Reeker

"Reeker" didn't live up to my expectations at all. The film has really surprising turn in the end which, in contrast to "High Tension", is beneficial for this flick as it sheds a new light on a story which until this time has completely no sense. In fact, "Reeker" doesn't deliver anything new and even misuses certain patterns. In addition, the film is not frightening and evokes not much tension, which is significant shortcoming for this kind of flick. Not so frequent gory scenes are anything but original or imaginative. What's more, the flick drags incredibly and is illogical at times. Similarly to other movies of this genre, characters behaves very irrationally. For instance, the scene with a guy jumping out of the window was ridiculous. On the other hand, among virtues of this film I can rate good cinematography and beautiful desert settings. All in all, I regrettably cannot recommend this horror film.

I was really hoping for a lot more from this modern horror flick, but unfortunately it's slipped into the subdued, 'safe' plot that so many films these days seem to follow and there isn't an awful lot of actual horror on display. The film feels like it's building up to something all the way through, but despite some nice visuals throughout; it fails to deliver on its promise. By far the best thing about the film is the atmosphere, and through competent handling from director Dave Payne, Reeker is given the right feel throughout. The central location; a motel in the middle of nowhere, is a good location for horror and a good sense of hopelessness is generated through it and the character's despair. The cast of characters are the common 'dopey teens', who are on their way to a rave (very original). Things go wrong for them when their car breaks down near to the aforementioned motel, and this is followed by a series of strange events. The location is strangely deserted, they can't get a radio signal and, worst of all, there appears to be something chasing them.

The film starts off with a nice little sequence that sees a family become the victim of...something. From there, the film is suspenseful because you really want to know exactly what is going on in this place where the lead characters have found themselves. I was thinking that there'd be some great revelation just around the corner - but the film makes us wait, wait a bit more and wait again until eventually delivering just about the worst ending a film can have. And just to make things a little bit worse; it's an ending that a great many horror films have used recently, and every single one of them left me disappointed as well. There are some good effects in the film, however, and despite some dodgy CGI in places; things such as the man with no legs may leave some of the less experienced horror viewers with nightmares. The central baddie (I'm guessing the title villain) is good, but it doesn't look very good; and I'd have preferred a man in a cape over the rubbish computer effects that the director has opted for. Overall, this film certainly isn't all bad; but there are far too many flaws for me to call it a success and I don't think the title is a million miles away from being an apt description of the film.

It's not bad for a supernatural slasher movie, but I have some issues. There's really not much to the story with just the characters' standard in the desert oasis. Most of the time, it's just the characters waiting for something or looking for a way to get help or leave. It's pretty predictable throughout, and it doesn't do anything interesting until the end. The movie takes a while to get going, and the killer comes much later in the movie. Also, it uses typical cliches like cheap jump scares and characters making stupid decisions throughout. The death scenes do have decent tension to it and are built up pretty decently on how they are killed off. Also, it's interesting how after someone killed, it shows a flashback from their memory. The movie has a decent atmosphere with it taking place in an isolated environment with no service and how the place looks abandoned.

As far as modern horrors go, this low budget effort – a kind of Outward Bound meets Final Destination – isn't that bad, and I'm surprised by how low its IMDb rating is. In fact the first half of the film – before anyone gets killed – is quite intriguing, although things go down the well-trodden stalk-and-slash path for the final couple of reels as the usual band of five dislikeable teens invite their own death by doing incredibly stupid things (I have never met a girl in my life who would sit on that gurgling loo).

Old pro Michael Ironside makes an appearance as a bewildered hubby looking for his wife in the wilderness – and the ending of the flick adds an unexpected touch of poignancy to his character's search. Ironside must be one of the few bad-guy actors whose features have actually mellowed as he's grown older. The other actors are the usual bland mix of young faces, most of whom will fade into obscurity or be consigned to TV soap hell within a couple of years. The nominal 'hero' is actually something of a jerk, and you're never really worried about anyone's fate, but the film doesn't hold itself out as anything other than a time-filling horror – a scan of the end credits will tell you that.

The manner in which the twist ending is handled goes some way towards redeeming the preceding twenty minutes, and the part where the blind guy falls off the top of one of those monstrous camper tank things had me laughing out loud - although I had sank a couple of beers. Anyway, If you're in an undemanding mood and enjoy this brand of teen horror then give this one a try

REEKER starts out with a bang, only to slow to a crawl for the next hour or so. Unfortunately, the characters aren't quite interesting enough to fill the gap with their personalities alone.

Some spooky things happen, and a few people die hideously, but these moments are few and far between.

Once Michael Ironside's character enters the picture, it picks up only slightly. He's mostly wasted here.

Though the climax adds a sort of TWILIGHT ZONE twist to the proceedings, it can't salvage it from its overall doldrums...