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La piscine or The Swimming Pool is a French crime film, directed by Jacques Deray, who is known as a master of crime, and written by Jean-Claude Carriere; a long time companion of Luis Bunuel, for instance. La piscine isn't necessarily the most accessible French crime film but I would say it is one of the best, at least from the 1960's. It is an erotic, Antonionian film characterized by French existentialism. Although, it is not a perfect film, by any means, it is a surprisingly captivating and intriguing study on modern life as well as on alienation from the world and the society; loneliness, anxiety, love and freedom. The absurdity of being and the meaninglessness of life, how, in the end, nothing really matters.

The story happens somewhere in the French Riviera, where a couple is spending their holiday at a luxury château, borrowed from their friends. During the opening credits, we see reflections of nature on water: images of birds and trees. After the credits, the camera rises up and the water surface turns out to be a swimming pool, next to which there lies a man -- an insightful shot of the vacant and anguished life of the bourgeoisie. Everything was a lie; beauty and the happiness of life were only elusive reflections -- which happens to be the leading theme of Deray's film.

Soon we hear a woman shouting "Jean-Paul," and the man turns out to be Alain Delon. The woman (Romy Schneider) swims across the pool, comes to the man and they start kissing, fiercely. The physic happiness of this married couple is almost perfect. But details reveal pressures that begin to erupt, slowly, beneath the surface. In order to resist this anxiety, they make up the most shallow things for them to do and, therefore, invite a friend of theirs, Harry who surprisingly brings his 18-year-old daughter (Jane Birkin) with him. At a surprise party -- that resembles the party of The Night (1961) by Michelangelo Antonioni -- the pressures lead to tragic consequences.

La piscine strips seemingly beautiful and happy people down from their illusory facade. Jean-Paul turns out to be a failed writer whose fragile ego hides mysterious cruelty in it. On one level, he resembles Camus' Mersault as an apathetic and disregard man who has lost his lust for life. His wife, Marianne (Schneider) is, in turn, a prisoner of her emotions and is unable to free herself from the chains of her husband. Harry is good-looking and wealthy but, in reality, all of his relationships are elusive and mendacious. Nobody cares about him. His daughter, Penelope (Birkin) is a beautiful young woman who arises to her femininity but finds it hard to compete with Marianne.

Jacques Deray relays a competitive, jail-like vision of the lives of these characters. We see them behind bars, pillars and windows; trapped in an unending rat race. They are captivated like wild beasts, who are ready to kill each other at any second. Furthermore, all the characters are spying on each other: Jean-Paul keeps an eye on Marianne and Harry, for he thinks that they might have an affair. Harry, on the other hand, spies on Jean-Paul and Penelope because his juvenile father instincts can't bear a contestant. Marianne is also spying on them, because she thinks that she might lose the competition of Jean-Paul to a younger woman.

In the name of existentialist film, La piscine begins from nowhere and ends in somewhere which is quite the same. So why watch a film where nothing happens? Because, on the other hand, everything happens. Why read Kafka and watch Tarkovsky? For the very same reason. Although, La piscine is not a masterpiece, I would recommend it as an insightful film about loneliness and the illusion of idyllic life.

A French drama; A story about crime in a sumptuous idyll in the south of France. Still air. Mediterranean sun. One pool. Two lovers. Two guests. One is an old acquaintance to one and a former lover to another; the other is his daughter, a mystery to all. Hedonism, sensuality, eroticism, sexual longing, anxiety, and unfulfillment - it all leads to a weakness for one and a dastardly deed. A film that is slow-moving and as enervating as the heat from the sun over the villa. It could easily be hard to watch, but the camera loves these beautiful, chic people and the intrigue they create. The story is well written, and the drama is well controlled.

And what eye candy - Alain Delon.

"La Piscine" is about two impossibly beautiful people in various stages of undress having a lot of foreplay. Or so it seems. Jean- Paul (Delon) and his lover (or wife, not sure) Marianne (Romy Schneider) are vacationing in a friend's mansion in Saint-Tropez. Lots of sun, making out, and swimming.

Marianne's ex-beau, Harry (Maurice Ronet) calls to say he's in the area, and Marianne invites him and his nubile daughter Penelope (Jane Birkin) to stay with him.

It's obvious that Harry still desires Marianne, so there is automatic tension. Then Jean-Paul seduces Penelope. Soon tension leads to something worse.

"La Piscine" is a typical foreign film - the ideas are sometimes obtuse, and it moves slowly. It's also too long by as much as a half hour. It's hard to concentrate on the plot because the beauty of the stars, Delon and Schneider, and their incredible chemistry overwhelm the story - to the extent that one doesn't really understand Jean- Paul's attraction to Penelope.

What erupts is the suppressed anger of the once-suicidal Jean-Paul, the competitiveness between him and Harry, and Harry's jealous possession of his daughter, whom he only recently met. As Penelope says, he likes to have her travel with him because people often think she's his mistress.

Schneider and Delon were a famous real-life couple but had broken up about five years earlier. Their chemistry is undeniable, and it's heartbreaking to think about what happened to her. Both actors give very "movie" performances - nothing overplayed, many subtle, nonverbal reactions. All of the acting is good, and the conflict scene between Harry and Jean-Paul is excellent.

"La Piscine" is considered a classic, but I believe many Americans had a hard time with it due to its languid pace and a tendency to look for action rather than psychology. Enjoy it for the beautiful photography and beautiful actors, if nothing else.

The failing writer Jean-Paul (Alain Delon) and his lover Marianne (Romy Schneider) are together for more than two years and spending vacation in a mansion in Saint-Tropez that belongs to a friend of them. They spend most of the time in the swimming pool that is the main attraction of the real estate. Jean-Paul is an insecure man and tried to commit suicide because of the reviews of his last novel but now is recovered.

When the successful composer Harry (Maurice Ronet), who had been Marianne's lover for four years, calls her and tells that he is passing by Saint-Tropez with his teenage daughter Pénélope (Jane Birkin), she invites them to come to the mansion to stay with Jean-Paul and her. Soon Harry woos Marianne trying to rekindle their former relationship and there is a tension in the house. Jean-Paul does not react and seduces Pénélope instead that discloses the true feelings of Harry towards him. One night, Harry comes late night drunken and argues with Jean-Paul, telling that he is a loser. However he falls in the swimming pool and Jean-Paul does not let him leave the water. Harry is drowned by Jean-Paul that forges a situation indicating that Harry has accidentally died. However the smart Inspector Lévêque (Paul Crauchet) does not buy the evidences of accident. What will happen to Jean-Paul?

"La Piscine" is a movie with a simple, sensual and tense story with a sexy beginning. Romy Schneider is among the most beautiful women in the world and her eyes, her face and her body mesmerize any male viewer. The characters are not well developed and keep a mystery of their true intentions, leaving to the viewer's interpretation. The cinematography is bright like the weather in Saint-Tropez, and the beauty and the eyes of Romy Schneider, Jane Birkin and Alain Delon are highlighted by the camera. The most impressive is that this movie has not aged after almost fifty years. My vote is seven.

Title (Brazil): "A Piscina" ("The Swimming Pool")

Note: On 28 January 2017, I saw this film again.

The movie is languid and superficial and slow-moving but that's generally fine, if you feel like revisiting one of those archetypal, now almost forgotten, mildly (extremely mildly) titillating flicks which used to show up (dubbed) in the Adults Only slot on Friday late-night British TV in the late seventies. The earlier sequences glisten with tanned flesh, against which the slowly building tensions (Ronet and Schneider's past affair; Delon's attraction toward the daughter; Delon's relative failure as a writer and his realization that Ronet doesn't really like him) sometimes seem almost resonant. The movie becomes merely formulaic once it has to tie up the strands of the murder though - the only question being whether Schneider will stay with Delon or not, and it's clear at the end that this amounts to little more than the flip of a coin. Neither the writing nor the acting in the later stretches is sufficient to make very much out of this game of psychological cat and mouse.

This film about surface and inner passion (derangement, fear, etc...obviously symbolized by the pool) is a pleasure, mostly through the performances of Alain Delon and Romy Schneider. Most of the plot lies under the surface and there are many scenes where one must read between the lines to understand where everything will lead to. Okay, the film could have been a bit shorter, but the actors in my opinion really make up for it. We've seen everything now in the movies - but still, the opening sequence is one of the hottest scenes ever filmed. I cannot explain, see it yourself.

This fine French crime drama, is not appreciated as it should be. The cast may be the reason, but there is no one, that comes to mind of contemporary French actors, at the time, that could have added something more to this. The centerpiece of this tale, of moral and emotional decadence is the swimming pool by beautiful villa, somewhere near Saint-Tropez and it radiates summer passion, it's turquoise waters filled with guilty conscience, calling for trouble between three old friends and lovers. Burden each of them carries, would lead to crime even without "sweet Jane" stirring it up to boiling point. Her presence is so light and she almost appears as a mirage, in between scenes of old passions, lust and grudges not forgotten.

The film is everything but slow paced and boring. There is no surplus scene, and I can't imagine how it could be done differently. Of course such films in general are not for audiences of ready-made movies, but for those who will savor Jacques Deray's fine direction, and beautiful cinematography of Jean-Jacques Tarbès. They did a fine job in submerging a willing viewer into exquisite beauty of Romy Schneider, Alen Delon's cool in portrayal of insecure, troubled man that finds his life utterly pointless, Maurice Ronet's subtle acting performance of a successful composer who is afraid of his success, and Jane Birkin's girlish naiveté, ruffle the pool of love and hate. Interraction between Schneider, Delon and Ronet adds another level to it, and the story glides well with every scene serving the story of superficial, emotionless people trapped in their small worlds, in witch they are suffocating. Beautiful film, worth every minute of your time, and not just in cold winter months.

"Sluggish" is the key word here. In the movie's sluggish first hour, director Jacques Deray does little except perfectly capturing the atmosphere of summer heat - the blazing sun, the rippling water of a pool, the sensuousness of the almost-naked bodies....while the characters say things like "I'm going to shave", compete in swimming and go shopping. Because this is also supposed to be a thriller, a murder must eventually come - and it comes after 80 minutes, in an atmospheric and memorable, but also poorly motivated scene. The aftermath of the murder is as sluggish as its preparation. It's really a well-made film, but maybe TOO suggestive - the audience has to fill in too many blanks. Another problem, already pointed out by a previous reviewer, is that Birkin (the young girl that catches Delon's eye) is a lot less attractive than Schneider (the woman he already has by his side) (**1/2)

Ignore the Naysayers, "La Pacine" is a masterful film. A true example of the kind of film they only really made in that area: vibrant and glossy, where a voyeuristic camera just hovers and lingers, putting the viewer right there. It reminded me a lot of Jean-Luc Godard's "Contempt." The way it is filmed makes the viewer want to be in that world, and stay there as long as possible. I know that South France in 1960's seems a hell of lot better than our world today. If "La Pacine" was 3 hours long, I would still sit through it, just to BE there.

I found the acting performances to be extraordinary. So much in this film is conveyed through body language and facial expressions, that one hardly even needs to know French (or read subtitles) to understand what it happening. Romy Schneider and Jane Birkin are both great to look at, and I thought Jane Birkin in particular really did well to say a lot with few words.

The only thing that slightly drags "La Pacine" down is that it's slightly overlong in the drawn out expository section after the climax, which causes the film to loose a bit of punch by the end. So come hang out by the pool for a while, I don't think you'll regret it.

La Piscine stands out the atmosphere of a quiet summer vacation in Saint-Tropez, that is away from all the tourists and partying. A dull vacation? Not for the happy ones who can be content with "love and fresh water" (as we say in French). That's the starting point. The opening shots establishing this are probably the best part of the movie. Yes, once in a while the first reel contact is not on a part with the rest.

The first time I saw it, La Piscine left me with a good impression. The atmosphere was sufficient for my pleasure, the whole plot consistent and above all you felt on holiday with the characters. Now on second viewing you can't but feel sorry for Delon as Romy Schneider and Maurice Ronet clearly are in charge there. Even with the sometimes (very) weak lines they shine. On second viewing you also notice that the furniture in the house are ugly, that the director does a poor job (ah those awful zoom shots and unnecessarily moving camera...).

On the whole it could have been quite a bit better. Still worth watching for the opening scene, Romy, Maurice Ronet, and Romy again.

'La piscine' is a movie that mainly offers the beautiful landscapes of France without having a real strong plot but it is still able to make some reflection about the recondite desires of the human condition. Jealousy is almost as present as the swimming pool where everything that counts happens. The movie is a bit slow and it starts to develope towards the end but it gives a great occasion to the audience to relax and enjoy the summer feeling.

The camera loves Alain Delon but it isn't just his remarkable good looks that turned me into a huge fan but his very sensitive, subtle acting. This is a rare psychological thriller that explores the complexities of the male ego and toxic male friendships. It's passive aggression and malicious subtext between competitive old frenemies until the burden of civility is thrown out in a swift act of violence.

Reviewing this as slow or shallow proves that one is not understanding the French culture or French cinema of that time as well as being oneself shallowly viewing this rather powerful depiction of inner psychological struggle. This is a magnificent film in many aspects. One of which being the fine details in voice, gestures and dialogue. Small moments and looks. In addition to the layer of dialogue and the actually normal moving pace there is an emotional layer found in the expressions and behaviour of the characters towards one another. This is by far anything but shallow but, in fact, the opposite. It requires empathy and emotional perception to be able to enjoy it. While it is often painful and full of strong emotions, it tells the viewer a lot about human relations and feelings. Jealousy and revenge as the primary, and at times soul destroying, ones on display. Subtlety isn't for everyone to uncover. The actors transport those emotions in a very real fashion. Their helplessness in that struggle doesn't appear to be superficial but honestly felt. One can observe the true love Alain Delon possesses for Romy Schneider. It is understandable that even today this film is stirring up such strong feelings inside him. It may be exhausting to viewers for whom reality and real feelings are too slow or too painful to confront. It may also be hard to comprehend when one can't relate to those situations. Yet this is exactly what makes this film so outstanding and beautiful.

"La piscine" is not a "ménage a trois" but a "ménage a quattre". Two men and two women and all sorts of love affiars between them, imagined and real, old and new. "La piscine" is a sultry film with sexual freedom at the surface but strong undercurrents of jealousy. Especially the relationship between the two men is peculiar. Under cover of friendship they try to belittle each other as much as possible.

"La piscine" has not aged well. In 1969 is may have been daring, now it is garish at most. Alain Delon and Romy Schneider manage more or less to conceal the datedness of their characters by acting pretty well. The character of Harry (Maurice Ronet), who is supposed to be a playboy, is outright laughable with his shirts and pantalons that are too tight.

Watching "La piscine" made me wonder how well Henri George Clouzot could have visualised jealousy in a film with Romy Schneider in the lead, had he managed to complete "L'enfer" (1964).

"The Swimming Pool" is not a bad movie nor is it a very good one. Instead, it starts with a reasonably interesting premise and infuses it with almost zero energy and passion. The end result is like a diet of tap water and bread--not especially satisfying.

The film starts off horribly. There is a really, really annoying opening song--one of the worst I've heard in fact. Fortunately, the film does get better--it couldn't get any worse! Alain Delon and Romy Schneider are a couple enjoying their time together on vacation. They mostly just lounge around the pool and make love--and considering how beautiful this couple is, I am sure many folks didn't mind this slow portion of the film. It certainly was very sexy.

An old lover of Schneider's shows up uninvited (Maurice Ronet) and brings his 18 year-old daughter (Jane Birkin). Instead of maintaining their passion, however, Schneider begins drifting towards her old lover and Delon just looks very bored. Later, Delon begins paying a lot of attention to the 18 year-old--though exactly how deep this relationship goes, you never know. What you do know, though, is that both Delon and Schneider begin to take the other for granted and their relationship suffers badly.

While this sounds like there would be a lot of excitement, there isn't--and it's all very strangely muted. Instead of anger, they mostly seemed filled with ennui and self-absorption--making the film very tough to enjoy. Only towards the end are there any--and by then it just seemed too late, as my attention had long since vanished--and it's a shame, as the ending was pretty interesting (at least compared to the rest of the film). Had there been more fireworks along the way and some performances seeming more like normal human reactions, then the film could have been a lot more interesting. Slow and tough to love.

I saw it few times with the nostalgia of the great first scenes. A film about love, hate, jealousy, games and death . Admirable work of Romy Schneider and Alain Delon and great craft of the nuances of story. And, sure, a young Jane Birkin , seductive and well acting.

Maybe, the remarkable good point remains the dialogue and the ambiguous games of characters. Sure, a classic , with its obvious virtuous but, more important, with few sins who, after a half of century are very near to the status of virtues.

A good cast and a fairs slice of thriller. And the summer proper reflected in the water of pool.

The most simple is to say : see it ! Not for story but for emotions inspired by a fist of scenes.