IMDb RATING
6.9/10
1.6K
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In 1871 a convict escapes, with other prisoners, to kill the man that framed him, but has second thoughts after meeting the man's beautiful future wife.In 1871 a convict escapes, with other prisoners, to kill the man that framed him, but has second thoughts after meeting the man's beautiful future wife.In 1871 a convict escapes, with other prisoners, to kill the man that framed him, but has second thoughts after meeting the man's beautiful future wife.
Forest Burns
- Minor Role
- (uncredited)
Mary Carroll
- Millie Gower
- (uncredited)
Pat Combs
- Minor Role
- (uncredited)
Frances Endfield
- Tess
- (uncredited)
Danny Fisher
- Minor Role
- (uncredited)
Charles Flynn
- Steve Gower
- (uncredited)
Storyline
Did you know
- TriviaAlthough the story is fictional, it is inspired by a real incident in which a posse from a California town had a shoot-out with convicts escaped from the Carson City prison. Convict Lake is a real place in California, named after the incident.
- GoofsIn the beginning when the convicts make their way into the village of Lake Monte Diablo, Granny grabs a 45/70 single shot rifle from the wall and hands it to Marcia to cover the men.
When the women go outside to meet the men, Marcia points the rifle at the men & warns them.
As she raises the rifle, Marcia is now holding a Henry lever action repeating rifle.
- Quotes
Granny: What do you want?
Johnny Greer: Get out of that bed.
Granny: What are you up to?
Johnny Greer: Get up.
Granny: I can't. I'm a poor old woman lying in a bed of pain reading my bible, you blood thirsty weasel.
Featured review
The Secret of Convict Lake is directed by Michael Gordon and collectively written by Anna Hunger, Jack Pollexfen, Oscar Saul and Victor Trivas. It stars Glenn Ford, Gene Tierney, Ethel Barrymore, Zachary Scott, Ann Dvorak, Barbara Bates, Cyril Cusack, Richard Hylton, Helen Westcott, and Jeanette Nolan. Music is by Sol Kaplan and cinematography by Leo Tover.
I came here to kill one man. I don't mind killing a couple of others if I have to.
It's winter time here at Diablo Lake, and the five convicts who have survived the escape find themselves holed up in a remote village. Their reasons for being there differ, more notable though is that the men of the village are away prospecting, meaning the village is only currently populated by women.
It's a fine bubbling broth of scenarios, each convict is different, ranging from unstable psycho type, alpha male, twitchy youngster, simpleton and on to the calm likeable one who doesn't appear to belong in this company. So with the reasons for the men being here established, narrative then jostles with the inner fighting of the convicts, and the various emotional strands of the women folk. Suffice to say there is sexual tensions, mistrust, misrule, macho posturing and of course secrets to be born out.
Violence is sporadic but potent upon arrivals (one instance especially grabs you by the throat), and with the mystery of the men's crimes a constant question, intrigue makes for an enjoyable companion. Tech credits are uneven. The studio bound feel of the village sequences which fill out 90% of the pic are an itch, making you hanker for the more expansive snowy terrains that greeted us at story beginning. However, Tover's monochrome photography is suitably mood compliant, even if Kaplan's score isn't, while the lead actors are giving good value to offset some of the histrionics elsewhere.
Perhaps not the firecracker it could have been, given all the elements involved - particularly annoying that a strong feminist bent subsides into token play - this is none the less a most interesting piece that holds attention throughout. 7/10
I came here to kill one man. I don't mind killing a couple of others if I have to.
It's winter time here at Diablo Lake, and the five convicts who have survived the escape find themselves holed up in a remote village. Their reasons for being there differ, more notable though is that the men of the village are away prospecting, meaning the village is only currently populated by women.
It's a fine bubbling broth of scenarios, each convict is different, ranging from unstable psycho type, alpha male, twitchy youngster, simpleton and on to the calm likeable one who doesn't appear to belong in this company. So with the reasons for the men being here established, narrative then jostles with the inner fighting of the convicts, and the various emotional strands of the women folk. Suffice to say there is sexual tensions, mistrust, misrule, macho posturing and of course secrets to be born out.
Violence is sporadic but potent upon arrivals (one instance especially grabs you by the throat), and with the mystery of the men's crimes a constant question, intrigue makes for an enjoyable companion. Tech credits are uneven. The studio bound feel of the village sequences which fill out 90% of the pic are an itch, making you hanker for the more expansive snowy terrains that greeted us at story beginning. However, Tover's monochrome photography is suitably mood compliant, even if Kaplan's score isn't, while the lead actors are giving good value to offset some of the histrionics elsewhere.
Perhaps not the firecracker it could have been, given all the elements involved - particularly annoying that a strong feminist bent subsides into token play - this is none the less a most interesting piece that holds attention throughout. 7/10
- hitchcockthelegend
- Jul 12, 2018
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Details
- Release date
- Country of origin
- Language
- Also known as
- Tajna osudjeničkog jezera
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was The Secret of Convict Lake (1951) officially released in India in English?
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