A fading movie star falls for a lonely young woman in Tokyo.A fading movie star falls for a lonely young woman in Tokyo.A fading movie star falls for a lonely young woman in Tokyo.
- Won 1 Oscar
- 97 wins & 133 nominations total
François du Bois
- Sausalito Piano
- (as Francois du Bois)
Diamond Yukai
- Commercial Director
- (as Yutaka Tadokoro)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBill Murray's favorite film of his own.
- GoofsWhen John (Giovanni Ribisi) first runs into Kelly (Anna Faris) in the lobby of the hotel he calls her Anna.
- Quotes
Bob: It gets a whole lot more complicated when you have kids.
Charlotte: It's scary.
Bob: The most terrifying day of your life is the day the first one is born.
Charlotte: Nobody ever tells you that.
Bob: Your life, as you know it... is gone. Never to return. But they learn how to walk, and they learn how to talk... and you want to be with them. And they turn out to be the most delightful people you will ever meet in your life.
Charlotte: That's nice.
- Crazy creditsAt the end of the closing credits, Hiromix (Hiromi Toshikawa), seen throughout most of the party sequence, waves to the camera.
- ConnectionsFeatured in Kevin Shields: City Girl (2003)
- SoundtracksBrass in Pocket
(1980)
Written by Chrissie Hynde and James Honeyman-Scott
Performed by Scarlett Johansson (as Scarlett T. Johansson)
Featured review
It's very interesting to see all of the ratings that Lost In Translation received in different countries. In Canada it is only PG, while in America it's rated R! And really, the only explanation for this is a brief scene at a strip joint that shows some nudity. I really look down on that R rating because Lost In Translation is a good-hearted film that should be enjoyed by all ages. Notice how during the 2003 Oscar season two films played the "only one special effect: the effect on the audience" card; one being this film and the other being Mystic River. Both are great films, both are rated R in the U.S., but only one of them can carry along its story without brutal murders.
So what can I say about Lost In Translation that hasn't been said a million times already? It's all true. It's subtle, down-to-earth, and allows the audience to observe and relate to the characters, Bob and Charlotte. Both of them have a life crisis to deal with, and I guess if you're thousands and thousands of miles away from your problems it makes it easier to take an objective look at them, even if they do follow you. Bob and Charlotte confide in each other and develop a relationship. That's what it's all about, and every scene is precious. It's a real and true to life kind of film. We never hear the lines: "Oh, Charlotte, I'm so glad I went to Japan. You've changed my life in such a profound way and you'll always be in my heart." That's because that just isn't the way it goes in real life. The feeling is there, the characters know it, the audience knows it, so it has to be left at that.
So, yeah, I love this movie. It's clearly the highlight of Bill Murray's career and marks the perfect first real stand-out in Scarlett Johanson's. It's so rare to see a movie that only has an interest in its characters (and only two of them, at that!) and makes them so charming, lovable, and familiar. This is a great example of non-Hollywood Hollywood films: the well-known actors and producers going to the roots of independent film-making. In an age where half the movies out there are packed with CGI, this is refreshing to see.
My rating: 10/10
So what can I say about Lost In Translation that hasn't been said a million times already? It's all true. It's subtle, down-to-earth, and allows the audience to observe and relate to the characters, Bob and Charlotte. Both of them have a life crisis to deal with, and I guess if you're thousands and thousands of miles away from your problems it makes it easier to take an objective look at them, even if they do follow you. Bob and Charlotte confide in each other and develop a relationship. That's what it's all about, and every scene is precious. It's a real and true to life kind of film. We never hear the lines: "Oh, Charlotte, I'm so glad I went to Japan. You've changed my life in such a profound way and you'll always be in my heart." That's because that just isn't the way it goes in real life. The feeling is there, the characters know it, the audience knows it, so it has to be left at that.
So, yeah, I love this movie. It's clearly the highlight of Bill Murray's career and marks the perfect first real stand-out in Scarlett Johanson's. It's so rare to see a movie that only has an interest in its characters (and only two of them, at that!) and makes them so charming, lovable, and familiar. This is a great example of non-Hollywood Hollywood films: the well-known actors and producers going to the roots of independent film-making. In an age where half the movies out there are packed with CGI, this is refreshing to see.
My rating: 10/10
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Perdidos en Tokio
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $44,585,453
- Opening weekend US & Canada
- $925,087
- Sep 14, 2003
- Gross worldwide
- $118,688,756
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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