During the Second World War three allied prisoners: a Soviet, an American, and an Englishman, attempt to escape Rome with the help of a young couple who are residents of the city.During the Second World War three allied prisoners: a Soviet, an American, and an Englishman, attempt to escape Rome with the help of a young couple who are residents of the city.During the Second World War three allied prisoners: a Soviet, an American, and an Englishman, attempt to escape Rome with the help of a young couple who are residents of the city.
- Awards
- 2 wins & 1 nomination total
Photos
Sergey Bondarchuk
- Il sergent sovietico Fyodor Aleksandrovic Nazukov
- (as Sergej Bondartchoux)
Lars Bloch
- Un soldato americano
- (uncredited)
Lina Ferri
- Una falsa suora
- (uncredited)
Storyline
Did you know
- TriviaAlthough the movie is spoken in four languages, the Italian version is intentionally unsubtitled.
- GoofsIn the attic, after about 20 minutes, the strings of a harp are briefly touched. However, the resulting sound is not from a harp, but rather from the strings of a pianoforte being strummed.
- ConnectionsReferenced in Cannibal Holocaust (1980)
Featured review
Can no one have seen this important Rossellini film? Astonishing it is to be the first to comment in these "pages" on a work by one of the major directors of world cinema (and for the second time -- no one else had commented on "Vanina Vanini" either). Apparently this 145 minute film (that is how it clocked in at the showing I attended) received very little distribution, and, though it is excellent, it is not hard to see why this was so. Its story of three Allied soldiers, one English, one American, one Russian, on the loose in an as-yet-unliberated Italy, is short on wild excitement, but filled with interesting detail and human warmth. Giovanna Ralli is marvelous (and would have been a marvelous Vanina Vanini, if only...) in a complex and emotional role. Peter Baldwin and Renato Salvatori are winningly handsome young men (and are rather lookalikes), and Leo Genn and Sergei Bondarchuk provide solid acting. Rossellini's use of the zoom to make possible "intercutting without cuts" is used to great effect in this film, and the scene in which the spy/informer eavesdrops on the confessional is especially masterful. One of Rossellini's last films before he decided to devote himself exclusively to the small screen, this film is sober, serious, worthy, and, withal, not lacking in value as entertainment. Postscript: I've now had a chance two years later (December 2008) to re-view this film, thanks to a new (and very inexpensive) DVD region 1 release. My second viewing has led me to revise (upward) my evaluation of this beautiful film. Yes, it's long, and seems episodic, but, as in Chekhov's plays and (odd pairing, I know) McCarey's "The Bells of St. Mary's," on second viewing the connections between the episodes are profound and satisfying. The Lionsgate DVD (paired with a second little-known Rossellini feature, "Dov'e la liberta) is a real bargain (available for under $15). The print appears better than that on the region 2 UK disc (see screen captures at DVDBeaver.com), and, though the titles are in French (this is a Franco-Italian co-production) the title itself is given in Italian, unlike that on the UK version. Running time is 2:13.5, compared to 2:08 and change on the region 2 disc (accounted for by the PAL speedup). Subtitles are excellent and unusually thorough. My previously stated running time of 145 is confirmed by Jose Luis Guarnier within the text of his Praeger Film Library monograph from 1970 (though his filmography gives 120 minutes!) There is a strange mis-match in the editing in the first attic scene, which may indicate some foul play. I can't recall any specific missing scene, though. Details aside, this really is a great film.
Details
- Runtime1 hour 22 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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