Percussion

LLORARAS
Compositor desconocido

 
TACET

©
Violin I
LLORARAS
Compositor desconocido

                       
          
   
         
          

1-4

                 
8

                   
  
      
12

                                        
16

   

                           
20

 


                           
    
23 - 29


31

 

                            
37

    
 
                            
43

   

                             
48

 
                       
            

53

 

                                                

56

 

                                             
 
59

 
               
      
          
     
62

 
   
                                       

65

 

©
2 LLORARAS

             
Violin I

     
        
      
68

 

                                    
70 - 84

86

        

                             
            
90

 

                         

           
 

                                             
98

            
 

                         

    

                
            
108

 
112 - 113
Trombone 2
LLORARAS
Compositor desconocido


   
                          


                               
1-5


   
10

           
14 - 21

  
 
                    
23


                            
28

                              
30 - 37

   
40


              
45


46 - 59
         

                
63

          
 

                                      
67

   
71 - 84

                                       
85

                                         
88


                               
91

     

94 - 107

    
                               
109

112 - 113

©
Cello
LLORARAS
Compositor desconocido


                           
  

                                
1-2


7

  

                               
12

    

                                      
17

   

                                  
23

   

                                    
29

    

                         
34

  

                                
39

 

                          
44

   

                                  
49

 

                                             
54

  

                                           
57

     

                                              
60

  

                                        
63

            

©
2 LLORARAS
Cello

    
                                            
 
66

 

                                       
    
69

                         
73

    

                       
 
77

       


                         
 
81

     
85 - 87

                       
88

        

                
 
93

        

                        
97

     

                  
101

            

                                 
105

      

                
            
109

 
Violin II
LLORARAS
Compositor desconocido

   
    
            
            

            

                                       
1-4

   
9

     

                        
             
14

                                         

18

  


                             
22

                          
23 - 29

 
   
35

 

           
                        
41

                         
 
  
47

 
                  
     
               
52

                                            

56

 

                                             
 
59

 
               
      
          
     
62

 
   
                                       

65

 
            
          
     
  

68

  
70 - 84

©
2 LLORARAS

                                    
Violin II
86

        

                             
            
90

 

                
                                     
94

  


                                  

            
98

      

      
                               
102


                     
108

 
112 - 113
Oboe
LLORARAS
Compositor desconocido

                          
       
 

 
                                        
1 - 61


66

                                  
    
 
69

  


                  
  
 
           

73

 

               
               
          

76

   

          
   
                        
79

                                         

82

   

        
                   
86

     
  
  
                                       
   
91

 
 

                   
                               
96

                            
           
          
99

  

              
             
103


      
 
              
109

   112 - 113

©
Horn in F 1
LLORARAS
Compositor desconocido


     
           
     


1-5

     
10

   
                  
                         
14 - 21


22



                     
27

   

30 - 37

   
39

                 
   

     
 
43

       
          

46 - 59

   
61

                  
  
               
65

               

   
  
                 
68

        
                
71 - 84

  
86



                                      
  
90


94 - 107

     
108

 
        
               

      

111

        
112 - 113

©
Trumpet in Bb 1
LLORARAS
Compositor desconocido


                       

      
1-5

                  
10

                   
14 - 21

  
22

    
        
             
26

      
30 - 37

                   
38


                     
43

46 - 59

             

 

                                 
65

 
  
                                   
68

                
71 - 84

                   
86

                    
               
90

 
             
93

 

        
94 - 107

     
110

 112 - 113

©
Trumpet in Bb 2
LLORARAS
Compositor desconocido


  
                         

1-5

                 
10

            

                              
14 - 21

 
22

    

                       
27

                          
30 - 37

 

39

    

                    
43

46 - 59

             

 

            
                     
65

                
               
68

      
71 - 84

                                     
86


                                            
90

      
             
94 - 107

   
108

112 - 113

©
Trumpet in Bb 3
LLORARAS
Compositor desconocido


  
                         

1-5

                             
 
10

14 - 84

       
                                       
85



                                            
90


94 - 107

                        
108

   112 - 113

©
Trombone 1
LLORARAS
Compositor desconocido


                             


                          
1-5

 
10

                              
14 - 21

  
22



                         
27

           
                       
30 - 37


39



                            
44

                             
46 - 59
62

                                         
66



                           
69

                                     
71 - 84
87



                                          
90

               
              
94 - 107


108



                 
111


112 - 113

©
Viola
LLORARAS
Compositor desconocido

               
                           

       
                                     
1-4
8

 
                 
 
         
 
12


                         
   
16


                       
             
19

                        
23 - 29
30

  

                        
  
37

 
            
                
43

  
        

                            
49

     
            
                   

       
54


                  

                         
57

 
                            

            
60


                

           
         
63


                        
                 
66

©
2 LLORARAS

     
Viola

 
                             
69

                     
70 - 84

  
         
              
88

                      
           
92

  

                                       
96

      

 
                                              
99

     

        
                      
103

            
        
109

 
112 - 113
Flute 2
LLORARAS
Compositor desconocido

                          
       
 

                                             
1 - 61
66

     

           
                          
70

 
         
                            

74

 
          
                                    
77

  

           
                                 
80

 
            
 
                        
83

 

                                         
87

    
  

                       

      
 

                               

           


                                   

           
 

                            
  
103

  

  


               

110

  
112 - 113

©
Double Bass
LLORARAS
Compositor desconocido

  

                          

                  
       
6

      
                  
       
10

      
                 
       
14

       
                  
       
18

      
                 
       
22

       
                  
        
26

      
                 
       
30

       
                  
       
34

      
                  
       
38

      
                     
      
42

   
                 
       
46

      

                    
         
50

  

                                    
54 - 56
57

  
©
2 LLORARAS
Double Bass

                          
     
62

  

                           
     
66

  

                                
 
70

   

                    
        
74

   

                     
 
78

     


                        
 
82

     
85 - 87

                   
89

       

                
 
93

        

                        
97

     

                  
101

            

                                 
105

      

                
            
109

 
Clarinet in Bb
LLORARAS
Compositor desconocido


       
    

                   
1 - 61

                
66

                               
     
69

      

               
                           
73

       
                                                 
      
77

             

                            
81

   
                                  
85

85 - 87
     

   
                                      
92

  

         
                                     
96

       
                                           
99

 


                              
103


                     
109

 
112 - 113

©
Flute 1
LLORARAS
Compositor desconocido

                          
       
 


                                          
1 - 61
66

       
                         
    
 
69


           
                        
73

 
        
           
                        
76

 
           
                                 
79

 
           
                                   
 
  
82

 

                   
                  
86

      

       
 
           
           
91

  

                    

            

                                              
98

            

                                 
102

    
     

              

   
108

   112 - 113

©
Horn in F 2
LLORARAS
Compositor desconocido



 
                           


1-5


                             
 
   
10

14 - 21

                                  
 
23


                           
28


30 - 37

       
       

               
40

 

            
45

            
46 - 59

       
63

                  


                                   
   
67

71 - 84

 
                                   
85

  
                                 
88


            
                  
91

        

94 - 107

        
   
109

                      
112 - 113

©
Alto Sax
LLORARAS
Compositor desconocido



                      

                      
1 - 61

               
66

            
   
                    
69

            
                        
73

     

          
            
77

  

         
 
                                    
80

        
         
                 
83

                 
               
87

       

                                    
92

      

                                               
96

               

                                       
100

         

                   
105


         
         
110

 
112 - 113

©
 Piano
LLORARAS
Compositor desconocido


                 
  
 
                              
              
           



                 
  
                                      

4

      
             
 


                 
  
                                     

6

      
              
  


   
                 

  
        
           
    
  
8

           
         



              
  
                                       

10

     
             
 


                        
      

                                     
12

         
  
                 
  

©

2 LLORARAS
Piano

                  
                       
15

                
             
 


          
          
  
                
      
17

            
             
 


              
 
                   
                       
19

  
             
 


            
   
    
                    
21

               
         
 


                

               
            
 

23

                 
         
 


              
                         
             
25

     
             
 


                    
             
27

              
             
 

LLORARAS 3


Piano


            
                  
           
29

     
             
  


          
    
             
           
31

             
              
 


        
       
 
   
          
           
33

              
             
  


                
             
           
 
35

             
         



                      
                     
37

             
             
 


               
      
            
          
39

               
          



                  

                                 
 

41

        
             
 

4 LLORARAS
Piano

                 
                
              

43

       
              
 


       
                       
            
45

      
             
 


                  
                                  
47

              
         
 


             
           
                            
49

     
        
           



           
          
                     
         
51

            
               
 


                                           
            
53

       
                        
        
 


                                                
  
56

                                                  
  

LLORARAS 5
Piano

                                             
   
59

                                               
  


   
                               
 
62

                                   



            

 
                              
64


                            
      


       
                                               
 
66

 
    
                                             
 



              
                           
 
69

            

              



                          
           

                 
71

            
   


6 LLORARAS
Piano

                             
 
                                       

73

       
   



                              
       
                    
75

            
   



                       

                               

          
77

             
   



                            
                             
                      
       

79

  
   



   
                                
                              
81

                 
   




                          
                                       
   
83

                   

      

85 - 87

LLORARAS 7
Piano

                                 
 

                                       
89

         

   



                     
                        

                            
91

  
   



                         
    

        
                
93

           
   



                            
  
                
                 
95

       
   



                     
    
                                       
97

    
   



                          
                    
             
99

              
   


8 LLORARAS
Piano

                         
                              

  
      
                             
101

   



            
     
            
                
103

           

   



                   
              

          
105

          

   



                        
           
            
     
             
107

           
   



    
        
                         
109

               
     



            
          
111

        
       
