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Color name
RGB 192 173 67

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 192 173 67 it is the complementary color RGB 63 82 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 192 173 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 192 173 67 shade: RGB 197 173 62, RGB 214 191 81, RGB 231 209 100, RGB 248 227 119 and RGB 255 245 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 192 173 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 175 155 48, RGB 158 137 29, RGB 141 119 10 and RGB 124 101 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 192 139 67, RGB 192 106 67, RGB 192 72 67 and RGB 192 67 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 177 192 67, RGB 144 192 67, RGB 110 192 67 and RGB 76 192 67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 192 173 67 shade matches the following richer shades: RGB 192 173 67, RGB 212 187 47, RGB 232 201 27 and RGB 253 215 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 172 159 87, RGB 152 145 108, RGB 131 131 128 and RGB 111 117 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 192 173 67 shade: RGB 192 105 67, RGB 192 138 67, RGB 192 171 67, RGB 180 192 67 and RGB 146 192 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 192 173 67 shade: RGB 133 119 44, RGB 164 147 54, RGB 192 173 67, RGB 202 186 98 and RGB 213 200 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 67 192 71 and RGB 121 67 192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 67 192 171 and RGB 171 67 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 67 192 71, RGB 67 88 192 and RGB 192 67 188

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 192 173 67 shade: RGB 192 173 67, RGB 67 192 109, RGB 67 88 192 and RGB 192 67 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

Complementary color

CMYK 66 / 56 / 0 / 26

HEX #3F52BC

RGB 63 82 188

HSL 230.88, 0.5%, 0.49%

LAB 39.11, 27.43, -58.15

 

CMYK 0 / 12 / 69 / 23

HEX #C5AD3E

RGB 197 173 62

HSL 49.33, 0.54%, 0.51%

LAB 70.94, -3.72, 57.79

 

CMYK 0 / 11 / 62 / 16

HEX #D6BF51

RGB 214 191 81

HSL 49.62, 0.62%, 0.58%

LAB 77.37, -4.71, 56.94

 

CMYK 0 / 10 / 57 / 9

HEX #E7D164

RGB 231 209 100

HSL 49.92, 0.73%, 0.65%

LAB 83.71, -5.55, 55.89

 

CMYK 0 / 8 / 52 / 3

HEX #F8E377

RGB 248 227 119

HSL 50.23, 0.9%, 0.72%

LAB 89.96, -6.27, 54.76

 

CMYK 0 / 4 / 46 / 0

HEX #FFF58A

RGB 255 245 138

HSL 54.87, 1%, 0.77%

LAB 95.33, -10.79, 52.42

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 0 / 11 / 73 / 31

HEX #AF9B30

RGB 175 155 48

HSL 50.55, 0.57%, 0.44%

LAB 63.97, -4.53, 55.74

 

CMYK 0 / 13 / 82 / 38

HEX #9E891D

RGB 158 137 29

HSL 50.23, 0.69%, 0.37%

LAB 57.32, -3.24, 55.71

 

CMYK 0 / 16 / 93 / 45

HEX #8D770A

RGB 141 119 10

HSL 49.92, 0.87%, 0.3%

LAB 50.54, -1.65, 54.32

 

CMYK 0 / 19 / 100 / 51

HEX #7C6500

RGB 124 101 0

HSL 48.87, 1%, 0.24%

LAB 43.64, 0.31, 50.59

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 0 / 28 / 65 / 25

HEX #C08B43

RGB 192 139 67

HSL 34.56, 0.5%, 0.51%

LAB 61.72, 12.77, 45.51

 

CMYK 0 / 45 / 65 / 25

HEX #C06A43

RGB 192 106 67

HSL 18.72, 0.5%, 0.51%

LAB 53.94, 30.84, 36.58

 

CMYK 0 / 63 / 65 / 25

HEX #C04843

RGB 192 72 67

HSL 2.4, 0.5%, 0.51%

LAB 47.3, 47.82, 28.54

 

CMYK 0 / 65 / 65 / 25

HEX #C04343

RGB 192 67 67

HSL 0, 0.5%, 0.51%

LAB 46.48, 50.01, 27.52

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 8 / 0 / 65 / 25

HEX #B1C043

RGB 177 192 67

HSL 67.2, 0.5%, 0.51%

LAB 74.48, -21.67, 58.88

 

CMYK 25 / 0 / 65 / 25

HEX #90C043

RGB 144 192 67

HSL 83.04, 0.5%, 0.51%

LAB 72.25, -34.88, 55.85

 

CMYK 43 / 0 / 65 / 25

HEX #6EC043

RGB 110 192 67

HSL 99.36, 0.5%, 0.51%

LAB 70.47, -46.92, 53.41

 

CMYK 60 / 0 / 65 / 25

HEX #4CC043

RGB 76 192 67

HSL 115.68, 0.5%, 0.51%

LAB 69.21, -56.43, 51.68

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 0 / 12 / 78 / 17

HEX #D4BB2F

RGB 212 187 47

HSL 50.91, 0.66%, 0.51%

LAB 75.91, -5.22, 68.55

 

CMYK 0 / 13 / 88 / 9

HEX #E8C91B

RGB 232 201 27

HSL 50.93, 0.82%, 0.51%

LAB 81.3, -4.34, 78.86

 

CMYK 0 / 15 / 98 / 1

HEX #FDD706

RGB 253 215 6

HSL 50.77, 0.98%, 0.51%

LAB 86.75, -2.73, 86.41

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 0 / 8 / 49 / 33

HEX #AC9F57

RGB 172 159 87

HSL 50.82, 0.34%, 0.51%

LAB 65.16, -5.19, 39.02

 

CMYK 0 / 5 / 29 / 40

HEX #98916C

RGB 152 145 108

HSL 50.45, 0.18%, 0.51%

LAB 59.9, -3.48, 20.62

 

CMYK 0 / 0 / 2 / 49

HEX #838380

RGB 131 131 128

HSL 60, 0.01%, 0.51%

LAB 54.68, -0.58, 1.61

 

CMYK 25 / 21 / 0 / 42

HEX #6F7594

RGB 111 117 148

HSL 230.27, 0.15%, 0.51%

LAB 49.79, 4.96, -17.54

 

CMYK 0 / 45 / 65 / 25

HEX #C06943

RGB 192 105 67

HSL 18.24, 0.5%, 0.51%

LAB 53.72, 31.38, 36.32

 

CMYK 0 / 28 / 65 / 25

HEX #C08A43

RGB 192 138 67

HSL 34.08, 0.5%, 0.51%

LAB 61.47, 13.33, 45.24

 

CMYK 0 / 11 / 65 / 25

HEX #C0AB43

RGB 192 171 67

HSL 49.92, 0.5%, 0.51%

LAB 69.99, -4.54, 54.53

 

CMYK 6 / 0 / 65 / 25

HEX #B4C043

RGB 180 192 67

HSL 65.76, 0.5%, 0.51%

LAB 74.7, -20.42, 59.18

 

CMYK 24 / 0 / 65 / 25

HEX #92C043

RGB 146 192 67

HSL 82.08, 0.5%, 0.51%

LAB 72.37, -34.11, 56.02

 

CMYK 0 / 11 / 67 / 48

HEX #85772C

RGB 133 119 44

HSL 50.56, 0.5%, 0.35%

LAB 49.93, -4.01, 41.84

 

CMYK 0 / 10 / 67 / 36

HEX #A49336

RGB 164 147 54

HSL 50.73, 0.5%, 0.43%

LAB 60.8, -4.79, 49.71

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 0 / 8 / 51 / 21

HEX #CABA62

RGB 202 186 98

HSL 50.77, 0.5%, 0.59%

LAB 75.17, -5.85, 46.22

 

CMYK 0 / 6 / 39 / 16

HEX #D5C881

RGB 213 200 129

HSL 50.71, 0.5%, 0.67%

LAB 80.2, -5.57, 37.13

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 65 / 0 / 63 / 25

HEX #43C047

RGB 67 192 71

HSL 121.92, 0.5%, 0.51%

LAB 69, -58, 49.66

 

CMYK 37 / 65 / 0 / 25

HEX #7943C0

RGB 121 67 192

HSL 265.92, 0.5%, 0.51%

LAB 41.03, 48.59, -57.13

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 65 / 0 / 11 / 25

HEX #43C0AB

RGB 67 192 171

HSL 169.92, 0.5%, 0.51%

LAB 70.76, -39.23, 0.49

 

CMYK 11 / 65 / 0 / 25

HEX #AB43C0

RGB 171 67 192

HSL 289.92, 0.5%, 0.51%

LAB 47.6, 59.82, -46.24

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 65 / 0 / 63 / 25

HEX #43C047

RGB 67 192 71

HSL 121.92, 0.5%, 0.51%

LAB 69, -58, 49.66

 

CMYK 65 / 54 / 0 / 25

HEX #4358C0

RGB 67 88 192

HSL 229.92, 0.5%, 0.51%

LAB 41.18, 25.63, -57.11

 

CMYK 0 / 65 / 2 / 25

HEX #C043BC

RGB 192 67 188

HSL 301.92, 0.5%, 0.51%

LAB 50.51, 64.1, -39.09

 

CMYK 0 / 10 / 65 / 25

HEX #C0AD43

RGB 192 173 67

HSL 50.88, 0.5%, 0.51%

LAB 70.52, -5.59, 55.1

 

CMYK 65 / 0 / 43 / 25

HEX #43C06D

RGB 67 192 109

HSL 140.16, 0.5%, 0.51%

LAB 69.47, -52.69, 31.94

 

CMYK 65 / 54 / 0 / 25

HEX #4358C0

RGB 67 88 192

HSL 229.92, 0.5%, 0.51%

LAB 41.18, 25.63, -57.11

 

CMYK 0 / 65 / 22 / 25

HEX #C04396

RGB 192 67 150

HSL 320.16, 0.5%, 0.51%

LAB 48.79, 58.31, -19.41

 

Description

Color code: RGB 192 173 67 | qconv.com Color code: RGB 192 173 67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 192 red, 173 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
192 173 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 65 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 65% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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