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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C18D45 it is the complementary color #3E72BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C18D45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C18D45 shade: #C68D40, #D79F53, #E8B166, #F9C379 and #FFD58C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C18D45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C18D45 shade: #C18D45, #B07B32, #9F691F, #8E570C and #7D4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C18D45 shade: #C08C43, #C06A43, #C04843 and #C04343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C18D45 shade: #C08C43, #C0AD43, #B1C043, #8FC043 and #6EC043

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C18D45 shade matches the following richer shades: #C08C43, #D48F2F, #E8921B and #FD9506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C18D45 shade: #C08C43, #AC8857, #98856C, #838280 and #6F7F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C18D45 shade: #C04743, #C06943, #C08A43, #C0AB43 and #B4C043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C18D45 shade: #855F2C, #A47636, #C08C43, #CA9F62 and #D5B281

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C18D45 shade: #C18D45, #60C043 and #5843C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C18D45 shade: #C18D45, #43C08A and #8A43C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C18D45 shade: #C18D45, #60C043, #4379C0 and #A343C0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C18D45 shade: #C18D45, #43C04B, #4379C0 and #C043B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 64 / 24

HEX #C18D45

RGB 193 141 69

HSL 34.84, 0.5%, 0.51%

LAB 62.35, 12.24, 45.28

 

Complementary color

CMYK 67 / 39 / 0 / 27

HEX #3E72BA

RGB 62 114 186

HSL 214.84, 0.5%, 0.49%

LAB 47.76, 6.16, -43.1

 

CMYK 0 / 29 / 68 / 22

HEX #C68D40

RGB 198 141 64

HSL 34.48, 0.54%, 0.51%

LAB 62.87, 14.09, 48.41

 

CMYK 0 / 26 / 61 / 16

HEX #D79F53

RGB 215 159 83

HSL 34.55, 0.62%, 0.58%

LAB 69.38, 12.79, 47.06

 

CMYK 0 / 24 / 56 / 9

HEX #E8B166

RGB 232 177 102

HSL 34.62, 0.74%, 0.65%

LAB 75.8, 11.68, 45.68

 

CMYK 0 / 22 / 51 / 2

HEX #F9C379

RGB 249 195 121

HSL 34.69, 0.91%, 0.73%

LAB 82.14, 10.71, 44.32

 

CMYK 0 / 16 / 45 / 0

HEX #FFD58C

RGB 255 213 140

HSL 38.09, 1%, 0.77%

LAB 87.36, 5.52, 41.48

 

CMYK 0 / 27 / 64 / 24

HEX #C18D45

RGB 193 141 69

HSL 34.84, 0.5%, 0.51%

LAB 62.35, 12.24, 45.28

 

CMYK 0 / 30 / 72 / 31

HEX #B07B32

RGB 176 123 50

HSL 34.76, 0.56%, 0.44%

LAB 55.71, 13.64, 46.57

 

CMYK 0 / 34 / 81 / 38

HEX #9F691F

RGB 159 105 31

HSL 34.69, 0.67%, 0.37%

LAB 48.97, 15.32, 47.51

 

CMYK 0 / 39 / 92 / 44

HEX #8E570C

RGB 142 87 12

HSL 34.62, 0.84%, 0.3%

LAB 42.14, 17.34, 47.41

 

CMYK 0 / 45 / 100 / 51

HEX #7D4500

RGB 125 69 0

HSL 33.12, 1%, 0.25%

LAB 35.23, 19.72, 45.03

 

CMYK 0 / 27 / 65 / 25

HEX #C08C43

RGB 192 140 67

HSL 35.04, 0.5%, 0.51%

LAB 61.97, 12.22, 45.79

 

CMYK 0 / 45 / 65 / 25

HEX #C06A43

RGB 192 106 67

HSL 18.72, 0.5%, 0.51%

LAB 53.94, 30.84, 36.58

 

CMYK 0 / 63 / 65 / 25

HEX #C04843

RGB 192 72 67

HSL 2.4, 0.5%, 0.51%

LAB 47.3, 47.82, 28.54

 

CMYK 0 / 65 / 65 / 25

HEX #C04343

RGB 192 67 67

HSL 0, 0.5%, 0.51%

LAB 46.48, 50.01, 27.52

 

CMYK 0 / 27 / 65 / 25

HEX #C08C43

RGB 192 140 67

HSL 35.04, 0.5%, 0.51%

LAB 61.97, 12.22, 45.79

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 8 / 0 / 65 / 25

HEX #B1C043

RGB 177 192 67

HSL 67.2, 0.5%, 0.51%

LAB 74.48, -21.67, 58.88

 

CMYK 26 / 0 / 65 / 25

HEX #8FC043

RGB 143 192 67

HSL 83.52, 0.5%, 0.51%

LAB 72.19, -35.26, 55.77

 

CMYK 43 / 0 / 65 / 25

HEX #6EC043

RGB 110 192 67

HSL 99.36, 0.5%, 0.51%

LAB 70.47, -46.92, 53.41

 

CMYK 0 / 27 / 65 / 25

HEX #C08C43

RGB 192 140 67

HSL 35.04, 0.5%, 0.51%

LAB 61.97, 12.22, 45.79

 

CMYK 0 / 33 / 78 / 17

HEX #D48F2F

RGB 212 143 47

HSL 34.91, 0.66%, 0.51%

LAB 64.84, 18.22, 58.33

 

CMYK 0 / 37 / 88 / 9

HEX #E8921B

RGB 232 146 27

HSL 34.83, 0.82%, 0.51%

LAB 67.87, 24.57, 68.38

 

CMYK 0 / 41 / 98 / 1

HEX #FD9506

RGB 253 149 6

HSL 34.74, 0.98%, 0.51%

LAB 71.14, 31.46, 75.64

 

CMYK 0 / 27 / 65 / 25

HEX #C08C43

RGB 192 140 67

HSL 35.04, 0.5%, 0.51%

LAB 61.97, 12.22, 45.79

 

CMYK 0 / 21 / 49 / 33

HEX #AC8857

RGB 172 136 87

HSL 34.59, 0.34%, 0.51%

LAB 59.04, 7.42, 31.42

 

CMYK 0 / 13 / 29 / 40

HEX #98856C

RGB 152 133 108

HSL 34.09, 0.18%, 0.51%

LAB 56.62, 3.21, 16.14

 

CMYK 0 / 1 / 2 / 49

HEX #838280

RGB 131 130 128

HSL 40, 0.01%, 0.51%

LAB 54.4, -0.01, 1.21

 

CMYK 25 / 14 / 0 / 42

HEX #6F7F94

RGB 111 127 148

HSL 214.05, 0.15%, 0.51%

LAB 52.62, -0.91, -13.25

 

CMYK 0 / 63 / 65 / 25

HEX #C04743

RGB 192 71 67

HSL 1.92, 0.5%, 0.51%

LAB 47.13, 48.27, 28.33

 

CMYK 0 / 45 / 65 / 25

HEX #C06943

RGB 192 105 67

HSL 18.24, 0.5%, 0.51%

LAB 53.72, 31.38, 36.32

 

CMYK 0 / 28 / 65 / 25

HEX #C08A43

RGB 192 138 67

HSL 34.08, 0.5%, 0.51%

LAB 61.47, 13.33, 45.24

 

CMYK 0 / 11 / 65 / 25

HEX #C0AB43

RGB 192 171 67

HSL 49.92, 0.5%, 0.51%

LAB 69.99, -4.54, 54.53

 

CMYK 6 / 0 / 65 / 25

HEX #B4C043

RGB 180 192 67

HSL 65.76, 0.5%, 0.51%

LAB 74.7, -20.42, 59.18

 

CMYK 0 / 29 / 67 / 48

HEX #855F2C

RGB 133 95 44

HSL 34.38, 0.5%, 0.35%

LAB 43.29, 9.87, 34.59

 

CMYK 0 / 28 / 67 / 36

HEX #A47636

RGB 164 118 54

HSL 34.91, 0.5%, 0.43%

LAB 53.08, 11.35, 41.41

 

CMYK 0 / 27 / 65 / 25

HEX #C08C43

RGB 192 140 67

HSL 35.04, 0.5%, 0.51%

LAB 61.97, 12.22, 45.79

 

CMYK 0 / 21 / 51 / 21

HEX #CA9F62

RGB 202 159 98

HSL 35.19, 0.5%, 0.59%

LAB 68.19, 8.52, 37.72

 

CMYK 0 / 16 / 39 / 16

HEX #D5B281

RGB 213 178 129

HSL 35, 0.5%, 0.67%

LAB 74.55, 5.97, 29.77

 

CMYK 0 / 27 / 64 / 24

HEX #C18D45

RGB 193 141 69

HSL 34.84, 0.5%, 0.51%

LAB 62.35, 12.24, 45.28

 

CMYK 50 / 0 / 65 / 25

HEX #60C043

RGB 96 192 67

HSL 106.08, 0.5%, 0.51%

LAB 69.89, -51.19, 52.61

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 0 / 27 / 64 / 24

HEX #C18D45

RGB 193 141 69

HSL 34.84, 0.5%, 0.51%

LAB 62.35, 12.24, 45.28

 

CMYK 65 / 0 / 28 / 25

HEX #43C08A

RGB 67 192 138

HSL 154.08, 0.5%, 0.51%

LAB 69.98, -47.08, 17.32

 

CMYK 28 / 65 / 0 / 25

HEX #8A43C0

RGB 138 67 192

HSL 274.08, 0.5%, 0.51%

LAB 43.1, 52.28, -53.69

 

CMYK 0 / 27 / 64 / 24

HEX #C18D45

RGB 193 141 69

HSL 34.84, 0.5%, 0.51%

LAB 62.35, 12.24, 45.28

 

CMYK 50 / 0 / 65 / 25

HEX #60C043

RGB 96 192 67

HSL 106.08, 0.5%, 0.51%

LAB 69.89, -51.19, 52.61

 

CMYK 65 / 37 / 0 / 25

HEX #4379C0

RGB 67 121 192

HSL 214.08, 0.5%, 0.51%

LAB 50.3, 4.84, -42.5

 

CMYK 15 / 65 / 0 / 25

HEX #A343C0

RGB 163 67 192

HSL 286.08, 0.5%, 0.51%

LAB 46.45, 57.96, -48.13

 

CMYK 0 / 27 / 64 / 24

HEX #C18D45

RGB 193 141 69

HSL 34.84, 0.5%, 0.51%

LAB 62.35, 12.24, 45.28

 

CMYK 65 / 0 / 61 / 25

HEX #43C04B

RGB 67 192 75

HSL 123.84, 0.5%, 0.51%

LAB 69.04, -57.55, 47.94

 

CMYK 65 / 37 / 0 / 25

HEX #4379C0

RGB 67 121 192

HSL 214.08, 0.5%, 0.51%

LAB 50.3, 4.84, -42.5

 

CMYK 0 / 65 / 4 / 25

HEX #C043B8

RGB 192 67 184

HSL 303.84, 0.5%, 0.51%

LAB 50.31, 63.44, -37.08

 

Description

Color code: HEX #C18D45 | qconv.com Color code: HEX #C18D45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 141 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 141 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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