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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 176 147 88 it is the complementary color RGB 79 108 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 176 147 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 176 147 88 shade: RGB 181 147 83, RGB 198 165 102, RGB 215 183 121, RGB 232 201 140 and RGB 249 219 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 176 147 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 159 129 69, RGB 142 111 50, RGB 125 93 31 and RGB 108 75 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 176 123 88, RGB 176 100 88 and RGB 176 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 176 171 88, RGB 158 176 88, RGB 134 176 88 and RGB 110 176 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 176 147 88 shade matches the following richer shades: RGB 176 147 88, RGB 196 154 68, RGB 216 161 48 and RGB 236 167 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 156 140 108, RGB 137 134 128, RGB 117 127 147 and RGB 97 120 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 176 147 88 shade: RGB 176 100 88, RGB 176 123 88, RGB 176 147 88, RGB 176 170 88 and RGB 159 176 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 176 147 88 shade: RGB 124 102 58, RGB 152 125 71, RGB 176 147 88, RGB 189 165 116 and RGB 203 183 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 100 176 88 and RGB 112 88 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 88 176 147 and RGB 147 88 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 100 176 88, RGB 88 117 176 and RGB 164 88 176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 176 147 88 shade: RGB 176 147 88, RGB 88 176 103, RGB 88 117 176 and RGB 176 88 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

Complementary color

CMYK 53 / 35 / 0 / 35

HEX #4F6CA7

RGB 79 108 167

HSL 220.23, 0.36%, 0.48%

LAB 45.88, 6.83, -34.95

 

CMYK 0 / 19 / 54 / 29

HEX #B59353

RGB 181 147 83

HSL 39.18, 0.4%, 0.52%

LAB 62.77, 4.82, 38.38

 

CMYK 0 / 17 / 48 / 22

HEX #C6A566

RGB 198 165 102

HSL 39.38, 0.46%, 0.59%

LAB 69.38, 3.98, 37.03

 

CMYK 0 / 15 / 44 / 16

HEX #D7B779

RGB 215 183 121

HSL 39.57, 0.54%, 0.66%

LAB 75.88, 3.26, 35.74

 

CMYK 0 / 13 / 40 / 9

HEX #E8C98C

RGB 232 201 140

HSL 39.78, 0.67%, 0.73%

LAB 82.28, 2.64, 34.51

 

CMYK 0 / 12 / 36 / 2

HEX #F9DB9F

RGB 249 219 159

HSL 40, 0.88%, 0.8%

LAB 88.59, 2.11, 33.34

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 19 / 57 / 38

HEX #9F8145

RGB 159 129 69

HSL 40, 0.39%, 0.45%

LAB 55.58, 4.02, 36.49

 

CMYK 0 / 22 / 65 / 44

HEX #8E6F32

RGB 142 111 50

HSL 39.78, 0.48%, 0.38%

LAB 48.7, 5.12, 37.85

 

CMYK 0 / 26 / 75 / 51

HEX #7D5D1F

RGB 125 93 31

HSL 39.57, 0.6%, 0.31%

LAB 41.67, 6.5, 39

 

CMYK 0 / 31 / 89 / 58

HEX #6C4B0C

RGB 108 75 12

HSL 39.38, 0.8%, 0.24%

LAB 34.49, 8.27, 39.35

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 30 / 50 / 31

HEX #B07B58

RGB 176 123 88

HSL 23.86, 0.36%, 0.52%

LAB 56.19, 16.51, 27.33

 

CMYK 0 / 43 / 50 / 31

HEX #B06458

RGB 176 100 88

HSL 8.18, 0.36%, 0.52%

LAB 50.74, 29.31, 20.18

 

CMYK 0 / 50 / 50 / 31

HEX #B05858

RGB 176 88 88

HSL 0, 0.36%, 0.52%

LAB 48.15, 35.76, 16.68

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 3 / 50 / 31

HEX #B0AB58

RGB 176 171 88

HSL 56.59, 0.36%, 0.52%

LAB 68.8, -9.77, 42.98

 

CMYK 10 / 0 / 50 / 31

HEX #9EB058

RGB 158 176 88

HSL 72.27, 0.36%, 0.52%

LAB 68.77, -19.78, 42.61

 

CMYK 24 / 0 / 50 / 31

HEX #86B058

RGB 134 176 88

HSL 88.64, 0.36%, 0.52%

LAB 67.14, -29.22, 40.26

 

CMYK 38 / 0 / 50 / 31

HEX #6EB058

RGB 110 176 88

HSL 105, 0.36%, 0.52%

LAB 65.8, -37.82, 38.32

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 21 / 65 / 23

HEX #C49A44

RGB 196 154 68

HSL 40.31, 0.52%, 0.52%

LAB 65.95, 6.37, 49.84

 

CMYK 0 / 25 / 78 / 15

HEX #D8A130

RGB 216 161 48

HSL 40.36, 0.68%, 0.52%

LAB 69.68, 10.29, 62.65

 

CMYK 0 / 29 / 88 / 7

HEX #ECA71D

RGB 236 167 29

HSL 40, 0.84%, 0.52%

LAB 73.26, 15.18, 72.3

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 10 / 31 / 39

HEX #9C8C6C

RGB 156 140 108

HSL 40, 0.2%, 0.52%

LAB 58.89, 0.93, 19.31

 

CMYK 0 / 2 / 7 / 46

HEX #898680

RGB 137 134 128

HSL 40, 0.04%, 0.52%

LAB 56.01, -0.02, 3.62

 

CMYK 20 / 14 / 0 / 42

HEX #757F93

RGB 117 127 147

HSL 220, 0.12%, 0.52%

LAB 53.02, 0.83, -12.01

 

CMYK 42 / 28 / 0 / 35

HEX #6178A7

RGB 97 120 167

HSL 220.29, 0.28%, 0.52%

LAB 50.41, 4.15, -27.78

 

CMYK 0 / 43 / 50 / 31

HEX #B06458

RGB 176 100 88

HSL 8.18, 0.36%, 0.52%

LAB 50.74, 29.31, 20.18

 

CMYK 0 / 30 / 50 / 31

HEX #B07B58

RGB 176 123 88

HSL 23.86, 0.36%, 0.52%

LAB 56.19, 16.51, 27.33

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 3 / 50 / 31

HEX #B0AA58

RGB 176 170 88

HSL 55.91, 0.36%, 0.52%

LAB 68.52, -9.24, 42.65

 

CMYK 10 / 0 / 50 / 31

HEX #9FB058

RGB 159 176 88

HSL 71.59, 0.36%, 0.52%

LAB 68.84, -19.38, 42.71

 

CMYK 0 / 18 / 53 / 51

HEX #7C663A

RGB 124 102 58

HSL 40, 0.36%, 0.36%

LAB 44.37, 2.77, 28

 

CMYK 0 / 18 / 53 / 40

HEX #987D47

RGB 152 125 71

HSL 40, 0.36%, 0.44%

LAB 53.81, 3.36, 33.12

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 0 / 13 / 39 / 26

HEX #BDA574

RGB 189 165 116

HSL 40.27, 0.36%, 0.6%

LAB 68.74, 1.75, 28.63

 

CMYK 0 / 10 / 29 / 20

HEX #CBB790

RGB 203 183 144

HSL 39.66, 0.36%, 0.68%

LAB 75.19, 1.2, 22.46

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 43 / 0 / 50 / 31

HEX #64B058

RGB 100 176 88

HSL 111.82, 0.36%, 0.52%

LAB 65.33, -41.06, 37.63

 

CMYK 36 / 50 / 0 / 31

HEX #7058B0

RGB 112 88 176

HSL 256.36, 0.36%, 0.52%

LAB 43.59, 30.31, -43.69

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 50 / 0 / 16 / 31

HEX #58B093

RGB 88 176 147

HSL 160.23, 0.36%, 0.52%

LAB 65.93, -33.57, 6.78

 

CMYK 16 / 50 / 0 / 31

HEX #9358B0

RGB 147 88 176

HSL 280.23, 0.36%, 0.52%

LAB 47.39, 39.97, -37.44

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 43 / 0 / 50 / 31

HEX #64B058

RGB 100 176 88

HSL 111.82, 0.36%, 0.52%

LAB 65.33, -41.06, 37.63

 

CMYK 50 / 34 / 0 / 31

HEX #5875B0

RGB 88 117 176

HSL 220.23, 0.36%, 0.52%

LAB 49.41, 6.35, -34.6

 

CMYK 7 / 50 / 0 / 31

HEX #A458B0

RGB 164 88 176

HSL 291.82, 0.36%, 0.52%

LAB 49.5, 44.86, -33.96

 

CMYK 0 / 16 / 50 / 31

HEX #B09358

RGB 176 147 88

HSL 40.23, 0.36%, 0.52%

LAB 62.34, 3.14, 35.12

 

CMYK 50 / 0 / 41 / 31

HEX #58B067

RGB 88 176 103

HSL 130.23, 0.36%, 0.52%

LAB 65.05, -42.35, 29.45

 

CMYK 50 / 34 / 0 / 31

HEX #5875B0

RGB 88 117 176

HSL 220.23, 0.36%, 0.52%

LAB 49.41, 6.35, -34.6

 

CMYK 0 / 50 / 9 / 31

HEX #B058A1

RGB 176 88 161

HSL 310.23, 0.36%, 0.52%

LAB 50.43, 45.66, -23.6

 

Description

Color code: RGB 176 147 88 | qconv.com Color code: RGB 176 147 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 147 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 147 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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