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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5843C0 it is the complementary color #A7BC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5843C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5843C0 shade: #5D43BB, #6E55CE, #7F67E1, #9079F4 and #A18BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5843C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5843C0 shade: #5843C0, #4731AD, #361F9A, #250D87 and #140074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5843C0 shade: #5843C0, #7A43C0, #9B43C0, #BD43C0 and #C043A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5843C0 shade: #5843C0 and #4343C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5843C0 shade matches the following richer shades: #5843C0, #4B2FD4, #3D1BE8 and #3006FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5843C0 shade: #5843C0, #6557AC, #736C98, #808083 and #8E946F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5843C0 shade: #4371C0, #4350C0, #5843C0, #7943C0 and #9B43C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5843C0 shade: #3B2C85, #4936A4, #5843C0, #7462CA and #8F81D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5843C0 shade: #5843C0, #C04392 and #60C043

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5843C0 shade: #5843C0, #C05843 and #43C058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5843C0 shade: #5843C0, #C04392, #ABC043 and #43C071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5843C0 shade: #5843C0, #C0436D, #ABC043 and #43C096

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

Complementary color

CMYK 11 / 0 / 66 / 26

HEX #A7BC3F

RGB 167 188 63

HSL 70.08, 0.5%, 0.49%

LAB 72.59, -24.09, 58.3

 

CMYK 50 / 64 / 0 / 27

HEX #5D43BB

RGB 93 67 187

HSL 253, 0.47%, 0.5%

LAB 37.72, 41.59, -59.72

 

CMYK 47 / 59 / 0 / 19

HEX #6E55CE

RGB 110 85 206

HSL 252.4, 0.55%, 0.57%

LAB 44.62, 40.13, -59.5

 

CMYK 44 / 54 / 0 / 12

HEX #7F67E1

RGB 127 103 225

HSL 251.8, 0.67%, 0.64%

LAB 51.44, 38.79, -59.25

 

CMYK 41 / 50 / 0 / 4

HEX #9079F4

RGB 144 121 244

HSL 251.22, 0.85%, 0.72%

LAB 58.17, 37.57, -58.99

 

CMYK 37 / 45 / 0 / 0

HEX #A18BFF

RGB 161 139 255

HSL 251.38, 1%, 0.77%

LAB 64.37, 34.35, -55.06

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 59 / 72 / 0 / 32

HEX #4731AD

RGB 71 49 173

HSL 250.65, 0.56%, 0.44%

LAB 30.77, 43.83, -62.85

 

CMYK 65 / 80 / 0 / 40

HEX #361F9A

RGB 54 31 154

HSL 251.22, 0.66%, 0.36%

LAB 23.99, 45.32, -62.55

 

CMYK 73 / 90 / 0 / 47

HEX #250D87

RGB 37 13 135

HSL 251.8, 0.82%, 0.29%

LAB 17.6, 45.95, -61.37

 

CMYK 83 / 100 / 0 / 55

HEX #140074

RGB 20 0 116

HSL 250.34, 1%, 0.23%

LAB 12.02, 44.62, -58.56

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 36 / 65 / 0 / 25

HEX #7A43C0

RGB 122 67 192

HSL 266.4, 0.5%, 0.51%

LAB 41.15, 48.8, -56.94

 

CMYK 19 / 65 / 0 / 25

HEX #9B43C0

RGB 155 67 192

HSL 282.24, 0.5%, 0.51%

LAB 45.34, 56.12, -49.97

 

CMYK 2 / 65 / 0 / 25

HEX #BD43C0

RGB 189 67 192

HSL 298.56, 0.5%, 0.51%

LAB 50.26, 64.05, -41.84

 

CMYK 0 / 65 / 16 / 25

HEX #C043A1

RGB 192 67 161

HSL 314.88, 0.5%, 0.51%

LAB 49.25, 59.88, -25.24

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 65 / 65 / 0 / 25

HEX #4343C0

RGB 67 67 192

HSL 240, 0.5%, 0.51%

LAB 36.01, 38.84, -65.53

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 65 / 78 / 0 / 17

HEX #4B2FD4

RGB 75 47 212

HSL 250.18, 0.66%, 0.51%

LAB 34.56, 56.98, -79.52

 

CMYK 74 / 88 / 0 / 9

HEX #3D1BE8

RGB 61 27 232

HSL 249.95, 0.82%, 0.51%

LAB 33.14, 69.25, -93.4

 

CMYK 81 / 98 / 0 / 1

HEX #3006FD

RGB 48 6 253

HSL 250.2, 0.98%, 0.51%

LAB 33.67, 78.33, -104.42

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 41 / 49 / 0 / 33

HEX #6557AC

RGB 101 87 172

HSL 249.88, 0.34%, 0.51%

LAB 42.1, 26.93, -43.79

 

CMYK 24 / 29 / 0 / 40

HEX #736C98

RGB 115 108 152

HSL 249.55, 0.18%, 0.51%

LAB 47.8, 12.67, -22.92

 

CMYK 2 / 2 / 0 / 49

HEX #808083

RGB 128 128 131

HSL 240, 0.01%, 0.51%

LAB 53.67, 0.61, -1.63

 

CMYK 4 / 0 / 25 / 42

HEX #8E946F

RGB 142 148 111

HSL 69.73, 0.15%, 0.51%

LAB 59.96, -8.71, 18.89

 

CMYK 65 / 41 / 0 / 25

HEX #4371C0

RGB 67 113 192

HSL 217.92, 0.5%, 0.51%

LAB 48.02, 9.77, -46.13

 

CMYK 65 / 58 / 0 / 25

HEX #4350C0

RGB 67 80 192

HSL 233.76, 0.5%, 0.51%

LAB 39.13, 30.73, -60.43

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 37 / 65 / 0 / 25

HEX #7943C0

RGB 121 67 192

HSL 265.92, 0.5%, 0.51%

LAB 41.03, 48.59, -57.13

 

CMYK 19 / 65 / 0 / 25

HEX #9B43C0

RGB 155 67 192

HSL 282.24, 0.5%, 0.51%

LAB 45.34, 56.12, -49.97

 

CMYK 56 / 67 / 0 / 48

HEX #3B2C85

RGB 59 44 133

HSL 250.11, 0.5%, 0.35%

LAB 25.03, 32.12, -47.82

 

CMYK 55 / 67 / 0 / 36

HEX #4936A4

RGB 73 54 164

HSL 250.36, 0.5%, 0.43%

LAB 31.2, 38.5, -56.74

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 43 / 51 / 0 / 21

HEX #7462CA

RGB 116 98 202

HSL 250.38, 0.5%, 0.59%

LAB 47.9, 32.65, -51.9

 

CMYK 33 / 39 / 0 / 16

HEX #8F81D5

RGB 143 129 213

HSL 250, 0.5%, 0.67%

LAB 58.36, 24.34, -41.38

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 0 / 65 / 24 / 25

HEX #C04392

RGB 192 67 146

HSL 322.08, 0.5%, 0.51%

LAB 48.63, 57.77, -17.26

 

CMYK 50 / 0 / 65 / 25

HEX #60C043

RGB 96 192 67

HSL 106.08, 0.5%, 0.51%

LAB 69.89, -51.19, 52.61

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 0 / 54 / 65 / 25

HEX #C05843

RGB 192 88 67

HSL 10.08, 0.5%, 0.51%

LAB 50.21, 40.21, 32.11

 

CMYK 65 / 0 / 54 / 25

HEX #43C058

RGB 67 192 88

HSL 130.08, 0.5%, 0.51%

LAB 69.18, -55.92, 42.06

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 0 / 65 / 24 / 25

HEX #C04392

RGB 192 67 146

HSL 322.08, 0.5%, 0.51%

LAB 48.63, 57.77, -17.26

 

CMYK 11 / 0 / 65 / 25

HEX #ABC043

RGB 171 192 67

HSL 70.08, 0.5%, 0.51%

LAB 74.04, -24.14, 58.28

 

CMYK 65 / 0 / 41 / 25

HEX #43C071

RGB 67 192 113

HSL 142.08, 0.5%, 0.51%

LAB 69.53, -52, 29.95

 

CMYK 54 / 65 / 0 / 25

HEX #5843C0

RGB 88 67 192

HSL 250.08, 0.5%, 0.51%

LAB 37.65, 42.18, -62.78

 

CMYK 0 / 65 / 43 / 25

HEX #C0436D

RGB 192 67 109

HSL 339.84, 0.5%, 0.51%

LAB 47.4, 53.4, 3.28

 

CMYK 11 / 0 / 65 / 25

HEX #ABC043

RGB 171 192 67

HSL 70.08, 0.5%, 0.51%

LAB 74.04, -24.14, 58.28

 

CMYK 65 / 0 / 22 / 25

HEX #43C096

RGB 67 192 150

HSL 159.84, 0.5%, 0.51%

LAB 70.24, -44.4, 11.19

 

Description

Color code: HEX #5843C0 | qconv.com Color code: HEX #5843C0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 67 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 67 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 65 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 65% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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