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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33476E it is the complementary color #CCB891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33476E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33476E shade: #384769, #49597C, #5A6B8F, #6B7DA2 and #7C8FB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33476E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33476E shade: #33476E, #22355B, #112348, #001135 and #000022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33476E shade: #33476F, #33376F, #3F336F, #4F336F and #60336F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33476E shade: #33476F, #33376F and #33336F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33476E shade matches the following richer shades: #33476F, #26437C, #193F8A and #0B3B97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33476E shade: #33476F, #404C62, #4D5055, #5B5448 and #68583A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33476E shade: #33686F, #33586F, #33486F, #33386F and #3E336F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33476E shade: #192337, #263553, #33476F, #405A8C and #4D6CA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33476E shade: #33476E, #66336F and #606F33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33476E shade: #33476E, #6F3348 and #486F33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33476E shade: #33476E, #66336F, #6F5A33 and #3C6F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33476E shade: #33476E, #6F3366, #6F5A33 and #336F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

Complementary color

CMYK 0 / 10 / 29 / 20

HEX #CCB891

RGB 204 184 145

HSL 39.66, 0.37%, 0.68%

LAB 75.55, 1.19, 22.44

 

CMYK 47 / 32 / 0 / 59

HEX #384769

RGB 56 71 105

HSL 221.63, 0.3%, 0.32%

LAB 30.32, 4.12, -21.69

 

CMYK 41 / 28 / 0 / 51

HEX #49597C

RGB 73 89 124

HSL 221.18, 0.26%, 0.39%

LAB 37.87, 3.51, -21.7

 

CMYK 37 / 25 / 0 / 44

HEX #5A6B8F

RGB 90 107 143

HSL 220.75, 0.23%, 0.46%

LAB 45.18, 3.03, -21.78

 

CMYK 34 / 23 / 0 / 36

HEX #6B7DA2

RGB 107 125 162

HSL 220.36, 0.23%, 0.53%

LAB 52.29, 2.64, -21.92

 

CMYK 31 / 21 / 0 / 29

HEX #7C8FB5

RGB 124 143 181

HSL 220, 0.28%, 0.6%

LAB 59.22, 2.32, -22.08

 

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

CMYK 63 / 42 / 0 / 64

HEX #22355B

RGB 34 53 91

HSL 220, 0.46%, 0.25%

LAB 22.45, 5.56, -25.13

 

CMYK 76 / 51 / 0 / 72

HEX #112348

RGB 17 35 72

HSL 220.36, 0.62%, 0.17%

LAB 14.34, 7.31, -25.33

 

CMYK 100 / 68 / 0 / 79

HEX #001135

RGB 0 17 53

HSL 220.75, 1%, 0.1%

LAB 5.94, 8.92, -25.46

 

CMYK 100 / 100 / 0 / 87

HEX #000022

RGB 0 0 34

HSL 240, 1%, 0.07%

LAB 1.04, 7.33, -18.78

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 54 / 50 / 0 / 56

HEX #33376F

RGB 51 55 111

HSL 236, 0.37%, 0.32%

LAB 25.51, 15.62, -33.14

 

CMYK 43 / 54 / 0 / 56

HEX #3F336F

RGB 63 51 111

HSL 252, 0.37%, 0.32%

LAB 25.48, 21.43, -33.14

 

CMYK 29 / 54 / 0 / 56

HEX #4F336F

RGB 79 51 111

HSL 268, 0.37%, 0.32%

LAB 27.23, 25.96, -30.23

 

CMYK 14 / 54 / 0 / 56

HEX #60336F

RGB 96 51 111

HSL 285, 0.37%, 0.32%

LAB 29.42, 31.09, -26.64

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 54 / 50 / 0 / 56

HEX #33376F

RGB 51 55 111

HSL 236, 0.37%, 0.32%

LAB 25.51, 15.62, -33.14

 

CMYK 54 / 54 / 0 / 56

HEX #33336F

RGB 51 51 111

HSL 240, 0.37%, 0.32%

LAB 24.38, 18.37, -34.95

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 69 / 46 / 0 / 51

HEX #26437C

RGB 38 67 124

HSL 219.77, 0.53%, 0.32%

LAB 29.11, 9.44, -35.65

 

CMYK 82 / 54 / 0 / 46

HEX #193F8A

RGB 25 63 138

HSL 219.82, 0.69%, 0.32%

LAB 28.37, 15.96, -45.59

 

CMYK 93 / 61 / 0 / 41

HEX #0B3B97

RGB 11 59 151

HSL 219.43, 0.86%, 0.32%

LAB 27.94, 23.04, -54.31

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 35 / 22 / 0 / 62

HEX #404C62

RGB 64 76 98

HSL 218.82, 0.21%, 0.32%

LAB 32.13, 1.18, -14.41

 

CMYK 9 / 6 / 0 / 67

HEX #4D5055

RGB 77 80 85

HSL 217.5, 0.05%, 0.32%

LAB 33.92, -0.07, -3.35

 

CMYK 0 / 8 / 21 / 64

HEX #5B5448

RGB 91 84 72

HSL 37.89, 0.12%, 0.32%

LAB 36.05, 0.6, 8.05

 

CMYK 0 / 15 / 44 / 59

HEX #68583A

RGB 104 88 58

HSL 39.13, 0.28%, 0.32%

LAB 38.25, 1.92, 19.82

 

CMYK 54 / 6 / 0 / 56

HEX #33686F

RGB 51 104 111

HSL 187, 0.37%, 0.32%

LAB 40.82, -15.47, -9.36

 

CMYK 54 / 21 / 0 / 56

HEX #33586F

RGB 51 88 111

HSL 203, 0.37%, 0.32%

LAB 35.66, -6.08, -17.21

 

CMYK 54 / 35 / 0 / 56

HEX #33486F

RGB 51 72 111

HSL 219, 0.37%, 0.32%

LAB 30.61, 4.12, -25.06

 

CMYK 54 / 50 / 0 / 56

HEX #33386F

RGB 51 56 111

HSL 235, 0.37%, 0.32%

LAB 25.8, 14.94, -32.68

 

CMYK 44 / 54 / 0 / 56

HEX #3E336F

RGB 62 51 111

HSL 251, 0.37%, 0.32%

LAB 25.38, 21.16, -33.3

 

CMYK 55 / 36 / 0 / 78

HEX #192337

RGB 25 35 55

HSL 220, 0.38%, 0.16%

LAB 13.74, 2.37, -14.38

 

CMYK 54 / 36 / 0 / 67

HEX #263553

RGB 38 53 83

HSL 220, 0.37%, 0.24%

LAB 22.24, 3.61, -20.16

 

CMYK 54 / 36 / 0 / 56

HEX #33476F

RGB 51 71 111

HSL 220, 0.37%, 0.32%

LAB 30.3, 4.78, -25.55

 

CMYK 54 / 36 / 0 / 45

HEX #405A8C

RGB 64 90 140

HSL 219.47, 0.37%, 0.4%

LAB 38.37, 5.6, -30.73

 

CMYK 54 / 36 / 0 / 34

HEX #4D6CA8

RGB 77 108 168

HSL 219.56, 0.37%, 0.48%

LAB 45.81, 6.69, -35.65

 

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

CMYK 8 / 54 / 0 / 56

HEX #66336F

RGB 102 51 111

HSL 291, 0.37%, 0.32%

LAB 30.25, 32.93, -25.26

 

CMYK 14 / 0 / 54 / 56

HEX #606F33

RGB 96 111 51

HSL 75, 0.37%, 0.32%

LAB 44.37, -15.77, 31.21

 

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

CMYK 0 / 54 / 35 / 56

HEX #6F3348

RGB 111 51 72

HSL 339, 0.37%, 0.32%

LAB 29.95, 29.07, -0.36

 

CMYK 35 / 0 / 54 / 56

HEX #486F33

RGB 72 111 51

HSL 99, 0.37%, 0.32%

LAB 42.74, -25.68, 28.87

 

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

CMYK 8 / 54 / 0 / 56

HEX #66336F

RGB 102 51 111

HSL 291, 0.37%, 0.32%

LAB 30.25, 32.93, -25.26

 

CMYK 0 / 19 / 54 / 56

HEX #6F5A33

RGB 111 90 51

HSL 39, 0.37%, 0.32%

LAB 39.46, 3.18, 25.61

 

CMYK 46 / 0 / 54 / 56

HEX #3C6F33

RGB 60 111 51

HSL 111, 0.37%, 0.32%

LAB 42.11, -30.01, 27.95

 

CMYK 54 / 35 / 0 / 57

HEX #33476E

RGB 51 71 110

HSL 219.66, 0.37%, 0.32%

LAB 30.24, 4.43, -25

 

CMYK 0 / 54 / 8 / 56

HEX #6F3366

RGB 111 51 102

HSL 309, 0.37%, 0.32%

LAB 31.13, 33.98, -18.05

 

CMYK 0 / 19 / 54 / 56

HEX #6F5A33

RGB 111 90 51

HSL 39, 0.37%, 0.32%

LAB 39.46, 3.18, 25.61

 

CMYK 54 / 0 / 46 / 56

HEX #336F3C

RGB 51 111 60

HSL 129, 0.37%, 0.32%

LAB 41.84, -31.44, 22.56

 

Description

Color code: HEX #33476E | qconv.com Color code: HEX #33476E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 71 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 71 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 35 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 35% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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