P3n-E-W1s3
Joined Aug 2016
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Ratings4.7K
P3n-E-W1s3's rating
Reviews910
P3n-E-W1s3's rating
Story 1.5/2
Direction 1/5/2
Pacing 0.5/2
Performances 1/2
Entertainment 1/2
Total 5.5/10
Watching "Risen" is like sipping a finely aged wine-if that wine were laced with melancholy and a hint of existential dread. The story, a tantalizing blend of sci-fi and chiller, deserves a standing ovation for its ingenuity, though it does occasionally stumble into plot holes deeper than the Marianas Trench.
Director Eddie Arya, who also wrote and produced this one-man show, delivers a visual feast. The film's hauntingly beautiful cinematography is akin to staring at a dystopian postcard, with each frame dripping in atmosphere thicker than Ridley Scott's "Blade Runner" fog. Sadly, the direction and pacing feel as if Arya took a page out of Stanley Kubrick's "2001: A Space Odyssey," forgetting to include HAL's snappy pace and settling instead for a somnolent crawl.
Performances range from solid to stellar, each actor navigating their disjointed characters with the finesse of a tightrope walker in a windstorm. Yet, the film's depressive tone lingers like an unwelcome house guest, turning an intriguing concept into a somewhat arduous watch.
In conclusion, "Risen" is a commendable effort, especially for a solo creator. It's worth a look if you don't mind your sci-fi served with a side of sorrow. As they say in the biz, "It's a dark, yet strangely captivating ride."
Total 5.5/10
Watching "Risen" is like sipping a finely aged wine-if that wine were laced with melancholy and a hint of existential dread. The story, a tantalizing blend of sci-fi and chiller, deserves a standing ovation for its ingenuity, though it does occasionally stumble into plot holes deeper than the Marianas Trench.
Director Eddie Arya, who also wrote and produced this one-man show, delivers a visual feast. The film's hauntingly beautiful cinematography is akin to staring at a dystopian postcard, with each frame dripping in atmosphere thicker than Ridley Scott's "Blade Runner" fog. Sadly, the direction and pacing feel as if Arya took a page out of Stanley Kubrick's "2001: A Space Odyssey," forgetting to include HAL's snappy pace and settling instead for a somnolent crawl.
Performances range from solid to stellar, each actor navigating their disjointed characters with the finesse of a tightrope walker in a windstorm. Yet, the film's depressive tone lingers like an unwelcome house guest, turning an intriguing concept into a somewhat arduous watch.
In conclusion, "Risen" is a commendable effort, especially for a solo creator. It's worth a look if you don't mind your sci-fi served with a side of sorrow. As they say in the biz, "It's a dark, yet strangely captivating ride."
Story:0.75 - Direction & Pace: 2.25 - Performances: 1.00 - Entertainment 1.00
Total: 5/10
As we gaze into the reflective void that is Mira Mira, we're reminded that not every horror flick can be a shining beacon of originality. The film, a hodgepodge of well-trodden tropes, left me feeling like Jack Torrance hacking through the same door, except with less enthusiasm.
The plot (if you can call it that) resembles Swiss cheese, full of holes and lacking the necessary structure to keep it from collapsing under scrutiny. Our characters? They're the usual suspects: the tortured protagonist, the sceptical friend, and the inevitable accidental selfless hero. The cast does a valiant job, akin to trying to wring blood from a stone, but alas, there's only so much you can do with tired stereotypes .
Director McAverage keeps the train on the tracks, albeit just barely. There are glimmers of potential, like a flashlight in a haunted house, but they're fleeting and don't quite illuminate the path to greatness.
In conclusion, Mira Mira isn't a must-watch, but it's neither a complete waste. If you're looking to kill time, it'll pass the hours painlessly, much like a lukewarm cup of tea on a rainy afternoon.
Total: 5/10
As we gaze into the reflective void that is Mira Mira, we're reminded that not every horror flick can be a shining beacon of originality. The film, a hodgepodge of well-trodden tropes, left me feeling like Jack Torrance hacking through the same door, except with less enthusiasm.
The plot (if you can call it that) resembles Swiss cheese, full of holes and lacking the necessary structure to keep it from collapsing under scrutiny. Our characters? They're the usual suspects: the tortured protagonist, the sceptical friend, and the inevitable accidental selfless hero. The cast does a valiant job, akin to trying to wring blood from a stone, but alas, there's only so much you can do with tired stereotypes .
Director McAverage keeps the train on the tracks, albeit just barely. There are glimmers of potential, like a flashlight in a haunted house, but they're fleeting and don't quite illuminate the path to greatness.
In conclusion, Mira Mira isn't a must-watch, but it's neither a complete waste. If you're looking to kill time, it'll pass the hours painlessly, much like a lukewarm cup of tea on a rainy afternoon.
In the mystical land of B-movies, where martial arts meet sci-fi, lies "Prophet," a 1998 gem that's part brain-bending thriller, part flying fists extravaganza.
Let's start with the pros. The premise of "Prophet" isn't half bad, folks. It's a semi-decent sci-fi thriller that manages to blend tried and tested sci-fi ideas with ancient martial arts. Picture "Premonition" meets "Enter the Dragon," but on a shoestring budget. The action sequences are where this film shines brightest. The martial art choreography is surprisingly well done, delivering a flurry of punches and kicks that would make Bruce Lee proud. Even Don "The Dragon" Wilson manages to break free from his wooden reputation and deliver a performance that doesn't feel like he's reading cue cards off-camera.
But, oh boy, do we have some cons to unpack. First off, let's address the elephant in the room-or rather, the poorly written female lead. It's as if the casting director thought acting talent was measured by cup size. Her performance is about as convincing as a rubber chicken doing Shakespeare. We're not sure if she's supposed to be a kick-ass agent or eye candy, but either way, it's a swing and a miss.
Then there's the story. Now, don't get me wrong, I love a good plot twist as much as the next cinephile, but "Prophet" feels like it was written on the back of a cocktail napkin during happy hour. The major hole in this plot was the premise that everyone needs to be eliminated? Who knows! Maybe the writers thought it sounded cool without bothering to explain why. It's like trying to follow a treasure map drawn by a toddler-it leads nowhere, and makes little sense.
Despite its flaws, "Prophet" manages to entertain in a guilty pleasure sort of way. It's like that movie you stumble upon late at night when you can't sleep, and suddenly you're sucked into a vortex of cheesy dialogue and over-the-top fight scenes. You know it's bad, but you can't look away.
In the end, "Prophet" is wild, ridiculous, and oddly captivating. So grab your popcorn, suspend your disbelief, and enjoy the ride. After all, as they say in the movies, "It's not the destination, it's the journey." And boy, is this journey a wild one.
Let's start with the pros. The premise of "Prophet" isn't half bad, folks. It's a semi-decent sci-fi thriller that manages to blend tried and tested sci-fi ideas with ancient martial arts. Picture "Premonition" meets "Enter the Dragon," but on a shoestring budget. The action sequences are where this film shines brightest. The martial art choreography is surprisingly well done, delivering a flurry of punches and kicks that would make Bruce Lee proud. Even Don "The Dragon" Wilson manages to break free from his wooden reputation and deliver a performance that doesn't feel like he's reading cue cards off-camera.
But, oh boy, do we have some cons to unpack. First off, let's address the elephant in the room-or rather, the poorly written female lead. It's as if the casting director thought acting talent was measured by cup size. Her performance is about as convincing as a rubber chicken doing Shakespeare. We're not sure if she's supposed to be a kick-ass agent or eye candy, but either way, it's a swing and a miss.
Then there's the story. Now, don't get me wrong, I love a good plot twist as much as the next cinephile, but "Prophet" feels like it was written on the back of a cocktail napkin during happy hour. The major hole in this plot was the premise that everyone needs to be eliminated? Who knows! Maybe the writers thought it sounded cool without bothering to explain why. It's like trying to follow a treasure map drawn by a toddler-it leads nowhere, and makes little sense.
Despite its flaws, "Prophet" manages to entertain in a guilty pleasure sort of way. It's like that movie you stumble upon late at night when you can't sleep, and suddenly you're sucked into a vortex of cheesy dialogue and over-the-top fight scenes. You know it's bad, but you can't look away.
In the end, "Prophet" is wild, ridiculous, and oddly captivating. So grab your popcorn, suspend your disbelief, and enjoy the ride. After all, as they say in the movies, "It's not the destination, it's the journey." And boy, is this journey a wild one.