The relationship between Sid Vicious, bassist for British punk group Sex Pistols, and his girlfriend Nancy Spungen is portrayed.The relationship between Sid Vicious, bassist for British punk group Sex Pistols, and his girlfriend Nancy Spungen is portrayed.The relationship between Sid Vicious, bassist for British punk group Sex Pistols, and his girlfriend Nancy Spungen is portrayed.
- Nominated for 1 BAFTA Award
- 4 wins & 2 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGary Oldman wore Sid's real chain necklace in the movie. When doing his research, Sid's mom gave him the necklace to wear during filming.
- GoofsIn one of the early pub scenes, the opening band for the Pistols is supposedly X-Ray Spex, belting out one of their best-known hits: "Oh, Bondage, Up Yours!" However, the lead singer Poly Styrene is depicted as rail thin, with long straight hair and no braces on her teeth; most surprisingly, she is portrayed as being white. In real life, Poly (Marion Eliott) is of Anglo-Somali parentage; and in 1977 she was not model thin, plus she had short curly hair and braces. This is because the group was originally meant to be Siouxsie and the Banshees, but they wouldn't give permission for the use of their songs.
- Crazy credits"And introducing the young Cat Vicious in the role of Smoky, Sid and Nancy's child."
Featured review
The brilliant performances of Gary Oldman and Chloe Webb in the title roles propel this bleak and depressing look into the calamitous relationship between Sex Pistols bass player Sid Vicious and American punk rock groupie Nancy Spungen. The characters are introduced to us in tragedy right from the opening scene, casting the rest of the film with a fatalistic sense of impending doom. These are two tortured souls in communion who seem at odds with just about every facet of society -- even the extreme punk rock counter-culture to which they both ostensibly belong.
A major problem with the film (and all the more reason to tip our hats to the two leads) is that Sid and Nancy are written as such abrasive and disagreeable characters, one is hard pressed to relate to them on any meaningful level.
And while the re-creation of their reckless and volatile rebelliousness is quite detailed and credible, we never get a sense of how they came to be so angry and tortured to begin with. Even the smallest glimpse at their inner turmoil would have gone a long way in creating sympathy and concern from the audience. Instead, director Cox relies on the pureness of their genuine love for each other to provide that hook. That strategy succeeds to the extent it does ONLY because of Oldman's and Webb's amazing transformation into these parts.
If you own a DVD player, try to get a hold of the Criterion Collection edition of this film. That disc contains some excellent, revealing footage of the REAL Sid and Nancy that was shot for a contemporary documentary on the Sex Pistols ill-fated 1978 tour of the USA. If nothing else, the footage will increase your appreciation for these two splendid performances.
A major problem with the film (and all the more reason to tip our hats to the two leads) is that Sid and Nancy are written as such abrasive and disagreeable characters, one is hard pressed to relate to them on any meaningful level.
And while the re-creation of their reckless and volatile rebelliousness is quite detailed and credible, we never get a sense of how they came to be so angry and tortured to begin with. Even the smallest glimpse at their inner turmoil would have gone a long way in creating sympathy and concern from the audience. Instead, director Cox relies on the pureness of their genuine love for each other to provide that hook. That strategy succeeds to the extent it does ONLY because of Oldman's and Webb's amazing transformation into these parts.
If you own a DVD player, try to get a hold of the Criterion Collection edition of this film. That disc contains some excellent, revealing footage of the REAL Sid and Nancy that was shot for a contemporary documentary on the Sex Pistols ill-fated 1978 tour of the USA. If nothing else, the footage will increase your appreciation for these two splendid performances.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Sid & Nancy
- Filming locations
- Oakland Court, Holland Park, London, England, UK(John & Sid vandalise a Rolls Royce)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $2,826,523
- Opening weekend US & Canada
- $50,829
- Oct 19, 1986
- Gross worldwide
- $2,850,707
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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