User reviews

This is quite a graphically violent and explicit film. It's much more graphic than I expected. It's not really a werewolf movie. There are violent attacks where throats are ripped out, but it doesn't really have the supernatural element we might expect. This is a case study of a woman who has been so badly abused that she loses her sense of self and strikes out against all men. Even when things begin to go well, it's as if she has been singled out for some kind of demonic punishment. Unfortunately, many others suffer her wrath, some deserving, others not. The scenes are pretty explicit and ugly. This is one of those movies that kind of grabs you but it's more like going to an auto wreck than something desirable. It's not badly made and moves pretty well. Be forewarned, however, that it isn't for all tastes.

Now here Rino De Silvestro also talks a stroll down copious nudity avenue, but this seemingly has some sort of point to make about childhood trauma, the cycle of sexual violence and perhaps the menstrual cycle. Either that or those are all an excuse for copious nudity. Let's find out!

Daniela (played by Annik Borel) has a dream where she turns into a werewolf and gets chased by some villagers, resulting in one particular village getting his face split open in a rather nasty manner. But, a dream is a dream, and although Daniela's is having a spot of the old brain trouble following a rape when she was younger, her father would rather just get on with life. After all, they stay in relative isolation in a villa in Italy, and Daniela seems happy enough, although the prospect of her sister visiting with her husband doesn't please her that well. Oh, and she's also become obsessed with a picture of a distant relative and a curse that her family always end up turning into werewolves.

Her sister is played by Dagmar Lassander, and it seems that Dagmar is a lot fonder of her sister than the other way round. Also, Daniela spends most of the conversation just staring out at the moon, but later gets it together to go spy on Dagmar and her husband getting some (and strangely, Dagmar isn't a real redhead, I now know...). After spoiling it for them, Daniela is followed outside by Dagmar's husband, whom she comes onto and of course bites the throat out of. Sisters, eh? It's all written off as a dog attack but just to make sure Daniela is sent to a loony bin anyway. I forgot to mention that Dagmar's husband looked like that guy from Daniela's dream and her relative from the picture came to visit her in a vision, but attention to detail is not my strong point. Neither is being coherent.

Daniela ends up getting strapped to a bed for her own good but as this is an Italian film that just gives someone else the opportunity to feel her up, but luckily Daniela is tooled up with a scalpel and the next thing you know someone's dead, Daniela's escaped, and as an added bonus she seriously assaults a doctor. Time to start a new life, Daniela! Well, after you kill that guy that tries to rape you.

This is where Howard Ross comes in and he's a good guy AND a stunt man! This leads to a bizarre romance/stunt montage while Daniela realises that not all men are jerks, just 99% of them as she finds out when a bunch of guys turn up and rape her and kill Howard Ross. Is there any plot left that I haven't described in detail? A little bit I guess.

I've never been a big fan of rape in films, and the last three films I've watched from Italy in 1976 have all featured it, so that's no good. On the other hand, I think the director here is trying to say something or other about female power as Daniela just straight up murders every man who does her a wrong, usually powered by the moon. Or periods? I don't know. There is an absolute blizzard of nakedness in this film but none of it erotic. It seems to be there to add to the animalistic tendencies of Daniela. I had no idea what to expect from this film and despite the dodgy subject matter stands out as quite an original film. Not a very comfortable one, however.

First off - don't go into WEREWOLF WOMAN thinking that you'll see much actual werewolf action - you won't. The best part of this film is how goofy and inept it actually is. Bad acting, horrible (but hilarious) dubbing, some OK gore (for a 70's Italian joint) and a good bit of nudity make this one worth a look, if you dig this sort of stuff...

The "werewolf woman" in question, was apparently some chick that was raped who think she is a werewolf based on the fact that one of her previous ancestor was. Her rape experience makes her prey on men as a way of dealing with her experiences. The rest is a bunch of Italian sexploit nonsense that takes itself awfully seriously for such a cheezy-ass film...

Don't expect a masterpiece with this one. It pretty much looks visually like every other Italian sexploit film out there, and the "werewolf" angle is highly over-rated, as there is no real werewolf action to be had in this one other than the first five minutes or so. If you are new to Italian sexploit films, or have exhausted your choices and are a genre-lover, then check this one out...otherwise - it ain't bringin' nothing' new to the table...6/10

Soft porn Italian she-wolf horror with loads of throat-ripping, c-word yelling debauchery to offend almost everyone. A young woman (Borel) believes she's the reincarnation of a two hundred year family link to lycanthropy, and duly turns into a savage she-wolf during the full moon. Complicating matters, she's also sex-averse due to a harrowing experience when she was younger, seducing her victims before gorging on their blood in retribution for their misguided advances.

Frequent disrobing by almost all of the female cast and a plethora of gory murders will appeal to some audiences, the line between mainstream feature film and sado-porn is sometimes teased, but never fully crossed. Dagmar Lassander has a largely extraneous and minor role, most of which is a sex scene, while Frederick Stafford does an amiable job as the inspector with an ever-burgeoning mountain of corpses, courtesy of our fair maiden Borel. For her part, Borel is intense and obviously committed to her performance, but the film's erratic narrative fails to focus and consequently, her role is shallow and uninvolving.

Director Silvestro seems uncertain whether he's making a werewolf movie, attempting a mental health statement, a rape and revenge flick, or just a softcore trip with apparently divergent themes awkwardly woven into the tale that seems at times never-ending (I saw an uncut 100 minute version which despite all the climaxing throughout the movie, fails to deliver one at the film's sunset). Little suspense, just buckets of gore, nudity, self flagellation, various sexual acts and grade A profanity to pass the time. Bring it on.

I started watching this movie expecting some barely tolerable Hammer horror film wannabe... and I wasn't far off. There's a fair amount of glimpsed gore, and they threw in lots of nudity, but the latter half of the movie presents a few ironic twists. Holy cow, they actually put a little thought into the story, and didn't completely fall into the predictable stuff one expected at the outset. And dare I say it, some of the "gratuitous" nudity wasn't so gratuitous after all, because it fit in with the story and setting.

Don't get me wrong, it's still overall a bad movie, but as bad movies go, it's a shade more intelligent than the REALLY horrible tripe like Mesa of Lost Women and Robot Monster.

This film ends with a speech in which the narrator tells us the fates of two of the lead characters and that the names of people and places have been changed...before telling us that relation to actual people and events are purely coincidental. This ending line actually sums up everything that has gone before it; as Rino Di Silvestro's messy film completely lacks vision, and if there is any point to the plot; it wasn't put there on purpose. Werewolf Woman is often seen as a guilty pleasure or a 'so bad it's good' film, but I completely disagree. Normally, I enjoy films like this; but Werewolf Woman is indeed a bad film, and despite all the sex and savagery on display; it doesn't even make for a fun watch, and that really is unforgivable. The film really doesn't have much plot, but the thin sliver we are given involves a young woman, who also happens to dream that she is a werewolf. She dreams of going out and finding men, having sex with them and eventually killing them. Back in the real world, she falls in love, but her lover is killed and she goes out for revenge...

The film is made up of scenes of sex and gore, which are padded out with extremely dull talking sequences in which various characters mull over the recent events. These scenes are probably there to forward the plot and build characters; but they really don't do that, and succeed only in turning what could have been a passable exploitation romp into an extremely underwhelming film. It would seem that the director was more interested in style and atmosphere than the plot, and this is shown by the fact that the film looks and sounds nice. The sex scenes are often overlong and not very erotic, but the gore works well. The premise is ripe for giving way to a very sexy slice of exploitation, as there's plenty of naked women, and the fact that the central character has a werewolf origin means that there could be plenty of erotica; but this isn't capitalised on, and while I can stomach huge doses of bad acting and poorly done plot lines, I really can't stand watching films and being bored. Overall, I wouldn't even recommend this film to big exploitation fans. There's plenty of better stuff than this out there, and while the title may sound intriguing - the film isn't.

Daniella Neseri raped as a girl,channels her hatred towards men by summoning and becoming possessed by a deceased and vicious female werewolf ancestor.She lures victims by her charm,sexual drive and seduction before turning into the Wolf-woman to graphically take a bloody revenge and kill them."The Werewolf Woman" by Rino Di Silvestro of "Deported Women of the SS" fame is a very sleazy Italian horror film loaded with gore and graphic nudity.The first dreamy sequence in which Annik Borel is writhing and dancing naked before transforming into werewolf left me stunned.The film is occasionally quite dull,however it surely contains lots of nudity,soft core sex and bloody mayhem.I particularly liked the supernatural aspects of the story.The acting is bad and the dubbing is even worse,but overlook that and we have an enjoyable piece of Italian sleaze with no artistic pretensions.I wanted nudity and gore and that's what I've got.7 out of 10.

Those looking for an entertaining slice of classic lycanthropic Euro-horror will probably be disappointed by the lack of a fanged, furry female in this trashy effort from director Rino Di Silvestro: the only real werewolf woman in the whole film appears for approximately six minutes at the very beginning. The rest of the film takes place 200 years later and stars Annik Borel as Daniela, an emotionally disturbed man-hater (she was raped as a teenager) who believes that she is the reincarnation of her ancestor, the aforementioned werewolf woman. Whenever the moon is full, Daniela loses control (but doesn't get any hairier) and savagely attacks men, leading her to be institutionalised. One night, Daniela makes her escape, and continues her murderous ways until she falls for a kind stuntman called Luca (Howard Ross), but her happiness ends when she is raped by three men and Luca is killed trying to protect her. Daniela takes revenge, but the police are hot on her trail.

The film features tons of explicit female nudity (Borel frequently gets buck naked, even flashing her taco; the gorgeous Dagmar Lassander, as Daniela's sister, has a steamy sex scene; and a young woman strips off for a tryst with her lover in a barn), and there's a smattering of gore, but the film is remarkably dull for one packed with so much exploitative sleaze. The action is tedious, overly talky, and ends with a damp squib, Daniela caught by the police without putting up much of a fight.

Worth a watch if you're a fan of Annik Borel or Dagmar Lassander, but a disappointment for this particular horror addict.

I don't know how I could explain that I like Werewolf Woman. It doesn't work logically as a movie, but does one go into a movie that's about a schizo who craves the company of men and then kills them at the instant they try and have their way with her expecting great art? It's a little like a rougher, more sexed-up cut of David Cronenberg's Rabid, only here the dead or injured don't come back to life. This time it's Annik Borel, instead of Marilyn Chambers, as the perplexed anti-heroine of the story. The catch with her is that she has werewolf ancestry in her blood, and after a cruel rape (which we may or may not see on screen, I can't remember) she goes on a killing spree.

The dubbing is bad, but maybe deliberately so; Leone didn't have dialog so bad that it made the voice-over actors cringe as they said some of their lines. And sometimes the director and crew get creative with blood and various colors: there's a shot when Daniella, after attacking a nurse whom she's snuck into the car with, gets out of the now crashed vehicle, and the first shot seen looks as though there's blood everywhere, though it's mostly just the seats and a jacket. For a moment or two, Werewolf Woman carries artistry (not to mention during a particularly steamy sex scene as Daniella watches with hungry, jealous eyes of a friend getting it on with a friend).

When all is said and done, Werewolf Woman does teeter between a hot and exciting half-farce half-serious/pretentious drama on a woman's descent into madness and murder, and it doesn't amount to any kind of 'statement' except that, um, crazy women with a disease passed down through the generations can't be stomped out so all men with penises have to pay. Yeah, that's it. But even with the laughs that are had- including a bit when Daniella is in the hospital bed and an over-affectionate nymph comes in trying to have her way with the taut were-woman that probably inspired the P**** Wagon scene in Kill Bill 1- it's not a badly made film at all, which adds to the appeal.

It's not some stupid movie put together in very cheap soft-core ways. If there is any strength to the best sex scenes it's that they seem actually erotic and not as some tedious pornographic exercise ala Porno Holocaust. And, relative to other cheesy horror flicks of the 70s (the *Italian* horror 70s), Annik Borel isn't too shabby an actress, with a quality reminiscent of Sondra Locke from Clint Eastwood's films (only, perhaps, a better actress!) She adds just that little bit of fun and danger to a part that needs it to sustain its tone wavering between exploitation and sincere horror.

So watch it under a full-moon, make sure you're tied to the bed (without any crazies around to untie the knots), and keep all sexual organs on stand-by- Werewolf Woman is a bite!

Wow! Never have I seen a werewolf film so beautifully acted. The acting, though beautiful, is, on the whole, of the lowest standard. The nudity and gore are nicely done, and the female roles very well cast. Sexy actresses were chosen, and, although the women in the minor roles could not act to save their lives, Annik Borel was, as usual, perfect. I love the scene in the barn, but my favourite bit of the film has to be the hospital scenes. A brilliant bit is when the girl who frees Annik from the hospital bed is, while Annik is still tied down to the hospital bed, pulling up her nightie and fondling her. I gave this film 10 stars.

This, one of the films in my 'Nightmare Worlds' 50-pack from Mill Creek, was much better than I had previously anticipated. The soundtrack was quite impressive, and readily brought to mind the finer moments the band Goblin had provided in their work for Dario Argento's string of 70's-80's giallo masterpieces. The production values were quite decent overall for such a film, and I loved both the premise and its execution.

Annik Borel was exemplary as the ill-fated protagonist Daniela, and takes a few lessons from Linda Blair's portrayal of the possessed in 'The Exorcist' for whenever she loses control of her inhibitions and resorts to her more animalistic urges. Kudos to the filmmakers for bringing psychological issues and the effects of sexual abuse and rape to the forefront, even if it's for an 'exploitation' film.

Yes, the story arc is predictable (though suspense-fully carried out), there is gratuitous sex and nudity at every conceivable moment (and a lot of inconceivable ones!), and you get that tired lie 'this is a true story--only the names have been changed', but it's as if you would think those are bad things. It was a great 79 minutes I will always fondly remember--unless I get Altzheimer's disease or something. Highly recommended to anyone who loves 70's horror movies, softcore porn, or exploitation films in general. 70's Italian movies aren't so bad.

Werewolf Woman is a step above most genre films. Although it is ultimately a soft core horror film trying to masquerade as a psychological study, its approach to its subject matter is original enough to set it apart.

Even though its title and poster art make it sound like one of a thousand other supernatural thrillers, Werewolf Woman is closer to a psychological thriller. A young woman who was raped as a child becomes convinced she is a werewolf after learning of an ancestor who was killed for supposedly being one. Under the influence of her delusion, she embarks on a killing spree directed at men.

Many will see this film's approach as just a pretentious way of disguising the film's soft core porn heart. The level of nudity and sexuality in the film brings it closer to an X than an R, with large amounts of full frontal female nudity, and semi-graphic depictions of oral sex and masturbation. Nevertheless, whether it is a facade or not, the film's method is unique, and makes it a much more interesting watch.

I saw this as part of "Nightmare Worlds" 50movie pack.

Daniella Neseri displays her birthday suit in the opening credits.

I hope you saw the credits, or you may have to look again. This looks like it is going to be a hairy film.

This has got to be a good story as it has a voice over narration like old time sci-fi films have. Speaking of voices, we are in luck as this critter has been dubbed: Cesare Barbet - voice dubbing: Howard Ross Germana Dominici - voice dubbing someone or other Vittoria Febbi - voice dubbing: Dagmar Lassander Sergio Fiorentini - voice dubbing another some one Antonio Guidi - voice dubbing: Tino Carraro Flaminia Jandolo - voice dubbing: Annik Borel Pino Locchi ... voice dubbing: Frederick Stafford

The whole story is explained upfront with the dialog between Daniela's father "Count Neseri" (Tino Carraro) and her doctor that believes in wolfy women.

Lots of filler background music if you can call it that. Long speeches: if the dubbing is not bad then the speeches are bad originally. Sorry, "bad" is too generic. Let say slow and stilted and not well structured.

We ger more than enough visuals at one point Daniella even touches the tip of her tongue with her finger. I will not go into detail as you will want to watch it unwind and do a little kibitzing. This is a good movie to remind you to floss.

I knew of this from the Shriek Show DVD, but really became intrigued by it this Summer when the obscure Di Silvestro (who succumbed to cancer earlier this very month!) was interviewed during the late-night program about Italian B-movies "Stracult". The film is interesting but not really successful – especially let down by the sluggish pacing typical of the style and the atrocious English dubbing (with a surfeit of psycho-babble in an attempt to explain, in rational terms, the titular figure's physical and mental condition). Being a product of the 1970s, when the lycanthropic subgenre was pretty much in the doldrums, the film-makers obviously chose to capitalize on the demonology cycle then prevalent: so, we have the leading lady (Sondra Locke lookalike Annik Borel) spouting colorful language and generally acting 'possessed' – with the (none-too-convincing) monster make-up relegated to the opening period sequence and the occasional flashback! One more obvious influence is the graphic rape a' la THE LAST HOUSE ON THE LEFT (1972); besides, for much of its duration, this plays like a softcore flick – indulging in sex scenes (including one featuring regular "Euro-Cult" starlet Dagmar Lassander) which often constitute mere padding and basically only serve to stop the show dead in its tracks! Other notables in the cast are Elio Zamuto (as the doctor who treats the "Werewolf Woman"), Frederick Stafford (as the cop on her trail of carnage) and Howard Ross (as the stuntman who offers the girl genuine affection and, consequently, temporary respite from her 'craving'). The concluding narration suggests that the whole was inspired by true events; I would not really know, but this certainly gives added curiosity value to the already bizarre proceedings.

This film had the most exciting opening scene during the credits that I have ever seen. It was erotically charged, and the werewolf was amazing! She had the longest nipples I have ever seen.

What immediately followed was grade Z dialog and action. And those costumes must have been left over from some American Revolution epic.

There is plenty of long lingering full frontal from Annik Borel and Dagmar Lassander and others. There is no shortage of boobs or thatch.

All the elements of a good Euro-sleaze film are here: nudity, blood, rape, masturbation, lesbianism, and revenge.

Sleaze is sleaze, but this was good sleaze.

Boring, badly written Italian exploitation flick.Lots of nudity, gore and awful acting.The werewolf makeup was the only thing that would raise a laugh.Complete rubbish-even for fans of cheesy Italian horror.Please avoid.

I bought an 80s video of Werewolf Woman in a car park boot sale where strange films were on offer and it had a rather sexy/horror cover. I eventually watched it but it was very difficultly because it seemed to jumble the story with a hospital and the woods and with a very dark picture. Although my Blu-ray looks something like I remembered but was less of it and I also notice that the IMDb shows a running date of 79 minutes. On my Rarovideo the running time is 97 minutes and would imagine that my old copy had been cut and the rather terrible rape on the stairs is now back in lovely bright colour. I think the scene where Annik Borel hunts the three thugs down would also have been lost before. Anyway, we have the rather good scenes of Annik and a couple of bits with Dagmar Lassander. Somewhere there was a very good idea but there is so much talk and even a bit too much, if good, sex. The problem is that the film is a rather too serious and it would have been better as just exploitation.