User reviews

This entertaining effort from 1983 has everything you would expect from a Spanish horror movie: a) Paul Naschy, b) a low budget, c) a curse from the past and d) gratuitous gore to satisfy splatter freaks.

Even though the production values are rather low key, the film is always entertaining and keeps you interested from beginning to end. There are enough twists to develop a decent plot filled with surprises. And, as mentioned before, there are also a handful of gory moments that are well crafted and really nasty (but don't expect a movie focused on blood and guts).

The most remarkable aspect of the plot is its mix of crime thriller and ghost story elements, which fit together surprisingly well. And this is one of those movies, where Paul Naschy's character is NOT the ill-fated Valdemar Daninsky!

Recommended for all friends of European horror.

"Latidos De Pánico" aka "Panic Beats" of 1983 is a neat little Horror film that mainly profits from a load of sleaze and Spanish Horror/Exploitation-icon Paul Naschy, who serves as leading man, writer and director. Paul Naschy enjoys a cult-status among my fellow fans of European Exploitation cinema, and, as far as I am concerned, his reputation is more than deserved. While the films he was involved in (as actor, writer, and sometimes, such as in this one, as director) may not qualify as being masterpieces or milestones, all Naschy films I've seen so far are highly entertaining, sleazy and violent little films that any fan of trashy low-budget Eurohorror should enjoy. What is most important, however, is that all of the man's films have a certain inimitable charm to them that can not be found anywhere but in a Naschy film. Naschy is probably best known for his role as Werewolf Waldemar Daninsky, whom he played in thirteen films so far, most famously in "La Noche De Walpurgis" of 1971. The character of the blood-thirsty knight Alaric De Marnac, whom Naschy plays here, is more sardonic than the Werewolf character, and, once again, the film has to do with a family curse. Naschy had already played Alaric De Marnac once, ten years earlier, in "El Esperanto Surge De La Tumba" ("Horror Rises From The Tomb", 1973). In addition to a creepy atmosphere and the usual Naschy-esquire charm, this sequel has a wonderful sense of black humor.

In the 16th century, the insane knight Alaric De Marnac (Naschy) terrorizes rural France with his blood-lust, using mainly his favorite weapon, the flail. Centuries later, his ancestor Paul Marnac (also Naschy) comes to his family's old castle with his wife, who needs the rural air in order to cure her heart disease... The film may not have the most logical storyline ever, but it delivers more than just diverting sleaze and gore. Naschy the director delivers a wonderful atmosphere, and Naschy the actor delivers an awesome lead. Sexy Paquita Ondiviela gets naked at every occasion and she also fits very well in the female lead. Paul Naschy plays his two roles with his usual greatness. Some may disagree, but I am personally a massive Naschy-fan, as he makes every film worthwhile, and his status as a Eurohorror-icon is more than justified. And while "Latidos De Panico" is maybe no milestone, I highly recommend it to my fellow fans of Eurohorror. Even if cheesy, this is great fun and a film that Exploitation lovers should enjoy. Not to be missed by my fellow Naschy-fans!

Paul Naschy was quite an important contributor to the industry of European horror films, and I'm an unusually big fan of his work and persona, but he undeniably never accomplished anything major or classic during all his years of film-making. The titles in his repertoire provide large portions of gore and sleaze (thumbs up for that!) but his screenplays are generally uninspired and too often revert to the same old and repetitive basic premise. Apparently, Mr. Naschy just loves to play his own descendant in stories that revolve on ancient folklore legends and family curses. The entire "Hombre Lobo" cycle is based on this principle as well. "Panic Beats" is sort of like a re-telling of Naschy's earlier film "Horror Rises from the Tomb", as both films feature a murderously mad 16th Century knight - Alaric de Marnac - who supposedly returns from the grave to slay unfaithful women. In this film, 20th Century sleaze-ball Paul uses the petrifying myth to scare his wife to death, inherit her family fortune and marry a young & viral beauty. But, unfortunately for Paul, there's a lot more treason going on behind his back and he also never took into consideration that the myth of his malevolent ancestor might have some truth in it. The plot of "Panic Beats" is overall very dull and it doesn't feature a single story-element or twist that you can't see coming from several miles away. Every dire cliché and stereotype you can think of regarding isolated country mansions and medieval curses is predictably processed into the script, including the loyal old servant and the knight's armor that seemingly moves all by itself. But hey, as usual it was the high gore & sleaze factor that eventually convinced me to reward "Panic Beats" with a positive rating after all. There are a handful of truly nasty murders, committed with axes and other typically medieval armory. Beautiful feminine nudity is provided by luscious women such as Silvia Miró and Paquita Ondiviela, who both go full frontal without hesitating. I just wished Paul Naschy didn't insist on showing so much of his own naked and unusually hairy torso. Oh well … Recommended to all fans of trashy euro-horror, and the Mondo Macabro DVD is a real treat full of phenomenal extras!

This is a typical Paul Naschy movie and as such is difficult to describe to someone who hasn't seen one. On one hand, it is very old fashioned movie hearkening back to classic American thrillers like "Gaslight" or classic European thrillers like "Diabolique". On the other side, it opens with the scene of a completely naked women being chased through the woods by a knight on horseback and then brutally maced (in the medieval sense)into bloody pulp. (People who complain about the sexism and violence toward women in American films ought to take a gander at this).

Naschy has a way of combining disparate horror themes and subgenres in what seems like a very random, everything-but-the-kitchen-sink manner (his werewolf films, for instance, have involved everything from Dr. Jeckyl and Mr. Hyde to Countess Elizabeth Barthory to a Himalayan yeti). In this film he uses the evil Count Marnac he created for an earlier movie, "Horror Rises from the Tomb", but rather than making a conventional sequel he freely re-writes the legend making the knight an avenging figure who punishes unfaithful women (in "Horror" the count's wife was a conspirator in his crimes, here she is his first victim). Then he proceeds to ignore the supernatural elements of the story until the very end to tell a "Gaslight"-like tale of a man (Naschy himself, natch) who is only using the legend to frighten his wife to death. He wants to be with a mistress, of course, but just to needlessly complicate things he has TWO mistresses--the very sexy "bad seed" niece of his housekeeper(insert audible drooling sounds here) and another woman (who seems to only exist to provide additional nudity and and another gory killing, but oh well). The whole thing really shouldn't work, but somehow it does.

The recent Mondo Macabre disc this comes on is one of their best with a very interesting (but lamentably short) documentary that serves as an excellent primer for Spanish horror in general, and a longer, equally interesting interview with the erstwhile Spanish werewolf himself. This is neither the best or the worst Naschy movie I've seen, but this new disc should be a must-have for any Naschy/Spanish horror fan.

Paul Naschy films can be more than just a little bit hit and miss - and unfortunately there's a lot more misses than hits, but every now and again you happen upon a good one and this flick is certainly among the better Naschy films that I've seen. The film is directed by Naschy himself, and true to form (considering how a lot of his films are rather similar to each other) this one takes a hell of a lot of influence from Naschy's earlier works, particularly the boring Horror Rises from the Tomb. It's not original by any stretch of the imagination, but Panic Beats works well thanks to its atmosphere, gore and plot twists - it's almost verging on being a Giallo! The plot focuses on Paul; a rich descendant of a legendary knight named Alaric de Marnac. The knight has his own legend, and apparently he reappears every 100 years to batter any unfaithful women around his house. Paul decides to move his rich, but terminally ill wife up to the castle where the knight is reputed to have lived. Strange things start happening, and it appears the legend may be true...

The film gets off to a great start as we watch the knight chase down and slaughter a young woman. The film slows down from there and focuses more on the plot and characters. I won't say that it's all that interesting, but the film never gets boring and the way that we focus on the legend of the ancient knight is good. The film really picks up around the middle when the twist in the tale is revealed and it becomes obvious what the film is actually about. Naschy packs this flick with plenty of gore which is nice and the way that it's dished out is often unpleasant, which of course is also nice. There's a fair bit of bloodshed and the budget constraints were obviously a problem as it looks rather cheap - but it's still nice to watch. There's not as much nudity on display as some Euro-horror fans will be used to but Naschy is nice enough to cast some beautiful women and we do get some nudity. It all boils down to a predictable but well worked ending and while I cant say that Panic Beats is right up there with the best that Euro-horror has to offer - it's certainly a decent little film and above average for Naschy flick so I can recommend it.

Jacinto Molina or Paul Naschy is actor, screenwriter and director of this film about his popular role ¨Alaric De Marnais¨ based on a real character , Gilles De Rais , a knight of the Dark age during XV century , under command of Charles VII of France in times of Joan of Arc and as well as a murderer of hundreds of children . The first film he appeared was ¨El Espanto Surge de la Tumba¨ (Horror rises from the tomb 1972) directed by Carlos Aured and where Alaric is beheaded in public execution , then he swears revenge facing the executioner and his descendants . Now is a ghostly presence that heckle his eternal rest for executing a merciless vengeance in a script plenty of gaslight , murders and adulteries at a countryside mansion .

It's a B series entertainment with abundant sensationalistic scenes and a ¨Naif¨ style . The movie has a bit of ridiculous gore with loads of blood similar to tomato . Revolting , horrible scenes and nasty images take place as slashing , decapitation , and bloody murders with axes and other tools . As usual , Paul Nashy exhibits breast , as he was a weightlifting champion . Julia Saly interprets as the suffered wife and Lola Gaos as the old servant . Abundant nudism in charge of gorgeous Pat Ondiviela . It's a sequel to ¨Devil's possessed¨ or ¨Mariscal del Infierno¨ based on the historic character Gilles De Rais . Gilles was a devoutly religious follower of Joan of Arc who fought valiantly on her side and was later trialed and executed by the Catholic Church for heresy and sexual crimes committed against children . As Rais served as a commander in the Royal Army , distinguishing himself by displaying reckless bravery on the battlefield during the renewal of the Hundred Years War . Rais's prosecution would be on charges which included murder , sodomy , and heresy. The precise number of Gilles' victims is not known, as most of the bodies were burned or buried. The number of murders is generally placed between 80 and 200 ; a few have conjectured numbers upwards of 600 . The victims ranged in age from six to eighteen and included both sexes.

The motion picture was regularly directed by Jacinto Molina , being produced , wrote and shot in his peculiar style . The late Naschy was a good professional , writing, filmmaking and acting about hundred titles , mainly in terror genre . ¨Marshall of Hell¨ is written by Molina along with 21 screenplays as ¨Mark of Wolfman¨, ¨Night of Walpurgis¨, ¨Vengeance of the mummy¨, ¨Licantropo¨, among them . The flick will appeal to Paul Naschy fans and horror genre enthusiasts . Rating : mediocre but entertaining .

A wonderful, although nasty, opening with ancient knight in full armour swinging a mace on horseback galloping in the woods at moonlight and chasing a naked woman and finally bludgeoned to death. The film then gets a bit slow but then after about half way it really starts up again and there is a lot of killing which is rather silly and horrible with plenty of gore and nudity. There is usually we can imagine what is going to happen but there is the odd surprise and the end leaving us with a smile.

This is out on DVD from Mondo Macabro, and I confess I own every DVD they've put out, even the UK-issued PAL ones. Well, one exception: I did not get O Ritual dos Sádicos (1970) AKA Awakening of the Beast, since I'd seen it already in Image Entertainment's Coffin Joe box set and I absolutely hated it. I'll also admit to the fact that I get a kick out of watching horror movies that have relatively few user ratings on the IMDb (less than 100, less than 20). So of course I bought Panic Beats when it came out!

The lead in Panic Beats is played by Paul Naschy AKA Jacinto Molina, a very prolific Spanish actor specializing in horror. In spite of his many films, I think the only ones I'd seen previously were La Orgía de los muertos (1973) and Dr. Jekyll y el Hombre Lobo (1972), the latter of which was one of Mondo Macabro's PAL DVDs. So far, I don't see the appeal of him as an actor. He looks a little like the late John Belushi, but seems to lack the humor and charisma. Naschy's acting, particularly in Panic Beats is very stoic, very nearly expressionless.

Panic Beats starts off energetically, with a scene set in the past with a knight chasing down a fully nude woman and killing her with a mace. The knight is Alaric du Marnac, a Gille de Rais-type character Naschy'd played before in Espanto surge de la tumba, El (1973).

After that, it's in the present day. Naschy is married to a nervous woman prone to nightmares. He takes her to an isolated home owned by his family, and their trip is not without incident. At the home is an old family servant and a pretty young relative of hers. The movie's pace is pretty slow for some time after their arrival, and it becomes evident that Naschy intends to "gaslight" his wife (Naschy, as the film's writer/director was consciously drawing from Gaslight, and Rebecca, the novel of which is mentioned by a character). Also being referenced is Les Diaboliques (1955), particularly in one scene stolen from that film, and poorly imitated here.

Much of the terror of the film is supposed to come from what is supposed to be a ghost of du Marnac, dressed in armor. Naschy, as writer/director again thought the idea of a knight moving like a tank through a modern home to be terrifying in itself. Given the incongruity, perhaps it could have been, but it is not here. It doesn't help, for example, that the house is already filled with several sets of armor; gone the incongruity - this is no "clown at midnight" to borrow Robert Bloch's phrase. The armor is also quite plain and shiny, which I didn't think helped either. And for myself, I'll add that I more or less immediately thought both of the knight in Scooby Doo, and the rubber-chicken wielding knight in Monty Python's Flying Circus TV series. An example of a terrifying knight in a modern context that worked would be the knight in Terry Gilliam's The Fisher King, so the idea is not without potential.

Naschy has lovers, and confidants, and people outside his plot yet within his circle, so there is the potential for things to start going wrong. The movie gets more interesting when this happens. There is some gore, but really not a lot. There is some full frontal nudity, and you also get to see rather a lot of Naschy who for an ex-weightlifter looks more burly than muscular.

I found the movie to be disappointing. I did like the special features, though. There is one on Spanish horror films, making particular mention of Naschy, Jess Franco, Jorge Grau, and Amando de Ossorio. There is another that is an interview with Naschy. Both are quite interesting, and made the movie not seem like such a bad purchase.

That icon of Spanish genre cinema, co-writer / director / star Paul Naschy, here plays a guy named Paul, married to a beautiful heiress (Julia Saly) with serious heart problems. It's determined that the best way for him to help her is to take her out of Paris, to his ancestral home in rural France. She *does* get better, for a while, until numerous macabre visions threaten to push her right over the edge.

This effort from Naschy doesn't have that much to do with the traditional horror genre. Although it gets *fabulously* gory, it's more of a crime picture focusing on a truly despicable bunch of self-serving heels. Genevieve is practically the only sympathetic character! That said, once I got over what this movie is not, I really enjoyed it for what it *is*. It's wonderful soap opera style trash, complete with well-appreciated nudity as well as graphic violence. Although the story deals with an old "legend", the supernatural doesn't really figure in until the finale, with the ultimate bit of comeuppance. Granted, some of the writing was predictable - but some of the twists were fun. The young ladies present (also including Frances Ondiviela as Julie and Silvia Miro as Mireille) are real stunners, especially Ondiviela. Naschy himself is in fine form, and Lola Gaos, who plays the maid Mabile, has a great character face.

Well recommended to lovers of cult European cinema, Naschy aficionados in particular.

Seven out of 10.

Paul Marnac,the offspring of Alaric de Marnac(of "Horror Rises from the Tomb aka El Espanto surge de la tumba",1973)takes his ill wife Genevieve on a vacation.Marnac family's manor hides an terrible history beneath and after awhile it seems that something evil has risen from the past.At the same time young woman Julie is going to have an affair with Paul.It looks like either a cruel plot against innocent Genevieve or something evil and unnatural.This mix of horror,sleaze and black comedy works for me.There is a little bit of gore and a decent amount of fill-frontal nudity,so my grimy exploitation heart was satisfied.Simple but stylish camera work combined with vivid colours is very close to 60's era of Hammer Films' classics.But like Naschy in his lead role,the whole film contains fun and foolish camp tone in it and therefore cannot be taken seriously.8 out of 10.

Hasn't Naschy already done the ancestor/descendant thing? No matter, for watching Naschy direct and write and act (he does it all here) is always a pleasure - a guilty one, of course, as his films will win no awards.

The film opens with a man on horseback in full armor swinging a mace as a naked girl runs for her life. Let's see Scorsese do a better job of directing that scene!

Initially, the film does not appear to be more than lots of screaming at ghosts and gore, semi-transparent nightgowns, and a man determined to rid himself of a sick wife. But, hey, that's enough for an enjoyable film. However, more murders occur, the gore gets ratcheted up, and there are some interesting twists.

Besides Naschy, Paquita Ondiviela by herself makes the film worth watching. Too bad it is the only film available in which to see her. Silvia Miró is no slouch either. Both provide considerable full frontal.

Cult Spanish horror actor Paul Naschy not only stars in Panic Beats—he wrote and directed it too; I guess that puts the majority of the blame for this dreadful mess squarely on his massive hairy shoulders.

Taking the basic premise of French classic Les Diaboliques for the first half of his story—someone plots to kill their spouse by scaring them to death—and then veering wildly off in to all manner of convoluted goings on, until the final supernatural ending, Naschy delivers a muddled effort that bores more than it scares.

The film starts rather promisingly with a nifty pre-credit sequence that sees a nekkid chick running for her life from an evil knight on horseback. Falling to the ground in terror, she is beaten to death by the knight—weapon of choice: a nasty looking flail with spiked metal balls.

The rest of the film is set in the present day, and proves to be pretty uninspiring stuff, until about 20 minutes from the end, when viewers are treated to smattering of cheesy OTT gore. At least Naschy has the decency to feature a couple of Euro-babes in the altogether to keep us from completely glazing over; Paquita Ondiviela (¡Ay, caramba!) is particularly winsome as the wayward niece of Naschy's housekeeper.

Panic Beats is a film I can see appealing only to die-hard Euro-horror completists; anyone else will have a hard time seeing this one through to the end.

Panic Beats (1982)

** 1/2 (out of 4)

Paul Naschy plays a man trying to care for his ill wife while carrying on affairs with two other women. All three women are causing him problems but thankfully there's a family curse that has a Knight return from the grave a kill anyone who dares harm him. Naschy also wrote and directed this film that has a very nice premise that goes back to his Horror Rises From the Tomb film. As usual, there are plenty of beautiful naked women but Naschy also adds some nice atmosphere, gory death scenes and some tense moments. However, like many other Naschy films, this one here eventually drags in a few spots but it's still well worth watching especially for a couple nice twists in the story.

Greetings And Salutations, and welcome to my review of Panic Beats; here's the breakdown of my ratings:

Story: 1.00 Direction: 1.25 Pace: 1.25 Acting: 1.25 Enjoyment: 1.25

TOTAL: 6.00 out of 10

Panic Beats is a definite Paul Naschy vehicle. Not only does he star, but he has written and directed this Dark Thriller come Horror flick. The lucky thing for the audience is that Naschy's accomplished in all of the principles.

The story's been written and filmed many times. Boy meets girl and falls in love - Love turns to despisement - Disdain germinates into murderous notions - People die. What provides the story with a breath of freshness is the motivations and complications of its characters. Naschy litters the tale with red herrings, both scripted and visually on screen. However, I still found it easy to surmise who the killer was before two-thirds of the story was complete. Luckily Naschy adds extra interest with his characters and background mythology, so I never lost my involvement.

The filmmaking is a tad simpler than the narrative. Naschy opts for basic camerawork, which works well. He tries to get creative with light and shadow and more engaging camera angles, usually when the scenes demand it - like when he uses special effects. Though, more inventiveness would only have added power to the picture. The one thing he excels in is controlling the pacing. He keeps the storytelling to a steady trot but gets it up to a gallop or a sprint when the action starts and the jump scares spring forth. And when he wants you uneasy, he adds the creepiness by prolonging the scene. One of the worst things about the filming was the FX heads. I loved the idea of the human heads mounted on the walls in place of the stags. What would have shoved the nightmare into awesomeness would have been realism. They looked so cheap and fake that they were laughable. It's sad because there aren't that many effects in the movie.

Naschy and the cast are outstanding in their performances. Each actor and actress play their part to the full. Only one actress stood out for me, Lola Gaos as Mabile. I believe it's because I liked her character the most, and Gaos superbly nails the servant woman come surrogate mother's persona.

Panic Beats is a watchable and enjoyable movie. You can use your detective skills to derive the murderer's identity or merely sit back and savour the film. Thanks to the story and film construction, either works well. Definitely worth one watch.

Please feel free to visit my Killer Thriller Chillers, Absolute Horror, and The Game Is Afoot lists to see where I ranked Panic Beats.

Take Care & Stay Well.

"Panic Beats" or "Latidos de pánico" is a movie made just well enough to be an OK watch. However, storywise, it's more reminiscent of an episode of soap opera than a horror movie, which isn't necessarily bad, but it's surely not an achievement. Horror parts of the movie are nothing special and rely on gore to be shocking. There are no tense moments and there are no cool chase scenes and the opening and ending music theme of the movie absolutely doesn't fit into a horror movie. However, the movie looks and feels OK, there is some decent nudity thrown in the mix and, all in all, there are far worse movies for a horror movie genre fan to spend time on. I give it 6/10, but I recommend it only to the most hardcore genre and Naschy fans, because the rest won't find anything worth their trouble here.

Panic Beats (1983) is a Spanish horror movie I recently watched on Tubi. The storyline for this picture involves a sick wife whose husband takes her out of the city and to their home in the country. Unfortunately for the couple a deceased creature is under the estate committing heinous murders. What is the creature and where did it come from? This movie is directed by and stars Paul Naschy (Night of the Werewolf), Lola Gaos (Poachers) and Manuel Zarzo (The Adventures of Baron Munchausen). The storyline for this picture had potential but due to limited budget, poor film quality and a lot of the scenes filmed way too much in the dark this wasn't as entertaining as it could have been. The creature once you see it is absolutely awesome. I loved the makeup and mask, which only further showed how much potential this film had (they should have showed the monster the entire film). There was some good music and surrounding sounds as well. Overall this is a below average movie that isn't a complete waste of time. I'd score this a 4/10.

The god of Gothic Grisly, Paul Naschy leaves no crumbling terror tomb undisturbed in his unrepentantly gory tribute to the more unhinged qualities of vintage Gothic horror mayhem! With one of the more spectacularly lurid introductions from his glorious oeuvre, we see the truly nightmarish plight of the nude adulterous wife of sadistic, Alaric de Marnac (Paul Naschy) being chased through the crepuscular woods by her enraged husband!!! Finally exhausted, she collapses and tearfully begs for mercy, only to receive a heinous shellacking with a menacingly wielded mace!!! The revered Spanish scion of shock begins his wantonly wicked splatter opus 'Panic Beats' in an audaciously bludgeonous fashion, happily, saving the bloodiest beating for last!

Gifted writer/director, Jacinto Molina (Paul Naschy) puts his burly physique, and sinister screen charisma to grisly good use in the gruesome guise of egregious villain, Alaric de Marnac. Simmering no less sinisterly as erstwhile architect, Paul de Marnac, the apparently dutiful husband to his beautiful, very rich, terminally ailing wife, Genevieve (Julia Saly). Paul spirits her away to his isolated ancestral home, ostensibly to be cared for by stalwart housekeeper, Mabile (Lola Gaos), and her feckless, strikingly nubile, altogether troubled niece, Julie (Frances Ondiviela). Into this increasingly uneasy domestic tableau, writer, Naschy upturns a veritable hornets nest of rampant infidelity, bloodthirsty black magic, ice-cold intrigue, darkly fulminating sexual passions and a sinister soupçon of, Henri-Georges Clouzot's insidiously influential 'Les Diaboliques'. This deliciously toxic cauldron of matrimonial deceit, macabre medieval retribution is sonically sweetened with a lush, especially groovy, David Axelrod-like score by blissful beat magicians Moncho Alpuente & Servando Carballar. Macabre movie icon Paul Naschy's majestically mean spirited 80s horror still beats you in the face with all the formidable bloody force of a medieval mace!

Paul Marnac, descendant of the 16th century warlock Alaric de Marnac, takes his sick wife back to his family home where she will be looked after by two maids in the family's employ: one, old and faithful, the other, young and beautiful.

Before the married couple even arrive at the house events transpire to threaten the wife's fragile health. There is an attempted robbery on the road, thwarted by the powerfully-built husband, but when the pair arrive at the de Marnac family estate rather than quieting down things take a turn for the bizarre and the gruesome.

This is a delightful Naschy horror romp in which the character of Alaric de Marnac makes his second and only appearance after the classic Horror Rises From the Tomb. Naschy keeps you guessing with constant surprises as the supernatural aspect of the story, generally a Naschy mainstay, is played down in favour of good old fashioned human iniquity. Indeed, the story makes you wish Alaric de Marnac could have made further appearances, but this was the last we ever saw of the character.

Having seen a number of the late Paul Naschy's flicks, I expected "Latidos de pánico" ("Panic Beats" in English) to have no shortage of gore. It didn't disappoint. I also knew in advance that this is one of the movies in which Paul Naschy - whose real name was Jacinto Molina - does not play werewolf Waldemar Daninsky. The plot has a man and his infirm wife moving to his childhood estate, which was also the residence of his bloodthirsty ancestor. There is a legend that his ancestor rises from the dead to get revenge on anyone who wrongs his descendants. When mysterious things start happening at the estate, the wife begins wondering if the legend is true.

I do prefer the movies in which Naschy grows fur and fangs, but this one was still cool. There's plenty of nudity, and even a see-through nightgown! There was something else. Usually I think that Paul Naschy resembles Quentin Tarantino. In most of this movie he did, but while wearing a hat, he looked like Marlon Brando in "The Godfather", and in the photo he looked like John Belushi in "Animal House". And this is in a horror flick!

Anyway, it's some real fun. In the first scene with the snake, I blurted out "I've had it with these mother***king snakes on this mother***king grave!"

PS: It's too bad that Paul Naschy never collaborated with Pedro Almodóvar on a movie. THAT would have been something cool! Probably a story of a werewolf having to deal with a damaged relationship.