Because I watched this raw, I had to look up words and phrases every now and then, but because of the somewhat cliché storyline (two high school students switch bodies) and surplus of physical humor, I never found myself confused. Although, I'm sure it would have been funnier with English subtitles.
Kobayashi Satomi is absolutely hilarious as she pretends to be the opposite sex. She perfectly changes her voice, posture, speech, and body movements to match that of a teenage boy, but she does it in such an honest way that, at some points, I believe she is an actual boy. The male lead, Omi Toshinori, is equally as successful in his portrayal of a school girl trapped in a boy's body. His insecurity, the way he held his bag, covering his chest while wearing a swimsuit, his high-pitched voice--all the little things came together to create a performance that could not be more perfect.
Obviously, the film is predictable and occasionally lacks depth, but there are few filmmakers in the world who would be able to produce a quality film with a similar plot. This is a wonderful example of simplistic Japanese cinema and a classic in my book.
Kobayashi Satomi is absolutely hilarious as she pretends to be the opposite sex. She perfectly changes her voice, posture, speech, and body movements to match that of a teenage boy, but she does it in such an honest way that, at some points, I believe she is an actual boy. The male lead, Omi Toshinori, is equally as successful in his portrayal of a school girl trapped in a boy's body. His insecurity, the way he held his bag, covering his chest while wearing a swimsuit, his high-pitched voice--all the little things came together to create a performance that could not be more perfect.
Obviously, the film is predictable and occasionally lacks depth, but there are few filmmakers in the world who would be able to produce a quality film with a similar plot. This is a wonderful example of simplistic Japanese cinema and a classic in my book.