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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C3777F it is the complementary color #3C8880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C3777F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C3777F shade: #C8777A, #D9898D, #EA9BA0, #FBADB3 and #FFBFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C3777F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C3777F shade: #C3777F, #B2656C, #A15359, #904146 and #7F2F33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C3777F shade: #C37880 and #C37878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C3777F shade: #C37880, #C37894, #C378A9, #C378BD and #B578C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C3777F shade matches the following richer shades: #C37880, #D36873, #E35867 and #F2495B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C3777F shade: #C37880, #B4878C, #A49799, #94A7A5 and #85B7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C3777F shade: #C378A9, #C37895, #C37881, #C38378 and #C39778

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C3777F shade: #A24750, #B75B65, #C37880, #D0949B and #DDB1B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C3777F shade: #C3777F, #BDC378 and #789FC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C3777F shade: #C3777F, #81C378 and #7881C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C3777F shade: #C3777F, #BDC378, #78C3BB and #7E78C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C3777F shade: #C3777F, #A6C378, #78C3BB and #9578C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

Complementary color

CMYK 56 / 0 / 6 / 47

HEX #3C8880

RGB 60 136 128

HSL 173.68, 0.39%, 0.38%

LAB 51.98, -25.46, -2.83

 

CMYK 0 / 41 / 39 / 22

HEX #C8777A

RGB 200 119 122

HSL 357.78, 0.42%, 0.63%

LAB 58.86, 32.01, 12.05

 

CMYK 0 / 37 / 35 / 15

HEX #D9898D

RGB 217 137 141

HSL 357, 0.51%, 0.69%

LAB 65.41, 31.05, 10.74

 

CMYK 0 / 34 / 32 / 8

HEX #EA9BA0

RGB 234 155 160

HSL 356.2, 0.65%, 0.76%

LAB 71.87, 30.16, 9.58

 

CMYK 0 / 31 / 29 / 2

HEX #FBADB3

RGB 251 173 179

HSL 355.38, 0.91%, 0.83%

LAB 78.26, 29.35, 8.53

 

CMYK 0 / 25 / 22 / 0

HEX #FFBFC6

RGB 255 191 198

HSL 353.44, 1%, 0.87%

LAB 83.23, 23.95, 5.48

 

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

CMYK 0 / 43 / 39 / 30

HEX #B2656C

RGB 178 101 108

HSL 354.55, 0.33%, 0.55%

LAB 51.67, 31.71, 9.7

 

CMYK 0 / 48 / 45 / 37

HEX #A15359

RGB 161 83 89

HSL 355.38, 0.32%, 0.48%

LAB 44.92, 32.78, 11.29

 

CMYK 0 / 55 / 51 / 44

HEX #904146

RGB 144 65 70

HSL 356.2, 0.38%, 0.41%

LAB 38.11, 33.9, 13.22

 

CMYK 0 / 63 / 60 / 50

HEX #7F2F33

RGB 127 47 51

HSL 357, 0.46%, 0.34%

LAB 31.31, 34.97, 15.67

 

CMYK 0 / 38 / 34 / 24

HEX #C37880

RGB 195 120 128

HSL 353.6, 0.38%, 0.62%

LAB 58.6, 30.31, 8.12

 

CMYK 0 / 38 / 38 / 24

HEX #C37878

RGB 195 120 120

HSL 0, 0.38%, 0.62%

LAB 58.41, 29.32, 12.47

 

CMYK 0 / 38 / 34 / 24

HEX #C37880

RGB 195 120 128

HSL 353.6, 0.38%, 0.62%

LAB 58.6, 30.31, 8.12

 

CMYK 0 / 38 / 24 / 24

HEX #C37894

RGB 195 120 148

HSL 337.6, 0.38%, 0.62%

LAB 59.13, 33.05, -2.65

 

CMYK 0 / 38 / 13 / 24

HEX #C378A9

RGB 195 120 169

HSL 320.8, 0.38%, 0.62%

LAB 59.8, 36.33, -13.74

 

CMYK 0 / 38 / 3 / 24

HEX #C378BD

RGB 195 120 189

HSL 304.8, 0.38%, 0.62%

LAB 60.52, 39.81, -24.05

 

CMYK 7 / 38 / 0 / 24

HEX #B578C3

RGB 181 120 195

HSL 288.8, 0.38%, 0.62%

LAB 59.16, 36.55, -29.7

 

CMYK 0 / 38 / 34 / 24

HEX #C37880

RGB 195 120 128

HSL 353.6, 0.38%, 0.62%

LAB 58.6, 30.31, 8.12

 

CMYK 0 / 51 / 45 / 17

HEX #D36873

RGB 211 104 115

HSL 353.83, 0.55%, 0.62%

LAB 57.06, 43.14, 13.81

 

CMYK 0 / 61 / 55 / 11

HEX #E35867

RGB 227 88 103

HSL 353.53, 0.71%, 0.62%

LAB 56.38, 55.13, 20.27

 

CMYK 0 / 70 / 62 / 5

HEX #F2495B

RGB 242 73 91

HSL 353.61, 0.87%, 0.62%

LAB 56.48, 65.02, 27.89

 

CMYK 0 / 38 / 34 / 24

HEX #C37880

RGB 195 120 128

HSL 353.6, 0.38%, 0.62%

LAB 58.6, 30.31, 8.12

 

CMYK 0 / 25 / 22 / 29

HEX #B4878C

RGB 180 135 140

HSL 353.33, 0.23%, 0.62%

LAB 60.72, 17.96, 4.04

 

CMYK 0 / 8 / 7 / 36

HEX #A49799

RGB 164 151 153

HSL 350.77, 0.07%, 0.62%

LAB 63.61, 5.14, 0.67

 

CMYK 11 / 0 / 1 / 35

HEX #94A7A5

RGB 148 167 165

HSL 173.68, 0.1%, 0.62%

LAB 67.01, -7.02, -1.23

 

CMYK 27 / 0 / 3 / 28

HEX #85B7B1

RGB 133 183 177

HSL 172.8, 0.26%, 0.62%

LAB 70.89, -17.71, -2.28

 

CMYK 0 / 38 / 13 / 24

HEX #C378A9

RGB 195 120 169

HSL 320.8, 0.38%, 0.62%

LAB 59.8, 36.33, -13.74

 

CMYK 0 / 38 / 24 / 24

HEX #C37895

RGB 195 120 149

HSL 336.8, 0.38%, 0.62%

LAB 59.16, 33.19, -3.18

 

CMYK 0 / 38 / 34 / 24

HEX #C37881

RGB 195 120 129

HSL 352.8, 0.38%, 0.62%

LAB 58.62, 30.43, 7.58

 

CMYK 0 / 33 / 38 / 24

HEX #C38378

RGB 195 131 120

HSL 8.8, 0.38%, 0.62%

LAB 60.95, 23.3, 16.01

 

CMYK 0 / 23 / 38 / 24

HEX #C39778

RGB 195 151 120

HSL 24.8, 0.38%, 0.62%

LAB 65.82, 12.29, 22.66

 

CMYK 0 / 56 / 51 / 36

HEX #A24750

RGB 162 71 80

HSL 354.07, 0.39%, 0.46%

LAB 42.41, 38.53, 13.35

 

CMYK 0 / 50 / 45 / 28

HEX #B75B65

RGB 183 91 101

HSL 353.48, 0.39%, 0.54%

LAB 50.08, 38.13, 11.73

 

CMYK 0 / 38 / 34 / 24

HEX #C37880

RGB 195 120 128

HSL 353.6, 0.38%, 0.62%

LAB 58.6, 30.31, 8.12

 

CMYK 0 / 29 / 25 / 18

HEX #D0949B

RGB 208 148 155

HSL 353, 0.39%, 0.7%

LAB 67.24, 23.59, 5.35

 

CMYK 0 / 20 / 18 / 13

HEX #DDB1B6

RGB 221 177 182

HSL 353.18, 0.39%, 0.78%

LAB 76.19, 16.71, 3.52

 

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

CMYK 3 / 0 / 38 / 24

HEX #BDC378

RGB 189 195 120

HSL 64.8, 0.38%, 0.62%

LAB 76.8, -13.54, 36.99

 

CMYK 38 / 18 / 0 / 24

HEX #789FC3

RGB 120 159 195

HSL 208.8, 0.38%, 0.62%

LAB 63.94, -4.16, -22.76

 

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

CMYK 34 / 0 / 38 / 24

HEX #81C378

RGB 129 195 120

HSL 112.8, 0.38%, 0.62%

LAB 72.93, -35.62, 31.21

 

CMYK 38 / 34 / 0 / 24

HEX #7881C3

RGB 120 129 195

HSL 232.8, 0.38%, 0.62%

LAB 55.72, 13.12, -35.48

 

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

CMYK 3 / 0 / 38 / 24

HEX #BDC378

RGB 189 195 120

HSL 64.8, 0.38%, 0.62%

LAB 76.8, -13.54, 36.99

 

CMYK 38 / 0 / 4 / 24

HEX #78C3BB

RGB 120 195 187

HSL 173.6, 0.38%, 0.62%

LAB 73.94, -25.14, -3.34

 

CMYK 35 / 38 / 0 / 24

HEX #7E78C3

RGB 126 120 195

HSL 244.8, 0.38%, 0.62%

LAB 53.82, 20.12, -38.42

 

CMYK 0 / 39 / 35 / 24

HEX #C3777F

RGB 195 119 127

HSL 353.68, 0.39%, 0.62%

LAB 58.35, 30.72, 8.34

 

CMYK 15 / 0 / 38 / 24

HEX #A6C378

RGB 166 195 120

HSL 83.2, 0.38%, 0.62%

LAB 75.13, -22.45, 34.51

 

CMYK 38 / 0 / 4 / 24

HEX #78C3BB

RGB 120 195 187

HSL 173.6, 0.38%, 0.62%

LAB 73.94, -25.14, -3.34

 

CMYK 24 / 38 / 0 / 24

HEX #9578C3

RGB 149 120 195

HSL 263.2, 0.38%, 0.62%

LAB 55.85, 26.76, -35.1

 

Description

Color code: HEX #C3777F | qconv.com Color code: HEX #C3777F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 119 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 119 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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