जॉन मैकक्लेन अपने भटके हुए बेटे, जैक की मदद करने के लिए रूस जाते हैं, जहाँ उन्हें ज्ञात होता है कि जैक एक सीआईए ऑपरेटिव है को अंडरकवर काम कर रहा है, जिससे पिता और पुत्र अंडरवर्ल्ड की ताकतों ... सभी पढ़ेंजॉन मैकक्लेन अपने भटके हुए बेटे, जैक की मदद करने के लिए रूस जाते हैं, जहाँ उन्हें ज्ञात होता है कि जैक एक सीआईए ऑपरेटिव है को अंडरकवर काम कर रहा है, जिससे पिता और पुत्र अंडरवर्ल्ड की ताकतों के खिलाफ एकजुट होते हैं.जॉन मैकक्लेन अपने भटके हुए बेटे, जैक की मदद करने के लिए रूस जाते हैं, जहाँ उन्हें ज्ञात होता है कि जैक एक सीआईए ऑपरेटिव है को अंडरकवर काम कर रहा है, जिससे पिता और पुत्र अंडरवर्ल्ड की ताकतों के खिलाफ एकजुट होते हैं.
- पुरस्कार
- 5 जीत और कुल 8 नामांकन
Radivoje Bukvic
- Alik
- (as Rasha Bukvic)
Zolee Ganxsta
- MRAP Driver
- (as Ganxsta Doglegy Zolee)
कहानी
क्या आपको पता है
- ट्रिवियाThis was the first Die Hard film where the original script was explicitly written as an entry in the Die Hard series.
- The first Die Hard (1988) film was based the novel "Nothing Lasts Forever" by Roderick Thorp.
- डाई हार्ड 2 (1990) was first written as a script based on Walter Wager's novel '58 Minutes'.
- Die Hard: With a Vengeance (1995) famously took its basic idea from Jonathan Hensleigh's screenplay Simon Says.
- डाय हार्ड ४.० (2007) was retro-fitted from the original screenplay WW3.com, which was nearly filmed on its own merits before the 9/11 terrorist attacks caused it to be shelved.
- गूफ़All roads leading into the Chernobyl/Pripyat exclusion zone have military checkpoints - yet neither the villains or the heroes seem to have any trouble gaining access.
- भाव
John McClane: The shit we do for our kids. Yippee-ki-yay, motherfucker.
- इसके अलावा अन्य वर्जनThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making a number of cuts to both language and visuals. When the finished version of the film was submitted for formal classification, edits had been made to reduce the number of uses of strong language (both 'f**k' and 'motherf***er') and to reduce sequences of bloody violence, including blood sprays when characters are shot in the head, and punches to restrained individuals. The formal submission was consequently classified 12A.
- कनेक्शनFeatured in The One Show: 6 फ़रवरी 2013 को प्रसारित एपिसोड (2013)
फीचर्ड रिव्यू
In the early '80s and '90s, the "Die Hard" series of films were all about entertainment. Sure it's not a thought-provoking piece of art, but it's art done with class, integrity and art; these films were made at a time when action films were..actually..action films. They had no quick-style MTV editing that tries to pass itself off as "action", they were done with pure and honest craftsmanship with stunt men willing to put it all out for all to see. And for that aspect alone, they did a commendable job.
So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.
Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.
The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.
In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.
I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.
So now I look at A Good Day to Die Hard, with all the trappings that action films are known for and ostentatious hijinks that scream Michael Bay-esque action that reeks of his earlier films to date.
Bruce Willis plays McClane to a hilt, but that's all there is. No heartwarming moments, no instances of morality, no deep insights into why he kills his enemies, John McClane is just that. John McClane. A bravado of words and action that homages the earlier films.
The movie at times tries to be gritty and funny at the same time, but with such an inane screenplay and unfunny jokes, it becomes quite apparent that this film was simply not meant to continue the series. To try to adapt an relic of the '80s and '90s into a modern context with current technology, doesn't work anymore. The only exception to this is Rambo, where he was fighting against a brutal regime in Southeast Asia. It worked because the setting was raw in it's brutal intensity; plus Rambo is a timeless hero and much more plausible. John McClane is just a beefed-up Jack Bauer without the hero's legendary outbursts of anger when something goes wrong or impedes him from saving the day. Not once is there a chance for the viewer to root for McClane. He remains lifeless and stiff; the very opposite of his portrayal in the earlier films.
In an attempt to distance itself from its PG-13 predecessor, the film makers decided to make this film rated R. Yet it hardly saved the film from it's mediocre direction. I suspect this was due to the large backlash from audiences of Live Free or Die Hard, a film that was only a Die Hard film in name only, not a "true" Die Hard film, which is evident in the director's inability to handle the material.
I tried to keep an open mind, after the execrable LFODH, but after this, I hope Bruce and co. just hang up the wife beater for the final time. No more. John McClane is a hero of the past and should be left there for all time's sake.
- johnnymacbest
- 13 फ़र॰ 2013
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
Everything New on Hulu in December
Everything New on Hulu in December
There's a whole lot to love about Hulu's streaming offerings this month — get excited for brand-new series premieres and film favorites to watch at home.
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- अ गुड डे टू डाई हार्ड
- फ़िल्माने की जगहें
- बुडापेस्ट, हंगरी(as Moscow, Russia)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,73,49,198
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,48,34,845
- 17 फ़र॰ 2013
- दुनिया भर में सकल
- $30,46,54,182
- चलने की अवधि1 घंटा 38 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें