A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.
Chaz Chase
- Music Hall Performer
- (uncredited)
Rose Dione
- Zanzibar Club Owner
- (uncredited)
Louise Emmons
- Old Woman on Street
- (uncredited)
Fred Gamble
- Vaudeville Comedian
- (uncredited)
Emmett King
- Stage Manager
- (uncredited)
Dick Sutherland
- Cannibal
- (uncredited)
Edna Tichenor
- Dancing Girl in Zanzibar Club
- (uncredited)
Art Winkler
- Stagehand
- (uncredited)
Art Winkler
- Stagehand
- (uncredited)
Dan Wolheim
- Zanzibar Club Customer
- (uncredited)
Storyline
Did you know
- TriviaIn the ceremonial tribal dances the local extras had difficulty dancing to the drums.To remedy the situation a radio was brought to the set and played Jazz tunes by a local station.
- GoofsWhen the natives are crossing the river with the ivory tusks and Tiny appears as the evil spirit, they drop the tusks and run. The tusks float on the water.
- Quotes
Phroso 'Dead-Legs': I'm particular who I eat with. Feed her on the floor!
Doc: I'm down pretty low, but not so far that I'll stand for this.
Phroso 'Dead-Legs': Yair? Well, you'll stand for anything *I* say.
Maizie: Say, Mister! Don't get in trouble on account of me.
Doc: I'll eat with her. I'm particular about who I eat with, too.
- Alternate versionsMGM also released this move without any soundtrack.
- ConnectionsEdited into Kongo (1932)
Featured review
This film can be discounted as unacceptable by many modern audiences. It is filmed in black and white. It is silent and it shows African blacks in a stero-typic manner that would not be accepted today.
Saying all that, it is a must-see film for any serious student or fan of drama. Chaney gives in this film one of the most powerful and convincing acting performances of any actor in any film. Without a single spoken word he shows anger to the point of madness, sly intelligence and overwhelming remorse and sorrow.
There is no feel of "miming emotions " or "mugging for the camera" about this film. The emotions that Chaney display feel so authentic that at times this viewer feels a discomfort for intruding into the personal torment of the character.
The director has used the talents of Chaney and to a lesser extent those of the other actors to relay most of the story with minimal use of "Text Cards", which otherwise would have disrupted the flow of action.
Saying all that, it is a must-see film for any serious student or fan of drama. Chaney gives in this film one of the most powerful and convincing acting performances of any actor in any film. Without a single spoken word he shows anger to the point of madness, sly intelligence and overwhelming remorse and sorrow.
There is no feel of "miming emotions " or "mugging for the camera" about this film. The emotions that Chaney display feel so authentic that at times this viewer feels a discomfort for intruding into the personal torment of the character.
The director has used the talents of Chaney and to a lesser extent those of the other actors to relay most of the story with minimal use of "Text Cards", which otherwise would have disrupted the flow of action.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Los pantanos de Zanzíbar
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $259,000 (estimated)
- Runtime1 hour 5 minutes
- Sound mix
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