Directed by
| Gabor Csupo | ... | (directed by) |
Writing Credits
| Lucy Shuttleworth | ... | (screenplay by) and |
| Graham Alborough | ... | (screenplay by) |
| Elizabeth Goudge | ... | (adapted from the book "The Little White Horse" by) |
Cast (in credits order)
| Dakota Blue Richards | ... | Maria Merryweather | |
| Juliet Stevenson | ... | Miss Heliotrope | |
| Tim Curry | ... | Coeur De Noir | |
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Tamás Tóth | ... | Vicar |
| Augustus Prew | ... | Robin De Noir | |
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György Szathmári | ... | Lawyer (as György Szatmari) |
| Natascha McElhone | ... | Loveday | |
| Ioan Gruffudd | ... | Sir Benjamin Merryweather / Sir Wrolf Merryweather | |
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George Mendel | ... | Priest (as György Mendel) |
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Michael Webber | ... | Digweed |
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Szabolcs Csák | ... | Henry |
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Lurko | ... | Wrolf the Dog |
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Kristof Z. Markovics | ... | David (as Zoltán Markovits) |
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Marcell Tóth | ... | Richard |
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Zoltán Barabás Kis | ... | Dulac (as Zoltán Barabás Kiss) |
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Andy Linden | ... | Marmaduke Scarlet |
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Csador | ... | The Little White Horse |
| Rest of cast listed alphabetically: | |||
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Ferenc Vizes | ... | English Worker (uncredited) |
Produced by
| Mark Brooke | ... | executive producer (uncredited) |
| David Brown | ... | executive producer |
| Michael Cowan | ... | producer |
| Simon Crowe | ... | executive producer |
| Jim Davey | ... | associate producer |
| Brian Donovan | ... | line producer |
| Simon Fawcett | ... | executive producer |
| Meredith Garlick | ... | producer |
| Samuel Hadida | ... | producer |
| Victor Hadida | ... | executive producer |
| Matthew Joynes | ... | executive producer |
| Alex Marshall | ... | executive producer |
| Péter Miskolczi | ... | co-producer |
| Monica Penders | ... | producer |
| Jason Piette | ... | producer |
| Lucy Shuttleworth | ... | associate producer |
| Jennifer Smith | ... | executive producer |
| Kaspar Strandskov | ... | executive producer |
| Gábor Váradi | ... | co-producer |
Music by
| Christian Henson | ... | composer |
Cinematography by
| David Eggby | ... | director of photography |
Editing by
| Julian Rodd | ||
Casting By
| Celestia Fox | ... | (casting) |
Production Design by
| Sophie Becher | ||
Art Direction by
| Bill Crutcher | ... | supervising art director |
| Mónika Esztán | ||
| Gary Jopling | ||
| Gabriella Simon | ||
Set Decoration by
| Zoltán Horváth | ||
| Kay McGlone | ||
Costume Design by
| Beatrix Aruna Pasztor | ||
Makeup Department
| Lynda Armstrong | ... | hair designer / makeup designer |
| Amy Byrne | ... | hairdresser / makeup artist |
| Nana Fischer | ... | key hair stylist |
| Katalin Jakots | ... | makeup artist |
Production Management
| Meg Clark | ... | post-production supervisor |
| István Király | ... | unit production manager |
| Maria Ungor | ... | production manager |
| Márton Váradi | ... | unit manager: second unit |
Second Unit Director or Assistant Director
| Will Cummins | ... | third assistant director |
| Alison Goring | ... | second assistant director |
| Vera Janisch | ... | assistant director |
| Charlie Watson | ... | first assistant director |
Art Department
| Daniel Alexandru | ... | sculptor: All Deco International |
| Roxana Alexandru | ... | draughtperson |
| Barna Brill | ... | construction manager |
| Péter Brill | ... | construction manager |
| István Bártfai | ... | set dresser |
| Douglas Ingram | ... | storyboard artist |
| Bela Kerek | ... | visual concept artist |
| József Kiss | ... | construction manager |
| Magdi Kondorosi | ... | buyer |
| Viktoria Koreny | ... | sculptor assistant |
| Péter Koronghy | ... | set dresser |
| Moni Kovacs | ... | prop master assistant |
| Warren Lever | ... | construction manager: UK |
| Csaba Lodi | ... | sculptor |
| Liviu Marcu | ... | sculptor: All Deco International |
| Dóra Nagy | ... | art production assistant (as Dora Nagy) |
| Cenay Oekmen | ... | matte painter |
| Antony Parnell | ... | props |
| Steve Parnell | ... | property master |
| Szilvia Ritter | ... | assistant art director |
| Kinga Szabó | ... | art department production assistant |
| Marton Szalay | ... | set dresser |
| Villõ Turcsány | ... | sculptor |
| István Váradi | ... | set dresser |
| Vera Wennesz | ... | scenic artist |
| Philip Clark | ... | picture researcher (uncredited) |
Sound Department
| Philip Alton | ... | dialogue adr editor |
| Paul Apted | ... | sound effects editor |
| Sam Auguste | ... | sound editor |
| Paula Boram | ... | foley artist |
| Nick Foley | ... | adr mixer |
| Peter Gleaves | ... | adr mixer |
| Rick Gould | ... | adr recorder |
| Craig Irving | ... | re-recording mixer |
| Rupert Ivey | ... | sound mixer |
| Hugo Jeffreys | ... | adr recordist |
| Mark Lafbery | ... | foley recordist |
| Michael Miller | ... | adr mixer |
| Nigel Mills | ... | sound designer / supervising sound editor |
| Steve Single | ... | re-recording mixer |
| Chris Sturmer | ... | sound consultant: dolby |
| Ruth Sullivan | ... | foley artist |
| Richard Stockdale | ... | dolby sound consultant (uncredited) |
Special Effects by
| Gergely Glovotz | ... | assistant pyrotechnician |
| Gyula Krasnyánszky | ... | pyrotechnic effects supervisor |
| Norbert Orosz | ... | pyrotechnician |
| David Payne | ... | special effects supervisor: underwater unit |
| Attila Varsányi | ... | pyrotechnician |
Visual Effects by
| Nick Bedford | ... | digital effects coordinator: Peerless Camera Co |
| Martin Body | ... | lead rotoscope artist: Peerless camera Co. Ltd. |
| Adam Buckner | ... | visual effects producer |
| Francesco Canonico | ... | character setup and animation |
| Tim Chauncey | ... | visual effects artist |
| Tom Collier | ... | visual effects supervisor: LipSync Post |
| Neil Culley | ... | digital compositor: LipSync Post |
| Martin R. Davison | ... | digital compositor: Baseblack |
| Catherine de Viana | ... | visual effects assistant |
| Max Dennison | ... | matte painting supervisor: Matte Painting UK Ltd |
| Gavin Digby | ... | lead compositor: Peerless |
| John Paul Docherty | ... | digital visual effects supervisor: Peerless |
| Ditch Doy | ... | head of cg: Peerless |
| Stefan Drury | ... | head of visual effects: LipSync Post |
| Yasmine El-Ghamrawy | ... | digital compositor |
| Erik Ellefsen | ... | digital artist |
| Stephen Elson | ... | visual effects producer: Baseblack |
| Sean Farrow | ... | visual effects supervisor |
| Laura Fitzpatrick | ... | visual effects production assistant: Peerless |
| Joss Flores | ... | digital compositor |
| Adam Gefen | ... | digital compositor |
| David Gibbons | ... | digital matte artist |
| Yanni Goudetsidis | ... | systems engineer: LipSync Post |
| Elysia Greening | ... | digital compositor: Baseblack |
| Crystal Hadcroft | ... | roto/paint artist: Peerless |
| Alexis Haggar | ... | title supervisor |
| Ed Hall | ... | digital effects coordinator: Peerless Camera Company |
| Ian Holland | ... | inferno artist: Peerless Camera Company |
| Katja Hollmann | ... | digital lab producer: Lipsync Post (as Katja Lazare) |
| Garrett Honn | ... | digital compositor: Baseblack |
| Nathan Kerry | ... | visual effects coordinator |
| Andrew Kingston | ... | systems admistrator |
| Duncan Kinnaird | ... | digital effects artist |
| Patrick Ledda | ... | lead technical director |
| Adrian Lee | ... | animator: Peerless Camera Company |
| Fabio Leporelli | ... | lead technical director |
| Richard Little | ... | supervisor |
| Vaibhav Marathe | ... | digital compositor |
| David Margolis | ... | digital compositor: LipSync Post |
| Oliver Minchin | ... | digital compositor: opening titles: DEAD |
| Müller-Lundberg | ... | technical director: Peerless (as Thomas Müller) |
| John O'Lone | ... | compositor: Peerless |
| Cenay Oekmen | ... | concept artist |
| Tim Ollive | ... | digital artist |
| Ed Plant | ... | senior compositor: Peerless |
| Tim Pruce | ... | digital compositor: Peerless |
| Edward Randolph | ... | visual effects coordinator: Baseblack |
| Matthew Redding | ... | digital compositor: opening titles: DEAD |
| Paul Round | ... | head of 2D: Peerless |
| Mark Sanger | ... | visual effects editor |
| Petra Schwane | ... | compositing artist: Baseblack |
| Deepa Sebastian | ... | visual effects administrator: Peerless Camera Company |
| Mark Spevick | ... | senior visual effects artist |
| Angela Stanley | ... | digital compositor: LipSync Post (as Angela Rose) |
| Jon Stanley | ... | senior systems engineer: LipSync Post |
| Paul Venn Stirling | ... | digital compositor: LipSync Post |
| John Swinnerton | ... | senior compositor(Peerless Camera Company) |
| Emeline Tedder | ... | compositor: Peerless |
| Samantha Tracey | ... | visual effects coordinator: LipSync Post |
| Jamie Tremelling | ... | visual effects artist: Peerless |
| Val Wardlaw | ... | cg supervisor |
| Blake Winder | ... | digital compositor: LipSync Post |
| Pat Wong | ... | senior compositor |
| Benjamin Müller | ... | vfx intern (uncredited) |
| Christopher T. Page | ... | vfx runner (uncredited) |
Stunts
| László Kósa | ... | stunt double |
| Zoltan Papp | ... | stunt performer |
| Gábor Pesta | ... | stunt performer |
| Gáspár Szabó | ... | stunts (as Szabó Gáspár) |
| Ildikó Szücs | ... | stunt performer (uncredited) |
Camera and Electrical Department
| Botond Aszalós | ... | camera operator: "b" camera |
| Tim Battersby | ... | first assistant camera: "a" camera |
| Attila Bogyai | ... | electrician: second unit |
| Gábor Bánrévi | ... | electrician |
| Zsolt Büti | ... | gaffer |
| Zoltán Dzsupin | ... | second assistant camera |
| Mark Goellnicht | ... | camera operator: "a" camera / steadicam operator |
| István Gottmann | ... | first assistant camera: "b" camera |
| Tamás Hámori | ... | camera operator |
| Dávid Lukács | ... | still photographer |
| 'Kis Gromek' László Molnár | ... | electrician |
| András Pozsár | ... | grip |
| Bálint Seress | ... | assistant camera |
| Imre Sisa | ... | key and dolly grip |
| Tamás Takács | ... | video assist operator |
| Ádám Turbuk | ... | camera trainee |
Casting Department
| Cara Beckinsale | ... | casting assistant |
| Tamás Kertész | ... | extras casting |
| Balázs Kovács | ... | extras casting |
| Sheryl Lynn | ... | casting associate |
Costume and Wardrobe Department
| Imre Béres | ... | dresser.tailor / dresser: tailor |
| Péter Palotás | ... | dresser |
| Peter Paul | ... | costume supervisor |
| Zsuzsa Stenger | ... | costume supervisor |
| Katalin Ujvari | ... | wardrobe assistant |
Editorial Department
| Ameenah Ayub Allen | ... | post-production coordinator (as Ameenah Ayub) |
| Chris Bentley | ... | digital lab operator |
| Alberto Buron | ... | digital lab operator |
| Karl Caffrey | ... | post-production coordinator |
| James Clarke | ... | digital intermediate supervisor |
| Ian Cunningham | ... | assistant editor |
| Janó Fekete | ... | colourist: dailies |
| Stuart Fyvie | ... | colourist |
| Adam Gough | ... | assistant editor: avid |
| Scott Goulding | ... | assistant colourist |
| Aileen McIntosh | ... | digital lab operator |
| Ruari McLeod | ... | trailer editor |
| Kevin Phelan | ... | head of post-production: Lip Sync Post |
| Mark Sanger | ... | supervising first assistant editor |
| Daniel Tomlinson | ... | digital lab operator |
| Thomas Urbye | ... | promo colourist |
| James Winnifrith | ... | first assistant editor |
| Verity Wislocki | ... | post-production coordinator |
Location Management
| Imre Bodo | ... | location manager |
| András Tóth | ... | location manager |
Music Department
| Ádám Balázs | ... | composer: theme music (as Adam Balazs) |
| Samuel Karl Bohn | ... | additional music arranger |
| Mikael Carlsson | ... | soundtrack producer |
| Peter Clarke | ... | music editor |
| Ben Foskett | ... | orchestrator |
| Joe Henson | ... | music programmer |
| Gerard McCann | ... | supervising music editor |
| Hilary Skewes | ... | musician contractor |
| Artyom Vasilev | ... | additional orchestrator (as Artem Vassiliev) |
| Nick Wollage | ... | score engineer |
| Alison Wright | ... | music supervisor: Air-Edel |
Script and Continuity Department
| Caroline Sax | ... | script supervisor |
Additional Crew
| Roxana A. Balogh | ... | assistant accountant (as Andrea Balogh) |
| Csaba Benedek | ... | facilities coordinator |
| Shirine Best | ... | development associate |
| Karl Caffrey | ... | post production coordinator |
| Jon Clifford | ... | technical director: santx |
| James Collie | ... | e.p.k. editor |
| Matt Curtis | ... | title designer |
| John Eng | ... | conceptual artwork |
| Mel Hider | ... | business affairs associate |
| Zoltan Horkai | ... | head animal wrangler |
| Márton Ivanov | ... | production assistant |
| Peter Ivanyi | ... | animal department manager |
| Vera Janisch | ... | additional set runner |
| Adrienn Kamarás | ... | production secretary |
| Zsuzsanna Köhegyi | ... | assistant to producers (as Zsuzsanna Kõhegyi) |
| Fumie Suzuki Lancaster | ... | international sales & distribution |
| Mei Lee Lim | ... | development assistant |
| Natalie Lindwall | ... | assistant to producers |
| Nóra Miskolczi | ... | production assistant |
| Rita Mányai | ... | production accountant |
| Lajos Nagy | ... | assistant accountant |
| János Papp | ... | health and safety advisor |
| Luke Randolph | ... | completion guarantor: for International Film Guarantors |
| Mariah Sayer | ... | assistant: Michael Cowan and Jason Piette |
| Suzie Shearer | ... | production coordinator |
| Yu-Fai Suen | ... | for: Aramid Entertainment |
| Adrienn Szabó | ... | production assistant |
| Richard Szabó | ... | facilities manager |
| Ferenc Tóth | ... | stand-in: Mr. Curry |
| Béla Vaszary | ... | medical coordinator |
| Thomas Walters | ... | producer: making-of |
Thanks
| John Barnett | ... | the producers would like to thank: south pacific films |
| Nikki Barrett | ... | the producers would like to thank: barrett casting |
| Cathie Bartels | ... | special thanks |
| Stephen Boyle | ... | the producers would like to thank: australian film commission |
| James Braithwaite | ... | special thanks |
| Jules Buss | ... | special thanks |
| Stephen Callister | ... | special thanks |
| Jacqueline Cook | ... | special thanks |
| Coco Cowan | ... | special thanks |
| Raffaello John Cowan | ... | special thanks |
| Bowie Csupo | ... | special thanks |
| Brandon Csupo | ... | special thanks |
| Bret Csupo | ... | special thanks |
| Jarrett Csupo | ... | special thanks |
| Romeo Csupo | ... | special thanks |
| Ruby Csupo | ... | special thanks |
| Simon Eccles | ... | special thanks |
| Georgina Elms | ... | the producers would like to thank: lion hudson |
| Barbara Garlick | ... | special thanks |
| Tim Hardkandy | ... | special thanks |
| Gemma Hirst | ... | the producers would like to thank: david higham associates |
| Marylynn Iofino | ... | special thanks |
| Don Laventhall | ... | the producers would like to thank: harold ober associates |
| David McKay | ... | special thanks |
| Kate McKay | ... | special thanks |
| Rahul Modi | ... | special thanks |
| Jo Nolan | ... | the producers would like to thank: screen south |
| Vicki Popplewell | ... | special thanks |
| Phillip Russell | ... | special thanks |
| Tim Sanders | ... | the producers wish to thank |
| Tim Sanders | ... | the producers would like to thank: sensible pictures |
| Megan Simpson Huberman | ... | the producers would like to thank: australian film commission |
| Claire Torkington | ... | special thanks |
| Benjamin Turner | ... | special thanks |
| Rob Wendover | ... | the producers would like to thank: lion hudson |
| Sarah Young | ... | the producers would like to thank: autore pearls |