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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A2F38 it is the complementary color #85D0C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A2F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A2F38 shade: #7F2F33, #904146, #A15359, #B2656C and #C3777F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A2F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A2F38 shade: #7A2F38, #691D25, #580B12, #470000 and #360000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A2F38 shade: #792F38 and #792F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A2F38 shade: #792F38, #792F4B, #792F5F, #792F73 and #6A2F79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A2F38 shade matches the following richer shades: #792F38, #86212D, #941323 and #A20618

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A2F38 shade: #792F38, #6B3C42, #5D4A4C, #505757 and #426561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A2F38 shade: #792F60, #792F4C, #792F38, #79382F and #794C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A2F38 shade: #3D181C, #5B232A, #792F38, #963A45 and #B44653

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A2F38 shade: #7A2F38, #74792F and #2F5679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A2F38 shade: #7A2F38, #38792F and #2F3879

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A2F38 shade: #7A2F38, #74792F, #2F796F and #342F79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A2F38 shade: #7A2F38, #5E792F, #2F796F and #4A2F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 54 / 52

HEX #7A2F38

RGB 122 47 56

HSL 352.8, 0.44%, 0.33%

LAB 30.54, 33.53, 11.22

 

Complementary color

CMYK 36 / 0 / 4 / 18

HEX #85D0C7

RGB 133 208 199

HSL 172.8, 0.44%, 0.67%

LAB 78.59, -25.26, -2.91

 

CMYK 0 / 63 / 60 / 50

HEX #7F2F33

RGB 127 47 51

HSL 357, 0.46%, 0.34%

LAB 31.31, 34.97, 15.67

 

CMYK 0 / 55 / 51 / 44

HEX #904146

RGB 144 65 70

HSL 356.2, 0.38%, 0.41%

LAB 38.11, 33.9, 13.22

 

CMYK 0 / 48 / 45 / 37

HEX #A15359

RGB 161 83 89

HSL 355.38, 0.32%, 0.48%

LAB 44.92, 32.78, 11.29

 

CMYK 0 / 43 / 39 / 30

HEX #B2656C

RGB 178 101 108

HSL 354.55, 0.33%, 0.55%

LAB 51.67, 31.71, 9.7

 

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

CMYK 0 / 61 / 54 / 52

HEX #7A2F38

RGB 122 47 56

HSL 352.8, 0.44%, 0.33%

LAB 30.54, 33.53, 11.22

 

CMYK 0 / 72 / 65 / 59

HEX #691D25

RGB 105 29 37

HSL 353.68, 0.57%, 0.26%

LAB 23.72, 34.28, 14.2

 

CMYK 0 / 88 / 80 / 65

HEX #580B12

RGB 88 11 18

HSL 354.55, 0.78%, 0.19%

LAB 17.26, 34.14, 18.27

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 100 / 100 / 79

HEX #360000

RGB 54 0 0

HSL 0, 1%, 0.11%

LAB 7.08, 26.51, 11.2

 

CMYK 0 / 61 / 54 / 53

HEX #792F38

RGB 121 47 56

HSL 352.7, 0.44%, 0.33%

LAB 30.36, 33.15, 10.95

 

CMYK 0 / 61 / 61 / 53

HEX #792F2F

RGB 121 47 47

HSL 0, 0.44%, 0.33%

LAB 30.16, 32.36, 16.55

 

CMYK 0 / 61 / 54 / 53

HEX #792F38

RGB 121 47 56

HSL 352.7, 0.44%, 0.33%

LAB 30.36, 33.15, 10.95

 

CMYK 0 / 61 / 38 / 53

HEX #792F4B

RGB 121 47 75

HSL 337.3, 0.44%, 0.33%

LAB 30.89, 35.26, -0.75

 

CMYK 0 / 61 / 21 / 53

HEX #792F5F

RGB 121 47 95

HSL 321.08, 0.44%, 0.33%

LAB 31.63, 38.1, -12.64

 

CMYK 0 / 61 / 5 / 53

HEX #792F73

RGB 121 47 115

HSL 304.86, 0.44%, 0.33%

LAB 32.56, 41.5, -23.98

 

CMYK 12 / 61 / 0 / 53

HEX #6A2F79

RGB 106 47 121

HSL 287.84, 0.44%, 0.33%

LAB 30.59, 38.43, -31.03

 

CMYK 0 / 61 / 54 / 53

HEX #792F38

RGB 121 47 56

HSL 352.7, 0.44%, 0.33%

LAB 30.36, 33.15, 10.95

 

CMYK 0 / 75 / 66 / 47

HEX #86212D

RGB 134 33 45

HSL 352.87, 0.6%, 0.33%

LAB 30.27, 43.11, 18.47

 

CMYK 0 / 87 / 76 / 42

HEX #941323

RGB 148 19 35

HSL 352.56, 0.77%, 0.33%

LAB 31.54, 51.04, 27.11

 

CMYK 0 / 96 / 85 / 36

HEX #A20618

RGB 162 6 24

HSL 353.08, 0.93%, 0.33%

LAB 33.73, 56.64, 36.88

 

CMYK 0 / 61 / 54 / 53

HEX #792F38

RGB 121 47 56

HSL 352.7, 0.44%, 0.33%

LAB 30.36, 33.15, 10.95

 

CMYK 0 / 44 / 38 / 58

HEX #6B3C42

RGB 107 60 66

HSL 352.34, 0.28%, 0.33%

LAB 31.23, 21.42, 5.33

 

CMYK 0 / 20 / 18 / 64

HEX #5D4A4C

RGB 93 74 76

HSL 353.68, 0.11%, 0.33%

LAB 33.45, 8.39, 1.85

 

CMYK 8 / 0 / 0 / 66

HEX #505757

RGB 80 87 87

HSL 180, 0.04%, 0.33%

LAB 36.39, -2.76, -0.96

 

CMYK 35 / 0 / 4 / 60

HEX #426561

RGB 66 101 97

HSL 173.14, 0.21%, 0.33%

LAB 40.13, -13.55, -1.76

 

CMYK 0 / 61 / 21 / 53

HEX #792F60

RGB 121 47 96

HSL 320.27, 0.44%, 0.33%

LAB 31.68, 38.26, -13.22

 

CMYK 0 / 61 / 37 / 53

HEX #792F4C

RGB 121 47 76

HSL 336.49, 0.44%, 0.33%

LAB 30.93, 35.39, -1.36

 

CMYK 0 / 61 / 54 / 53

HEX #792F38

RGB 121 47 56

HSL 352.7, 0.44%, 0.33%

LAB 30.36, 33.15, 10.95

 

CMYK 0 / 54 / 61 / 53

HEX #79382F

RGB 121 56 47

HSL 7.3, 0.44%, 0.33%

LAB 32.03, 27.53, 18.96

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 61 / 54 / 76

HEX #3D181C

RGB 61 24 28

HSL 353.51, 0.44%, 0.17%

LAB 14, 18.62, 5.98

 

CMYK 0 / 62 / 54 / 64

HEX #5B232A

RGB 91 35 42

HSL 352.5, 0.44%, 0.25%

LAB 22.28, 26.43, 8.38

 

CMYK 0 / 61 / 54 / 53

HEX #792F38

RGB 121 47 56

HSL 352.7, 0.44%, 0.33%

LAB 30.36, 33.15, 10.95

 

CMYK 0 / 61 / 54 / 41

HEX #963A45

RGB 150 58 69

HSL 352.83, 0.44%, 0.41%

LAB 37.73, 39.58, 13.49

 

CMYK 0 / 61 / 54 / 29

HEX #B44653

RGB 180 70 83

HSL 352.91, 0.44%, 0.49%

LAB 45.23, 45.71, 15.84

 

CMYK 0 / 61 / 54 / 52

HEX #7A2F38

RGB 122 47 56

HSL 352.8, 0.44%, 0.33%

LAB 30.54, 33.53, 11.22

 

CMYK 4 / 0 / 61 / 53

HEX #74792F

RGB 116 121 47

HSL 64.05, 0.44%, 0.33%

LAB 49, -12.68, 38.96

 

CMYK 61 / 29 / 0 / 53

HEX #2F5679

RGB 47 86 121

HSL 208.38, 0.44%, 0.33%

LAB 35.28, -2.37, -24

 

CMYK 0 / 61 / 54 / 52

HEX #7A2F38

RGB 122 47 56

HSL 352.8, 0.44%, 0.33%

LAB 30.54, 33.53, 11.22

 

CMYK 54 / 0 / 61 / 53

HEX #38792F

RGB 56 121 47

HSL 112.7, 0.44%, 0.33%

LAB 45.25, -36.27, 33.71

 

CMYK 61 / 54 / 0 / 53

HEX #2F3879

RGB 47 56 121

HSL 232.7, 0.44%, 0.33%

LAB 26.2, 17.62, -38.42

 

CMYK 0 / 61 / 54 / 52

HEX #7A2F38

RGB 122 47 56

HSL 352.8, 0.44%, 0.33%

LAB 30.54, 33.53, 11.22

 

CMYK 4 / 0 / 61 / 53

HEX #74792F

RGB 116 121 47

HSL 64.05, 0.44%, 0.33%

LAB 49, -12.68, 38.96

 

CMYK 61 / 0 / 8 / 53

HEX #2F796F

RGB 47 121 111

HSL 171.89, 0.44%, 0.33%

LAB 46.21, -25.4, -1.36

 

CMYK 57 / 61 / 0 / 53

HEX #342F79

RGB 52 47 121

HSL 244.05, 0.44%, 0.33%

LAB 24.14, 24.77, -41.72

 

CMYK 0 / 61 / 54 / 52

HEX #7A2F38

RGB 122 47 56

HSL 352.8, 0.44%, 0.33%

LAB 30.54, 33.53, 11.22

 

CMYK 22 / 0 / 61 / 53

HEX #5E792F

RGB 94 121 47

HSL 81.89, 0.44%, 0.33%

LAB 47.31, -22.3, 36.61

 

CMYK 61 / 0 / 8 / 53

HEX #2F796F

RGB 47 121 111

HSL 171.89, 0.44%, 0.33%

LAB 46.21, -25.4, -1.36

 

CMYK 39 / 61 / 0 / 53

HEX #4A2F79

RGB 74 47 121

HSL 261.89, 0.44%, 0.33%

LAB 26.36, 29.87, -38.03

 

Description

Color code: HEX #7A2F38 | qconv.com Color code: HEX #7A2F38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 47 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 47 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 54 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 54% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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