16

HEX #A498D6

RGB 164 152 214

HSL 251.61, 0.43%, 0.72%

LAB 65.91, 17.46, -30.05

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 11 / 0 / 29 / 16

HEX #BED698

RGB 190 214 152

HSL 83.23, 0.43%, 0.72%

LAB 82.54, -18.59, 28.04

 

CMYK 29 / 5 / 0 / 16

HEX #98CBD6

RGB 152 203 214

HSL 190.65, 0.43%, 0.72%

LAB 78.6, -13.95, -10.84

 

CMYK 18 / 29 / 0 / 16

HEX #B098D6

RGB 176 152 214

HSL 263.23, 0.43%, 0.72%

LAB 66.93, 21.16, -28.38

 

CMYK 0 / 23 / 29 / 16

HEX #D6A498

RGB 214 164 152

HSL 11.61, 0.43%, 0.72%

LAB 71.63, 16.75, 13.35

 

CMYK 20 / 0 / 29 / 16

HEX #ACD698

RGB 172 214 152

HSL 100.65, 0.43%, 0.72%

LAB 81.36, -25.05, 26.25

 

CMYK 29 / 5 / 0 / 16

HEX #98CBD6

RGB 152 203 214

HSL 190.65, 0.43%, 0.72%

LAB 78.6, -13.95, -10.84

 

CMYK 9 / 29 / 0 / 16

HEX #C298D6

RGB 194 152 214

HSL 280.65, 0.43%, 0.72%

LAB 68.59, 26.84, -25.69

 

Description

Color code: RGB 214 164 152 | qconv.com Color code: RGB 214 164 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 164 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 164 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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