The document outlines the rules for a group game involving identifying song titles and artists from music videos, including assigning roles of writer, whisperers, and watchers to groups. Careless whispers or unnecessary sounds from a group will eliminate them from the round. Proper participation requires whispering answers to the writer without being heard by other groups.
The document outlines the rules for a group game involving identifying song titles and artists from music videos, including assigning roles of writer, whisperers, and watchers to groups. Careless whispers or unnecessary sounds from a group will eliminate them from the round. Proper participation requires whispering answers to the writer without being heard by other groups.
The document outlines the rules for a group game involving identifying song titles and artists from music videos, including assigning roles of writer, whisperers, and watchers to groups. Careless whispers or unnecessary sounds from a group will eliminate them from the round. Proper participation requires whispering answers to the writer without being heard by other groups.
The document outlines the rules for a group game involving identifying song titles and artists from music videos, including assigning roles of writer, whisperers, and watchers to groups. Careless whispers or unnecessary sounds from a group will eliminate them from the round. Proper participation requires whispering answers to the writer without being heard by other groups.
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Game Dynamics:
PER GROUP SHOULD HAVE:
A WRITER A WATCHER WHISPERERS 1. A music video will be shown 2. Each group will name the title of the song and the singer by whispering the answers to the writer, the rest of the group are the whisperers, the writer will be the one to decide what answer to choose coming from the whisperers. 3. The Watchers representing the three groups will watch over the opponent group , to make sure that their whispers wont be heard by anybody. 4. A careless whisper can eliminate the group from that round. 5. Any unnecessary sounds from the group would also eliminate the group from that round. Photo by Luz Adriana Villa A. Photo by J. Tewell Photo by martinak15 Photo by Glyn Lowe Photoworks. Lucio San Pedrowas born on February 11, 1913 in Angono, Rizal. He later pursued his music degree at the University of the Philippines and the Juilliard School in New York, USA. San Pedro is known as a “romantic nationalist.” He incorporated Philippine folk elements in his compositions with Western forms and harmony. Sa Ugoy ng Duyan, a lullaby melody sung by his mother Suite Pastorale (1956), a poetic LUCIO SAN PEDRO aural description of his hometown (1913 – 2002) National Artist for Music Angono. Lahing Kayumanggi (1962). his nationalistic symphonic poem He was a renowned composer, conductor, and teacher. His father Lucio was the chief musician of the Spanish artillery band in Intramuros and founder of Banda Buenaventura. He was actively involved with the various military bands which ultimately earned him his military rank of Colonel. He was a music instructor and band conductor of the Philippine Military Academy (PMA). Buenaventura was a faculty member of the UP Conservatory of Music. Later, he COL. ANTONINO became the music director of the BUENAVENTURA (1904 – 1996) Conservatory of Music, University of National Artist for Music Santo Tomas (UST) in 1961. Pandanggo sa Ilaw, one of his most popular compositions, remains a favorite performance repertoire of many folk dance companies.
He was declared National Artist for Music
in 1988 and passed away in 1996. The first National Artist for Music, is considered one of the “Triumvirate of Filipino Composers” which includes Nicanor Abelardo and Francisco Santiago. Malikmata (Transfiguration). Spanish-style opera form known as the zarzuela. Works by Molina include Hatinggabi, orchestral music -Misa Antoniana Grand Festival Mass, Ang Batingaw, Kundiman-Kundangan; chamber ANTONIO J. MOLINA music - String Quartet, Kung sa Iyong (1894 – 1980) Gunita, Pandangguhan; and vocal National Artist for music - Amihan, Awit ni Maria Clara, Music and Larawan Nitong Pilipinas. Francisco Beltran Buencamino Sr. was born on November 5, 1883 in Bulacan.
He created the Buencamino Music
Academy in 1930 where Nicanor Abelardo was one of his students. His Compositions: Harana, Pandanggo ni Neneng, Collar de Sampaguita, Dulces las Horas, Mayon (Fantasia de Concierto), My Soul’s Lament, Larawan, Mazurka, Boholana, Mi FRANCISCO B. BUENCAMINO SR. Bandera, Princesa ng Kumintang, (1883 – 1952) Maligayang Bati, Ang Bukang Liwayway, Ang Bagong Balitaw, At the age of 14, 26 of Cornejo’s compositions were already listed by the United Publishing Company Inc. He was conferred a Doctor of Music degree honoris causa in 1954. Conservatory of Music and became the researcher and official composer of the Philippine government-in-exile. He was appointed by then President Manuel L. Quezon. He was commissioned to write a symphony and an opera and compose the music RODOLFO S. CORNEJO for the documentary film on President (1909 – 1991) Quezon’s funeral. His first composition at age 10 was a piano piece entitled Glissando Waltz 1.ANTONIO J. MOLINA Pandanggo sa Ilaw 2.FRANCISCO B. Pandanggo ni Neneng BUENCAMINO SR. Hating Gabi 3.COL. ANTONINO Glissando Waltz BUENAVENTURA Sa Ugoy ng Duyan 4. LUCIO SAN PEDRO 5.RODOLFO S. CORNEJO October 21, 1902 in Bacoor, Cavite. A composer, music teacher, conductor, choirmaster clarinetist Conductor for opera, ballet, dance recitals, and movie music. Vice President of the PASAMBAP (Pambansang Samahan ng mga Banda sa Pilipinas) First President of the Philippine Bandmaster’s Association HILARION RUBIO Y FRANCISCO First composition Unang Katas (1902 – 1985) October 14, 1929 in Sta. Maria, Bulacan in Sta. Maria, Bulacan. Many of his compositions are based on Filipino heroes, legends, and epics. A number of his compositions are accompanied by Filipino indigenous instruments. first composition, Danza Some of his major works include the ALFREDO operas Maria Makiling (1961), Diego BUENAVENTURA Silang (1966), Prinsesa Urduha (1969), 1929- cantatas Ang Ating Watawat (1965), Pasko ng Barangay Francisco Santiago is known as the “Father of the Kundiman” and belongs to the “Triumvirate of Filipino Composers.” Ano Kaya ang Kapalaran, and Kundiman (Anak Dalita). – This piece was sung before the Royal Court of Spain upon the request of King Alfonso II. Among his famous works are Pakiusap, Madaling Araw, Sakali Man, Hibik ng Pilipinas, FRANCISCO SANTIAGO Ano Kaya ang Kapalaran, and (1889 – 1947) Kundiman (Anak Dalita). PILIPINAS KONG MAHAL Francisco Santiago was born on September 3, 1922 inCavite City. As a UNESCO scholar, Santos was awarded the “Philippine Composer of the Century” and “Composer of the Year Award” He composed the background music for J. Arthur Rank Films at Pinewood Studios in London, England He has more than 1,000 ROSENDO E. musical compositions in the SANTOS JR. library of the University of the (1922 – 1994) Philippines. Santos’ last musical work and only ballet composition, Melinda’s Masquerade