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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #794C2F it is the complementary color #86B3D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #794C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #794C2F shade: #7E4C2A, #8F5E3D, #A07050, #B18263 and #C29476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #794C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #794C2F shade: #794C2F, #683A1C, #572809, #461600 and #350400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #794C2F shade: #794C2F, #79382F and #792F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #794C2F shade: #794C2F, #79602F, #79742F, #6A792F and #56792F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #794C2F shade matches the following richer shades: #794C2F, #864921, #944613 and #A24306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #794C2F shade: #794C2F, #6B4F3C, #5D524A, #505457 and #425765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #794C2F shade: #792F3A, #79372F, #794B2F, #795F2F and #79732F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #794C2F shade: #3D2618, #5B3923, #794C2F, #965E3A and #B47146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #794C2F shade: #794C2F, #4D792F and #2F3079

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #794C2F shade: #794C2F, #2F794B and #4B2F79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #794C2F shade: #794C2F, #4D792F, #2F5C79 and #5A2F79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #794C2F shade: #794C2F, #37792F, #2F5C79 and #702F79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

Complementary color

CMYK 36 / 14 / 0 / 18

HEX #86B3D0

RGB 134 179 208

HSL 203.51, 0.44%, 0.67%

LAB 70.78, -7.85, -19.47

 

CMYK 0 / 40 / 67 / 51

HEX #7E4C2A

RGB 126 76 42

HSL 24.29, 0.5%, 0.33%

LAB 37.43, 17.76, 28.74

 

CMYK 0 / 34 / 57 / 44

HEX #8F5E3D

RGB 143 94 61

HSL 24.15, 0.4%, 0.4%

LAB 44.49, 16.32, 26.94

 

CMYK 0 / 30 / 50 / 37

HEX #A07050

RGB 160 112 80

HSL 24, 0.33%, 0.47%

LAB 51.43, 15.14, 25.32

 

CMYK 0 / 27 / 44 / 31

HEX #B18263

RGB 177 130 99

HSL 23.85, 0.33%, 0.54%

LAB 58.24, 14.14, 23.86

 

CMYK 0 / 24 / 39 / 24

HEX #C29476

RGB 194 148 118

HSL 23.68, 0.38%, 0.61%

LAB 64.93, 13.3, 22.55

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 44 / 73 / 59

HEX #683A1C

RGB 104 58 28

HSL 23.68, 0.58%, 0.26%

LAB 29.55, 17.49, 26.88

 

CMYK 0 / 54 / 90 / 66

HEX #572809

RGB 87 40 9

HSL 23.85, 0.81%, 0.19%

LAB 22.17, 19.49, 28.27

 

CMYK 0 / 69 / 100 / 73

HEX #461600

RGB 70 22 0

HSL 18.86, 1%, 0.14%

LAB 14.82, 21.8, 22.5

 

CMYK 0 / 92 / 100 / 79

HEX #350400

RGB 53 4 0

HSL 4.53, 1%, 0.1%

LAB 7.62, 23.92, 11.95

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 54 / 61 / 53

HEX #79382F

RGB 121 56 47

HSL 7.3, 0.44%, 0.33%

LAB 32.03, 27.53, 18.96

 

CMYK 0 / 61 / 61 / 53

HEX #792F2F

RGB 121 47 47

HSL 0, 0.44%, 0.33%

LAB 30.16, 32.36, 16.55

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 21 / 61 / 53

HEX #79602F

RGB 121 96 47

HSL 39.73, 0.44%, 0.33%

LAB 42.21, 3.92, 31.39

 

CMYK 0 / 4 / 61 / 53

HEX #79742F

RGB 121 116 47

HSL 55.95, 0.44%, 0.33%

LAB 47.96, -7.63, 37.93

 

CMYK 12 / 0 / 61 / 53

HEX #6A792F

RGB 106 121 47

HSL 72.16, 0.44%, 0.33%

LAB 48.19, -17.13, 37.84

 

CMYK 29 / 0 / 61 / 53

HEX #56792F

RGB 86 121 47

HSL 88.38, 0.44%, 0.33%

LAB 46.79, -25.59, 35.88

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 46 / 75 / 47

HEX #864921

RGB 134 73 33

HSL 23.76, 0.6%, 0.33%

LAB 37.74, 22.55, 34.33

 

CMYK 0 / 53 / 87 / 42

HEX #944613

RGB 148 70 19

HSL 23.72, 0.77%, 0.33%

LAB 39.11, 29.75, 42.96

 

CMYK 0 / 59 / 96 / 36

HEX #A24306

RGB 162 67 6

HSL 23.46, 0.93%, 0.33%

LAB 40.75, 36.77, 49.48

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 26 / 44 / 58

HEX #6B4F3C

RGB 107 79 60

HSL 24.26, 0.28%, 0.33%

LAB 36.07, 9.02, 15.79

 

CMYK 0 / 12 / 20 / 64

HEX #5D524A

RGB 93 82 74

HSL 25.26, 0.11%, 0.33%

LAB 35.71, 3.05, 6.35

 

CMYK 8 / 3 / 0 / 66

HEX #505457

RGB 80 84 87

HSL 205.71, 0.04%, 0.33%

LAB 35.47, -0.92, -2.3

 

CMYK 35 / 14 / 0 / 60

HEX #425765

RGB 66 87 101

HSL 204, 0.21%, 0.33%

LAB 35.82, -4.2, -10.66

 

CMYK 0 / 61 / 52 / 53

HEX #792F3A

RGB 121 47 58

HSL 351.08, 0.44%, 0.33%

LAB 30.41, 33.34, 9.71

 

CMYK 0 / 55 / 61 / 53

HEX #79372F

RGB 121 55 47

HSL 6.49, 0.44%, 0.33%

LAB 31.81, 28.09, 18.69

 

CMYK 0 / 38 / 61 / 53

HEX #794B2F

RGB 121 75 47

HSL 22.7, 0.44%, 0.33%

LAB 36.56, 16.48, 24.64

 

CMYK 0 / 21 / 61 / 53

HEX #795F2F

RGB 121 95 47

HSL 38.92, 0.44%, 0.33%

LAB 41.93, 4.51, 31.07

 

CMYK 0 / 5 / 61 / 53

HEX #79732F

RGB 121 115 47

HSL 55.14, 0.44%, 0.33%

LAB 47.66, -7.07, 37.6

 

CMYK 0 / 38 / 61 / 76

HEX #3D2618

RGB 61 38 24

HSL 22.7, 0.44%, 0.17%

LAB 17.66, 8.99, 13.67

 

CMYK 0 / 37 / 62 / 64

HEX #5B3923

RGB 91 57 35

HSL 23.57, 0.44%, 0.25%

LAB 27.5, 12.5, 19.81

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 0 / 37 / 61 / 41

HEX #965E3A

RGB 150 94 58

HSL 23.48, 0.44%, 0.41%

LAB 45.35, 19.15, 29.91

 

CMYK 0 / 37 / 61 / 29

HEX #B47146

RGB 180 113 70

HSL 23.45, 0.44%, 0.49%

LAB 53.98, 22.24, 34.61

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 36 / 0 / 61 / 53

HEX #4D792F

RGB 77 121 47

HSL 95.68, 0.44%, 0.33%

LAB 46.25, -29.11, 35.13

 

CMYK 61 / 60 / 0 / 53

HEX #2F3079

RGB 47 48 121

HSL 239.19, 0.44%, 0.33%

LAB 24, 23.09, -41.98

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 61 / 0 / 38 / 53

HEX #2F794B

RGB 47 121 75

HSL 142.7, 0.44%, 0.33%

LAB 45.34, -34.17, 18.57

 

CMYK 38 / 61 / 0 / 53

HEX #4B2F79

RGB 75 47 121

HSL 262.7, 0.44%, 0.33%

LAB 26.47, 30.12, -37.84

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 36 / 0 / 61 / 53

HEX #4D792F

RGB 77 121 47

HSL 95.68, 0.44%, 0.33%

LAB 46.25, -29.11, 35.13

 

CMYK 61 / 24 / 0 / 53

HEX #2F5C79

RGB 47 92 121

HSL 203.51, 0.44%, 0.33%

LAB 37.19, -6.09, -21.04

 

CMYK 26 / 61 / 0 / 53

HEX #5A2F79

RGB 90 47 121

HSL 274.86, 0.44%, 0.33%

LAB 28.35, 34.05, -34.73

 

CMYK 0 / 37 / 61 / 53

HEX #794C2F

RGB 121 76 47

HSL 23.51, 0.44%, 0.33%

LAB 36.82, 15.88, 24.95

 

CMYK 55 / 0 / 61 / 53

HEX #37792F

RGB 55 121 47

HSL 113.51, 0.44%, 0.33%

LAB 45.21, -36.56, 33.65

 

CMYK 61 / 24 / 0 / 53

HEX #2F5C79

RGB 47 92 121

HSL 203.51, 0.44%, 0.33%

LAB 37.19, -6.09, -21.04

 

CMYK 7 / 61 / 0 / 53

HEX #702F79

RGB 112 47 121

HSL 292.7, 0.44%, 0.33%

LAB 31.48, 40.1, -29.55

 

Description

Color code: HEX #794C2F | qconv.com Color code: HEX #794C2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 76 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 76 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 61 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 61% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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