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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC1BD9 it is the complementary color #53E426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC1BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC1BD9 shade: #B11BD4, #C22DE7, #D33FFA, #E451FF and #F563FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC1BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC1BD9 shade: #AC1BD9, #9B09C6, #8A00B3, #7900A0 and #68008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC1BD9 shade: #AC1AD9, #D91AD3, #D91AA0, #D91A6C and #D91A39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC1BD9 shade: #AC1AD9, #791AD9, #451AD9 and #1A1AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC1BD9 shade matches the following richer shades: #AC1AD9 and #B707ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC1BD9 shade: #AC1AD9, #A22EC6, #9742B2, #8D569E and #826A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC1BD9 shade: #441AD9, #771AD9, #AA1AD9, #D91AD6 and #D91AA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC1BD9 shade: #721190, #8F16B5, #AC1AD9, #BC37E6 and #C95CEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC1BD9 shade: #AC1BD9, #D91A24 and #1AD95D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC1BD9 shade: #AC1BD9, #D9AA1A and #1AD9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC1BD9 shade: #AC1BD9, #D91A24, #4AD91A and #1AD9D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC1BD9 shade: #AC1BD9, #D94A1A, #4AD91A and #1AAAD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

Complementary color

CMYK 64 / 0 / 83 / 11

HEX #53E426

RGB 83 228 38

HSL 105.79, 0.78%, 0.52%

LAB 80.44, -69.09, 72.41

 

CMYK 17 / 87 / 0 / 17

HEX #B11BD4

RGB 177 27 212

HSL 288.65, 0.77%, 0.47%

LAB 45.48, 76.98, -61.16

 

CMYK 16 / 81 / 0 / 9

HEX #C22DE7

RGB 194 45 231

HSL 288.06, 0.79%, 0.54%

LAB 50.82, 79.05, -63.21

 

CMYK 16 / 75 / 0 / 2

HEX #D33FFA

RGB 211 63 250

HSL 287.49, 0.95%, 0.61%

LAB 56.39, 80.23, -64.75

 

CMYK 11 / 68 / 0 / 0

HEX #E451FF

RGB 228 81 255

HSL 290.69, 1%, 0.66%

LAB 61.31, 78.29, -59.5

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

CMYK 22 / 95 / 0 / 22

HEX #9B09C6

RGB 155 9 198

HSL 286.35, 0.91%, 0.41%

LAB 39.98, 73.88, -62.12

 

CMYK 23 / 100 / 0 / 30

HEX #8A00B3

RGB 138 0 179

HSL 286.26, 1%, 0.35%

LAB 35.32, 69.19, -58.64

 

CMYK 24 / 100 / 0 / 37

HEX #7900A0

RGB 121 0 160

HSL 285.38, 1%, 0.31%

LAB 30.89, 63.41, -54.56

 

CMYK 26 / 100 / 0 / 45

HEX #68008D

RGB 104 0 141

HSL 284.26, 1%, 0.28%

LAB 26.35, 57.5, -50.4

 

CMYK 21 / 88 / 0 / 15

HEX #AC1AD9

RGB 172 26 217

HSL 285.86, 0.79%, 0.48%

LAB 44.97, 77.29, -64.89

 

CMYK 0 / 88 / 3 / 15

HEX #D91AD3

RGB 217 26 211

HSL 301.88, 0.79%, 0.48%

LAB 52.06, 83.66, -49.65

 

CMYK 0 / 88 / 26 / 15

HEX #D91AA0

RGB 217 26 160

HSL 317.91, 0.79%, 0.48%

LAB 49.53, 77.04, -23.86

 

CMYK 0 / 88 / 50 / 15

HEX #D91A6C

RGB 217 26 108

HSL 334.24, 0.79%, 0.48%

LAB 47.72, 72.07, 4.95

 

CMYK 0 / 88 / 74 / 15

HEX #D91A39

RGB 217 26 57

HSL 350.26, 0.79%, 0.48%

LAB 46.69, 69.16, 34.83

 

CMYK 21 / 88 / 0 / 15

HEX #AC1AD9

RGB 172 26 217

HSL 285.86, 0.79%, 0.48%

LAB 44.97, 77.29, -64.89

 

CMYK 44 / 88 / 0 / 15

HEX #791AD9

RGB 121 26 217

HSL 269.84, 0.79%, 0.48%

LAB 37.51, 70.58, -77.39

 

CMYK 68 / 88 / 0 / 15

HEX #451AD9

RGB 69 26 217

HSL 253.51, 0.79%, 0.48%

LAB 31.84, 66.08, -86.94

 

CMYK 88 / 88 / 0 / 15

HEX #1A1AD9

RGB 26 26 217

HSL 240, 0.79%, 0.48%

LAB 29.33, 64.31, -91.18

 

CMYK 21 / 88 / 0 / 15

HEX #AC1AD9

RGB 172 26 217

HSL 285.86, 0.79%, 0.48%

LAB 44.97, 77.29, -64.89

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 21 / 88 / 0 / 15

HEX #AC1AD9

RGB 172 26 217

HSL 285.86, 0.79%, 0.48%

LAB 44.97, 77.29, -64.89

 

CMYK 18 / 77 / 0 / 22

HEX #A22EC6

RGB 162 46 198

HSL 285.79, 0.62%, 0.48%

LAB 43.82, 67.03, -55.86

 

CMYK 15 / 63 / 0 / 30

HEX #9742B2

RGB 151 66 178

HSL 285.54, 0.46%, 0.48%

LAB 43.79, 52.73, -44.29

 

CMYK 11 / 46 / 0 / 38

HEX #8D569E

RGB 141 86 158

HSL 285.83, 0.3%, 0.48%

LAB 45.34, 35.37, -30.09

 

CMYK 6 / 23 / 0 / 46

HEX #826A8A

RGB 130 106 138

HSL 285, 0.13%, 0.48%

LAB 48.12, 15.71, -14.01

 

CMYK 69 / 88 / 0 / 15

HEX #441AD9

RGB 68 26 217

HSL 253.19, 0.79%, 0.48%

LAB 31.76, 66.02, -87.08

 

CMYK 45 / 88 / 0 / 15

HEX #771AD9

RGB 119 26 217

HSL 269.21, 0.79%, 0.48%

LAB 37.24, 70.36, -77.83

 

CMYK 22 / 88 / 0 / 15

HEX #AA1AD9

RGB 170 26 217

HSL 285.24, 0.79%, 0.48%

LAB 44.65, 76.99, -65.41

 

CMYK 0 / 88 / 1 / 15

HEX #D91AD6

RGB 217 26 214

HSL 300.94, 0.79%, 0.48%

LAB 52.23, 84.09, -51.1

 

CMYK 0 / 88 / 25 / 15

HEX #D91AA3

RGB 217 26 163

HSL 316.96, 0.79%, 0.48%

LAB 49.66, 77.39, -25.44

 

CMYK 21 / 88 / 0 / 44

HEX #721190

RGB 114 17 144

HSL 285.83, 0.79%, 0.32%

LAB 29.39, 56.38, -47.23

 

CMYK 21 / 88 / 0 / 29

HEX #8F16B5

RGB 143 22 181

HSL 285.66, 0.78%, 0.4%

LAB 37.39, 67.05, -56.42

 

CMYK 21 / 88 / 0 / 15

HEX #AC1AD9

RGB 172 26 217

HSL 285.86, 0.79%, 0.48%

LAB 44.97, 77.29, -64.89

 

CMYK 18 / 76 / 0 / 10

HEX #BC37E6

RGB 188 55 230

HSL 285.6, 0.78%, 0.56%

LAB 50.85, 74.93, -62.65

 

CMYK 14 / 61 / 0 / 8

HEX #C95CEA

RGB 201 92 234

HSL 286.06, 0.77%, 0.64%

LAB 58.05, 63.96, -53.26

 

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

CMYK 0 / 88 / 83 / 15

HEX #D91A24

RGB 217 26 36

HSL 356.86, 0.79%, 0.48%

LAB 46.47, 68.51, 46.38

 

CMYK 88 / 0 / 57 / 15

HEX #1AD95D

RGB 26 217 93

HSL 141.05, 0.79%, 0.48%

LAB 76.46, -68.97, 48.25

 

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

CMYK 0 / 22 / 88 / 15

HEX #D9AA1A

RGB 217 170 26

HSL 45.24, 0.79%, 0.48%

LAB 71.94, 5.29, 71.08

 

CMYK 88 / 0 / 22 / 15

HEX #1AD9AA

RGB 26 217 170

HSL 165.24, 0.79%, 0.48%

LAB 77.73, -54.37, 10.98

 

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

CMYK 0 / 88 / 83 / 15

HEX #D91A24

RGB 217 26 36

HSL 356.86, 0.79%, 0.48%

LAB 46.47, 68.51, 46.38

 

CMYK 66 / 0 / 88 / 15

HEX #4AD91A

RGB 74 217 26

HSL 104.92, 0.79%, 0.48%

LAB 76.77, -67.89, 71.61

 

CMYK 88 / 0 / 4 / 15

HEX #1AD9D0

RGB 26 217 208

HSL 177.17, 0.79%, 0.48%

LAB 78.69, -44.32, -7.89

 

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

CMYK 0 / 66 / 88 / 15

HEX #D94A1A

RGB 217 74 26

HSL 15.08, 0.79%, 0.48%

LAB 51.52, 54.05, 55.11

 

CMYK 66 / 0 / 88 / 15

HEX #4AD91A

RGB 74 217 26

HSL 104.92, 0.79%, 0.48%

LAB 76.77, -67.89, 71.61

 

CMYK 88 / 22 / 0 / 15

HEX #1AAAD9

RGB 26 170 217

HSL 194.76, 0.79%, 0.48%

LAB 64.95, -18.91, -33.68

 

Description

Color code: HEX #AC1BD9 | qconv.com Color code: HEX #AC1BD9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 27 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 27 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 88 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 88% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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