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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 183 7 237 it is the complementary color RGB 72 248 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 183 7 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 183 7 237 shade: RGB 188 7 232, RGB 205 25 251, RGB 222 43 255, RGB 239 61 255 and RGB 255 79 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 183 7 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 166 0 218, RGB 149 0 199, RGB 132 0 180 and RGB 115 0 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 237 7 229, RGB 237 7 167, RGB 237 7 105 and RGB 237 7 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 121 7 237, RGB 59 7 237 and RGB 7 7 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 183 7 237 shade matches the following richer shades: RGB 183 7 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 172 27 217, RGB 162 46 197, RGB 151 66 178 and RGB 141 86 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 183 7 237 shade: RGB 57 7 237, RGB 118 7 237, RGB 179 7 237, RGB 237 7 233 and RGB 237 7 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 183 7 237 shade: RGB 121 4 157, RGB 152 6 197, RGB 183 7 237, RGB 198 37 248 and RGB 209 77 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 237 7 18 and RGB 7 237 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 237 179 7 and RGB 7 237 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 237 7 18, RGB 64 237 7 and RGB 7 237 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 183 7 237 shade: RGB 183 7 237, RGB 237 64 7, RGB 64 237 7 and RGB 7 179 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

Complementary color

CMYK 71 / 0 / 93 / 3

HEX #48F812

RGB 72 248 18

HSL 105.91, 0.94%, 0.52%

LAB 86.28, -77.95, 80.76

 

CMYK 19 / 97 / 0 / 9

HEX #BC07E8

RGB 188 7 232

HSL 288.27, 0.94%, 0.47%

LAB 47.84, 84.5, -68.65

 

CMYK 18 / 90 / 0 / 2

HEX #CD19FB

RGB 205 25 251

HSL 287.79, 0.97%, 0.54%

LAB 52.55, 88.16, -71.56

 

CMYK 13 / 83 / 0 / 0

HEX #DE2BFF

RGB 222 43 255

HSL 290.66, 1%, 0.58%

LAB 56.56, 88.25, -67.17

 

CMYK 6 / 76 / 0 / 0

HEX #EF3DFF

RGB 239 61 255

HSL 295.05, 1%, 0.62%

LAB 60.7, 86.85, -60.38

 

CMYK 0 / 69 / 0 / 0

HEX #FF4FFF

RGB 255 79 255

HSL 300, 1%, 0.65%

LAB 65.02, 84.61, -53.35

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 24 / 100 / 0 / 15

HEX #A600DA

RGB 166 0 218

HSL 285.69, 1%, 0.43%

LAB 43.02, 79.81, -68.68

 

CMYK 25 / 100 / 0 / 22

HEX #9500C7

RGB 149 0 199

HSL 284.92, 1%, 0.39%

LAB 38.75, 74.25, -64.76

 

CMYK 27 / 100 / 0 / 29

HEX #8400B4

RGB 132 0 180

HSL 284, 1%, 0.35%

LAB 34.4, 68.59, -60.78

 

CMYK 29 / 100 / 0 / 37

HEX #7300A1

RGB 115 0 161

HSL 282.86, 1%, 0.32%

LAB 29.96, 62.81, -56.73

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 0 / 97 / 3 / 7

HEX #ED07E5

RGB 237 7 229

HSL 302.09, 0.94%, 0.48%

LAB 55.9, 91.39, -53.55

 

CMYK 0 / 97 / 30 / 7

HEX #ED07A7

RGB 237 7 167

HSL 318.26, 0.94%, 0.48%

LAB 52.89, 83.82, -22.51

 

CMYK 0 / 97 / 56 / 7

HEX #ED0769

RGB 237 7 105

HSL 334.43, 0.94%, 0.48%

LAB 50.89, 78.55, 11.84

 

CMYK 0 / 97 / 82 / 7

HEX #ED072B

RGB 237 7 43

HSL 350.61, 0.94%, 0.48%

LAB 49.9, 75.84, 47.37

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 49 / 97 / 0 / 7

HEX #7907ED

RGB 121 7 237

HSL 269.74, 0.94%, 0.48%

LAB 38.43, 78.08, -87.29

 

CMYK 75 / 97 / 0 / 7

HEX #3B07ED

RGB 59 7 237

HSL 253.57, 0.94%, 0.48%

LAB 32.25, 74.65, -97.74

 

CMYK 97 / 97 / 0 / 7

HEX #0707ED

RGB 7 7 237

HSL 240, 0.94%, 0.48%

LAB 30.19, 73.8, -101.23

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 21 / 88 / 0 / 15

HEX #AC1BD9

RGB 172 27 217

HSL 285.79, 0.78%, 0.48%

LAB 45.03, 77.1, -64.78

 

CMYK 18 / 77 / 0 / 23

HEX #A22EC5

RGB 162 46 197

HSL 286.09, 0.62%, 0.48%

LAB 43.75, 66.84, -55.38

 

CMYK 15 / 63 / 0 / 30

HEX #9742B2

RGB 151 66 178

HSL 285.54, 0.46%, 0.48%

LAB 43.79, 52.73, -44.29

 

CMYK 11 / 46 / 0 / 38

HEX #8D569E

RGB 141 86 158

HSL 285.83, 0.3%, 0.48%

LAB 45.34, 35.37, -30.09

 

CMYK 76 / 97 / 0 / 7

HEX #3907ED

RGB 57 7 237

HSL 253.04, 0.94%, 0.48%

LAB 32.12, 74.59, -97.96

 

CMYK 50 / 97 / 0 / 7

HEX #7607ED

RGB 118 7 237

HSL 268.96, 0.94%, 0.48%

LAB 38.05, 77.83, -87.93

 

CMYK 24 / 97 / 0 / 7

HEX #B307ED

RGB 179 7 237

HSL 284.87, 0.94%, 0.48%

LAB 46.78, 84.18, -73.27

 

CMYK 0 / 97 / 2 / 7

HEX #ED07E9

RGB 237 7 233

HSL 301.04, 0.94%, 0.48%

LAB 56.13, 91.95, -55.44

 

CMYK 0 / 97 / 27 / 7

HEX #ED07AC

RGB 237 7 172

HSL 316.96, 0.94%, 0.48%

LAB 53.1, 84.35, -25.14

 

CMYK 23 / 97 / 0 / 38

HEX #79049D

RGB 121 4 157

HSL 285.88, 0.95%, 0.32%

LAB 30.85, 62.23, -52.8

 

CMYK 23 / 97 / 0 / 23

HEX #9806C5

RGB 152 6 197

HSL 285.86, 0.94%, 0.4%

LAB 39.3, 73.61, -62.66

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 20 / 85 / 0 / 3

HEX #C625F8

RGB 198 37 248

HSL 285.78, 0.94%, 0.56%

LAB 51.96, 84.55, -70.9

 

CMYK 16 / 69 / 0 / 2

HEX #D14DF9

RGB 209 77 249

HSL 286.05, 0.93%, 0.64%

LAB 57.75, 74.79, -62.02

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 0 / 97 / 92 / 7

HEX #ED0712

RGB 237 7 18

HSL 357.13, 0.94%, 0.48%

LAB 49.74, 75.4, 58.58

 

CMYK 97 / 0 / 63 / 7

HEX #07ED57

RGB 7 237 87

HSL 140.87, 0.94%, 0.48%

LAB 82.54, -76.58, 57.83

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 0 / 24 / 97 / 7

HEX #EDB307

RGB 237 179 7

HSL 44.87, 0.94%, 0.48%

LAB 76.23, 8.98, 78.1

 

CMYK 97 / 0 / 24 / 7

HEX #07EDB3

RGB 7 237 179

HSL 164.87, 0.94%, 0.48%

LAB 83.9, -60.61, 14.96

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 0 / 97 / 92 / 7

HEX #ED0712

RGB 237 7 18

HSL 357.13, 0.94%, 0.48%

LAB 49.74, 75.4, 58.58

 

CMYK 73 / 0 / 97 / 7

HEX #40ED07

RGB 64 237 7

HSL 105.13, 0.94%, 0.48%

LAB 82.74, -76.19, 78.83

 

CMYK 97 / 0 / 5 / 7

HEX #07EDE1

RGB 7 237 225

HSL 176.87, 0.94%, 0.48%

LAB 85.02, -48.76, -7.54

 

CMYK 23 / 97 / 0 / 7

HEX #B707ED

RGB 183 7 237

HSL 285.91, 0.94%, 0.48%

LAB 47.41, 84.69, -72.22

 

CMYK 0 / 73 / 97 / 7

HEX #ED4007

RGB 237 64 7

HSL 14.87, 0.94%, 0.48%

LAB 53.69, 64.01, 63.72

 

CMYK 73 / 0 / 97 / 7

HEX #40ED07

RGB 64 237 7

HSL 105.13, 0.94%, 0.48%

LAB 82.74, -76.19, 78.83

 

CMYK 97 / 24 / 0 / 7

HEX #07B3ED

RGB 7 179 237

HSL 195.13, 0.94%, 0.48%

LAB 68.31, -17.43, -39.41

 

Description

Color code: RGB 183 7 237 | qconv.com Color code: RGB 183 7 237 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 7 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 7 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 97 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 97% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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