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THE Korean NEW Wave: San Pedro, Maxine

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THE

KOREAN
NEW
WAVE
SAN PEDRO, MAXINE
CINEMA OF SOUTH KOREA

Production began North Korean films South Korea


under Japanese were screened rarely experienced periods of
colonial rule. in the West or in extensive production;
sponsored touring local industry with little
Film production was
seasons or festivals. impact internationally
split between North
transformed into a
Korea and South Korea Film production was
modern film industry.
after the Korean War the highest in the
(1950-1953). 1980s when the Vertically integrated
country was still able companies play a
to exchange films with significant role in the
other communist industry.
countries.
2
THE SOUTH KOREAN BLOCKBUSTER

• The original film production


targets the Korean Audience
first, whereas the Hollywood
blockbusters assume
universality
• Focused on divided Korea and
the possibility of reunification
• Came in different genres
including comedy, crime, and
comedy-crime films

Shiri (South Korea, 1999), an action film involving North Korean


agents operating in South Korea, is the first South Korean blockbuster.
3
HALLYU
South Korean pop culture mainly driven by
Korean TV Dramas and Korean Pop music. It also
features the rising profile of Korean stars and
media celebrities through internet culture.

4
THE KOREAN WAVE: HALLYU

• Primarily an Asian
phenomenon
• YouTube became the platform
for bringing K-Pop over to the
West
• Korean TV paved the way for z
greater acceptance of Korean
films
• Helped in building South
Korea’s soft power in the
region and worldwide
• South Korean films became an
appearance in the West in the
early 2000s Memories of Murder (South Korea, 2003), considered
as a ‘well-made film’ that was screened in the West.
5
A MATURE INDUSTRY OF VARIETY

• The industry is not simply an


industry of blockbusters and
‘well-made’ films
• Busan Film Festival
• Korean film cultures have
developed modes of cinema
production and distribution
that works in a global scale

Burning (South Korea, 2018).


6
THANK YOU

REFERENCES

Stafford, R. (2014) The Global Film Book. London, United Kingdom: Routledge.
CREATIVE OUTPUT

Filipino Farmer Burning, 2018, 500 x 500 GIF File

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