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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 245 99 255 it is the complementary color RGB 10 156 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 245 99 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 245 99 255 shade: RGB 250 99 250, RGB 255 117 255, RGB 255 135 255, RGB 255 153 255 and RGB 255 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 245 99 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 245 99 255 shade: RGB 245 99 255, RGB 228 81 236, RGB 211 63 217, RGB 194 45 198 and RGB 177 27 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 245 99 255 shade: RGB 244 96 255, RGB 255 96 222, RGB 255 96 179, RGB 255 96 137 and RGB 255 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 245 99 255 shade: RGB 244 96 255, RGB 202 96 255, RGB 159 96 255, RGB 116 96 255 and RGB 96 96 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 245 99 255 shade matches the following richer shades: RGB 244 96 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 245 99 255 shade: RGB 244 96 255, RGB 233 109 242, RGB 222 122 229, RGB 211 135 216 and RGB 200 148 203

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 245 99 255 shade: RGB 160 96 255, RGB 202 96 255, RGB 244 96 255, RGB 255 96 223 and RGB 255 96 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 245 99 255 shade: RGB 239 14 255, RGB 242 55 255, RGB 244 96 255, RGB 247 138 255 and RGB 250 179 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 245 99 255 shade: RGB 245 99 255, RGB 255 117 96 and RGB 96 255 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 245 99 255 shade: RGB 245 99 255, RGB 255 244 96 and RGB 96 255 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 245 99 255 shade: RGB 245 99 255, RGB 255 117 96, RGB 107 255 96 and RGB 96 233 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 245 99 255 shade: RGB 245 99 255, RGB 255 165 96, RGB 107 255 96 and RGB 96 186 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

Complementary color

CMYK 94 / 0 / 100 / 39

HEX #0A9C00

RGB 10 156 0

HSL 116.15, 1%, 0.31%

LAB 55.93, -59.11, 57.7

 

CMYK 0 / 60 / 0 / 2

HEX #FA63FA

RGB 250 99 250

HSL 300, 0.94%, 0.68%

LAB 66.63, 75.44, -48.1

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 3 / 66 / 0 / 7

HEX #E451EC

RGB 228 81 236

HSL 296.9, 0.8%, 0.62%

LAB 60.28, 75.04, -50.6

 

CMYK 3 / 71 / 0 / 15

HEX #D33FD9

RGB 211 63 217

HSL 297.66, 0.67%, 0.55%

LAB 54.46, 74.58, -49.3

 

CMYK 2 / 77 / 0 / 22

HEX #C22DC6

RGB 194 45 198

HSL 298.43, 0.63%, 0.48%

LAB 48.79, 73.5, -47.6

 

CMYK 1 / 85 / 0 / 30

HEX #B11BB3

RGB 177 27 179

HSL 299.21, 0.74%, 0.4%

LAB 43.34, 71.53, -45.36

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DE

RGB 255 96 222

HSL 312.45, 1%, 0.69%

LAB 65.67, 73.55, -34.04

 

CMYK 0 / 62 / 30 / 0

HEX #FF60B3

RGB 255 96 179

HSL 328.68, 1%, 0.69%

LAB 64.06, 67.88, -12.22

 

CMYK 0 / 62 / 46 / 0

HEX #FF6089

RGB 255 96 137

HSL 344.53, 1%, 0.69%

LAB 62.87, 63.5, 10.18

 

CMYK 0 / 62 / 62 / 0

HEX #FF6060

RGB 255 96 96

HSL 0, 1%, 0.69%

LAB 62.06, 60.42, 32.59

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 21 / 62 / 0 / 0

HEX #CA60FF

RGB 202 96 255

HSL 280, 1%, 0.69%

LAB 60.02, 66.57, -61.76

 

CMYK 38 / 62 / 0 / 0

HEX #9F60FF

RGB 159 96 255

HSL 263.77, 1%, 0.69%

LAB 55.03, 57.38, -70.06

 

CMYK 55 / 62 / 0 / 0

HEX #7460FF

RGB 116 96 255

HSL 247.55, 1%, 0.69%

LAB 51.03, 49.34, -76.72

 

CMYK 62 / 62 / 0 / 0

HEX #6060FF

RGB 96 96 255

HSL 240, 1%, 0.69%

LAB 49.58, 46.22, -79.15

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 4 / 55 / 0 / 5

HEX #E96DF2

RGB 233 109 242

HSL 295.94, 0.84%, 0.69%

LAB 65.49, 65.65, -45.65

 

CMYK 3 / 47 / 0 / 10

HEX #DE7AE5

RGB 222 122 229

HSL 296.07, 0.67%, 0.69%

LAB 65.83, 54.18, -38.02

 

CMYK 2 / 38 / 0 / 15

HEX #D387D8

RGB 211 135 216

HSL 296.3, 0.51%, 0.69%

LAB 66.62, 41.83, -29.68

 

CMYK 1 / 27 / 0 / 20

HEX #C894CB

RGB 200 148 203

HSL 296.73, 0.35%, 0.69%

LAB 67.85, 28.81, -20.67

 

CMYK 37 / 62 / 0 / 0

HEX #A060FF

RGB 160 96 255

HSL 264.15, 1%, 0.69%

LAB 55.13, 57.58, -69.88

 

CMYK 21 / 62 / 0 / 0

HEX #CA60FF

RGB 202 96 255

HSL 280, 1%, 0.69%

LAB 60.02, 66.57, -61.76

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 0 / 62 / 13 / 0

HEX #FF60DF

RGB 255 96 223

HSL 312.08, 1%, 0.69%

LAB 65.71, 73.69, -34.53

 

CMYK 0 / 62 / 29 / 0

HEX #FF60B5

RGB 255 96 181

HSL 327.92, 1%, 0.69%

LAB 64.13, 68.12, -13.26

 

CMYK 6 / 95 / 0 / 0

HEX #EF0EFF

RGB 239 14 255

HSL 296.02, 1%, 0.53%

LAB 57.93, 94.96, -64.83

 

CMYK 5 / 78 / 0 / 0

HEX #F237FF

RGB 242 55 255

HSL 296.1, 1%, 0.61%

LAB 60.63, 88.95, -60.46

 

CMYK 4 / 62 / 0 / 0

HEX #F460FF

RGB 244 96 255

HSL 295.85, 1%, 0.69%

LAB 65.61, 76.07, -52.52

 

CMYK 3 / 46 / 0 / 0

HEX #F78AFF

RGB 247 138 255

HSL 295.9, 1%, 0.77%

LAB 73, 57.99, -40.87

 

CMYK 2 / 30 / 0 / 0

HEX #FAB3FF

RGB 250 179 255

HSL 296.05, 1%, 0.85%

LAB 81.72, 37.92, -27.38

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 0 / 54 / 62 / 0

HEX #FF7560

RGB 255 117 96

HSL 7.92, 1%, 0.69%

LAB 65.61, 51.07, 37.03

 

CMYK 62 / 0 / 29 / 0

HEX #60FFB5

RGB 96 255 181

HSL 152.08, 1%, 0.69%

LAB 90.48, -58.25, 23.28

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 0 / 4 / 62 / 0

HEX #FFF460

RGB 255 244 96

HSL 55.85, 1%, 0.69%

LAB 94.66, -13.49, 70.26

 

CMYK 62 / 0 / 4 / 0

HEX #60FFF4

RGB 96 255 244

HSL 175.85, 1%, 0.69%

LAB 91.93, -43.77, -7.11

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 0 / 54 / 62 / 0

HEX #FF7560

RGB 255 117 96

HSL 7.92, 1%, 0.69%

LAB 65.61, 51.07, 37.03

 

CMYK 58 / 0 / 62 / 0

HEX #6BFF60

RGB 107 255 96

HSL 115.85, 1%, 0.69%

LAB 89.62, -68.67, 62.44

 

CMYK 62 / 9 / 0 / 0

HEX #60E9FF

RGB 96 233 255

HSL 188.3, 1%, 0.69%

LAB 86, -30.68, -21.73

 

CMYK 4 / 61 / 0 / 0

HEX #F563FF

RGB 245 99 255

HSL 296.15, 1%, 0.69%

LAB 66.18, 75.1, -51.61

 

CMYK 0 / 35 / 62 / 0

HEX #FFA560

RGB 255 165 96

HSL 26.04, 1%, 0.69%

LAB 75.46, 26.94, 48.88

 

CMYK 58 / 0 / 62 / 0

HEX #6BFF60

RGB 107 255 96

HSL 115.85, 1%, 0.69%

LAB 89.62, -68.67, 62.44

 

CMYK 62 / 27 / 0 / 0

HEX #60BAFF

RGB 96 186 255

HSL 206.04, 1%, 0.69%

LAB 72.78, -6.62, -42.07

 

Description

Color code: RGB 245 99 255 | qconv.com Color code: RGB 245 99 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 99 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 99 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 61 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 61% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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