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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D3D71D it is the complementary color #2C28E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D3D71D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D3D71D shade: #D8D718, #E9E92B, #FAFB3E, #FFFF51 and #FFFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D3D71D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D3D71D shade: #D3D71D, #C2C50A, #B1B300, #A0A100 and #8F8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D3D71D shade: #D3D71D, #D7A91D, #D7771D, #D7441D and #D71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D3D71D shade: #D3D71D, #A1D71D, #6FD71D, #3CD71D and #1DD730

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D3D71D shade matches the following richer shades: #D3D71D and #E6EB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D3D71D shade: #D3D71D, #C0C331, #ADAF44, #9A9C58 and #87886C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D3D71D shade: #D7771D, #D7A81D, #D4D71D, #A2D71D and #71D71D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D3D71D shade: #8C8E13, #AFB318, #D3D71D, #E0E439 and #E6E95E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D3D71D shade: #D3D71D, #1DD745 and #901DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D3D71D shade: #D3D71D, #1DD4D7 and #D71DD4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D3D71D shade: #D3D71D, #1DD745, #201DD7 and #D71DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D3D71D shade: #D3D71D, #1DD77D, #201DD7 and #D71D77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

Complementary color

CMYK 81 / 82 / 0 / 11

HEX #2C28E2

RGB 44 40 226

HSL 241.29, 0.76%, 0.52%

LAB 33.01, 62.05, -90.21

 

CMYK 0 / 0 / 89 / 15

HEX #D8D718

RGB 216 215 24

HSL 59.69, 0.8%, 0.47%

LAB 83.58, -18.25, 80.58

 

CMYK 0 / 0 / 82 / 9

HEX #E9E92B

RGB 233 233 43

HSL 60, 0.81%, 0.54%

LAB 89.76, -19.48, 82.41

 

CMYK 0 / 0 / 75 / 2

HEX #FAFB3E

RGB 250 251 62

HSL 60.32, 0.96%, 0.61%

LAB 95.86, -20.54, 83.25

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF51

RGB 255 255 81

HSL 60, 1%, 0.66%

LAB 97.38, -19.62, 78.71

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF64

RGB 255 255 100

HSL 60, 1%, 0.7%

LAB 97.51, -18.57, 71.69

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 2 / 0 / 95 / 23

HEX #C2C50A

RGB 194 197 10

HSL 60.96, 0.9%, 0.41%

LAB 76.93, -18.93, 76.52

 

CMYK 1 / 0 / 100 / 30

HEX #B1B300

RGB 177 179 0

HSL 60.67, 1%, 0.35%

LAB 70.59, -17.4, 72.25

 

CMYK 1 / 0 / 100 / 37

HEX #A0A100

RGB 160 161 0

HSL 60.37, 1%, 0.32%

LAB 64.13, -15.73, 66.89

 

CMYK 0 / 0 / 100 / 44

HEX #8F8F00

RGB 143 143 0

HSL 60, 1%, 0.28%

LAB 57.54, -14.01, 61.42

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 0 / 21 / 87 / 16

HEX #D7A91D

RGB 215 169 29

HSL 45.16, 0.76%, 0.48%

LAB 71.5, 5.01, 69.94

 

CMYK 0 / 45 / 87 / 16

HEX #D7771D

RGB 215 119 29

HSL 29.03, 0.76%, 0.48%

LAB 59.64, 31.8, 60.37

 

CMYK 0 / 68 / 87 / 16

HEX #D7441D

RGB 215 68 29

HSL 12.58, 0.76%, 0.48%

LAB 50.3, 55.84, 52.79

 

CMYK 0 / 87 / 87 / 16

HEX #D71D1D

RGB 215 29 29

HSL 0, 0.76%, 0.48%

LAB 46.2, 67.3, 49.45

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 25 / 0 / 87 / 16

HEX #A1D71D

RGB 161 215 29

HSL 77.42, 0.76%, 0.48%

LAB 79.77, -40.54, 75.01

 

CMYK 48 / 0 / 87 / 16

HEX #6FD71D

RGB 111 215 29

HSL 93.55, 0.76%, 0.48%

LAB 77.32, -57.79, 71.96

 

CMYK 72 / 0 / 87 / 16

HEX #3CD71D

RGB 60 215 29

HSL 110, 0.76%, 0.48%

LAB 75.85, -69.75, 70.12

 

CMYK 87 / 0 / 78 / 16

HEX #1DD730

RGB 29 215 48

HSL 126.13, 0.76%, 0.48%

LAB 75.5, -72.58, 64.8

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 2 / 0 / 96 / 8

HEX #E6EB09

RGB 230 235 9

HSL 61.33, 0.93%, 0.48%

LAB 89.98, -22.27, 87.67

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 2 / 0 / 75 / 24

HEX #C0C331

RGB 192 195 49

HSL 61.23, 0.6%, 0.48%

LAB 76.35, -17.8, 67.68

 

CMYK 1 / 0 / 61 / 31

HEX #ADAF44

RGB 173 175 68

HSL 61.12, 0.44%, 0.48%

LAB 69.44, -14.72, 53.02

 

CMYK 1 / 0 / 44 / 39

HEX #9A9C58

RGB 154 156 88

HSL 61.76, 0.28%, 0.48%

LAB 62.8, -11.08, 35.25

 

CMYK 1 / 0 / 21 / 47

HEX #87886C

RGB 135 136 108

HSL 62.14, 0.11%, 0.48%

LAB 55.93, -5.38, 14.95

 

CMYK 0 / 45 / 87 / 16

HEX #D7771D

RGB 215 119 29

HSL 29.03, 0.76%, 0.48%

LAB 59.64, 31.8, 60.37

 

CMYK 0 / 22 / 87 / 16

HEX #D7A81D

RGB 215 168 29

HSL 44.84, 0.76%, 0.48%

LAB 71.24, 5.54, 69.74

 

CMYK 1 / 0 / 87 / 16

HEX #D4D71D

RGB 212 215 29

HSL 60.97, 0.76%, 0.48%

LAB 83.28, -19.84, 79.34

 

CMYK 25 / 0 / 87 / 16

HEX #A2D71D

RGB 162 215 29

HSL 77.1, 0.76%, 0.48%

LAB 79.82, -40.15, 75.08

 

CMYK 47 / 0 / 87 / 16

HEX #71D71D

RGB 113 215 29

HSL 92.9, 0.76%, 0.48%

LAB 77.4, -57.19, 72.06

 

CMYK 1 / 0 / 87 / 44

HEX #8C8E13

RGB 140 142 19

HSL 60.98, 0.76%, 0.32%

LAB 57.04, -14.48, 57.57

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 2 / 0 / 75 / 11

HEX #E0E439

RGB 224 228 57

HSL 61.4, 0.76%, 0.56%

LAB 87.79, -20.31, 76.64

 

CMYK 1 / 0 / 60 / 9

HEX #E6E95E

RGB 230 233 94

HSL 61.29, 0.76%, 0.64%

LAB 89.82, -18.34, 65.3

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 87 / 0 / 68 / 16

HEX #1DD745

RGB 29 215 69

HSL 132.9, 0.76%, 0.48%

LAB 75.63, -70.89, 57.57

 

CMYK 33 / 87 / 0 / 16

HEX #901DD7

RGB 144 29 215

HSL 277.1, 0.76%, 0.48%

LAB 40.76, 72.29, -70.78

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 87 / 1 / 0 / 16

HEX #1DD4D7

RGB 29 212 215

HSL 180.97, 0.76%, 0.48%

LAB 77.43, -39.91, -13.52

 

CMYK 0 / 87 / 1 / 16

HEX #D71DD4

RGB 215 29 212

HSL 300.97, 0.76%, 0.48%

LAB 51.93, 82.99, -50.45

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 87 / 0 / 68 / 16

HEX #1DD745

RGB 29 215 69

HSL 132.9, 0.76%, 0.48%

LAB 75.63, -70.89, 57.57

 

CMYK 85 / 87 / 0 / 16

HEX #201DD7

RGB 32 29 215

HSL 240.97, 0.76%, 0.48%

LAB 29.64, 62.85, -89.5

 

CMYK 0 / 87 / 19 / 16

HEX #D71DAF

RGB 215 29 175

HSL 312.9, 0.76%, 0.48%

LAB 50, 77.94, -32.03

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 85 / 87 / 0 / 16

HEX #201DD7

RGB 32 29 215

HSL 240.97, 0.76%, 0.48%

LAB 29.64, 62.85, -89.5

 

CMYK 0 / 87 / 45 / 16

HEX #D71D77

RGB 215 29 119

HSL 330.97, 0.76%, 0.48%

LAB 47.83, 71.97, -1.7

 

Description

Color code: HEX #D3D71D | qconv.com Color code: HEX #D3D71D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 215 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 215 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 87 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 87% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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