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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4F6CA7 it is the complementary color #B09358. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4F6CA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4F6CA7 shade: #546CA2, #657EB5, #7690C8, #87A2DB and #98B4EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4F6CA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4F6CA7 shade: #4F6CA7, #3E5A94, #2D4881, #1C366E and #0B245B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4F6CA7 shade: #4E6BA6, #4E53A6, #604EA6, #784EA6 and #904EA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4F6CA7 shade: #4E6BA6, #4E53A6 and #4E4EA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4F6CA7 shade matches the following richer shades: #4E6BA6, #3A64BA, #265DCE and #1257E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4F6CA7 shade: #4E6BA6, #627292, #75787E, #897F6B and #9D8657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4F6CA7 shade: #4E9AA6, #4E83A6, #4E6BA6, #4E54A6 and #5F4EA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4F6CA7 shade: #33476E, #41598A, #4E6BA6, #6681B7 and #8298C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4F6CA7 shade: #4F6CA7, #9A4EA6 and #8EA64E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4F6CA7 shade: #4F6CA7, #A64E6B and #6BA64E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4F6CA7 shade: #4F6CA7, #9A4EA6, #A6894E and #5AA64E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4F6CA7 shade: #4F6CA7, #A64E97, #A6894E and #4EA65D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

Complementary color

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 48 / 33 / 0 / 36

HEX #546CA2

RGB 84 108 162

HSL 221.54, 0.32%, 0.48%

LAB 45.93, 6.46, -31.9

 

CMYK 44 / 30 / 0 / 29

HEX #657EB5

RGB 101 126 181

HSL 221.25, 0.35%, 0.55%

LAB 52.98, 5.76, -31.86

 

CMYK 41 / 28 / 0 / 22

HEX #7690C8

RGB 118 144 200

HSL 220.98, 0.43%, 0.62%

LAB 59.86, 5.19, -31.87

 

CMYK 38 / 26 / 0 / 14

HEX #87A2DB

RGB 135 162 219

HSL 220.71, 0.54%, 0.69%

LAB 66.6, 4.71, -31.91

 

CMYK 36 / 24 / 0 / 7

HEX #98B4EE

RGB 152 180 238

HSL 220.47, 0.72%, 0.76%

LAB 73.21, 4.29, -31.99

 

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

CMYK 58 / 39 / 0 / 42

HEX #3E5A94

RGB 62 90 148

HSL 220.47, 0.41%, 0.41%

LAB 38.68, 7.88, -35.08

 

CMYK 65 / 44 / 0 / 49

HEX #2D4881

RGB 45 72 129

HSL 220.71, 0.48%, 0.34%

LAB 31.3, 9.28, -35.26

 

CMYK 75 / 51 / 0 / 57

HEX #1C366E

RGB 28 54 110

HSL 220.98, 0.59%, 0.27%

LAB 23.71, 11.22, -35.48

 

CMYK 88 / 60 / 0 / 64

HEX #0B245B

RGB 11 36 91

HSL 221.25, 0.78%, 0.2%

LAB 15.94, 14.06, -35.64

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA6

RGB 78 107 166

HSL 220.23, 0.36%, 0.48%

LAB 45.48, 6.88, -34.99

 

CMYK 53 / 50 / 0 / 35

HEX #4E53A6

RGB 78 83 166

HSL 236.59, 0.36%, 0.48%

LAB 38.83, 22.06, -45.56

 

CMYK 42 / 53 / 0 / 35

HEX #604EA6

RGB 96 78 166

HSL 252.27, 0.36%, 0.48%

LAB 39.05, 29.45, -45.12

 

CMYK 28 / 53 / 0 / 35

HEX #784EA6

RGB 120 78 166

HSL 268.64, 0.36%, 0.48%

LAB 41.52, 35.7, -41.03

 

CMYK 13 / 53 / 0 / 35

HEX #904EA6

RGB 144 78 166

HSL 285, 0.36%, 0.48%

LAB 44.42, 42.36, -36.26

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA6

RGB 78 107 166

HSL 220.23, 0.36%, 0.48%

LAB 45.48, 6.88, -34.99

 

CMYK 53 / 50 / 0 / 35

HEX #4E53A6

RGB 78 83 166

HSL 236.59, 0.36%, 0.48%

LAB 38.83, 22.06, -45.56

 

CMYK 53 / 53 / 0 / 35

HEX #4E4EA6

RGB 78 78 166

HSL 240, 0.36%, 0.48%

LAB 37.52, 25.26, -47.67

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA6

RGB 78 107 166

HSL 220.23, 0.36%, 0.48%

LAB 45.48, 6.88, -34.99

 

CMYK 69 / 46 / 0 / 27

HEX #3A64BA

RGB 58 100 186

HSL 220.31, 0.52%, 0.48%

LAB 43.59, 14.32, -49.75

 

CMYK 82 / 55 / 0 / 19

HEX #265DCE

RGB 38 93 206

HSL 220.36, 0.69%, 0.48%

LAB 42.3, 23.93, -63.45

 

CMYK 92 / 61 / 0 / 12

HEX #1257E1

RGB 18 87 225

HSL 220, 0.85%, 0.48%

LAB 41.82, 33.87, -75.14

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA6

RGB 78 107 166

HSL 220.23, 0.36%, 0.48%

LAB 45.48, 6.88, -34.99

 

CMYK 33 / 22 / 0 / 43

HEX #627292

RGB 98 114 146

HSL 220, 0.2%, 0.48%

LAB 47.89, 2.09, -19.35

 

CMYK 7 / 5 / 0 / 51

HEX #75787E

RGB 117 120 126

HSL 220, 0.04%, 0.48%

LAB 50.36, 0.13, -3.68

 

CMYK 0 / 7 / 22 / 46

HEX #897F6B

RGB 137 127 107

HSL 40, 0.12%, 0.48%

LAB 53.56, 0.34, 12.26

 

CMYK 0 / 15 / 45 / 38

HEX #9D8657

RGB 157 134 87

HSL 40.29, 0.29%, 0.48%

LAB 56.98, 2.1, 28.5

 

CMYK 53 / 7 / 0 / 35

HEX #4E9AA6

RGB 78 154 166

HSL 188.18, 0.36%, 0.48%

LAB 59.42, -20.05, -13.5

 

CMYK 53 / 21 / 0 / 35

HEX #4E83A6

RGB 78 131 166

HSL 203.86, 0.36%, 0.48%

LAB 52.51, -7.44, -24.02

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA6

RGB 78 107 166

HSL 220.23, 0.36%, 0.48%

LAB 45.48, 6.88, -34.99

 

CMYK 53 / 49 / 0 / 35

HEX #4E54A6

RGB 78 84 166

HSL 235.91, 0.36%, 0.48%

LAB 39.09, 21.43, -45.14

 

CMYK 43 / 53 / 0 / 35

HEX #5F4EA6

RGB 95 78 166

HSL 251.59, 0.36%, 0.48%

LAB 38.96, 29.21, -45.28

 

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

CMYK 53 / 36 / 0 / 46

HEX #41598A

RGB 65 89 138

HSL 220.27, 0.36%, 0.4%

LAB 38.03, 5.81, -30.05

 

CMYK 53 / 36 / 0 / 35

HEX #4E6BA6

RGB 78 107 166

HSL 220.23, 0.36%, 0.48%

LAB 45.48, 6.88, -34.99

 

CMYK 44 / 30 / 0 / 28

HEX #6681B7

RGB 102 129 183

HSL 220, 0.36%, 0.56%

LAB 53.97, 4.84, -31.46

 

CMYK 34 / 22 / 0 / 23

HEX #8298C4

RGB 130 152 196

HSL 220, 0.36%, 0.64%

LAB 62.67, 2.85, -25.22

 

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

CMYK 7 / 53 / 0 / 35

HEX #9A4EA6

RGB 154 78 166

HSL 291.82, 0.36%, 0.48%

LAB 45.73, 45.19, -34.1

 

CMYK 14 / 0 / 53 / 35

HEX #8EA64E

RGB 142 166 78

HSL 76.36, 0.36%, 0.48%

LAB 64.62, -22.24, 42.3

 

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

CMYK 0 / 53 / 36 / 35

HEX #A64E6B

RGB 166 78 107

HSL 340.23, 0.36%, 0.48%

LAB 45.11, 39.38, 0.66

 

CMYK 36 / 0 / 53 / 35

HEX #6BA64E

RGB 107 166 78

HSL 100.23, 0.36%, 0.48%

LAB 62.46, -35.58, 39.21

 

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

CMYK 7 / 53 / 0 / 35

HEX #9A4EA6

RGB 154 78 166

HSL 291.82, 0.36%, 0.48%

LAB 45.73, 45.19, -34.1

 

CMYK 0 / 17 / 53 / 35

HEX #A6894E

RGB 166 137 78

HSL 40.23, 0.36%, 0.48%

LAB 58.55, 3.42, 35.51

 

CMYK 46 / 0 / 53 / 35

HEX #5AA64E

RGB 90 166 78

HSL 111.82, 0.36%, 0.48%

LAB 61.65, -41.18, 38.03

 

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

CMYK 0 / 53 / 9 / 35

HEX #A64E97

RGB 166 78 151

HSL 310.23, 0.36%, 0.48%

LAB 46.7, 45.94, -23.56

 

CMYK 0 / 17 / 53 / 35

HEX #A6894E

RGB 166 137 78

HSL 40.23, 0.36%, 0.48%

LAB 58.55, 3.42, 35.51

 

CMYK 53 / 0 / 44 / 35

HEX #4EA65D

RGB 78 166 93

HSL 130.23, 0.36%, 0.48%

LAB 61.38, -42.45, 29.9

 

Description

Color code: HEX #4F6CA7 | qconv.com Color code: HEX #4F6CA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 108 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 108 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 35 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 35% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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