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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 215 125 it is the complementary color RGB 226 40 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 215 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 215 125 shade: RGB 34 215 120, RGB 51 233 139, RGB 68 251 158, RGB 85 255 177 and RGB 102 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 215 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 12 197 106, RGB 0 179 87, RGB 0 161 68 and RGB 0 143 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 29 215 75, RGB 33 215 29, RGB 83 215 29 and RGB 134 215 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 29 215 175, RGB 29 205 215, RGB 29 154 215 and RGB 29 104 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 215 125 shade matches the following richer shades: RGB 29 215 125 and RGB 9 235 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 49 195 124, RGB 68 175 124, RGB 88 156 123 and RGB 108 136 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 215 125 shade: RGB 35 215 29, RGB 29 215 72, RGB 29 215 122, RGB 29 215 172 and RGB 29 209 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 215 125 shade: RGB 19 142 83, RGB 24 179 104, RGB 29 215 125, RGB 57 228 145 and RGB 94 233 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 29 85 215 and RGB 215 47 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 122 29 215 and RGB 215 122 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 29 85 215, RGB 215 29 122 and RGB 215 159 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 215 125 shade: RGB 29 215 125, RGB 29 29 215, RGB 215 29 122 and RGB 215 215 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

Complementary color

CMYK 0 / 82 / 42 / 11

HEX #E22882

RGB 226 40 130

HSL 330.97, 0.76%, 0.52%

LAB 51.03, 73.33, -3.43

 

CMYK 84 / 0 / 44 / 16

HEX #22D778

RGB 34 215 120

HSL 148.51, 0.73%, 0.49%

LAB 76.25, -63.56, 35

 

CMYK 78 / 0 / 40 / 9

HEX #33E98B

RGB 51 233 139

HSL 149.01, 0.81%, 0.56%

LAB 82.3, -64.75, 33.37

 

CMYK 73 / 0 / 37 / 2

HEX #44FB9E

RGB 68 251 158

HSL 149.51, 0.96%, 0.63%

LAB 88.3, -65.58, 31.84

 

CMYK 67 / 0 / 31 / 0

HEX #55FFB1

RGB 85 255 177

HSL 152.47, 1%, 0.67%

LAB 90.15, -60.92, 24.82

 

CMYK 60 / 0 / 23 / 0

HEX #66FFC4

RGB 102 255 196

HSL 156.86, 1%, 0.7%

LAB 90.93, -54.07, 16.27

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 94 / 0 / 46 / 23

HEX #0CC56A

RGB 12 197 106

HSL 150.49, 0.89%, 0.41%

LAB 70.21, -61.3, 34.27

 

CMYK 100 / 0 / 51 / 30

HEX #00B357

RGB 0 179 87

HSL 149.16, 1%, 0.35%

LAB 64.1, -58.99, 36.13

 

CMYK 100 / 0 / 58 / 37

HEX #00A144

RGB 0 161 68

HSL 145.34, 1%, 0.32%

LAB 57.95, -56.02, 38.04

 

CMYK 100 / 0 / 66 / 44

HEX #008F31

RGB 0 143 49

HSL 140.56, 1%, 0.28%

LAB 51.69, -52.78, 39.78

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 87 / 0 / 65 / 16

HEX #1DD74B

RGB 29 215 75

HSL 134.84, 0.76%, 0.48%

LAB 75.68, -70.28, 55.21

 

CMYK 85 / 0 / 87 / 16

HEX #21D71D

RGB 33 215 29

HSL 118.71, 0.76%, 0.48%

LAB 75.46, -73.23, 69.62

 

CMYK 61 / 0 / 87 / 16

HEX #53D71D

RGB 83 215 29

HSL 102.58, 0.76%, 0.48%

LAB 76.39, -65.2, 70.79

 

CMYK 38 / 0 / 87 / 16

HEX #86D71D

RGB 134 215 29

HSL 86.13, 0.76%, 0.48%

LAB 78.32, -50.39, 73.21

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 87 / 0 / 19 / 16

HEX #1DD7AF

RGB 29 215 175

HSL 167.1, 0.76%, 0.48%

LAB 77.26, -52.16, 7.66

 

CMYK 87 / 5 / 0 / 16

HEX #1DCDD7

RGB 29 205 215

HSL 183.23, 0.76%, 0.48%

LAB 75.35, -36.71, -16.66

 

CMYK 87 / 28 / 0 / 16

HEX #1D9AD7

RGB 29 154 215

HSL 199.68, 0.76%, 0.48%

LAB 60.14, -10.73, -40.07

 

CMYK 87 / 52 / 0 / 16

HEX #1D68D7

RGB 29 104 215

HSL 215.81, 0.76%, 0.48%

LAB 45.73, 19.58, -63.06

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 96 / 0 / 46 / 8

HEX #09EB7E

RGB 9 235 126

HSL 151.06, 0.93%, 0.48%

LAB 82.37, -70.51, 39.84

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 75 / 0 / 36 / 24

HEX #31C37C

RGB 49 195 124

HSL 150.82, 0.6%, 0.48%

LAB 70.27, -54, 25.11

 

CMYK 61 / 0 / 29 / 31

HEX #44AF7C

RGB 68 175 124

HSL 151.4, 0.44%, 0.48%

LAB 64.44, -42.77, 17.24

 

CMYK 44 / 0 / 21 / 39

HEX #589C7B

RGB 88 156 123

HSL 150.88, 0.28%, 0.48%

LAB 59.23, -29.45, 10.64

 

CMYK 21 / 0 / 10 / 47

HEX #6C887A

RGB 108 136 122

HSL 150, 0.11%, 0.48%

LAB 54.24, -12.99, 4.24

 

CMYK 84 / 0 / 87 / 16

HEX #23D71D

RGB 35 215 29

HSL 118.06, 0.76%, 0.48%

LAB 75.48, -73.04, 69.64

 

CMYK 87 / 0 / 67 / 16

HEX #1DD748

RGB 29 215 72

HSL 133.87, 0.76%, 0.48%

LAB 75.66, -70.59, 56.41

 

CMYK 87 / 0 / 43 / 16

HEX #1DD77A

RGB 29 215 122

HSL 150, 0.76%, 0.48%

LAB 76.23, -63.6, 33.96

 

CMYK 87 / 0 / 20 / 16

HEX #1DD7AC

RGB 29 215 172

HSL 166.13, 0.76%, 0.48%

LAB 77.19, -52.91, 9.15

 

CMYK 87 / 3 / 0 / 16

HEX #1DD1D7

RGB 29 209 215

HSL 181.94, 0.76%, 0.48%

LAB 76.54, -38.55, -14.87

 

CMYK 87 / 0 / 42 / 44

HEX #138E53

RGB 19 142 83

HSL 151.22, 0.76%, 0.32%

LAB 51.96, -45.61, 22.75

 

CMYK 87 / 0 / 42 / 30

HEX #18B368

RGB 24 179 104

HSL 150.97, 0.76%, 0.4%

LAB 64.51, -54.7, 27.94

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 75 / 0 / 36 / 11

HEX #39E491

RGB 57 228 145

HSL 150.88, 0.76%, 0.56%

LAB 80.96, -61.13, 28.57

 

CMYK 60 / 0 / 29 / 9

HEX #5EE9A5

RGB 94 233 165

HSL 150.65, 0.76%, 0.64%

LAB 83.64, -53.08, 22.06

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 87 / 60 / 0 / 16

HEX #1D55D7

RGB 29 85 215

HSL 221.94, 0.76%, 0.48%

LAB 40.68, 31.9, -71.28

 

CMYK 0 / 78 / 87 / 16

HEX #D72F1D

RGB 215 47 29

HSL 5.81, 0.76%, 0.48%

LAB 47.71, 63, 50.69

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 43 / 87 / 0 / 16

HEX #7A1DD7

RGB 122 29 215

HSL 270, 0.76%, 0.48%

LAB 37.7, 69.5, -75.91

 

CMYK 0 / 43 / 87 / 16

HEX #D77A1D

RGB 215 122 29

HSL 30, 0.76%, 0.48%

LAB 60.3, 30.21, 60.9

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 87 / 60 / 0 / 16

HEX #1D55D7

RGB 29 85 215

HSL 221.94, 0.76%, 0.48%

LAB 40.68, 31.9, -71.28

 

CMYK 0 / 87 / 43 / 16

HEX #D71D7A

RGB 215 29 122

HSL 330, 0.76%, 0.48%

LAB 47.92, 72.24, -3.4

 

CMYK 0 / 26 / 87 / 16

HEX #D79F1D

RGB 215 159 29

HSL 41.94, 0.76%, 0.48%

LAB 68.99, 10.35, 67.92

 

CMYK 87 / 0 / 42 / 16

HEX #1DD77D

RGB 29 215 125

HSL 150.97, 0.76%, 0.48%

LAB 76.28, -63.06, 32.5

 

CMYK 87 / 87 / 0 / 16

HEX #1D1DD7

RGB 29 29 215

HSL 240, 0.76%, 0.48%

LAB 29.53, 62.76, -89.7

 

CMYK 0 / 87 / 43 / 16

HEX #D71D7A

RGB 215 29 122

HSL 330, 0.76%, 0.48%

LAB 47.92, 72.24, -3.4

 

CMYK 0 / 0 / 87 / 16

HEX #D7D71D

RGB 215 215 29

HSL 60, 0.76%, 0.48%

LAB 83.51, -18.57, 79.63

 

Description

Color code: RGB 29 215 125 | qconv.com Color code: RGB 29 215 125 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 215 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 215 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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