13 reviews
The trailers give a very clear idea of what the film is going to be about. And so did the very first scenes of the film. It is about triggered love. Clear, yet I am still curious - in such issues as this, it is the process not the result that attracts us...
...
So, I just watched it. Indeed, the trailer reflected the style and story well.
True, logical development of an attachment. What also it is about? Also it is about internal freedom. Being loyal to your own self. Meeting of these 2 people, or rather their being aware of each other existence triggers changes in their life-long decisions. She decides to cancel her marriage. He - to stay in the city. Why? They both are not sure yet but unquestionably feel much better about their choices. By the end of the film they finally find a way to meet each other...
Even though the ideas of the film are not really new, the story presentation, people, scenery, white nights of St. Petersburg, great music choice - all come together and play off very well making this film a very fresh, freeing endeavour.
...
So, I just watched it. Indeed, the trailer reflected the style and story well.
True, logical development of an attachment. What also it is about? Also it is about internal freedom. Being loyal to your own self. Meeting of these 2 people, or rather their being aware of each other existence triggers changes in their life-long decisions. She decides to cancel her marriage. He - to stay in the city. Why? They both are not sure yet but unquestionably feel much better about their choices. By the end of the film they finally find a way to meet each other...
Even though the ideas of the film are not really new, the story presentation, people, scenery, white nights of St. Petersburg, great music choice - all come together and play off very well making this film a very fresh, freeing endeavour.
This movie falls into the category of great date movies: it's romantic and sweet enough for the women, and has enough humor and Russian bizarreness to sustain the men. Add to the mix a terrific soundtrack, tasteful cinematography, and an optimistic, life- and love-affirming plot - there's something for everyone.
More than just a story of young love, this is a valentine to St. Petersburg and its people. The city and its inhabitants are lovingly (if sometimes ironically) portrayed. While the male protagonist's dilemma - to leave or not to leave - is fairly typical for upwardly mobile Russians, with a fairly typical result (to leave, of course), the film tells us that there are plenty of reasons to stay and be happy with that choice. From beautiful buildings with centuries-old history to pretty girls in mini-skirts, there are many reasons to like St. Petersburg.
While by no means original (similar plot device of star-crossed lovers being connected in many ways and not realizing it until the fateful meeting has been explored by other movies, including Happenstance with Audrey Tautou), Piter FM is refreshing enough to stand out among the same old-same old of romantic comedies.
More than just a story of young love, this is a valentine to St. Petersburg and its people. The city and its inhabitants are lovingly (if sometimes ironically) portrayed. While the male protagonist's dilemma - to leave or not to leave - is fairly typical for upwardly mobile Russians, with a fairly typical result (to leave, of course), the film tells us that there are plenty of reasons to stay and be happy with that choice. From beautiful buildings with centuries-old history to pretty girls in mini-skirts, there are many reasons to like St. Petersburg.
While by no means original (similar plot device of star-crossed lovers being connected in many ways and not realizing it until the fateful meeting has been explored by other movies, including Happenstance with Audrey Tautou), Piter FM is refreshing enough to stand out among the same old-same old of romantic comedies.
The Russian romantic comedy which takes place in Saint Petersburg is worthwhile to watch.
Well, firstly, because in the movie the interesting story in development of love between two young Russians is told. The man feels abandoned because his former girlfriend is marrying. And the pretty radio presenter who has found out that it was not good to marry the man from childhood. Thus, the story of people who suffer from tragic love stories from the past try to build relationship is told.
Secondly, the relationship between the woman and the man is based on strange incidents with the mobile phone.
And thirdly, the Russian humor in the movie does help to get some funny moments. It is funny to hear the German speaking with the Russian accent or listen to some witty dialogues between the Russian policemen, or just young people who get in conflicts with their boss.
Well, the Russian comedy will give you some ideas to think about romantic love and funny moments of the modern Russian life.
Well, firstly, because in the movie the interesting story in development of love between two young Russians is told. The man feels abandoned because his former girlfriend is marrying. And the pretty radio presenter who has found out that it was not good to marry the man from childhood. Thus, the story of people who suffer from tragic love stories from the past try to build relationship is told.
Secondly, the relationship between the woman and the man is based on strange incidents with the mobile phone.
And thirdly, the Russian humor in the movie does help to get some funny moments. It is funny to hear the German speaking with the Russian accent or listen to some witty dialogues between the Russian policemen, or just young people who get in conflicts with their boss.
Well, the Russian comedy will give you some ideas to think about romantic love and funny moments of the modern Russian life.
- naurimas-1
- Jun 30, 2006
- Permalink
This is a very light-hearted movie. The plot and characters are rather predictable, but it leaves a good impression, at least it did for me. For some reason, probably because of the camera work and the story, I had an impression that I was watching a Russian version of "Amelie". I think I enjoyed the beautiful St. Petersburg's scenery and minor characters (like Vladimir Mashkov playing a strange man in a one-minute episode) than the main story. Some small episodes are quite funny. For example, a policeman stops than main hero (Maxim) to check documents and asks among other things: "Firearms? Illegal drugs?" "No, thanks," Maxim replies. This movie shows a different Russia from what you may be used to. Good movie to watch with a date.
This movie is the epitome of a modern Russian romance. I saw it while studying abroad in St. Petersburg. It really captures the feel of that great city, as well as having a very Russian take on love and friendship. It's a movie that probably wouldn't be good in translation, but if you can watch it in Russian, I highly recommend it. It's really fun to look for all your favorite spots in Piter as they show up in the film, and at the same time grow to love and understand Maxim and Masha as they deal with their emotional upheavals. As my friend Nadya said, by the end, they don't even necessarily have to be in love. Finding that human connection, that friendship, is all that's really necessary.
This is a romantic comedy about two people getting to know each other because of a lost mobile phone.
The plot is not new at all, and is quite predictable. The two characters face troubles in their love lives, talk to each other on the phone, and guess what happens! What it lacks in plot, it makes up in other ways. The urban landscape of St Petersburg is presented in a very attractive way. the feel of the film is upbeat, and happy. It's like having a sugar coating on an old story, making an otherwise bland story more attractive. It's nothing groundbreaking, but it is a pleasant entertainment if you have nothing to do.
The plot is not new at all, and is quite predictable. The two characters face troubles in their love lives, talk to each other on the phone, and guess what happens! What it lacks in plot, it makes up in other ways. The urban landscape of St Petersburg is presented in a very attractive way. the feel of the film is upbeat, and happy. It's like having a sugar coating on an old story, making an otherwise bland story more attractive. It's nothing groundbreaking, but it is a pleasant entertainment if you have nothing to do.
- laurynas-butkus
- Sep 26, 2008
- Permalink
At last this film is on IMDb. A wonderful debut by a new name in Russian film directing - Oksana Bychkova. Romantic comedy Piter FM falls into a category of so-called "films for mood". The joy of living, the feeling of approaching love... and the beautiful city as one of the main "actors".
The plot is simple. Masha is a radio DJ living in Russian "northern capital" St-Petersburg. She is going to marry her old school mate. Wedding dresses, cars, flowers - that's her everyday trouble. Running in a hurry to meet her bride who would arrange another very important thing for the marriage, she loses a phone, and a young architect Maksim finds it. Maksim is about to leave for Germany in a few days, but he tries to give the phone back to its owner - several times arranging meetings but with no success...
First of all, the movie is beautifully shot. Piter (St-Petersburg) is a wonderful city with fantastic architecture. In the film, the city is bright, moving, a city with a smile - sometimes kind, sometimes sad or ironical. Don't try to analyze the film, you just have to feel it. It's like music, like an impressionistic picture - the main thing is to capture a short moment, to live for the moment and to enjoy.
After this film I finally made up my mind to go and see this wonderful city.
P.S. Andrey Krasko - RIP. One of his last roles, a very short one but really impressing.
The plot is simple. Masha is a radio DJ living in Russian "northern capital" St-Petersburg. She is going to marry her old school mate. Wedding dresses, cars, flowers - that's her everyday trouble. Running in a hurry to meet her bride who would arrange another very important thing for the marriage, she loses a phone, and a young architect Maksim finds it. Maksim is about to leave for Germany in a few days, but he tries to give the phone back to its owner - several times arranging meetings but with no success...
First of all, the movie is beautifully shot. Piter (St-Petersburg) is a wonderful city with fantastic architecture. In the film, the city is bright, moving, a city with a smile - sometimes kind, sometimes sad or ironical. Don't try to analyze the film, you just have to feel it. It's like music, like an impressionistic picture - the main thing is to capture a short moment, to live for the moment and to enjoy.
After this film I finally made up my mind to go and see this wonderful city.
P.S. Andrey Krasko - RIP. One of his last roles, a very short one but really impressing.
- alexkay_nl
- Jul 9, 2006
- Permalink
Someone explain to these two, that the phones they hold in their hands, can also be used to call people if someone is late for an appointment.
- SilverOrlov
- Mar 5, 2018
- Permalink
And here's a movie, a cheap flick, rather, about a different dimension somewhere in the Universe that visually resembles a little dirty crime-ridden hole called St. Petersburg. Once an architectural jewel of the Soviet Union, a true world's art and history heritage site, the city was also famous for its people considered throughout the USSR as some of the most cultured and educated and known for their dashing and elegant politeness. There are many "ands" when it comes to describing a unique, exquisite micro climate that existed in Piter between, I'd say 1950s and up to, perhaps, early 90s. Then St. Petersburg's demographics have gradually mutated to their current abysmal state. At one time in the 90's, the city held one of the premier spots in number of murders, shoot-outs, explosions, innocent bystanders killed, and tourists robbed among the major cities of Russia.
Even though these horrible rates subsided ever since, the city stays true to its infamous impression on a visitor as one of the country's most unfriendly places to visit. A friend took her daughter to St. Petersburg recently - the girl was born there but hadn't visited the place ever since immigrating to the US at the age of 7. Her impression: nice museums but she'd never go and walk the streets of that dreadful place again. One trip to the place of birth, if at all, was enough for my life time, she said. Few would disagree.
Yet here's an astral projection of it all, shampooed, and dressed in fine perfume, portrayed ad nauseum with its notorious abundance of homeless people condensed to just one individual with sootish make-up who heartily eats burgers from dumpsters (homeless, or "bomzhi" in Russian, have been known to kill for such lucky pickings) and seems to live quite happily on such diet. There's an expression of outmost content on his face. Most of us don't want to have anything to do with homeless; whoever does, instantly becomes our hero. We love to see others do what we only wish we could do. The homeless, therefore, serves as a convenient yet beaten up tool for the main hero to show his larger-than-life kindness of character not only by being generally philanthropic towards the homeless but also by assisting him with certain rather overly specific tasks. They directly relate, needless to say, to the role of dumpsters and the importance of their contents in the lives of the homeless.
This is also one of those flicks where everyone lives, walks, and meets in places and streets that we seemingly know well, and sits near Neva River looking afar with a forced romantic expression on otherwise an inexpressive face. People are mannequins, streets are charming, there's no traffic and thus, no traffic jams, the air looks and feels clean, etc. In this respect, the movie is no doubt cliché-d off Amélie, a film that portrayed Montmartre as sort-of a naive kindergarten-like fantasy with friendly neighbors always on a lookout to help each other, no street crime, lots of smiles, and oh-so-cuddly situations, where main heroes live in flats costing millions with no apparent jobs that pay those millions and no inheritances of any kind. In this Russian movie, however, the heroine is dumber and behaving morbidly irritating. Her hat plays no small role. .
Yes, she wears a brain damage-styled hat straight from a Bosch paintings. Her fiancé is desperately asking her to please, please take the ugly thing off. His insistence, of course, is part of his negative image. However, he's doing so very rightfully for this pizdovataya kuritsa (pardon my Russian) already looks like a car-overran cat with the hat making her mug even more feline and, frankly, imbecilic.
She is surrounded by caricatures of characters - an array that demonstrates to us that the current state of Russian cinematography is plain dismal. In 9 out of 10 movies vomited in the last 10 years, the industry either resorted to an established formula of "bratki, krutye, nuovo-businessmen who apparently don't have any definitive job duties besides romancing..." or dumb-downed versions of tired plots of many, many good and bad (mostly the latter) foreign films, Hollywood and not. Most classical niches are occupied - in this flick, for example, there's a sickening joke of a co-worker who looks like someone the aforementioned homeless might well pair with, a boss who, despite giving the heroine hard time, is essentially a paper-thin comic relief, and so on.
Well, the movie leaves a feeling of insult. Amélie had style, class, Paris, and Audrey Tautou. For such elegant a bouquet, I forgave its sins and embraced it (after all, most did) as a fairy tale, as a parabola, as a joyfully grotesque daydreaming.
As for this putrid dreck called Piter FM, I can only say had I been in the shoes of the fiancé, she would have eaten that hat.
Even though these horrible rates subsided ever since, the city stays true to its infamous impression on a visitor as one of the country's most unfriendly places to visit. A friend took her daughter to St. Petersburg recently - the girl was born there but hadn't visited the place ever since immigrating to the US at the age of 7. Her impression: nice museums but she'd never go and walk the streets of that dreadful place again. One trip to the place of birth, if at all, was enough for my life time, she said. Few would disagree.
Yet here's an astral projection of it all, shampooed, and dressed in fine perfume, portrayed ad nauseum with its notorious abundance of homeless people condensed to just one individual with sootish make-up who heartily eats burgers from dumpsters (homeless, or "bomzhi" in Russian, have been known to kill for such lucky pickings) and seems to live quite happily on such diet. There's an expression of outmost content on his face. Most of us don't want to have anything to do with homeless; whoever does, instantly becomes our hero. We love to see others do what we only wish we could do. The homeless, therefore, serves as a convenient yet beaten up tool for the main hero to show his larger-than-life kindness of character not only by being generally philanthropic towards the homeless but also by assisting him with certain rather overly specific tasks. They directly relate, needless to say, to the role of dumpsters and the importance of their contents in the lives of the homeless.
This is also one of those flicks where everyone lives, walks, and meets in places and streets that we seemingly know well, and sits near Neva River looking afar with a forced romantic expression on otherwise an inexpressive face. People are mannequins, streets are charming, there's no traffic and thus, no traffic jams, the air looks and feels clean, etc. In this respect, the movie is no doubt cliché-d off Amélie, a film that portrayed Montmartre as sort-of a naive kindergarten-like fantasy with friendly neighbors always on a lookout to help each other, no street crime, lots of smiles, and oh-so-cuddly situations, where main heroes live in flats costing millions with no apparent jobs that pay those millions and no inheritances of any kind. In this Russian movie, however, the heroine is dumber and behaving morbidly irritating. Her hat plays no small role. .
Yes, she wears a brain damage-styled hat straight from a Bosch paintings. Her fiancé is desperately asking her to please, please take the ugly thing off. His insistence, of course, is part of his negative image. However, he's doing so very rightfully for this pizdovataya kuritsa (pardon my Russian) already looks like a car-overran cat with the hat making her mug even more feline and, frankly, imbecilic.
She is surrounded by caricatures of characters - an array that demonstrates to us that the current state of Russian cinematography is plain dismal. In 9 out of 10 movies vomited in the last 10 years, the industry either resorted to an established formula of "bratki, krutye, nuovo-businessmen who apparently don't have any definitive job duties besides romancing..." or dumb-downed versions of tired plots of many, many good and bad (mostly the latter) foreign films, Hollywood and not. Most classical niches are occupied - in this flick, for example, there's a sickening joke of a co-worker who looks like someone the aforementioned homeless might well pair with, a boss who, despite giving the heroine hard time, is essentially a paper-thin comic relief, and so on.
Well, the movie leaves a feeling of insult. Amélie had style, class, Paris, and Audrey Tautou. For such elegant a bouquet, I forgave its sins and embraced it (after all, most did) as a fairy tale, as a parabola, as a joyfully grotesque daydreaming.
As for this putrid dreck called Piter FM, I can only say had I been in the shoes of the fiancé, she would have eaten that hat.
Masha is a radio DJ who works with Piter FM. She is about to get married. Maksim is an architect who is having to work as a handyman but has been offered a job as an architect in Germany. He is about to go to Germany. One day, as fate would have it, while crossing the road Masha drops her mobile phone and Maksim picks it up. With Masha and Maksim we take a trip into their funny and enchanting worlds. This movie makes you laugh and keeps you hooked until the very last minute, in an "Amelie"-like manner. This is Oksana Bychkova's first movie and make a note of this name. She is a director we must watch out for! Brilliant, Imaginative and Entertaining!
Your hapiness is always near you. You probably meet it like three times a day and don't recognize that. That's what the plot is. My question goes further: are you sure you don't have it already? Not feeling alright with your previous choices is probably more about you than about correctness of those choices. Nothing is guaranteed in this world, so why not just accept whatever you have?