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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFB318 it is the complementary color #504CE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFB318. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFB318 shade: #B4B313, #C5C526, #D6D739, #E7E94C and #F8FB5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFB318. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFB318 shade: #AFB318, #9EA105, #8D8F00, #7C7D00 and #6B6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFB318 shade: #AFB318, #B38D18, #B36318, #B33A18 and #B31818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFB318 shade: #AFB318, #85B318, #5BB318, #32B318 and #18B328

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFB318 shade matches the following richer shades: #AFB318 and #BFC407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFB318 shade: #AFB318, #9FA328, #909239, #808249 and #70715A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFB318 shade: #B36318, #B38C18, #B0B318, #87B318 and #5EB318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFB318 shade: #686A0E, #8C8F13, #AFB318, #D3D71D and #DFE43A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFB318 shade: #AFB318, #18B33A and #7818B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFB318 shade: #AFB318, #18B0B3 and #B318B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFB318 shade: #AFB318, #18B33A, #1B18B3 and #B31891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFB318 shade: #AFB318, #18B368, #1B18B3 and #B31863

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

Complementary color

CMYK 65 / 67 / 0 / 9

HEX #504CE7

RGB 80 76 231

HSL 241.55, 0.76%, 0.6%

LAB 42.22, 48, -77.78

 

CMYK 0 / 1 / 89 / 29

HEX #B4B313

RGB 180 179 19

HSL 59.63, 0.81%, 0.39%

LAB 70.86, -15.83, 70.13

 

CMYK 0 / 0 / 81 / 23

HEX #C5C526

RGB 197 197 38

HSL 60, 0.68%, 0.46%

LAB 77.25, -17.07, 71.83

 

CMYK 0 / 0 / 73 / 16

HEX #D6D739

RGB 214 215 57

HSL 60.38, 0.66%, 0.53%

LAB 83.54, -18.12, 72.43

 

CMYK 1 / 0 / 67 / 9

HEX #E7E94C

RGB 231 233 76

HSL 60.76, 0.78%, 0.61%

LAB 89.76, -19, 72.33

 

CMYK 1 / 0 / 62 / 2

HEX #F8FB5F

RGB 248 251 95

HSL 61.15, 0.95%, 0.68%

LAB 95.9, -19.75, 71.81

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 2 / 0 / 97 / 37

HEX #9EA105

RGB 158 161 5

HSL 61.15, 0.94%, 0.33%

LAB 63.97, -16.55, 66.02

 

CMYK 1 / 0 / 100 / 44

HEX #8D8F00

RGB 141 143 0

HSL 60.84, 1%, 0.28%

LAB 57.37, -14.92, 61.22

 

CMYK 1 / 0 / 100 / 51

HEX #7C7D00

RGB 124 125 0

HSL 60.48, 1%, 0.25%

LAB 50.63, -13.18, 55.61

 

CMYK 0 / 0 / 100 / 58

HEX #6B6B00

RGB 107 107 0

HSL 60, 1%, 0.21%

LAB 43.71, -11.38, 49.87

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 0 / 21 / 87 / 30

HEX #B38D18

RGB 179 141 24

HSL 45.29, 0.76%, 0.4%

LAB 60.52, 3.99, 60.72

 

CMYK 0 / 45 / 87 / 30

HEX #B36318

RGB 179 99 24

HSL 29.03, 0.76%, 0.4%

LAB 50.18, 27.28, 52.23

 

CMYK 0 / 68 / 87 / 30

HEX #B33A18

RGB 179 58 24

HSL 13.16, 0.76%, 0.4%

LAB 42.27, 47.55, 45.64

 

CMYK 0 / 87 / 87 / 30

HEX #B31818

RGB 179 24 24

HSL 0, 0.76%, 0.4%

LAB 38.38, 58.37, 42.37

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 26 / 0 / 87 / 30

HEX #85B318

RGB 133 179 24

HSL 77.81, 0.76%, 0.4%

LAB 67.5, -35.5, 65.02

 

CMYK 49 / 0 / 87 / 30

HEX #5BB318

RGB 91 179 24

HSL 94.06, 0.76%, 0.4%

LAB 65.38, -50.44, 62.37

 

CMYK 72 / 0 / 87 / 30

HEX #32B318

RGB 50 179 24

HSL 109.94, 0.76%, 0.4%

LAB 64.15, -60.48, 60.82

 

CMYK 87 / 0 / 78 / 30

HEX #18B328

RGB 24 179 40

HSL 126.19, 0.76%, 0.4%

LAB 63.83, -63.03, 55.98

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 3 / 0 / 96 / 23

HEX #BFC407

RGB 191 196 7

HSL 61.59, 0.93%, 0.4%

LAB 76.42, -19.76, 76.32

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 2 / 0 / 75 / 36

HEX #9FA328

RGB 159 163 40

HSL 61.95, 0.61%, 0.4%

LAB 64.74, -16.2, 58.89

 

CMYK 1 / 0 / 61 / 43

HEX #909239

RGB 144 146 57

HSL 61.35, 0.44%, 0.4%

LAB 58.77, -12.9, 45.67

 

CMYK 2 / 0 / 44 / 49

HEX #808249

RGB 128 130 73

HSL 62.11, 0.28%, 0.4%

LAB 52.99, -9.77, 30.52

 

CMYK 1 / 0 / 20 / 56

HEX #70715A

RGB 112 113 90

HSL 62.61, 0.11%, 0.4%

LAB 46.97, -4.65, 12.67

 

CMYK 0 / 45 / 87 / 30

HEX #B36318

RGB 179 99 24

HSL 29.03, 0.76%, 0.4%

LAB 50.18, 27.28, 52.23

 

CMYK 0 / 22 / 87 / 30

HEX #B38C18

RGB 179 140 24

HSL 44.9, 0.76%, 0.4%

LAB 60.25, 4.54, 60.51

 

CMYK 2 / 0 / 87 / 30

HEX #B0B318

RGB 176 179 24

HSL 61.16, 0.76%, 0.4%

LAB 70.55, -17.47, 68.8

 

CMYK 25 / 0 / 87 / 30

HEX #87B318

RGB 135 179 24

HSL 77.03, 0.76%, 0.4%

LAB 67.62, -34.7, 65.17

 

CMYK 47 / 0 / 87 / 30

HEX #5EB318

RGB 94 179 24

HSL 92.9, 0.76%, 0.4%

LAB 65.5, -49.51, 62.53

 

CMYK 2 / 0 / 87 / 58

HEX #686A0E

RGB 104 106 14

HSL 61.3, 0.77%, 0.24%

LAB 43.19, -11.88, 45.95

 

CMYK 2 / 0 / 87 / 44

HEX #8C8F13

RGB 140 143 19

HSL 61.45, 0.77%, 0.32%

LAB 57.34, -15.01, 57.81

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 2 / 0 / 87 / 16

HEX #D3D71D

RGB 211 215 29

HSL 61.29, 0.76%, 0.48%

LAB 83.2, -20.26, 79.24

 

CMYK 2 / 0 / 75 / 11

HEX #DFE43A

RGB 223 228 58

HSL 61.76, 0.76%, 0.56%

LAB 87.72, -20.69, 76.24

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 87 / 0 / 68 / 30

HEX #18B33A

RGB 24 179 58

HSL 133.16, 0.76%, 0.4%

LAB 63.95, -61.47, 49.41

 

CMYK 33 / 87 / 0 / 30

HEX #7818B3

RGB 120 24 179

HSL 277.16, 0.76%, 0.4%

LAB 33.78, 62.72, -61.28

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 87 / 2 / 0 / 30

HEX #18B0B3

RGB 24 176 179

HSL 181.16, 0.76%, 0.4%

LAB 65.36, -34.48, -11.99

 

CMYK 0 / 87 / 2 / 30

HEX #B318B0

RGB 179 24 176

HSL 301.16, 0.76%, 0.4%

LAB 43.32, 72, -43.6

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 87 / 0 / 68 / 30

HEX #18B33A

RGB 24 179 58

HSL 133.16, 0.76%, 0.4%

LAB 63.95, -61.47, 49.41

 

CMYK 85 / 87 / 0 / 30

HEX #1B18B3

RGB 27 24 179

HSL 241.16, 0.76%, 0.4%

LAB 24.13, 54.2, -77.52

 

CMYK 0 / 87 / 19 / 30

HEX #B31891

RGB 179 24 145

HSL 313.16, 0.76%, 0.4%

LAB 41.66, 67.62, -27.61

 

CMYK 2 / 0 / 87 / 30

HEX #AFB318

RGB 175 179 24

HSL 61.55, 0.76%, 0.4%

LAB 70.47, -17.9, 68.7

 

CMYK 87 / 0 / 42 / 30

HEX #18B368

RGB 24 179 104

HSL 150.97, 0.76%, 0.4%

LAB 64.51, -54.7, 27.94

 

CMYK 85 / 87 / 0 / 30

HEX #1B18B3

RGB 27 24 179

HSL 241.16, 0.76%, 0.4%

LAB 24.13, 54.2, -77.52

 

CMYK 0 / 87 / 45 / 30

HEX #B31863

RGB 179 24 99

HSL 330.97, 0.76%, 0.4%

LAB 39.81, 62.51, -1.85

 

Description

Color code: HEX #AFB318 | qconv.com Color code: HEX #AFB318 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 179 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 179 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 87 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 87% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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