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Every year since its creation in 1956, the Academy of Motion Picture Arts and Sciences (AMPAS) invites the film industries of various countries to submit their best film for the Academy Award for Best International Feature Film. The category was previously called the Best Foreign Language Film, but this was changed in April 2019 to Best International Feature Film, after the Academy deemed the word “Foreign” to be outdated.

The award is presented annually by the Academy to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. For the 96th Academy Awards, the submitted motion pictures must be first released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline for submissions to the Academy was October 2, 2023, and 92 countries submitted a film. The 15-film shortlist will be announced on December 21, 2023, followed by the official nominations on January 23, 2024.

Here are this edition's Asian Submissions for Best International Feature Film.

Predicting the eventual five Oscar nominees for Best International Feature is made difficult by the three-step process that begins after the October 2, 2023 deadline for countries to submit entries. To be part of the selection process for this category, which was called Best Foreign Language Film before 2020, requires a great deal of dedication. (Scroll down for the most up-to-date 2024 Oscars Best International Feature predictions.)

In the days following the deadline for submissions, the academy determines each film’s eligibility. Then the several hundred academy members who serve on the International Feature screening committee are divided into groups and required to watch all their submissions over a six-week period that ends in early December. Their top 15 vote-getters will make it to the next round. That list of semi-finalists will be revealed on December 21, 2023.

These 15 films will be made available to the entire academy membership who can cast ballots for the final five...

Screen is profiling every submission for best international feature at the 96th Academy Awards.

Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.

The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.

An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.

Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...

Dissident Iranian film professionals are calling on the Academy of Motion Picture Arts and Sciences to consider an alternative film to represent Iran in 2024 Oscars’ Best International Feature Film category rather than the one submitted this week as the country’s official entry.

Iran’s government-controlled Farabi Cinema Foundation said Tuesday that it had selected Reza Mirkarimi’s The Night Guardian as the country’s submission to the 96th Academy Awards.

The announcement comes just days after the first anniversary of the beginning of the Woman Life Freedom protests, provoked by the death of 22-year-old Mahsa Amini on September 16, 2022, after her police detention for not wearing her veil correctly.

More than 500 protestors have been killed by Iranian security forces over the past year and thousands have been injured. A number of directors including Jafar Panahi, Mohammad Rasoulof and most recently Saeed Roustayi have wound up in jail in a related...

Screen is profiling every submission for best international feature at the 96th Academy Awards.

Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.

The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.

An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.

Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...

Screen is profiling every submission for best international feature at the 96th Academy Awards.

Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.

The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.

An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.

Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...

Iran has submitted Reza Mirkarimi’s The Night Guardian for Best International Film category at the 96th Academy Awards, in a move that will likely prompt pushback from the country’s dissident film community.

A press release announcing the selection said the film had been selected by the government-controlled Farabi Cinema Foundation from three short-listed titles which also included Omid Shams’s Conjugal Visit and Ali Hazrati’s The Town.

The drama stars Touraj Alvand as the story of a rural worker forced to move to the city where he ekes out a living on the streets.

The announcement coincides with the first anniversary of the Woman Life Freedom protests provoked by the death of 22-year-old Mahsa Amini on September 16, 2022 after being held in police custody for not wearing her veil correctly.

The country’s hardline Islamist regime ratcheted up a crackdown on the country’s creative community as well...

The 26th Busan International Film Festival (Biff), which will be held from October 6 (Wed) to October 15 (Fri), has selected 7 nominees for the Kim Jiseok Award.

The Kim Jiseok Award is celebrating its 4th year at the 26th Biff, and was established in respectful memory of the late program director Kim Jiseok in 2017. The award will be given to the most attractive films that reflect the contemporary standing of Asian cinema in accordance with the late Kim’s intent. Among the films in the A Window on Asian Cinema section, seven candidates are selected to compete for the award. Two award recipients will be chosen by jurors and be given a cash prize of 10,000 Usd each.

The Kim Jiseok Award marks its 4th anniversary this year

New films directed by renowned cineastes such as Mostofa Sarwar Farooki, Brillante Mendoza, Ogigami Naoko, Aparna Sen, and many more are coming to Busan!

This...

New features by some of the most prominent filmmakers from the Asia-Pacific region including The Philippines’ Brillante Mendoza, Bangladesh’s Mostofa Sarwar Farooki and Japan’s Ogigami Naoko are among the seven titles competing for the Kim Jiseok Award at the upcoming 26th Busan International Film Festival.

Works by Royston Tan from Singapore, China’s Wang Qi, Aparna Sen from India and Ilgar Najaf from Azerbaijan have also been nominated. The award was created in 2017 to commemorate Kim Jiseok, the late program director of the festival.

Competition for the award that features titles from the festival’s A Window on Asian Cinema section is “expected to be more competitive than usual” due to the inclusion of works by internationally-renowned filmmakers that make the section less experimental, organizers said on Monday.

Among the nominated films are “Gensan Punch” by Cannes best director winner Mendoza, which is based on true stories about...

Festival’s 26 th edition runs October 6-15.

South Korea’s Busan International Film Festival (Biff) is launching its On Screen section which will carry premieres of high-profile drama series that will later be streamed on Ott video platforms.

Biff, whose 26th edition will be held October 6-15, said the section “aims to precisely reflect the current state of the market, which is expanding multi-directionally, while embracing the extended flow and value of cinema” and should be “able to present more diverse and higher-quality works to the audience, whose range of fandom is expanding”.

The inaugural On Screen Section will launch...

Festival

Taliban hostage drama “And Tomorrow We Will Be Dead,” by Swiss filmmaker Michael Steiner (“The Awakening of Motti Wolkenbruch”) will open the 17th Zurich Film Festival (Sept. 23 – Oct. 3).

The film follows the story of Daniela Widmer (Morgane Ferru) and David Och (Sven Schelker), the Swiss couple were kidnapped and handed over to the Taliban in 2011 while traveling through Pakistan. The story kept Switzerland on tenterhooks. For eight months, the two were held as hostages until they managed to escape.

“I’m a storyteller and here I wanted to give a personal insight into the fate of the two hostages Daniela Widmer and David Och, so that the audience understands the context,” said Steiner.

The world premiere of the film will take place in the presence of Swiss Federal President Guy Parmelin and the Mayor of Zurich Corine Mauch. It will be the first screening in the newly renovated Convention Center,...

The interview was conducted January, 2018

Edmund Yeo was born in Singapore in 1984, and graduated from Waseda University. His short films “Kingyo” premiered at the Venice Film Festival 2009; “Inhalation” won the Sonje Award at the Busan International Film Festival in 2010. His debut feature “River of Exploding Durians” premiered in competition at the Tokyo International Film Festival 2014. This year he returned to Tokyo with two films, “Yasmin-san”and “AQÉRAT” (We the Dead), with latter earning him the Best Director Award.

We speak with him about “Aqerat”, the award, his career and many other topics.

Congratulations on winning Best Director at the Tokyo International Film Festival. How do you feel about this honour?

I was absolutely overwhelmed, especially because I was aware of the history of the film festival. Since 2008, I have attended the festival as a student, and an audience, before going as a filmmaker. Aside from being its 30th edition, the...

Joe Odagiri’s drama They Say Nothing Stays the Same wins best film in international competition.

Ali Ozel’s drama Steppe, about an elderly man who refuses to leave his home village after it is condemned to make way for a dam, broke records to sweep the awards of the national feature competition of the Antalya Golden Orange Film Festival over the weekend.

The debut feature won in nine categories clinching best film, director, first film, screenplay, cinematography, music, editing, actor and best supporting actor.

The decision to award the production both the best film and best first film prizes...

Other winners include A Tale of Three Sisters, End of Season, Shooting the Mafia, Lovemobil, Forman vs. Forman and Reza Mirkarimi's Castle of Dreams. The 14th Batumi International Arthouse Film Festival (15-22 September) wrapped last night with a ceremony in the Black Sea city's State Musical Centre. Marko Škop's Karlovy Vary title Let There Be Light picked up the Grand Prix, just two days after winning the same, main award at the Almaty Film Festival. Iran's Reza Mirkarimi received the Best Director gong for Castle of Dreams, as well as the Award of the Georgian Film Critics’ Jury. Emin Alper's A Tale of Three Sisters won both accolades in the acting categories: Best Actress for Ece Yüksel and Best Actor for Kayhan Açikgöz. Finally, the Jury's Special Prize went to Elmar Imanov's Rotterdam title End of Season (Germany/Azerbaijan/Georgia). In the Documentary Competition, Kim Longinotto's...

Another eight documentaries and 25 short films will screen in the competition sections, and the festival has scheduled master classes by Paul Schrader and Krzysztof Zanussi. The Batumi International Arthouse Film Festival (Biaff) is set to take place for the 14th time from 16-23 September. Biaff is again organising a carefully curated programme consisting of fiction-feature, documentary and short competitions, plus sidebar sections including Georgian Panorama, Masters and Special Screenings. In the Feature Competition, there are ten films: Mark Jenkin's Bait (UK), Veit Helmer's The Bra (Germany/Azerbaijan), Reza Mirkarimi's Castle of Dreams (Iran), Elmar Imanov's End of Season (Germany/Azerbaijan/Georgia), György Pálfi's His Master’s Voice (Canada/Hungary/France/Sweden/USA), Kıvanç Sezer's La Belle Indifference (Turkey), Marko Škop's Let There Be Light (Slovakia/Czech Republic), Jacek Borcuch's Dolce Fine Giornata (Poland), Emin Alper's A Tale of Three Sisters (Turkey/Germany/Netherlands...

“Finding Farideh,” a feature-length documentary about an Iranian girl adopted at infancy by a Dutch couple who 40 years later travels to Iran in search of her biological parents, is Iran’s candidate for the recently renamed International Feature Film Oscar.

Co-directed by young Tehran-based duo Azadeh Mousavi and Kourosh Ataee, the doc bridges East and West. It was selected by a committee of Iranian film industry professionals from a shortlist of 10 titles. “Finding Farideh” prevailed over two strong narrative features: the drug-addiction themed thriller “Just 6.5,” directed by Saeid Rustai, which has broken local box office records and will be premiering internationally in Venice, and veteran auteur Reza Mirkarimi’s “Castle of Dreams.” These two titles had been considered the frontrunners.

Which is not to say that “Farideh” does not have full Oscar credentials.

The true tale of the protagonists’ return to her birthplace to have a DNA test and learn...

The winners of the 16th edition of Armenia's biggest festival include Beanpole, Horizon and Midnight Traveler, while Carlos Reygadas was honoured with the Parajanov's Thaler Award. The 16th Golden Apricot International Film Festival (8-14 July) wrapped with a closing ceremony that saw Richard Billingham's slow-burning festival hit Ray & Liz pick up the main award, the Golden Apricot for Best Feature Film. The jury, presided over by veteran Russian filmmaker Aleksandr Mindadze (who was himself honoured with the "Let There Be Light" Prize of the Armenian Apostolic Church), and comprising Swiss director Nicolas Wadimoff, Iranian filmmaker and head of Tehran's Fajr International Film Festival Reza Mirkarimi, Tribeca executive producer Amy Hobby, Venice Film Festival programmer Paolo Bertolin, British producer Elizabeth Karlsen, and French actress and director of Georgian descent Nino Kirtadze, gave the trophy for second place, the Silver Apricot Award, to the Russian historical drama Beanpole, which previously garnered.

Drama directed by Reza Mirkarimi scooped best film, best director and shared the best actor prize with China’s The Return.

Iranian drama Castle Of Dreams, directed by Reza Mirkarimi, was presented with three of the top awards at this year’s Shanghai International Film Festival (Siff), including best feature.

The film, about a father who returns to his children after a long absence, was also awarded best director and the best actor prize (Hamed Saberi Behdad), which was shared with China’s The Return (Chang Feng). Mirkarimi’s credits include Under The Moonlight, which won the Critics Week Grand...

On the evening of June 23, the 22nd Shanghai International Film Festival Golden Jubilee Awards Ceremony was held at the Shanghai Grand Theatre.?

22nd Shanghai International Film Festival Awards winner list:

Best Feature Film

?Castle of Dreams? (Iran)

Jury Grand Prix

?Inhale-Exhale? (Georgia/Russia/Sweden)

Best Director

Reza Mirkarimi for ?Castle of Dreams?

Best Actor (joint winners)

Chang Feng for ?The Return? (China) and Hamed Saberi Behdad for ?Castle of Dreams? (Iran)

Best Actress

Salome Demuria for ?Inhale-Exhale? (Georgia/Russia/Sweden)

Best Screenplay?

Aleksander Lungin and Pavel Lungin for ?Brotherhood? (Russia)

Best Cinematography

Jake Pollock for ?Spring Tide? (China)

Outstanding Artistic Achievement

?Trees Under the Sun? (India)

Best Animation Film

?Ride Your Wave? (Japan)

Best Documentary Film

?Bridge of Time? (Latvia/ Lithuania/ Estonia)

Best Live Action Short Film

?Nowhere To Put? (China)

Best Animated Short Film

?La Noria? (Spain)

The Iranian film "Castle of Dreams" won the Best Film Award and Best Director Award.

Iranian family drama Castle of Dreams, directed by Reza Mirkarimi, dominated the key competition categories at the Shanghai International Film Festival's closing awards ceremony Sunday.

The film took the Golden Goblet prizes for best feature and best director, while its lead, Hamed Saberi Behdad, shared best actor honors with Chang Feng, star of Chinese drama The Return.

A jury led Turkish Palme D'or winner Nuri Bilge Ceylan decided Shanghai's winners this year. The jury, which included Chinese actress Tao Zhao and Italian director Paolo Genovese, described Castle of Dreams as "so sure of itself that it doesn't ...

Iranian family drama Castle of Dreams, directed by Reza Mirkarimi, dominated the key competition categories at the Shanghai International Film Festival's closing awards ceremony Sunday.

The film took the Golden Goblet prizes for best feature and best director, while its lead, Hamed Saberi Behdad, shared best actor honors with Chang Feng, star of Chinese drama The Return.

A jury led Turkish Palme D'or winner Nuri Bilge Ceylan decided Shanghai's winners this year. The jury, which included Chinese actress Tao Zhao and Italian director Paolo Genovese, described Castle of Dreams as "so sure of itself that it doesn't ...

China’s top film festival showered its highest three honors on the Iranian film “Castle of Dreams,” hours after U.S. President Donald Trump said his administration would on Monday impose “major additional sanctions” on Tehran.

“Castle of Dreams,” a drama about family, separation and keeping one’s promises collected a trio of prizes on Sunday night at the Shanghai International Film Festival. It won the Golden Goblet prize for best film, the best director prize for Reza Mirkarimi, and a shared best actor award for Hamed Saberi Behdad.

The almost unprecedented awards haul comes at a time when analysts say that Beijing and Tehran are likely to develop even closer cooperation as their respective relationships with the U.S. deteriorate. China is Iran’s largest trading partner, and Tehran’s willingness to stand up to U.S. pressure is partially due to ability to fall back on Beijing’s support.

When Academy Award time rolls around, Reza Mirkarimi has thrice been Iran’s go-to director for his emotionally involving tales of family life. Subtly written and sensitively directed, his new film Castle of Dreams (a.k.a. Shirin’s Castle, Ghasr-e Shirin) is another psychological drama that nimbly teases out the meaning of fatherhood and the responsibility it entails. It risks looking a trifle placid next to the acidic social dramas and heart-pounding police thrillers that are breaking new ground in Iran, but its appeal to audiences remains. It won two Crystal Simorghs for best screenplay and music at the national ...

When Academy Award time rolls around, Reza Mirkarimi has thrice been Iran’s go-to director for his emotionally involving tales of family life. Subtly written and sensitively directed, his new film Castle of Dreams (a.k.a. Shirin’s Castle, Ghasr-e Shirin) is another psychological drama that nimbly teases out the meaning of fatherhood and the responsibility it entails. It risks looking a trifle placid next to the acidic social dramas and heart-pounding police thrillers that are breaking new ground in Iran, but its appeal to audiences remains. It won two Crystal Simorghs for best screenplay and music at the national ...

“China has signed co-production agreements with 22 countries. Similar agreements between Iran and China are in the works, and will be signed by the end of this year,” said Miao Xiaotian, Gm of the China Film Co-Production Corporation on Monday.

Miao was speaking at the Shanghai International Film Festival, which is hosting a six-title Focus Iran section and panel discussions on deeper co-operation.

Reza Mirkarimi, director of Iran’s Fajr International Film Festival, gave an overview of Iranian film, covering its history and modern operation. One notable segment of the presentation he gave was a segment called “Who Calls the Shots,” in which he explained the organizations and government bodies that oversee the Iranian industry. At the top of the list is the Ministry of Culture and Islamic Guidance — the common acknowledgement of the need for censorship may be the ideological foundation of a China-Iran co-production relationship.

“China and Iran share...

The Shanghai International Film Festival unveiled a competition lineup Tuesday that features entries from countries ranging from Indonesia to Estonia – but not the U.S., which is engaged in an increasingly bitter trade war with China.

The government-affiliated festival, which runs June 15-24, will open with the premieres of two Chinese films: Huayi Bros.’ patriotic World War II epic “The Eight Hundred,” directed by Guan Hu, and “Chuanyue Shikong de Huhuan” by Zhang Jiarui, according to Chinese website Mtime. Actor Wu Jing – whose “Wolf Warrior II” and “Wandering Earth” are the top two earning films in Chinese film history – will be the festival’s ambassador.

Fifteen films from around the world will vie for the Golden Goblet Award in the main competition. Notable among them are “Many Happy Returns,” a new title directed by Germany-based Uruguayan filmmaker Carlos Morelli and produced by Germany’s Weydemann Brothers, and “Chicuarotes,” Gael Garcia...

36th Fajr International Film Festival announces the Winners

Closing ceremony of the 36th edition of Fajr international film festival was held in presence of Iran minister of culture and Islamic Guidance Abbas Salehi, head of cinema organization Mohammad Mehdi Heidarian, festival director Reza Mir Karimi, and prominent Iranian and international cinema individuals including Oliver Stone, Reza Kianian, Oliver Montagon, and many well-known personalities. Reza Mirkarimi director of the festival delivered a short speech and said nothing could be don…

Director Oliver Stone says Iran is the heart of Middle East for me and I’m astonished by its cinema

American movie director Oliver Stone arrived in Tehran Monday morning aiming to attend the 36th edition Fajr international film festival runs April 19–27 in Tehran, Iran. Stone hosted a workshop for filmmakers at Tehran University for the students craving to learn more and benefit from the knowledge and experiences of the prominent individuals.

Tommy Lee Jones will head the jury at this year's Tokyo International Film Festival (Tiff), organizers announced Tuesday at the lineup press conference.

Jones will be joined on the jury by Chinese actress Zhao Wei, Iranian director Reza Mirkarimi, French director/writer Martin Provost and local actor Masatoshi Nagase to judge the 15 features in the main competition. 

The opening film will be Fullmetal Alchemist, a live-action take on a popular manga/anime franchise, the first local production to open the event in a decade. Organizers were aiming for a big international film for the 30th edition of the festival, having settled for Florence...

Qiao Liang’s drama wins top prize at Moscow fest.

Chinese director Qiao Liang’s Crested Ibis has been named the winner of the Golden George Prize for best film at the 39th Moscow International Film Festival (June 22-29).

The award was handed out at a gala ceremony in the Russian capital’s Rossiya Cinema on Thursday evening (June 29).

Having its world premiere in Moscow, the drama, which follows a Beijing journalist who goes back to his hometown to report on the sighting of a rare bird, also puts a spotlight on the living conditions of rural China and the dilemmas faced by humanity.

The main competition’s international jury was headed by Iranian filmmaker Reza Mirkarimi and also included Italian actress Ornella Muti, German funding consultant Brigitta Manthey and Catalan director Albert Serra.

They also awarded a special jury prize to veteran Russian director Rustam Khamdamov’s The Bottomless Bag, based on Ryunosuke...

You see “Iran” and think certain things. You go to Iran and see the people, the shops, street activity, the environment, its museums and you forget the two things about it which shape your emotional reaction to it: politics and history. Being one of two Americans attending the Fajr International Film Festival makes me feel responsible for sharing my best moments with a broader public.

The Fajr International Film Festival is a gala affair, small enough to meet and share time with the many participants, both filmmakers and invitees from countries as diverse as Afghanistan, Bangladesh, Armenia, Turkey, Japan, Mongolia and Korea (and more!). I can only think of one other film event which offered such a luxurious array of experiences to go along with film watching (when Rosskino of Russia invited 25 U.S.distributors and us to Moscow and St. Petersburg and then repeated the event for Brics countries...

Tallinn Black Nights Film Festival or in native Estonian — PÖFF — winners were announced in one of the largest and most distinctive film events in Northern Europe.

The festival is a long one from November 11 to 27, 2016 to accomodate the public and it embraces a cluster of events, accommodating three full-blown sub-festivals (Animated Dreams, Just Film, Sleepwalkers) as well as international industry events bringing together filmmakers from all over the world.

The festival includes two international competition programs (Main Competition and First Features Competition), a traditional film festival program with documentaries and feature films as well as programs for short films, retrospectives and film related special events (concerts, exhibitions, talks and more).

The winners of this year’s festival are:

Main Competition Jury Members: Uberto Pasolini, Steen Bille, Fridrik Thor Fridriksson, Laura Birn, Kang Soo-Yeon, William Goldstei

Grand Prix for the Best Film (Bronze wolf statuette and a grant of 10,000 Euros, equally...

Iranian writer-director Reza Mirkarimi’s Today, Iran’s Oscar submission, has been screening at the International Film Festival Rotterdam (Iffr) this week.

Speaking at Iffr (Jan 21-Feb 1), Mirkarimi gave a relatively upbeat assessment of the Iranian film industry.

Under President Hassan Rouhani, he said, the filmmakers have been allowed to re-establish “The House Of Cinema,” the syndicate/guild to which almost every Iranian filmmaker and technician belongs. This is the non-governmental institution that defends filmmakers’ rights.

The syndicate was closed in 2011 when President Mahmoud Ahmadinejad was still in power but was re-opened under Rouhani in 2013. Meanwhile, Iranian directors are finding it easier to get their movies into cinemas - not least because of the lack of Hollywood competition.

“There is a supportive politics in Iranian cinema which does not allow American movies to be shown in the theatres,” he said. “The cinemas work for Iranian movie makers. Art movies have more opportunity to be shown.”

The director...

Iffr reveals Big Screen Awards nominees and the complete line-up for its Bright Future and Spectrum strands, including world premieres from the Us, China and the Netherlands.

Second Coming, starring Idris Elba and Nadine Marshall, has been named as one of 10 films up for the Big Screen Award at the International Film Festival Rotterdam (Iffr) (Jan 21 - Feb 1).

The UK film, written and directed by Debbie Tucker Green, will be vying for a prize of €10,000 ($12,000) awarded specifically to support theatrical distribution of the film in The Netherlands

The 10 nominees are from Iffr’s Bright Future and Spectrum programmes with the winner chosen by a specially selected audience jury. Other titles include Lisandro Alonso’s Cannes Fipresci winner Jauja and Carlos Vermut’s San Sebastian winner Magical Girl.

The nominees are:

I Swear I’ll Leave This Town, Danial AragãoJauja, Lisandro AlonsoKey House Mirror, Michael NoerThe Lesson, Kristina Grozeva, Petar ValchanovMagical Girl, Carlos VermutA...

The Palm Springs International Film Festival has increasingly become an important stop on the awards calendar for foreign language films. While the desert fest hands out an international critics prize, it’s more about the filmmakers getting a chance to rub shoulders with Academy members just before nominations ballots are due. The upcoming 26th annual fest is running January 2-12 and has announced the movies that will compete for the Fipresci prize in its Awards Buzz section. Fifty of the 83 official submissions for the Best Foreign Language Film Oscar are on the list with the titles chosen believed by festival programmers to be the strongest entries in this year’s Academy Awards race. A special jury of international film critics will screen the films and hand out a Fipresci for an individual title as well as Best Actor and Best Actress. While the fest doesn’t always match the eventual Oscar winner,...

The organisers of the 26th annual Palm Springs International Film Festival (Psiff) will screen 50 of the 83 foreign-language Oscar submissions.

A jury of international film critics will be convened to bestow the Fipresci Award for best foreign language film of the year, as well as best actor and best actress in this category.

Further film programmes will be announced in the coming weeks. Psiff is set to run from January 2-12.

The Awards Buzz selections in alphabetical order of country are:

A Few Cubic Meters Of Love (Afghanistan), Jamshid Mahmoudi:

Wild Tales (Argentina), Damián Szifrón;

Charlie’s Country (Australia), Rolf de Heer;

The Dark Valley (Austria), Andreas Prochaska;

Nabat (Azerbaijan), Elchin Musaoglu;

Two Days, One Night (Belgium-France-Italy), Jean-Pierre Dardenne, Luc Dardenne;

The Way He Looks (Brazil), Daniel Ribeiro;

Mommy (Canada), Xavier Dolan;

To Kill A Man (Chile), Alejandro Fernández Almendras;

The Nightingale (China), Philippe Muyl;

Mateo (Colombia), Maria Gamboa;

Cowboys (Croatia), Tomislav Mršić;

Behavior (Cuba), Director [link=nm...

Redmayne lauded for his portrayal of Stephen Hawking in The Theory of Everything.

Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.

This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.

Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.

The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for Best Director to Kyrgyzstan’s Marat Sarulu for Move...

Other prizes included a Best Actor prize for Eddie Redmayne for his portrayal of Stephen Hawking in The Theory of Everything.

Belgian director Gust van den Berghe’s Lucifer was presented with the Grand Prix – including a €10,000 grant from the City of Tallinn - at the 18th edition of the Black Nights Film Festival (Nov 14-30) at the weekend.

This is the first year that Tallinn’s International Competition was held with Black Nights now operating as a Fiapf-designated non-specialised competitive festival.

Van den Berghe’s third feature had its world premiere in Rome’s Cinema d’Oggi competition at the Rome Film Festival in October and is being handled internationally by the Paris/Mexico-based sales company Ndm.

The International Jury including Finnish actress Kati Outinen and film-makers Andrei Proshkin (Russia) and Tomasz Wasilewski (Poland) awarded the prize for Best Cinematographer to Erik Põllumaa for his work on Estonian film-maker Martti Helde’s In The Crosswind and for...

[This post is part of our continuing series on this year’s contenders for the Best Foreign Language Film Oscar. We're aiming to review (gasp) half of them. Here’s Amir with the Iranian entry, Today. He has also interviewed the director and discussed the film on his Iranian cinema podcast "Hello Cinema". - Editor]

Reza Mirkarimi is probably overdue for an Oscar nomination. Sure, his name doesn’t ring a bell for a lot of cinephiles and doesn’t carry the same weight as internationally renowned Iranian auteurs such as Kiarostami, Panahi or Asghar Farhadi, but consider this: He is the only filmmaker to have had his films shunned by both the Academy and the Iranian committee that submits them!

His first try for gold came back in 2005 with So Close, So Far, a meditative and moving portrayal of a broken father-son relationship. It was far stronger than all five of the eventual nominees but that was before voters in this category had begun to vote for what is actually best. Still, he had every reason to be hopeful in 2012 with A Cube of Sugar, a distinctly Iranian film with a regional flavor that surprisingly won awards at every festival it played at. Coming...

Every year Hollywood gets a curated batch of films from dozens of countries seeking an Academy Award nomination for Best Foreign Language Film. One film per nation is chosen to represent the best of its cinematic production during the previous year. Certainly the chosen film is not always the ideal candidate, but the reasoning behind the selection usually follows two patterns: there are countries that go with the best film even if this is not the most appealing choice and there are countries that go with the most ambitious, industry-friendly, and financially successful work. This year the astonishing number of submissions – a total of 83 – makes for an incredible list of films that range from those that sport festival pedigree of the highest caliber, unknown gems looking for an audience, expensive visual achievements, and obscure art house hopefuls.

This year more than most, there are a great number of films with serious possibilities. There is no unshakable front-runner, but there are numerous favorites. Yet, looking at last year’s 9 shortlisted films and eventual 5 nominees, nothing is written in stone. Critics and audience favorites like “ The Past” (Iran), “Gloria” (Chile), “Heli” (Mexico), and “Wadjda” (Saudi Arabia) were left out to include surprises like “The Missing Picture“ (Cambodia), “An Episode in the Life of an Iron Picker” (Bosnia & Herzegovina) or “The Notebook” (Hungary).

With Awards Season now in full swing and knowing that this is one of the most difficult races to follow, here is a comprehensive list that includes information for each of the 83 submissions. Below each poster you will find the title of the film linked to its page on IMDb Pro followed by the title in the original language; the director’s name also linked to his/her IMDb Page; the language the film is primarily in; the name of the U.S. distributor if there is one; the name of the film’s International Sales Agent (Isa) or Production Company (PC) linked to the film’s page on Cinando; and a link to the film’s trailer (most of them have English subtitles, others are only in the original language, and a few are videos related to the film because a trailer wasn't available). In addition, reviews and interviews with many of these filmmakers will be added regularly.

Before getting into the list, let’s take a look at some of the statistics and patterns among these 83 foreign language features.

Period Dramas/Biopics

Several countries selected films based on the lives of prominent local figures or great period pieces, both showcase the level of films being produced across the globe in terms of production value and scope. Mexico’s “Cantinflas,” Venezuela’s “The Liberator,” Kyrgyzstan “Kurmanjan Datka Queen of the Mountains,” Bolivia’s “Forgotten,” Indonesia’s “Soekarno,” Greece’s “Little England,” Macedonia’s “To the Hilt,” Hong Kong’s “The Golden Era,” Austria’s “The Dark Valley,” Switzerland’s “The Circle,” Bulgaria’s “Bulgarian Rhapsody,” Serbia’s “ See You in Montevideo,” Slovakia’s “A Step Into the Dark” and New Zealand’s “The Dead Lands” are some of the most expensive films ever made in their respective territories. All of them are epic productions that highlight an important historical period using impressive cinematography, a great number of extras, intricate costumes, lavish locations, detailed production design, as well as great battle sequences in several of them. Other more traditional biopics/period pieces on the list include France’s “Saint Laurent,” The Netherlands “ Accused,” Germany’s “Beloved Sisters,” Spain’s “Living Is Easy with Eyes Closed” and the Czech Republic’s “Fair Play”

Masters and Festival Winners

Not surprisingly many of the films on the list come into this race after winning important awards at international festivals. Furthermore, a handful of them are from master filmmakers, masters in the making, or unique new voices. These films include Belgium’s “Two Days, One Night” (Cannes, Telluride, Tiff, Nyff, AFI Fest) by the Dardenne Brothers, Canada’s “Mommy” (Cannes, Telluride, Tiff, AFI Fest) by prodigy Xavier Dolan, Chile’s “To Kill a Man” (Sundance, Rotterdam, Cartagena) by Alejandro Fernandez Almendras, Hungary's "White God" (Cannes) by Kornél Mundruczó, Norway’s “1001 Grams” (Tiff) by Bent Hamer, Poland’s “Ida”(Tiff, Sundance) by Pawel Pawlikowski, Russia’s “Leviathan” (Cannes, Telluride, Tiff, AFI Fest) by Andrey Zvyagintsev, Sweden’s “Force Majeure” (Cannes, Telluride, Tiff) by Ruben Östlund, and Turkey’s “ Winter Sleep” (Cannes, Telluride, Tiff) by Nuri Bilge Ceylan. All of these films have played at renowned international festivals and most have earned important recognition there.

Out of the Box

Whether they are aware of their actual possibilities at a nomination or not, each year a few countries take the risk of sending a film that defies convention despite having more safe choices. But that is not say they are entirely out of the race, films like “The Missing Picture” and “Dogtooth” prove that sometimes there is room for daring and unique filmmaking. With “Rocks in My Pockets” Latvia is the only country to submit an animated film this year. The film is an inventive and colorful look at depression. Then there is the almost-silent and highly poetic Ecuadorian entry “Silence in Dreamland” and Singapore’s musically driven drama “Sayang Disayang.” However, the boldest selection has to be the Philippines’ “Norte, the End of History” by acclaimed auteur Lav Diaz, which runs over four hours and is inspired by Dostoyevsky Crime and Punishment.

Documentaries

Only two countries chose to go with non-fiction entries. One of them is Panama’s “Invasion,” which deals with the aftermath of the U.S. intervention in that country in 1989. This is the Central American nation’s first ever Oscar submission. The other documentary contending is Portugal’s “ What Now? Remind Me,“ a self-portrait by filmmaker Joaquim Pinto exploring his struggles living with HIV. One should note that Portugal is one of the few countries in Western Europe to have never obtained a nomination in the category despite entering films consecutively for several decades.

Lgbt

Films with stories that highlight sexual diversity occasionally make their way into this list. Last year the only Lgbt title submitted was “ Soongava: Dance of the Orchids,” which surprisingly came from Nepal and dealt with the relationship between two young women in the traditional Asian society. This time around two countries selected films with similar themes. Brazil’s festival darling “ The Way He Looks” – a sweet coming-of-age tale- was an audacious choice among the many other films the South American country produces every year. Then there is Switzerland’s “The Circle” about a pioneering gay publication during the 1940s/1950s in Zurich and the real life relationship between two of its prominent members.

Surprising Choices

As it usually happens, some countries go against what the industry expects and decide to send films that weren’t on most people’s radars. Bulgaria for example selected “Bulgarian Rhapsody” by veteran director Ivan Nitchev over Sundance’s “Viktoria” by young female director Maya Vitkova. Similarly, Ukraine overlooked Cannes favorite “The Tribe”- a powerful drama entirely in sign language - and decided to go with “The Guide” by Oles Sanin. Nevertheless, the most shocking decision came from China. Instead of selecting a Chinese-directed film like Berlin’s Golden Bear winner “Black Coal, Thin Ice” or Zhang Yimou’s “Coming Home,” the Chinese selection committee chose “The Nightingale” by French director Philippe Muyl. Despite having a European helmer the film is authentically Chinese in terms of language and story, but it was still an unexpected move from the traditionally patriotic country.

First Timers

The unprecedented number of entries is in part due to the addition of countries submitting for the first time. Besides aforementioned Panama, there are three other debutant nations in the mix. Kosovo- a tiny Balkan state often associated with the rampart war that afflicted the region a few decades ago - is finally showcasing its film production. Their entry titled “Three Windows and a Hanging” is said to be a high quality, affecting drama. Malta - a European island nation near Italy - is often used as astonishing location for big budget studio films. This year, however, “ Simshar,” a great immigration drama will represent the country. Lastly, Mauritania – a prominently Muslim nation in Sub-Saharan Africa – selected Abderrahmane Sissako’s “Timbuktu,”which played in competition at Cannes,as their inaugural submission. Although Sissako has had several successful films at international festivals, this is the first time his country decides to participate.

Female Directors

Out of the 83 films, 14 were directed by women. That’s 17% of all entries. What’s more interesting is the fact that some of these films come from countries that are often seen as traditionally patriarchal societies. 3 Latin American entries were created by female directors: Colombia’s “Mateo,” Costa Rica’s “Red Princesses” and the Dominican Republic’s “Cristo Rey.” 4 from Asia: Hong Kong’s “ The Golden Era,” India’s “Liar’s Dice,” Japan’s “The Light Shines Only There,” and Pakistan’s “Dukhtar.” 2 from the Middle East: Israel’s “Gett: The Trial of Viviane Amsalem” (Co-directed) and Palestine’s “Eyes of a Thief.” Lastly, 5 films from Europe: The Czech Republic’s “Fair Play,” Finland’s “Concrete Night,” Latvia’s “ Rocks in My Pockets,” Malta’s “Simshar” and the Netherlands’ “Accused.”

U.S. Distribution

Another interesting fact is the number of these films that already have U.S. distribution. Several of them have actually already opened theatrically here, and others are set to open early next year. Out 83 films, 24 already have U.S. distribution. That’s 29% of all films. Hopefully that number increases by the end of the season. The films are: Argentina’s “Wild Tales,” Austria’s “The Dark Valley,” Belgium’s “Two Days, One Night,” Brazil’s “The Way He Looks,” Canada’s “Mommy,” Chile’s “To Kill a Man,” France’s “Saint Laurent,” Germany’s “Beloved Sisters,” Hungary’s “White God,” Israel’s “ Gett: The Trial of Viviane Amsalem,” Italy’s “Human Capital,” Latvia’s “Rocks in My Pockets,” Mauritania’s “Timbuktu,” Mexico’s “Cantinflas,” Norway’s “1001 Grams,” The Philippines “Norte, the End of History,” Poland’s “Ida,” Portugal's "What Now? Remind Me," Russia’s “Leviathan,” Spain’s “Living Is Easy with Eyes Closed,” Sweden’s “Force Majeure,” Switzerland’s “The Circle,” Turkey’s “Winter Sleep,” and Venezuela’s “ The Liberator.”

To see which distribution company has each of these films please refer to the list below.

Afghanistan

"A Few Cubic Meters of Love" (چند متر مکعب عشق)

Dir: Jamshid Mahmoudi

Language: Persian

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Argentina

"Wild Tales" (Relatos Salvajes)

Dir: Damián Szifrón

Language: Spanish

U.S Distribution: Sony Pictures Classics

Isa: Film Factory Entertainment

Trailer

Austria

"The Dark Valley" (Das finstere Tal)

Dir: Andreas Prochaska

Language: German

U.S Distribution: Film Movement

Isa: Films Distribution

Trailer

Australia

"Charlie's Country"

Dir: Rolf de Heer

Language: Yolŋu Matha/English

U.S Distribution: None Yet

Isa: Visit Films

Trailer

Azerbaijan

"Nabat"

Dir: Elcin Musaoglu

Language: Azerbaijani

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Bangladesh

"Glow of the Firefly" (Jonakir Alo)

Dir: Khalid Mahmood Mithu

Language: Bengali

U.S Distribution: None Yet

PC: Impress Telefilm

Trailer

Belgium

"Two Days, One Night" (Deux jours, une nuit)

Dir: Jean-Pierre Dardenne & Luc Dardenne

Language: French/Arabic

U.S Distribution: Sundance Selects

Isa: Wild Bunch

Trailer

Bolivia

"Forgotten" (Olvidados)

Dir: Carlos Bolado

Language: Spanish

U.S Distribution: None Yet

PC: Flor de Loto Pictures

Trailer

Bosnia & Herzegovina

"With Mom" (Sa mamom)

Dir: Faruk Loncarevic

Language: Bosnian

U.S Distribution: None Yet

PC: Scca/pro.ba

TraileR

Brazil

"The Way He Looks" (Hoje Eu Quero Voltar Sozinho)

Dir: Daniel Ribeiro

Language: Portuguese

U.S Distribution: Strand Releasing

Isa: Films Boutique Trailer

Bulgaria

"Bulgarian Rhapsody" (българска рапсодия)

Dir: Ivan Nitchev

Language: Bulgarian

U.S Distribution: None Yet

PC: Cinepaz Eood

Trailer

Canada

"Mommy"

Dir: Xavier Dolan

Language: French/English

U.S Distribution: Roadside Attractions

Isa: Seville International

Trailer

Chile

"To Kill a Man" (Matar a un Hombre)

Dir: Alejandro Fernández Almendras

Language: Spanish

U.S Distribution: Film Movement

Isa: Film Factory Entertainment

Trailer

China

"The Nightingale" (夜莺/Le promeneur d'oiseau)

Dir: Philippe Muyl

Language: Mandarin

U.S Distribution: None Yet

Isa: Kinology

Trailer

Colombia

"Mateo"

Dir: Maria Gamboa ♀

Language: Spanish

U.S Distribution: None Yet

Isa: Alpha Violet

Trailer

Costa Rica

"Red Princesses" (Princesas Rojas)

Dir: Laura Astorga ♀

Language: Spanish

U.S Distribution: None Yet

Isa: Latido Films Trailer

Croatia

"Cowboys" (Kauboji)

Dir: Tomislav Mrsic

Language: Croatian

U.S Distribution: None Yet

Isa: Wide

Trailer

Cuba

"Behavior" (Conducta)

Dir: Ernesto Daranas

Language: Spanish

U.S Distribution: None Yet

Isa: Latido Films

Trailer

Czech Republic

"Fair Play"

Dir: Andrea Sedlácková Andrea Sedlácková

Language: Czech

U.S Distribution: None Yet

Isa: IntraMovies

Trailer

Denmark

"Sorrow and Joy" (Sorg og glæde)

Dir: Nils Malmros

Language: Danish

U.S Distribution: None Yet

PC: Nordisk Film Production

Trailer

Dominican Republic

"Cristo Rey"

Dir: Leticia Tonos ♀

Language: Spanish

U.S Distribution: None Yet

Isa: The Little Film Company

Trailer

Ecuador

"Silence in Dreamland" (El Silencio en la Tierra de los Sueños)

Dir: Tito Molina

Language: Spanish

U.S Distribution: None Yet

PC: La Facultad

Trailer

Egypt

"Factory Girl" (فتاة المصنع )

Dir: Mohamed Khan

Language: Arabic

U.S Distribution: None Yet

PC: DayDream Art Production

Trailer

Estonia

"Tangerines" (Mandariinid)

Dir: Zaza Urushadze

Language: Estonian/Russian

U.S Distribution: None Yet

Isa: Cinemavault

Trailer

Ethiopia

"Difret"

Dir: Zeresenay Mehari

Language: Amharic

U.S Distribution: None Yet

Isa: Films Boutique Trailer

Finland

"Concrete Night" (Betoniyö)

Dir: Pirjo Honkasalo ♀

Language: Finnish

U.S Distribution: None Yet

Isa: Film Republic Trailer

France

"Saint Laurent"

Dir: Bertrand Bonello

Language: French

U.S Distribution: Sony Pictures Classics

Isa: Europacorp

Trailer

Georgia

"Corn Island" (სიმინდის კუნძული)

Dir: George Ovashvili

Language: Georgian/Abkhazian/Russian

U.S Distribution: None Yet

Isa: Arizona Productions

Trailer

Germany

"Beloved Sisters" (Die geliebten Schwestern)

Dir: Dominik Graf

Language: German /French

U.S Distribution: Music Box Films

Isa: Global Screen

Trailer

Greece

"Little England" (Μικρά Αγγλία)

Dir: Pantelis Voulgaris

Language: Greek

U.S Distribution: None Yet

PC: Black Orange

Trailer

Hong Kong

"The Golden Era" (黄金时代)

Dir: Ann Hui ♀

Language: Mandarin

U.S Distribution: None Yet

Isa: Edko Films

Trailer

Hungary

"White God" (Fehér isten)

Dir: Kornél Mundruczó

Language: Hungarian/English

U.S Distribution: Magnolia Pictures

Isa: The Match Factory

Trailer

Iceland

"Life in a Fishbowl" (Vonarstræti)

Dir: Baldvin Zophoníasson

Language: None Yet

U.S Distribution: None Yet

Isa: Films Boutique Trailer

India

"Liar's Dice" (लायर्स डाइस)

Dir: Geethu Mohandas ♀

Language: Hindi

U.S Distribution: None Yet

PC: Jar Pictures Trailer

Indonesia

"Soekarno"

Dir: Hanung Bramantyo

Language: Indonesian

U.S Distribution: None Yet

PC: Mvp Pictures

Trailer

Iran

"Today" (امروز )

Dir: Reza Mirkarimi

Language: Persian

U.S Distribution: None Yet

Isa: Dreamlab Films

Trailer

Iraq

"Mardan"

Dir: Batin Ghobadi

Language: Kurdish

U.S Distribution: None Yet

Isa: Versatile Trailer

Ireland

"The Gift" (An Bronntanas)

Dir: Tom Collins

Language: Irish/English

U.S Distribution: None Yet

PC: Rosg/De Facto Films

Trailer

Israel

"Gett: The Trial of Viviane Amsalem" (Gett: Le Procès de Viviane Amsalem)

Dir: Ronit Elkabetz ♀ & Shlomi Elkabetz

Language: Hebrew/French/Arabic

U.S Distribution: Music Box Films

Isa: Films Distribution

Trailer

Italy

"Human Capital" (Il Capitale Umano)

Dir: Paolo Virzì

Language: Italian

U.S Distribution: Film Movement

PC: Indiana Production Company

Trailer

Japan

"The Light Shines Only There" (そこのみにて光輝く)

Dir: Mipo Oh ♀

Language: Japanese

U.S Distribution: None Yet

Isa: Open Sesame

Trailer

Kosovo

"Three Windows and a Hanging" (Tri Dritare dhe një Varje)

Dir: Isa Qosja

Language: Albanian

U.S Distribution: None Yet

PC: CMb Productions

Trailer

Kyrgyzstan

"Kurmanjan Datka Queen of the Mountains" (Курманжан Датка)

Dir: Sadyk Sher-Niyaz

Language: Kirghiz

U.S Distribution: None Yet

PC: Aitysh Film

Trailer

Latvia

"Rocks in My Pockets" (Akmeņi manās kabatās)

Dir: Signe Baumane ♀

Language: Latvian

U.S Distribution: Zeitgeist Films

Isa: New Europe Film Sales

Trailer

Lebanon

"Ghadi" (غدي)

Dir: Amin Dora

Language: Arabic

U.S Distribution: None Yet

Isa: Fortissimo Films

Trailer

Lithuania

"The Gambler" (Lošėjas)

Dir: Ignas Jonynas

Language: Lithuanian

U.S Distribution: None Yet

Isa: Wide

Trailer

Luxembourg

"Never Die Young"

Dir: Pol Cruchten

Language: French

U.S Distribution: None Yet

Isa: EastWest Distribution

Trailer

MacEdonia

"To the Hilt" (До балчак)

Dir: Stole Popov

Language: Macedonian/French/English/ Turkish

U.S Distribution: None Yet

PC: Triangle Film- Skopje

Trailer

Malta

"Simshar"

Dir: Rebecca Cremona ♀

Language: Maltese

U.S Distribution: None Yet

PC: Kukumajsa Productions

Trailer

Mauritania

"Timbuktu"

Dir: Abderrahmane Sissako

Language: French/Arabic/Bambara/English/Songhay/Tamasheq

U.S Distribution: Cohen Media Group

Isa: Le Pacte

Trailer

Mexico

"Cantinflas"

Dir: Sebastian del Amo

Language: Spanish/English

U.S Distribution: Pantelion Films

Isa: 6 Sales

Trailer

Moldova

"The Unsaved" (La Limita de Jos a Cerului)

Dir: Igor Cobileanski

Language: Romanian

U.S Distribution: None Yet

Isa: Insomnia World Sales Trailer

Montenegro

"The Boys from Marx and Engels Street" (Djecaci iz ulice Marksa i Engelsa)

Dir: Nikola Vukcevic

Language: Serbian

U.S Distribution: None Yet

PC: Artikulacija Production

Trailer

Morocco

"The Red Moon" (القمر الأحمر)

Dir: Hassan Benjelloun

Language: Arabic

U.S Distribution: None Yet

PC: Bentaqerla

Trailer

Nepal

"Jhola" (झोला)

Dir: Yadav Kumar Bhattarai

Language: Nepali

U.S Distribution: None Yet

PC: Media for Culture

Trailer

The Netherlands

"Accused" (Lucia de B.)

Dir: Paula van der Oest ♀

Language: Dutch

U.S Distribution: None Yet

Isa: Fortissimo Films

Trailer

New Zealand

"The Dead Lands"

Dir: Toa Fraser

Language: Maori

U.S Distribution: None Yet

Isa: Xyz Films

Trailer

Norway

"1001 Grams" (1001 Gram)

Dir: Bent Hamer

Language: Norwegian/French/ English

U.S Distribution: Kino Lorber

Isa: Les Films du Losange

Trailer

Pakistan

"Dukhtar" (دختر، بیٹی)

Dir: Afia Nathaniel ♀

Language: Urdu

U.S Distribution: None Yet

PC: Zambeel Films

Trailer

Palestine

"Eyes of a Thief" (عيون الحراميه)

Dir: Najwa Najjar ♀

Language: Arabic

U.S Distribution: None Yet

PC: Ustura Films Trailer

Panama

"Invasion" (Invasión)

Dir: Abner Benaim

Language: Spanish

U.S Distribution: None Yet

Isa: Apertura Films Trailer

Peru

"The Gospel of the Flesh" (El Evangelio de la Carne)

Dir: Eduardo Mendoza de Echave

Language: Spanish

U.S Distribution: None Yet

PC: La Soga Producciones

Trailer

The Philippines

"Norte, the End of History" (Norte, Hangganan ng Kasaysayan)

Dir: Lav Diaz

Language: Tagalog/English

U.S Distribution: The Cinema Guild

Isa: M-Appeal World Sales

Trailer

Poland

"Ida"

Dir: Pawel Pawlikowski

Language: Polish

U.S Distribution: Music Box Films

Isa: Portobello Film Sales

Trailer

Portugal

"What Now? Remind Me" (E Agora? Lembra-me)

Dir: Joaquim Pinto

Language: Portuguese

U.S Distribution: The Cinema Guild

PC: C.R.I.M Productions

Trailer

Romania

"The Japanese Dog" (Câinele Japonez)

Dir: Tudor Cristian Jurgiu

Language: Romanian/Japanese

U.S Distribution: None Yet

Isa: M-Appeal World Sales

Trailer

Russia

"Leviathan" (Левиафан)

Dir: Andrey Zvyagintsev

Language: Russian

U.S Distribution: Sony Pictures Classics

Isa: Pyramide International

Trailer

Serbia

"See You in Montevideo" (Montevideo, vidimo se!)

Dir: Dragan Bjelogrlic

Language: Serbian/Spanish/ English

U.S Distribution: None Yet

PC: Intermedia Network

Trailer

Singapore

"Sayang Disayang"

Dir: Sanif Olek

Language: Malay/Indonesian

U.S Distribution: None Yet

PC: ReelJuice

Trailer

Slovakia

"A Step Into the Dark" (Krok do tmy)

Dir: Miloslav Luther

Language: Slovak

U.S Distribution: None Yet

PC: Trigon Production Trailer

Slovenia

"Seduce Me" (Zapelji me)

Dir: Marko Santic

Language: Slovenian

U.S Distribution: None Yet

PC: Radio-Television Slovenia

Trailer

South Africa

"Elelwani"

Dir: Ntshaveni Wa Luruli

Language: Venda

U.S Distribution: None Yet

Isa: EastWest FilmDistribution

Trailer

South Korea

"Haemoo" (해무)

Dir: Sung Bo Shim

Language: Korean

U.S Distribution: None Yet

Isa: Finecut

Trailer

Spain

"Living Is Easy with Eyes Closed" (Vivir es fácil con los ojos cerrados)

Dir: David Trueba

Language: Spanish

U.S Distribution: Outsider Pictures

Isa: 6 Sales

Trailer

Sweden

"Force Majeure" (Turist)

Dir: Ruben Östlund

Language: Swedish/English

U.S Distribution: Magnolia Pictures

Isa: Coproduction Office (Paris)

Trailer

Switzerland

"The Circle" (Der Kreis)

Dir: Stefan Haupt

Language: Swiss German/ German/ French

U.S Distribution: Wolfe Video

Isa: Wide House

Trailer

Taiwan

"Ice Poison" (冰毒)

Dir: Midi Z.

Language: Burmese/Chinese

U.S Distribution: None Yet

Isa: Flash Forward Enterteinment

Trailer

Thailand

"The Teacher's Diary" (คิดถึงวิทยา)

Dir: Nithiwat Tharathorn

Language: Thai

U.S Distribution: None Yet

Isa: Gth

Trailer

Turkey

"Winter Sleep" (Kis uykusu)

Dir: Nuri Bilge Ceylan

Language: Turkish/English

U.S Distribution: Adopt Films

Isa: Memento Films International

Trailer

Ukraine

"The Guide" (Поводир)

Dir: Oles Sanin

Language: Ukrainian/Russia/English

U.S Distribution: None Yet

PC: Pronto Film

Trailer

United Kingdom

"Little Happiness" (Uzun Yol)

Dir: Nihat Seven

Language: Turkish

U.S Distribution: None Yet

Isa: 7&7 Producers' Sales Services

Trailer

Uruguay

"Mr. Kaplan"

Dir: Álvaro Brechner

Language: Spanish

U.S Distribution: None Yet

Isa: Memento Films International

Trailer

Venezuela

"The Liberator" (Libertador)

Dir: Alberto Arvelo

Language: Spanish/English/ French

U.S Distribution: Cohen Media Group

Isa: Mundial

Trailer...

Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner among critics choices.

This year’s Talinn Black Nights Film Festival (Nov 13 – 30) will host a strand of 13 films curated by Screen International critics.

The strand includes Boyhood, Foxcatcher, Birdman, Phoenix, Mr Turner, The Tribe and ‘71.

Wendy Mitchell, editor of Screen International commented: “Screen International is proud to present our Critics Choice at Tallinn’s Black Nights Film Festival. 2014 has been a banner year for filmmaking, as evidenced by the diversity and quality of the global films our critics have championed, everything from the showbiz skewering of Birdman to a remarkable Ukrainian dialogue-free thriller, the Tribe.”

Screen International critics’ selection in the programme of Black Nights:

• “Tales” (Iran / director Rakhshan Bani Etemad)

• “Black Souls” (Italy / director Francesco Munzi)

• “The Wonders” (Italy, Switzerland / director Alice Rohrwac)

• “Eden” (France / director Mia Hansen Love)

• “A Pigeon sat on a branch reflecting on existence” (Sweden, Germany, Norway, France / director Roy Andersson)

• “Mr Turner” (United Kingdom / director...

The festival’s 25th edition will feature a contribution from Ai Weiwei and competition titles including Whiplash, Nightcrawler and Foxcatcher.

The Stockholm International Film Festival (Nov 5-16) is to present its Achievement Award to Us actress Uma Thurman.

The Kill Bill star will will visit Stockholm to receive the prestigious Bronze Horse and meet the audience during an exclusive “Face2Face”.

Thurman will also take part in the inauguration ceremony, which will include the unveiling of an ice sculpture by Chinese artist Ai Weiwei.

Weiwei was a Stockholm jury member last year but since he wasn’t allowed to leave China, he sent an empty chair named ”The Chair for Non-attendance” as symbol of his absence.

He is still not allowed to leave China so will send a design that will be portrayed in the form of a large ice sculpture symbolising this years’ Spotlight theme - Hope.

Brazil

The festival will focus this year on Brazil...

x

A record 83 countries have submitted films for consideration in the Foreign Language Film category for the 87th Academy Awards. Kosovo, Malta, Mauritania and Panama are first-time entrants.

The 2014 submissions are:

Afghanistan, “A Few Cubic Meters of Love,” Jamshid Mahmoudi, director;

Argentina, “Wild Tales,” Damián Szifrón, director;

Australia, “Charlie’s Country,” Rolf de Heer, director;

Austria, “The Dark Valley,” Andreas Prochaska, director;

Azerbaijan, “Nabat,” Elchin Musaoglu, director;

Bangladesh, “Glow of the Firefly,” Khalid Mahmood Mithu, director;

Belgium, “Two Days, One Night,” Jean-Pierre Dardenne and Luc Dardenne, directors;

Bolivia, “Forgotten,” Carlos Bolado, director;

Bosnia and Herzegovina, “With Mom,” Faruk Lončarevič, director;

Brazil, “The Way He Looks,” Daniel Ribeiro, director;

Bulgaria, “Bulgarian Rhapsody,” Ivan Nitchev, director;

Canada, “Mommy,” Xavier Dolan, director;

Chile, “To Kill a Man,” Alejandro Fernández Almendras, director;

China, “The Nightingale,” Philippe Muyl, director;

Colombia, “Mateo,” María Gamboa, director;

Costa Rica, “Red Princesses,” Laura Astorga Carrera, director;

Croatia, “Cowboys,” Tomislav Mršić,...

The Academy of Motion Picture Arts and Sciences announced on Thursday the final submissions for the Foreign Language Film category for the 87th annual Academy Awards. A record 83 countries have entered a film for consideration, including Kosovo, Malta, Mauritania, and Panama for the first time. Notable selections include Xavier Dolan's Canadian drama Mommy, a favorite at this year's Cannes, Sweden's Force Majeure, and the Russian retelling of the Book of Job, Leviathan, winner of the Best Screenplay award at Cannes. Nominations will be announced on Thursday, Jan. 15, ahead of the live telecast on ABC Sunday, Feb. 22, from Hollywood. Last...

The Academy of Motion Picture Arts and Sciences has released the list of submissions for the 2015 Best Foreign Language Film Academy Award. According to the Academy's press release, a record 83 countries have submitted films for consideration, including first-timers Kosovo, Malta, Mauritania, and Panama. Now, if only all those movies were made available for online viewing — or at least on DVD (outside of their respective countries). The 2015 Oscar nominations will be announced live on Thursday, January 15, at 5:30 a.m. Pt in the Academy's Samuel Goldwyn Theater in Beverly Hills. The 2015 Oscar ceremony will be held on Sunday, February 22, at the Dolby Theatre at Hollywood & Highland Center in Hollywood. In the United States, the Oscarcast will be televised live by ABC; additionally, the Oscars will be televised live in more than 225 countries and territories worldwide. See below the full list of 2015 Best Foreign Language Film Oscar submissions. Afghanistan, A Few Cubic Meters of Love,...

The Academy has announced the complete list of 2015 Foreign Language Oscar contenders for the 2015 Oscar awards and again its a new record, topping last year's record 76 submissions, this year the list reaches 83 total submissions. Kosovo, Malta, Mauritania and Panama are first-time entrants. I've seen a few more on the list than I did last year and I actually have to assume with the buzz from those I've seen they may end up being major players. I'm particularly happy to see Xavier Dolan's Mommy in the field from Canada and it's great seeing the hilarious Wild Tales submitted by Argentina. The Russian submission of Leviathan (Leviafan) came, I think, as a bit of a surprise to everyone considering its subject matter, which could be looked at as critical of its native country. The Dardennes' Two Days, One Night has received a lot of acclaim everywhere it has played and we...

The Academy has received a record 83 submissions for the Best Foreign-Language Film Oscar.

Last year, a record 76 countries submitted features and the eventual winner was Italian entry The Great Beauty, directed by Paolo Sorrentino.

Nine finalists will be shortlisted, which will be whittled down to five nominees that will be announced on Jan 15, 2015.

The awards ceremony will be held on Feb 22, 2015 in the Dolby Theatre, Hollywood.

The 2014 submissions are (in alphabetical order of country):

Afghanistan, A Few Cubic Meters Of Love, Jamshid Mahmoudi

Argentina, Wild Tales, Damián Szifrón

Australia, Charlie’s Country, Rolf de Heer

Austria, The Dark Valley, Andreas Prochaska

Azerbaijan, Nabat, Elchin Musaoglu

Bangladesh, Glow Of The Firefly, Khalid Mahmood Mithu

Belgium, Two Days, One Night, Jean-Pierre Dardenne and Luc Dardenne

Bolivia, Forgotten, Carlos Bolado

Bosnia and Herzegovina, With Mom, Faruk Lončarevič

Brazil, The Way He Looks, Daniel Ribeiro

Bulgaria, Bulgarian Rhapsody, Ivan Nitchev

Canada, Mommy, Xavier Dolan

Chile, To Kill A...

Keeping track of the Foreign Language submissions for the Oscars each year is something I constantly forget to keep on top of, but I have just done a full update as we are now up to 56 total submissions, only 20 shy of last year's record-breaking 76 submissions with only eight days to go before the October 1 submission deadline. Notable new entries on the list include Belguim's submission of Jean-Pierre and Luc Dardenne's festival favorite Two Days, One Night as well as Canada submitting Xavier Dolan's Mommy, which knocked the socks of Cannes audiences and did the same to me in Toronto this year (read my review here). It should also be noted France has submitted Bertrand Bonello's Saint Laurent instead of last year's buzzy title Blue is the Warmest Color, which missed the release date cut off date last year, making it eligible for this year's Oscars, but the...

Iran has selected Today as its candidate for the best foreign-language Film at the 2015 Oscars.  Directed by Reza Mirkarimi, Today tells the story of two strangers, an ageing taxi driver Youness (Parviz Parastui) and the desperate young pregnant woman (Soheila Golestani) he rushes to hospital at the end of his shift, neither of them knowing what fate awaits her.  Today had its international premiere at the Toronto Interntational Film Festival and also stars Shabnam Moghadami.  Born in Tehran, Mirkarimi is a well-respected director in Iran, his body of work includes The Child and The Soldier (1999), Under the

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If you wanted a snapshot of worldly issues then Tiff’s Contemporary World Cinema programme would certainly serve as a whirlwind passport. Loaded in Cannes Film Festival preemed items receiving their North American Premiere debuts (Jessica Hausner’s Amour Fou, Mélanie Laurent’s Breathe , Bruno Dumont’s P’tit Quinquin and Pascale Ferran’s Bird People are are just the tip of the iceberg) Tiff programmers have landed world premiere items from the likes of Cristián Jiménez, Ole Christian Madsen, Alex Holdridge & Linnea Saasen (we pic above) and Baran bo Odar. Along with the Canadian items mentioned last week, Here is the largest section’s offerings for 2014.

“Aire Libre,” Anahí Berneri, Argentina / International Premiere

“Amour Fou,” Jessica Hausner, Austria/Luxembourg/Germany / North American Premiere

“Behavior” (“Conducta”), Ernesto Daranas, Cuba / Canadian Premiere

“Bird People,” Pascale Ferran, France / North American Premiere

“Black Souls” (“Anime Nere”), Francesco Munzi, Italy / International Premiere

“Breathe” (“Respire”), Mélanie Laurent,...

This morning the Toronto Film Festival added several more films to their lineup including the world premiere of Thomas McCarthy's The Cobbler which stars Adam Sandler as a New York City cobbler who, disenchanted with the grind of daily life, stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. The film co-stars Method Man, Ellen Barkin, Melonie Diaz, Dan Stevens, Steve Buscemi and Dustin Hoffman. Additionally, Sundance standouts Infinity Polar Bear and Laggies starring Keira Knightley and Chloe Grace Moretz were added to the Gala selection. Joining The Cobbler as new additions to the Special Presentations field include Olivier Assayas' Clouds of Sils Maria starring Kristen Stewart and Juliette Binoche and Two Days, One Night from Luc and Jean-Pierre Dardenne and starring Marion Cotillard. Both films made a splash at Cannes earlier this year,...