Um filme composto por contos folclóricos, fábulas e lendas da vida real do misterioso eremita do Tennessee dos anos 1930, que deu sua própria festa funerária, muito divertida, enquanto ainda... Ler tudoUm filme composto por contos folclóricos, fábulas e lendas da vida real do misterioso eremita do Tennessee dos anos 1930, que deu sua própria festa funerária, muito divertida, enquanto ainda estava vivo.Um filme composto por contos folclóricos, fábulas e lendas da vida real do misterioso eremita do Tennessee dos anos 1930, que deu sua própria festa funerária, muito divertida, enquanto ainda estava vivo.
- Prêmios
- 4 vitórias e 28 indicações no total
- Kathryn
- (as Lori Beth Edgeman)
- Photographer
- (as Andrew Stahl)
- Bush's Mule
- (as Gracie)
Enredo
Você sabia?
- CuriosidadesThe story is partly derived from the funeral party thrown by Felix Bushaloo Breazeale for himself, in Cave Creek, Tennessee, in 1938.
- Erros de gravaçãoWhen Frank and Buddy are getting a photograph made of Felix, right before the camera shutter is tripped, the photographer bumps the view camera and it becomes aimed in a slightly different direction. The photographer fails to re-frame the shot which would never happen while using a view camera.
- Citações
Felix Bush: I built my own jail and put myself in it. And I stayed in it for 40 goddamn years! No wife. No kids, no friends, no nothing. No grandchildren. I wouldn't even know how to hold a baby. You hear me? Forty years. Now, that's not enough?
Rev. Charlie Jackson: You know it's not.
- ConexõesFeatured in The Rotten Tomatoes Show: Kick-Ass/Death at a Funeral/The Joneses (2010)
- Trilhas sonorasI'm Looking Over a Four Leaf Clover
Written by Mort Dixon & Harry M. Woods (as Harry Woods)
Performed by Bix Beiderbecke
Courtesy of Bluebird/Novus/RCA Victor and the RCA/Jive Label Group, a unit of Sony Music Entertainment
By arrangement with Sony Music Licensing
Starring an almost unrecognizably old Robert Duvall and a Jarmusch-styled Bill Murray, respectively, as a hermit wanting to host his own funeral and a funeral home director wanting his business. On the surface, it's a very slow drama because that is essentially all that happens, Murray helps Duvall plan his own funeral. But we are saved from a tedious drama by the actors' comedic timings. There's a lot of dry humour that I found myself laughing out-loud many times. The significance of the film is the psychology in its heart. Throughout, Duvall drops hints as to what his character is all about. You find yourself thinking about who he really is, and what he really means with every line he says. Robert Duvall just may be the best subtle actor.
"Get Low" is very stylized. Set in the 1920s, the director and cinematographer paid attention to the lighting, casting shadows where they wanted them, providing a dark atmosphere when needed to echo the times of the depression-era. I'll also call the humour stylized, it's dry, and it can take you a minute to make sure you got it right.
The one down-side is that the film-makers may have made it a bit too artsy and not accessible enough, because otherwise this could be up for every major award. At least we can rest assured that the Academy knows where to find Mr. Duvall.
- napierslogs
- 19 de ago. de 2010
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Get Low
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.176.933
- Fim de semana de estreia nos EUA e Canadá
- US$ 88.182
- 1 de ago. de 2010
- Faturamento bruto mundial
- US$ 10.522.511
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1